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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3444 Composed by Chs. Fisher. Afro-Americans, Caricatures, Slavery, Love, Death, Grief. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3444). I've Wandered By the Hut Side. Song & Chorus. By Chs. Fisher. Published 1855 by Stephen T. Gordon, 297 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Afro-Americans, Caricatures, Slavery, Love, Death, Grief. First line reads I've wandered by the hut side, where Nelly used to dwell.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
I've Wandered By the Hut Side. Song & Chorus
Chorale SATB
the Hut Side Song & Chorus
$5.99 5.7 € Chorale SATB PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
Where Eagles Dare (Theme) - Score Only
Orchestre

$14.99 14.27 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1258828 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV,Patriotic. 12 pages. Chris Siddall Music Publishing #852089. Published by Chris Siddall Music Publishing (A0.1258828). 1997’s Air Force One saw Harrison Ford’s president of the United States face off against Gary Oldman’s sinister Russian-rebel hijacker. With a plot that required a liberal suspension of disbelief, a serious action score was required. Composer Randy Newman was employed to provide his trademark essence of Americana, however after recording an hour of material for the movie, director Wolfgang Peterson felt Newman’s score carried the wrong tone for the picture and dropped him from the project. The release date was fast approaching, but veteran composer Jerry Goldsmith pledged to make an attempt to save the movie. With only twelve days in which to record a replacement score, he knew he couldn’t accomplish the task alone, and initially asked his son Joel to assist him.  Being unavailable, Jerry turned to rising composer Joel McNeely and the resulting score was exactly what Peterson was looking for.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
The Parachutes - Score Only
Orchestre

$9.99 9.51 € Orchestre PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.1505936 Composed by Carl Maria von Weber. Arranged by Albert Schwarzmann. 19th Century,Opera,Romantic Period. 203 pages. Edition Schwalbe #1081317. Published by Edition Schwalbe (A0.1505936). Der Freischütz is a German opera with spoken dialogue. It premiered on 18 June 1821 at the Schauspielhaus Berlin and is considered to be the first German  Romantic opera. The overture is in sonata form and may be regarded as a compressed tone poem about the Freischütz story. The arrangement is kept in the  original key of the composition for symphony orchestra and was commissioned and first time performed (without Euphonium and Tuba) by Mozarteum Wind  Philharmonic Salzburg conducted by Hansjoerg Angerer at their New Year's Concert on 6 January 2008 at the Great Hall of the Mozarteum Foundation in  Salzburg, then again at their Three Kings' Concert on 6 January 2018 at the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and  broadcasted live by Austrian television. A further repetition at the same event on 6 January 2024 again with live TV, now under the new name Salzburg Wind  Philharmonic underlines the great appreciation for this arrangement shown by the orchestra and conductor. Live recordings of the 2018 and 2024 concerts  are available at  https://www.salzburg-windphilharmonic.at/de/durch-die-waelder-durch-die-auen/ or https://www.jpc.de/jpcng/classic/detail/-/art/durch-die-waelder-durch-die-auen/hnum/10428715?iampartner=303&subid=umr14&ref=partner.jpc.de and https://www.salzburg-windphilharmonic.at/de/dreikonigskonzert-2024-aus-den-bergen/ .
Der Freischütz (The Freeshooter), Overture
Orchestre d'harmonie

$130.00 123.73 € Orchestre d'harmonie PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1290659 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 21 pages. RayThompsonMusic #881366. Published by RayThompsonMusic (A0.1290659). Arranged  standard wind quintetA  further selection of 9 pieces (Nos.8,10,11,15,16,17,19,20,& 21) from Sports et Divertissementsby Erik Satie arranged wind quintet.(N.B They ARE very SHORT!)something different for your wind quintet to try!Nos. 1 to 7 are available hereSports et divertissements (Sports and Pastimes) is a cycle of 21 short piano pieces composed in 1914 by Erik Satie.The set consists of a prefatory chorale and 20 musical vignettes depicting various sports and leisure activities. First published in 1923, it has long been considered one of his finest achievements.Musically it represents the peak of Satie's humoristic piano suites (1912-1915), but stands apart from that series in its fusion of several different art forms. Sports originally appeared as a collector's album with illustrations by Charles Martin, accompanied by music, prose poetry and calligraphy. The latter three were provided by Satie in his exquisite handwritten scores, which were printed in facsimile.This arrangement includes the following pieces:8.Le Yachting10.Le Carnaval11.Le Golf15.Le Pique-nique16.Le Water-chute17. Le Tango19.Le Flirt20.Le Feu d'Artifice21. Le TennisCheck out my other Satie arrangements:3 Gymnopédies and 3 Gnossiennes. ( sold separately and as collections).Also: Rag-Time du Pacquebot (Ragtime of the Steampacket) and Sonatina Bureaucratique.
Satie: A Further Selection of Nine Pieces from "Sports et Divertissements" - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$19.95 18.99 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.948136 Composed by Camille Saint-Saens. Arranged by Sam Bateman. Children,Contemporary,Romantic Period. Score and parts. 14 pages. Sam Bateman #3431445. Published by Sam Bateman (A0.948136). Imagine you are at the zoo, and you stumble upon the aviary. You go inside, and you notice there are a bunch of little birdies flying around, jittering away. But then there's this one bird that just won't shut up, but it doesn't annoy you, and it's a fascinating little creature with its own character and sense of humour. If you think that sounds crazy, then I'm sure if you purchase this piece and listen to its rich harmony of bird calls, you'll probably picture it just fine.If you'd like to hear some of my other arrangements, feel free to check out my YouTube channel, Sam Bateman's Music. If you would like to contact me for any inquiries or requests, feel free to email me at sambateman.music@gmail.com, and I'll respond back to you as soon as possible.
The Carnival of the Animals - 10. Aviary

$6.99 6.65 € PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1292757 By Dalva R. R. Barbosa. By Dalva R. R. Barbosa. 19th Century,Classical,Film/TV. Score. 8 pages. Dalva Regina Ribeiro Barbosa #883320. Published by Dalva Regina Ribeiro Barbosa (A0.1292757). Inside someone's dream is a solo piano piece. It's nothing scary or bizarre. It's a spiritual farewell. At first the piece even seems mysterious, after all someone is entering someone else's dream, but a dream full of good memories with very beautiful images. However, memories are also full of moments of revolt and indignation. After that bad memories’ moments, the spiritual shutdown begins, and they turned off in a hopeful way and departed each one of them for a new life.
Inside Someone's Dream
Piano seul
Dalva R R
$3.50 3.33 € Piano seul PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.15219 Composed by Frederick Buckley. Courtship & love, Families, Marriage proposals. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15219). Come in and Shut the Door. Song and Chorus. Composed by Frederick Buckley. Published 1862 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship & love, Families, Marriage proposals. First line reads Oh, do not stand so long outside, Why need you be so shy?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Come in and Shut the Door. Song and Chorus
Piano, Voix

$5.99 5.7 € Piano, Voix PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1363816 Composed by Ron Goodwin. Arranged by Kevin Riley. 20th Century,Film/TV. 56 pages. Kevin Riley #948214. Published by Kevin Riley (A0.1363816). Where Eagles Dare is a 1968 British-American action adventure war thriller spy film directed by Brian G. Hutton and starring Richard Burton, Clint Eastwood and Mary Ure. It follows a Special Operations Executive team of men attempting to save a captured American General from the fictional Schloß Adlerfortress, except the mission turns out not to be as it seems. It was filmed in Panavision using the Metrocolor process, and was distributed by Metro-Goldwyn-Mayer. Alistair MacLean wrote the screenplay, his first, at the same time that he wrote the novel of the same name. Both became commercial successes.The film involved some of the top filmmakers of the day and was shot on location in Austria and Bavaria. Hollywood stuntman Yakima Canutt was the second unit director and shot most of the action scenes; British stuntman Alf Joint doubled for Burton in many sequences, including the fight on top of the cable car; award-winning conductor and composer Ron Goodwin wrote the film score; and future Oscar-nomineeArthur Ibbetson worked on the cinematography. Where Eagles Dare received mostly positive critical reaction, with praise for the action sequences, musical score and the performances of Burton and Eastwood, and is considered a classic.
Where Eagles Dare (Theme)
Orchestre

$70.00 66.62 € Orchestre PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
String Quartet No. 3: Among Friends
Quatuor à cordes: 2 violons, alto, violoncelle

$36.00 34.26 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle

$8.00 7.61 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
Mysterious Moment for oboe and string trio

$8.00 7.61 € PDF SheetMusicPlus






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