Composed by Ancient Irish Hymn; translated by Mary E. Byrne, Versified by Eleanor H Hull. Arranged by Andrea Neustaeter. Christian, Sacred, Wedding, Recital. Score. 6 pages. Published by Andrea Neustaeter (S0.195469). - Score - Christian,Sacred,Wedding,Recital - Andrea Neustaeter

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1454080 By Pentatonix. By Buddy Greene and Mark Lowry. Arranged by J Richardson. Advent,Chamber,Christmas,Pop,Spiritual. Brass Band. 29 pages. Jenny Richardson #1033254. Published by Jenny Richardson (A0.1454080). Experience the powerful and evocative rendition of Mary, Did You Know? as you've never heard it before, reimagined for a full brass band. Inspired by Pentatonix's hauntingly beautiful a cappella version, this arrangement brings a new dimension to the beloved Christmas classic, blending rich, resonant brass tones with intricate harmonies and dynamic contrasts.From the moment the first note sounds, you'll be captivated by the lush, full-bodied textures that only a brass band can provide. The arrangement opens with a serene and introspective solo, gradually building as each section of the band joins in, creating a tapestry of sound that is both majestic and intimate.Highlights include: Soulful Solos: Featuring emotive solos for flugelhorn and euphonium that echo the poignant vocal lines of the original. Rich Harmonies: The arrangement masterfully captures the intricate harmonies of Pentatonix, translated into the warm, powerful voices of the brass ensemble. Dynamic Interest: Experience the swelling crescendos and dramatic pauses that enhance the narrative of the song, leading to a powerful and triumphant climax. Versatile Performance: Perfect for holiday concerts, church services, and festive events, this arrangement is designed to showcase the versatility and expressive range of a brass band. Whether you're a conductor looking to add a unique piece to your repertoire, a brass band enthusiast, or simply a lover of Christmas music, this arrangement of Mary, Did You Know? promises to deliver an unforgettable listening experience. Elevate your holiday season with the profound beauty and majestic sound of a brass band performance that pays homage to one of the most touching Christmas songs of our time.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1045497 Composed by Irish Folk Song. Arranged by Mark R Lewis. Celtic,Folk,Irish,Sacred,Standards,Traditional. Octavo. 9 pages. Mark R Lewis #650074. Published by Mark R Lewis (A0.1045497). This ancient Irish text has been arranged by Mark R Lewis for baritone solo with 4 part men's harmony and optional bass handbells. The text is an old Irish poem and was translated by Mary E. Bryne in 1905. The tune is old Irish folk tune. The Baritone solo line is not too difficult though it does push towards the high end of the baritone range. The choir parts are not difficult at all and the optional handbell line is playable by one person but will be a challenge. If more than two people share the handbell part, it will not be difficult for them. Vocal range: Key of F Major ​ Baritone solo - 1+ octave (C3 to F4) Tenor 1 - 1 octave (E3 to D4) Tenor 2 - 1 octave (E3 to C4) Bass 1 - 1 octave (C3 to F3) Bass 2 - 1 octave (F2 to F3) Handbells: F3, G3, A3, Bb3, C4, D4.

Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 2 - Digital Download SKU: A0.913500 Composed by Ancient Irish Hymn and translated by Mary E. Byrne, Versified by Eleanor H Hull. Arranged by Will Price. Christian. Score and parts. 3 pages. Will Price #3094855. Published by Will Price (A0.913500). BE THOU MY VISION is a trio arrangement for two Alto Saxophones and a single Baritone Saxophone of this time-tested hymn. It is ideal as special music for a worship service and is especially suitable for beginning to intermediate saxophone students. It is written such that a piano can accompany with chordal support as well as the melody line to provide variety between the verses (3 pages).

Digital Download SKU: HX.312957 By Translated by Mary E. Byrne. Arranged by Dan Forrest. This edition: scorch. Blues,Celtic,Christian,Classical,Collection,Country,Easter,Gospel,Hymn,Inspirational,Irish,Jazz,Pop,Rock,Sacred,Warm-up,Wedding. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #63380. Published by Hal Leonard - Digital (HX.312957).

Digital Download SKU: HX.312957 By Translated by Mary E. Byrne. Arranged by Dan Forrest. This edition: scorch. Blues,Celtic,Christian,Classical,Collection,Country,Easter,Gospel,Hymn,Inspirational,Irish,Jazz,Pop,Rock,Sacred,Warm-up,Wedding. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #63380. Published by Hal Leonard - Digital (HX.312957).

By Translated by Mary E. Byrne. Arranged by Dan Forrest. Blues, Celtic, Christian, Classical, Collection, Country, Easter, Gospel, Hymn, Inspirational, Irish, Jazz, Pop, Rock, Sacred, Warm-up, Wedding. Choral Instrumental Pak. 3 pages. Published by Hal Leonard - Digital

Alto Saxophone,Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1268096 Composed by Unknown (Slane). Arranged by Ezra Knight. 21st Century,Christian,Contemporary,Jazz,Sacred. 5 pages. Ezra Knight #860651. Published by Ezra Knight (A0.1268096). Be Thou My Vision Saxophone & Piano Duet (Intermediate)  Text & Verse by Mary E. Byrne & Eleanor H. Hull Original Tune: Slane (Unknown Composer) Arranged by Ezra KnightThis Christian Hymn tune originates from Ireland as a folk tune known as Slane. As the composer of this hymn tune is unknown, folk song collectors regularly name the tune after the village it comes from, hence the name Slane. It was first published as With My Love on the Road by Patrick Joyce in 1909. The name most Christians know today, Be Thou My Vision, comes from Mary Elizabeth Byrne who translated an old Irish poem (Rop tú mo baile) in 1905. Today, the joined tune and text combination remain popular with many Christians around the world.

E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548731 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415185. Published by jmsgu3 (A0.548731). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia  

SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7540-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7540-E. Published by E. C. Schirmer Music Company - Digital (MQ.7540-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.� The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).

Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7542-E Composed by Derek Healey. Instrument part. 13 pages. E. C. Schirmer Music Company - Digital #7542-E. Published by E. C. Schirmer Music Company - Digital (MQ.7542-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.� The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).

Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7541-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7541-E. Published by E. C. Schirmer Music Company - Digital (MQ.7541-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.� The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).

Soprano Saxophone Solo - Level 2 - Digital Download SKU: A0.1172606 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wedding. Individual part. 2 pages. Fabio Eduardo #772838. Published by Fabio Eduardo (A0.1172606). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadEllen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German. It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.

Oboe Solo - Level 1 - Digital Download SKU: A0.1172618 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wedding. Individual part. 2 pages. Fabio Eduardo #772850. Published by Fabio Eduardo (A0.1172618). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadEllen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German. It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.

Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 1 - Digital Download SKU: A0.1290442 Composed by Eugene L Clark and Will Lee Thompson. Arranged by John Ivor Holland. 19th Century,20th Century,Chamber,Christian,Religious. 15 pages. John Ivor Holland #881154. Published by John Ivor Holland (A0.1290442). Softly and Tenderly is a Christian hymn, composed by Will L. Thompson in 1880 and based on the Bible verse Mark 10:49. Thompson was a member of the Churches of Christ, where several of his hymns and gospel songs continue in use. The hymn is the most widely known of his compositions and has circulated far beyond its origins in the American Restoration Movement. It is among the most prolifically translated gospel songs and is used throughout many denominations of Christianity. It was sung at the funeral of Martin Luther King Junior, as well as being featured in the films Urban Cowboy and Junebug, with countless recordings by artists such as Rosemary Clooney, Amy Grant and Carrie Underwood.