Guitar, Guitar Tab - Early Intermediate - Digital Download By Koji Kondo. Arranged by Andrei Burdeti. Individual Part, Lead Sheet, Score, Set of Parts, Sheet Music Single, Solo Part, Tablature. 23 pages. Published by Burdeti Music Press

Electric guitar, 2 violas and cello - Digital Download SKU: S9.Q47102 For electric guitar, 2 violas and cello. Composed by Gavin Bryars. This edition: set of parts. Downloadable, set of parts. Duration 16 minutes. Schott Music - Digital #Q47102. Published by Schott Music - Digital (S9.Q47102). I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply and, pending a recording of this piece, Manfred Eicher asked if I might like to develop an instrumental work from this, using the same instrumentation for accompaniment and retaining the same opening bars as part of a new ECM album. The piece is after the Requiem therefore in the musical sense of being based on it, in the chronological sense of following on from it, and in the spiritual sense of representing that state which remains after mourning is (technically) over. I wrote the piece in Venice in September 1990 and finished it in Oslo on the day of the recording, where I added the electric guitar of Bill Frisell. This, I felt, blended particularly well with low strings (2 violas and cello). Coincidentally, having used certain distortion effects on the guitar, we found that we were recording on the twentieth anniversary of the death of Jimi Hendrix. Within the music I use one or two modified extracts from the Cadman Requiem itself, and from its common source Invention of Tradition, for which Bill Cadman had done the sound design. The piece is dedicated to the two Bills (Cadman and Frisell).

Electric guitar, 2 violas and cello - Digital Download SKU: S9.Q47101 For electric guitar, 2 violas and cello. Composed by Gavin Bryars. This edition: score. Downloadable, score. Duration 16 minutes. Schott Music - Digital #Q47101. Published by Schott Music - Digital (S9.Q47101). I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply and, pending a recording of this piece, Manfred Eicher asked if I might like to develop an instrumental work from this, using the same instrumentation for accompaniment and retaining the same opening bars as part of a new ECM album. The piece is after the Requiem therefore in the musical sense of being based on it, in the chronological sense of following on from it, and in the spiritual sense of representing that state which remains after mourning is (technically) over. I wrote the piece in Venice in September 1990 and finished it in Oslo on the day of the recording, where I added the electric guitar of Bill Frisell. This, I felt, blended particularly well with low strings (2 violas and cello). Coincidentally, having used certain distortion effects on the guitar, we found that we were recording on the twentieth anniversary of the death of Jimi Hendrix. Within the music I use one or two modified extracts from the Cadman Requiem itself, and from its common source Invention of Tradition, for which Bill Cadman had done the sound design.The piece is dedicated to the two Bills (Cadman and Frisell).

Solos. Scottish. E-book. 73 pages. Mel Bay Publications - Digital Sheet Music #30925EB. Published by Mel Bay Publications - Digital Sheet Music

Harmonica - Intermediate - Digital Download SKU: M0.30952MEB Solo. American Music. Ebook and online audio. 41 pages. Mel Bay Publications - Digital Sheet Music #30952MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30952MEB). ISBN 9781513474458. 8.75X11.75 inches.Among the various instruments for which the Beautiful American Airs and Ballads series was conceived, the diatonic harmonica is a standout. With or without the ôbendsö played by the author on the companion online recording, the 19 plaintive, single-note melodies in this book are guaranteed to engage the player and move the listener.áThe music herein is written in standard notation and blow/draw harmonica tablature for the diatonic harmonica in C. Suggested accompaniment chords are also provided. Using the tablature alone, this music can be played on any diatonic harmonica in a different harmonica key; for example, using a G or A diatonic harmonica, the instrument itself will make the mechanical transposition. The chords, however, would have to be transposed by the accompanist.Phil Duncan has written more than 40 harmonica books for Mel Bay Publications. He believes that participation is key to the enjoyment of music, and that the harmonica and tunes in this collection are the perfect vehicles for that participation.ôTunes like these may have been overlooked or forgotten in this stressful worldùbut playing them will help you regain and renew the sense of calm essential to our identity as Americansà Pick out a fewàpick up your harmonica and enjoy.öùPhil Duncan.

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1473148 Composed by P.D. Arranged by Jesse Ayers. Christian,Religious,Sacred,Traditional. 46 pages. Jesse Auers #1050770. Published by Jesse Auers (A0.1473148). A suite of four old hymns (each is available separately): Softly and Tenderly, There Is a Fountain, When I Survey the Wondrous Cross, and an uptempo Amazing Grace. (See Youtube link for a medley of excerpts from each.)I. SOFTLY AND TENDERLYA quiet setting expressing the longing of the Savior for us to “come home.” Beginning with unison men over a simple Copland-esque accompaniment, it contains both the traditional harmonization familiar to audiences, as well as some brief, striking sojourns to remote tonalities used to underscore texts such as “though we have sinned He has mercy and pardon.”II. THERE IS A FOUNTAIN – ARE YOU WASHEDAn a cappella medley of the title hymn along with “Are You Washed?” and “Nothing But The Blood.” It begins slowly and softly with unison women singing the opening phrase “There is a fountain….” Later, the tempo picks up into a camp-meeting style for the other two hymns.III. WHEN I SURVEY THE WONDROUS CROSSA cappella. Austere and stately. The first verse is set with the traditional harmonization, the second verse is dramatically re-harmonized to paint the text “See from His head, His hands, His side.”IV. AMAZING GRACE COLLAGEA joyous, celebratory, up-tempo setting that weaves numerous quotes of other hymns into the fabric of John Newton’s beloved text.

Composed by Edvard Grieg (1843-1907). Arranged by Paul Barker. Romantic Period, Contemporary Classical, Repertoire. Score, Set of Parts. 59 pages. Published by Paul Barker

Ukulele - Advanced Intermediate - Digital Download By Frank Sinatra. Arranged by Susan Howell. Sheet Music Single, Tablature. 4 pages. Published by Suekulele Press

Harp - Intermediate - Digital Download Composed by Traditional Irish. Arranged by Tiffany Schaefer. World, Folk, Celtic, St. Patrick's Day. 5 pages. Published by Tiffany Schaefer

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1428199 Composed by Bernardo Bernal. Folk,Multicultural,World. 21 pages. Aionios Musical #1009017. Published by Aionios Musical (A0.1428199). Tonada del Lamento - When I start to compose this work I was experimenting with modal harmonies. This is a Venezuelan Tonada from the plains in the style of the composer Simón Díaz, my biggest influence. The poem talks about a cowboy who lose his wife and his family and go across the savannah with a big pain in his heart. I include the chords to accompany with the Venezuelan Cuatro (small four-string folk guitar) for a better interpretation. Lyrics are in Spanish. Performance time: c. 4:00 minutes.FacebookYouTube

String Orchestra - Level 2 - Digital Download SKU: A0.1425853 Composed by Bernardo Bernal. Folk,Multicultural,World. 33 pages. Aionios Musical #1006616. Published by Aionios Musical (A0.1425853). Tonada del Lamento - When I start to compose this work I was experimenting with modal harmonies. This is a Venezuelan Tonada from the plains in the style of the composer Simón Díaz, my biggest influence. The poem talks about a cowboy who lose his wife and his family and go across the savannah with a big pain in his heart. I include the chords to accompany with the Venezuelan Cuatro (small four-string folk guitar) for a better interpretation. Lyrics are in Spanish. Performance time: c. 4:00 minutes.