Choral Choir (2-Part) - Level 2 - Digital Download Composed by Medieval Latin Carol. Arranged by Gustav Holst, Laurie Betts Hughes. Christmas, Classical, Contemporary, Romantic Period, Sacred. Octavo. 7 pages. Dandelion Music Press #3106393. Published by Dandelion Music Press

Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1186632 By Voices With One Vision. By Billy Smiley, Gordon Kennedy, and Mark Gersmehl. Arranged by Richard Nicks. 20th Century,Chamber,Film/TV,Instructional,Patriotic. Score and part. 2 pages. Rick Szpak #786286. Published by Rick Szpak (A0.1186632). The Eagles' Victory Song, popularly known as Fly, Eagles Fly. is the fight song of the Philadelphia Eagles of the National Football League. Alto Sax and piano accompaniment. 

By The Singers Unlimited with the Oscar Peterson Trio. Arranged by Gene Puerling. Set of Parts. 27 pages. Published by University of North Texas - Gene Puerling Collection

Choral Choir,Choral (Unison) - Level 2 - Digital Download SKU: A0.1108615 Composed by Adrienne Inglis (ASCAP). A Cappella,Christian,Classical,Instructional,Sacred. 4 pages. Adrienne Inglis (ASCAP) #711261. Published by Adrienne Inglis (ASCAP) (A0.1108615). Perfect for a contemplative holiday occasion! Easy and satisfying for singers! Enjoy this Spanish/English bilingual to perform in one or both languages! Beautiful modal aleatoric setting of sacred text by Julian of Norwich suitable for any combination of voices accompanied by the nature soundtrack found at the YouTube link https://youtu.be/P3R2lLkAntE. A terrific introduction to aleatory, this gorgeous piece can include chimes or a pitched melodic instrument such as a flute.  Text from The Shewings of Julian of Norwich, Part III LXXXIII lines 3362-3364Thus I saw and understode that our feith is oure light in our night, which light is God, our endless day. Así vi y comprendí que nuestra fe es nuestra luz en nuestra noche, cuya luz es Dios, nuestro día sin fin. Program note — Composed by Adrienne Inglis (ASCAP) while sheltering in place during the coronavirus pandemic, Oure Light in Oure Night (2020) sets text by Julian of Norwich for voices with a nature soundtrack. The video format is designed especially for use by choirs singing remotely on an online platform such as Zoom, Cleanfeed, Jamulus, or other. Text is from The Shewings of Julian of Norwich, Part I LXXXIII lines 3362-3364:  “Thus I saw and understode that our feith is oure light in our night, which light is God, our endless day.� The soundtrack of night sounds changing to dawn reflects the message of hope in Julian’s text. Beginning with the sounds of dusk, the whispered words blend with insect sounds. The modal aleatoric passages create an atmosphere of echoing bells as voices overlap. As night passes into day, the modality changes and the insect night sounds shift to the dawn chorus of birds. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. When Julian was near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.� Her beautiful Medieval English words reassure us with the hope that our faith in God is our light in times of trouble. The composer donates all proceeds of this music to The Nature Conservancy at nature.org.https://www.youtube.com/@adrienneinglishttps://adrienneinglis.com/

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125371. Published by Kevin G. Pace (A0.701457). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/w68JlvntMjcI did not see the vision, Nor dream a prophet’s dream, I only saw the barren desert Stretch forth upon the scene.   I was not there when Brigham’s cane Touched the virgin ground Naming the spot the Lord had shown Where a temple would be found.   I did not hear the Lord’s own voice As over ocean waves I tossed, Nor spared the death of loved ones dear As the vast plains I crossed.   I only felt the Holy Spirit Telling me the work was true, So I obeyed the prophetic words Until my trek was through.   I helped dig the rocky soil Before the foundation was laid Then with shovel filled the gaping hole Before Johnston’s army stayed.   I did not see the temple’s spires I only saw the walls, I only shaped the granite stones With hammer, chisel, maul.   I coaxed oxen through the mud To move stones down a mountain side, I watched our leaders grow old in years, No temple finished before they died.   Now soon I too will join them Though I’ve labored oh so long, I’ll not see the rising spires Or sing praises in Hosanna song.   I’m just a common earthly man, A laborer in a cause so great, To generations yet unborn, I’m not one you’ll appreciate.   Through the years I’ve toiled and sweat, Shared blood and grief and tears, Obeyed the prophet’s call to serve Listened in faith, not fear.   Please do not take for granted As you walk through these carved doors, Or hear the echo of carpenters From stairs or roof or floors   The love and work that went into Many years of toil and prayer, Feel our spirits in the halls As you enter there.   Though the structure’s end I’ll not see, To others who this path may trod, Go forth with diligence and faith Till we finish the work of God.

Choral Choir (3-Part) - Level 3 - Digital Download SKU: A0.844645 Composed by Phil Beaman. Folk,Jazz,Spiritual. Octavo. 13 pages. Phil Beaman #4719605. Published by Phil Beaman (A0.844645). This piece is a Showstopper! Rock-a-My-Soul is a Choral piece based on the traditional folk/gospel/spiritual. I originally envisioned this piece for a Middle School Choir, but it works well with any group that wants to have fun. It is written in 3 part Treble clef which the conductor may assign as they see fit for their choir and performance. (Part 3 works very well with male voices.) Parts all stay within an octave from Middle C to C above.  This lively version uses many styles of jazz to drive this piece, yet there is also a recurring descending third ostinato which is the rocking comfort this piece imparts.   The piano part plays an important role in driving this piece and setting the moods. Each of the seven sections shifts the mood and jazz style but maintains a level of energy.  After completing the jazz arrangements of the traditional chorus I tried various ways to extend the piece. One day while working on this piece I saw a news clip about another school bullying incident. I immediately made the connection -- at its heart Rock-a-My-Soul is really about overcoming obstacles to find comfort and acceptance. So I wrote some additional lyrics to create an anti-bullying, anti-depression section. I have soloists deliver the main lines to make it personal and invitational then the choir backs them up, call and response style, with Everything's gonna be alright.  Lyrics throughout are all carefully worded so that the song may be used for either secular or sacred purposes. The context and location where it is sung will flesh out the implied and intended meaning. If sung in school it means you have friends here who accept you; if sung in your place of worship then it means that your God accepts you.Simple power, beauty and meaning all wrapped in joyous jazz!13 page score, 4:00 minute performancerecording is various excerpts of the accompaniment to show different stylistic sections

SATB choir, piano, and Spoken word, with optional violin, B-flat trumpet, and snare drum - Moderately Difficult - Digital Download SKU: MQ.1.3682-E Composed by Kyle Pederson. 9/11 Service, National Songs/Patriotic. 104 pages. Galaxy Music Corporation - Digital #1.3682-E. Published by Galaxy Music Corporation - Digital (MQ.1.3682-E). English.An exciting extended work by Kyle Pederson, centered around themes of social justice—inviting the choir and audience into a compelling vision of a world rooted in compassion, freedom, inclusivity and justice. This five-movement, genre-bending work is for SATB chorus, with piano, spoken word, and optional violin, snare drum, and trumpet. Texts by Langston Hughes, Walt Whitman, Robert Bode, Shanelle Gabriel, and Pederson invite the listener to reach out and build bridges of care and connection, that we might find a better way of being in community. That we might stand in solidarity with those whose voices are too often dismissed, regardless of their skin color, sexual orientation, faith background, or other characteristic. That we might not dismiss, disdain, and judge those whose politics are different from ours, but that we might make the uncomfortable effort to see them as people just as worthy of respect and dignity. Each of the five movements in the work can be performed as a stand-alone piece; and choirs are welcome to craft their own spoken word narration (poetry, speech excerpts, etc) throughout the work to explore themes and perspectives that most resonate for their community/audience.

3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB670 Composed by Anna Laura Page. Christmas. With 3 octaves handchimes, Flute. Score. 12 pages. Chorister's Guild - Digital #CGB670. Published by Chorister's Guild - Digital (C7.CGB670). UPC: 749193015582.Level 2 * Peace is the theme of this meditative setting. Groups may choose to present it as a stand-alone bell piece or to enhance it with the addition of a flute and/or a solo singer or SATB voices. The inclusion of two different texts adds to the flexibility. Techniques include mallets or thumb damps and LV. With only a few bell changes, developing choirs will be able to prepare this piece with limited rehearsal time.

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1285840 Composed by David Lantz. Praise & Worship,Sacred. 9 pages. Lantz Choral Publications #876970. Published by Lantz Choral Publications (A0.1285840). Intended use: GeneralThemes: Undying love, forgiveness, SustainerWhile adapting some of the text from the traditional Irish hymn, this anthem uses original music and largely original text. The text speaks of the comfort that comes in being a follower and asks the Lord to be our vision by day and by night. The music reaches a dynamic peak with the words, Jesus, my Lord, is all forgiving; for my sins He will atone. Use for general worship throughout the year.Also available for SATB voices.NOTE: The recording is that of the SATB version.

Small Ensemble Harp,Percussion - Level 3 - Interactive Download SKU: A0.1162271 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Children,Classical,Praise & Worship. Score and parts. 4 pages. Duration 127. Father Ambrose Press #3TtZWEqC1DqIELz7Vq9NMX. Published by Father Ambrose Press (A0.1162271). Key: C major.Adapted, commissioned work for soli choir, soloist(s) nd glockenspiel, harp/soli voices and bells... a versatile work meant to serve a church embracing a vision that includes an liturgical, confessional, historical bent...

SATB choir, piano - Moderately Easy - Digital Download SKU: MQ.8154-E Composed by Gwyneth W. Walker. 16 pages. E. C. Schirmer Music Company - Digital #8154-E. Published by E. C. Schirmer Music Company - Digital (MQ.8154-E). English.This new arrangement focuses on several, specific aspects of the lyrics, and of the journey. Envisioning that one is walking to that land, the piano introduction, in a swing rhythm, is marked At a strolling tempo. When the chorus enters, there is a bounce to their step, with the staccato dots coming each time on the word with- Come and go with me to that land...This is a jaunty expedition. One sees one's parents waiting in that land. Loving friends are there as well. A bit of scat singing and finger snapping adds to the energy.A slower middle section, in blues style, affirms that They'll be no slavery in that land. Shackles are thrown to the ground, and freedom breaks forth. This leads to a quick and energetic return to the gospel song, with a final refrain of They'll be singing in that land, voices ringing in that land!This is very American music, in a gospel, blues, and folk style.

SSA choir, Piano - Moderately Easy - Digital Download SKU: MQ.8224-E Composed by Gwyneth W. Walker. 15 pages. E. C. Schirmer Music Company - Digital #8224-E. Published by E. C. Schirmer Music Company - Digital (MQ.8224-E). English.This new arrangement focuses on several, specific aspects of the lyrics, and of the journey. Envisioning that one is walking to that land, the piano introduction, in a swing rhythm, is marked At a strolling tempo. When the chorus enters, there is a bounce to their step, with the staccato dots coming each time on the word with- Come and go with me to that land...This is a jaunty expedition. One sees one's parents waiting in that land. Loving friends are there as well. A bit of scat singing and finger snapping adds to the energy.A slower middle section, in blues style, affirms that They'll be no slavery in that land. Shackles are thrown to the ground, and freedom breaks forth. This leads to a quick and energetic return to the gospel song, with a final refrain of They'll be singing in that land, voices ringing in that land!This is very American music, in a gospel, blues, and folk style.

Brass Ensemble Euphonium,Trombone,Tuba - Level 3 - Digital Download SKU: A0.508206 Arranged by Eric Burger Music. Renaissance. Score and parts. 43 pages. Eric Burger Music #3514919. Published by Eric Burger Music (A0.508206). From Concerti (published in Venice 1587) This beautiful work is over 4 minutes of low brass choir splendor! Voices in 4 quartets, you can envision how Andrea Gabrieli created a new reality in music with over-laping harmonies, dramatic cadences and beautiful lines. View the score with playback at:https://youtu.be/w-BKrWdCndo This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my works, write me directly for a replacement.

C Instrument - Level 1 - Digital Download SKU: A0.1179379 By Voices With One Vision. By Billy Smiley, Gordon Kennedy, and Mark Gersmehl. Arranged by Jhonata Lino. Contest,Festival,March,Multicultural,Patriotic,Singer/Songwriter,World. Lead Sheet / Fake Book. 1 pages. Jhonata Lino #779348. Published by Jhonata Lino (A0.1179379). Sing to celebrate victory with The Eagles' Victory Song, (popularly known as Fly, Eagles Fly) is the fight song of the Philadelphia Eagles of the National Football League. The song is played following each Eagles touchdown during Eagles' home games at Lincoln Financial Field and as part of pre-game festivities before the playing of the national anthem.

Instrumental Duet,Viola,Violin - Level 1 - Digital Download SKU: A0.1179358 By Voices With One Vision. By Billy Smiley, Gordon Kennedy, and Mark Gersmehl. Arranged by Jhonata Lino. Contest,Festival,March,Patriotic,Traditional. 3 pages. Jhonata Lino #779332. Published by Jhonata Lino (A0.1179358). In this Violin and Viola duet you will get to celebrate victory with The Eagles' Victory Song, (popularly known as Fly, Eagles Fly) is the fight song of the Philadelphia Eagles of the National Football League. The song is played following each Eagles touchdown during Eagles' home games at Lincoln Financial Field and as part of pre-game festivities before the playing of the national anthem.