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Full orchestra - Grade 6 - Digital Download SKU: IZ.OMW072 Composed by Keith Dippre. Score and Parts. 239 pages. Imagine Music - Digital #OMW072. Published by Imagine Music - Digital (IZ.OMW072). 9 x 12 in inches.By Keith Dippre. Each of the three movements deals with symbols, specifically those that have autobiographical significance to the composer. The first movement, Klee on Loan, pays homage to the famous abstract expressionist painter. The gestures are traditional and all easily identifiable, from the sweeping Mahleresque beginning to the Bartok meets The Rolling Stones motifs found at mid movement. These are the composer's attempts to represent Klee's crosses and arrows through some familiar and abstract sound. Klee's genius, I believe, is found in his ability to make very generic symbols very abstract. The second movement, Roadside Memorial, is a musical journey that goes the route of a dangerous and ominous highway replete with roadside crosses and flowers. Present are the sounds of radio static and the motorist's attempts to find an interesting station in the midst of a punishing blizzard, all the while praying to make the trek safely home. Ikonoklastic is the third and least serious movement of the three, sporting a playful and somewhat schizophrenic waltz. There are childlike melodies set against more serious romantic style gestures. The blending of the serious with the less serious at times combines to create contrapuntal moments. The final movement is the most sublime of the four, and it is solely based upon a loping, adieu-like gesture. The line is continually recycling itself, and the piano takes the role of psychopomp as it escorts the movement to its out of body conclusion.
Ikons
Orchestre
Keith Dippre Each of the three movements deals with symbols, specifically those that have autobiographical significance to the composer
$90.00 78.75 € Orchestre PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.771707 Composed by Gregory Hamilton. 20th Century,Christian,Contemporary,Sacred,Spiritual. Score. 9 pages. Dr. Gregory Hamilton #32277. Published by Dr. Gregory Hamilton (A0.771707). The Lamentation, for solo Piano was inspired by a visit to a friends house. During the Lent, my friend had displayed an Ikon of the Lamentation of Christ. This ikon inspired me to create musical figures which expressed the drama of the ikon. The work should be performed with much drama. Some improvisatory details need the performer to 'complete' and fill in with the spirit of the work. The final quiet lyrical section is an extended meditation on the Passion and should be played with slow, Adagio cantabile style, with rubato and freedom. The work was premiered by the composer at the University of Dallas, April 21 2011. www.gregoryhamilton.org.
The Lamentation for Piano
Piano seul

$15.00 13.12 € Piano seul PDF SheetMusicPlus

Guitar - Level 3 - Digital Download SKU: A0.928057 By iKON. By Cheong Jae Lee, Han Bin Kim, Ji Won Kim, Rae Seong Choi, and Zero. Arranged by Vincent Ong. Contemporary. Guitar Tab. 4 pages. Prima Acoustic Music #6382319. Published by Prima Acoustic Music (A0.928057). This arrangement is in Em key, suitable for intermediate guitar learners.Love Scenario (Korean: ì‚¬ëž‘ì„ í–ˆë‹¤; RR: Sarang-eul haetda) is a song recorded by South Korean boy group iKon. It was released as the lead single of their second studio album, Return. The song won Song of the Year at the 2018 Melon Music Awards and 33rd Golden Disc Awards. It is recognized as one of iKon's signature songs.
Love Scenario
Guitare notes et tablatures
iKON
$6.00 5.25 € Guitare notes et tablatures PDF SheetMusicPlus

Choral 3-Part Mixed Chorus,Choir,Choral - Level 3 - Digital Download SKU: A0.1424197 Composed by traditional Ugandan. Arranged by Peter Mugga, Steven Paxton. Multicultural,World. 12 pages. Creative Spirit #1005381. Published by Creative Spirit (A0.1424197). DURATION: 2:00. KONIKONECO (3-Part Mixed chorus) is a traditional call-and-response song of the Teso people, who live in eastern Uganda and in western Kenya. The lyrics, from the Ateso language combined with borrowings from other languages and dialects, roughly translates as “Let us celebrate our schools, our learning, and our empowerment.” The piano accompaniment suggests the arpeggios typical of Ugandan hand-held harps (a’dungu). Other instruments, especially drums and shakers, may be added to the accompaniment, and the choral part itself includes body percussion in one section. (Also available for SATB or TTB chorus.).
KONIKONECO for 3-Part Mixed Chorus
Chorale 3 parties

$2.00 1.75 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir,Choral,TTB Chorus - Level 3 - Digital Download SKU: A0.1424192 Composed by traditional Ugandan. Arranged by Peter Mugga, Steven Paxton. Multicultural,World. 12 pages. Creative Spirit #1005376. Published by Creative Spirit (A0.1424192). DURATION: 2:00.  KONIKONECO (TTB) is a traditional call-and-response song of the Teso people, who live in eastern Uganda and in western Kenya. The lyrics, from the Ateso language combined with borrowings from other languages and dialects, roughly translates as “Let us celebrate our schools, our learning, and our empowerment.” The piano accompaniment suggests the arpeggios typical of Ugandan hand-held harps (a’dungu). Other instruments, especially drums and shakers, may be added to the accompaniment, and the choral part itself includes body percussion in one section. (Also available for SATB or 3-Part Mixed chorus.).
KONIKONECO for TTB chorus
Chorale 3 parties

$2.00 1.75 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1424195 Composed by traditional Ugandan. Arranged by Peter Mugga, Steven Paxton. Multicultural,World. 12 pages. Creative Spirit #1005379. Published by Creative Spirit (A0.1424195). DURATION: 2:00. KONIKONECO (SATB) is a traditional call-and-response song of the Teso people, who live in eastern Uganda and in western Kenya. The lyrics, from the Ateso language combined with borrowings from other languages and dialects, roughly translates as “Let us celebrate our schools, our learning, and our empowerment.” The piano accompaniment suggests the arpeggios typical of Ugandan hand-held harps (a’dungu). Other instruments, especially drums and shakers, may be added to the accompaniment, and the choral part itself includes body percussion in one section. (Also available for 3-Part Mixed or TTB chorus.).
KONIKONECO for SATB chorus
Chorale SATB

$2.00 1.75 € Chorale SATB PDF SheetMusicPlus


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