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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1213868 By 21 Savage Metro Boomin Feat. The Weeknd. By Chauncey Hawkins, Eithne Ni Bhraonain, Erick S Sermon, Mario Mendell Winans, Michael Carlos Jones, Nicky Ryan, Parrish Joseff Smith, and Roma Shane Ryan. Arranged by Jose Welligton Sousa de Castro. Multicultural,Pop,Wedding,World. 8 pages. Jose Welligton Sousa de Castro #811067. Published by Jose Welligton Sousa de Castro (A0.1213868). Looking for sheet music that will take your string quartet performance to the next level? Look no further than this captivating arrangement of Creepin' by 21 Savage Metro Boomin Feat The Weeknd, expertly arranged for string quartet by Welligton Sousa. This simplified arrangement is in the key of A Minor, making it accessible to players of all skill levels. With its modern style and urban edge, it's perfect for concerts with a contemporary pop repertoire, and is sure to captivate your audience. Whether you're looking to add a touch of modern flair to your classical repertoire, or to bring a fresh twist to your next concert, this sheet music is a must-have. Don't miss out on the chance to impress your audience with this exciting piece. Order now and get ready to rock the house!
Creepin' (with The Weeknd & 21 Savage)
Quatuor à cordes: 2 violons, alto, violoncelle
21 Savage Metro Boomin Feat The Weeknd
$12.99 12.41 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Large Ensemble Bass Guitar,Cello,Flute,Maracas,Piano,Triangle,Trombone,Voice,Woodblock - Level 3 - Digital Download SKU: A0.1518277 By Rebekah M. Sweet. By Rebekah M. Sweet. Arranged by Rebekah M. Sweet. 20th Century,Classical,Folk,New Age,Traditional. 14 pages. Rebekah M. Sweet #1092376. Published by Rebekah M. Sweet (A0.1518277). “The Crow”Score and Instrumentation Explanations “The Crow,” is an Avant Garde piece that plays on musical timbres of instruments to represent sounds, feelings, and animals. Flute-represents a bird’s call.Trombone-carries the sound and theme of the crow throughout the piece.Triangle-is the soft sound of noises in the woods, that are so low that they are often not heard.Maracas-represents the rattlesnake’s rattle when he is disturbed and angry.Wood Blocks-represent the sound of the woodpecker.Bass Guitar-is the background of the piece and sometimes the edgy feeling one gets when walking in (what they thought) was an empty forest.Piano-is the crow’s call.Tenor Voice-is meant to represent a cry in the forest but is only included twice in the piece.Cello-Is also the background music but gives one the feeling of coldness creeping upon them. The piece is meant to be slow, and eerie; maybe to some it sounds spacey.The glissandos for the Bass Guitar are to be played when the guitarist hits the first note and uses a glass cup against the string and slowly move it up and down the string to make a weird vibrato like sound.The glissandos for the Trombone are mainly the echoes of the forest that surround the person. It’s the crow’s call being echoed.The Piano can play with the crow’s call starting out loud then fading or diminishing as it also echoes in the distance. Not to be played too fast.The Flute can get louder as it repeats its lines.The Triangle is soft but not too soft. It must be able to be heard against the other instruments.The Cello may use as much vibrato or screech sounds as it wants with the use of the bow.The Tenor may use as much legato as they want.
The Crow
Rebekah M Sweet
$25.00 23.89 € PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital #3029087. Published by Cool Wind Music Digital (A0.841250). A setting of a very powerful poem by English poet, Ted Hughes, about the onset of autumn in an English (Yorkshire) garden and the surrounding countryside.  It is full of pathos and passion, harmony and dissonance, chaos and peace - just like English weather!This is a very individual and innovative choral setting of Hughes' poem which is, itself, rich in 'meaty' metaphor and colour - and the composer is a vegetarian! It evokes a savage Nature within a savage landscape where humans and animals compete for space and for food. It is October, the fields and woods and gardens of rural Yorkshire are readying themselves for the cold and desolation (and despair) of winter which isn't far away in time. 'A glass, half-filled with wine, left out(side) To the dark heaven all night, by dawn Has dreamed a premonition of ice across its eye as if the ice-age had begun its heave.'   That is only two and a half stanzas but you see from these lines that there are veiled threats of (Nature's) violence in the heavy tread of the poet's slowly-building angst over what is happening in the surrounding countryside - and his fear grows, and his awe grows, with every line. There is even fear underlining the very last line: 'And now it is about to start.' Winter is creeping closer and closer towards the house and it will not be pleasant to experience!I have tried to instil a little of this in the music which keeps skidding from consonance to dissonance and back to consonance. Sometimes the dissonance piles up, like snow driven by the wind piles up into deep banks; sometimes the music relaxes into stillness and calm (painted in tonal music) like a crisp, mild late autumn or early winter's day when the sun warms the landscape and life appears bearable, tolerable. I hope this adds to the song's 'charm'. It wasn't easy to write: sometimes the right music was elusive. The music ends with the word 'October' repeated three times, with voices overlapping in a little canon. This conjures up the wistful feelings of the poet as he looks out onto a peaceful scene, soon to be filled with all manner of 'natural violence', while his inner peace will soon be shattered by the mayhem about to be unleashed around him.Setting Ted Hughes is no easy task. It is for choirs and choirmasters to judge if I have succeeded in conveying the 'sense and sensibility' of a classic 20th century English poem.The price is for one copy: please purchase a sufficient number of scores if you intend to perform this work. SMP Press offers discounts for multiple-copy purchases.
October Dawn - Choral Song (SSAATB)
Chorale SATB

$3.00 2.87 € Chorale SATB PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
Where Eagles Dare (Theme) - Score Only
Orchestre

$14.99 14.32 € Orchestre PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1495484 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1072001. Published by Damien Gauci (A0.1495484). Whiskers ears prick up as he hears that he is not the only creature inside this mysterious house. His little heart begins to race which is reflected in the opening of this piece. Whiskers knows that he isn’t the only one in this house but he is curious as to who else might be in here. He finds a safe spot under a table but keeps his ears and eyes out to hear who might be creeping around.The footsteps stop and start, they sound small but he’s not too sure. Whiskers once again can’t help his curious nature and he decides to venture out and find who or what this other creature is that has the same idea to explore this house. He makes sure to keep his footsteps light to not bring any attention to himself and not scare away the other creature. He looks around one room, and then another, covering almost the entire house except the attic. Whiskers decides to climb up into to the attic to find out once and for all what this other creature is.
Suddenly, He Heard Footsteps Approaching
Piano seul
Damien Gauci
$6.00 5.73 € Piano seul PDF SheetMusicPlus






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