By William Barnett. For SATB choir. Sacred Anthem. Holy Week, Lent. Published by Laurel Press

Piano Solo - Level 3 - Digital Download SKU: A0.1030257 Composed by Gary William Barnett. Baroque,Classical,Instructional,Romantic Period,Standards. Score. 37 pages. Gary W Barnett #6141341. Published by Gary W Barnett (A0.1030257). The second book of the Tonal Sojourn series continues from where Book I left off (diatonic triads and NCTs). Book II begins with an introduction to diatonic seventh chords and segues to secondary dominants, secondary-leading tone chords, borrowed chords, the Neapolitan chord, augmented sixth chords, common-tone diminished chords, among others. The last compositions of Book II introduce common-chord, sequential, and common-tone modulations.

Piano Solo - Level 3 - Digital Download SKU: A0.1030259 Composed by Gary William Barnett. Classical. Score. 17 pages. Gary W Barnett #6572831. Published by Gary W Barnett (A0.1030259). These eight pieces are an attempt to give touch-screen keyboards and midi-controllers a place as legitimate practice and performance instruments in their own right. They have their own technical requirements apart from acoustic instruments, and in many instances surprising advantages. The first two pieces are intended for cell phone or any touch screen (one-octave range). Pieces #3-5 are for two octaves such as midi keyboards, and the last three, #6-8 are for a five-octave digital keyboard. I had a lot of fun practicing on a cell phone and midi controller, and found myself learning new approaches to keyboard technique with these ubiquitous, portable devices. .

Easy Piano - Level 3 - Digital Download SKU: A0.1030258 Composed by Gary William Barnett. Baroque,Classical,Instructional,Romantic Period,Standards. Score. 34 pages. Gary W Barnett #6141319. Published by Gary W Barnett (A0.1030258). I have written these 24 compositions with the aim of providing complete works (rather than excerpts) for harmonic analysis that utilize chords that follow a sequence commonly found in theory textbooks. Book I begins with Minuet in F Major, introducing the I and V triads in root position and contains nothing else but these chords. The next composition, Waltz in E major, continues with root-position I and V triads and introduces the root-position IV triad. In this successive fashion, each new composition introduces a new chord, carefully avoiding any chords reserved for future study while cumulatively building upon an ever-increasing chordal vocabulary. All twelve compositions in Book I are devoted to diatonic triads and begin exploring non-chord tones but do not have any seventh chords or secondary functional chords.