Solo Guitar - Level 3 - Digital Download SKU: A0.1186028 By Johannes Brahms. By Johannes Brahms. Arranged by Erik Gibelyou. 19th Century,Children,Classical,Romantic Period,Wedding. Individual part. 2 pages. Erik Gibelyou #785652. Published by Erik Gibelyou (A0.1186028). Brahms’ Lullaby is one of the most well-known pieces of classical music. This tranquil cradle song perfectly captures the peace and innocence of a parent singing their child to sleep. This arrangement for solo guitar preserves those qualities: the famous melody is presented clearly with an accompaniment that maintains the texture and character of the original. Intermediate difficulty with some right-hand harmonics.   Arranged by Erik Gibelyou, who holds a Doctor of Musical Arts degree in classical guitar performance from the Eastman School of Music. Learn more at www.erikgibelyou.com.

Guitar - Level 3 - Digital Download SKU: A0.1186040 By Johannes Brahms. By Johannes Brahms. Arranged by Erik Gibelyou. 19th Century,Children,Classical,Romantic Period,Wedding. Guitar Tab. 3 pages. Erik Gibelyou #785697. Published by Erik Gibelyou (A0.1186040). Brahms’ Lullaby is one of the most well-known pieces of classical music. This tranquil cradle song perfectly captures the peace and innocence of a parent singing their child to sleep. This arrangement for solo guitar preserves those qualities: the famous melody is presented clearly with an accompaniment that maintains the texture and character of the original. Intermediate difficulty with some right-hand harmonics.   Arranged by Erik Gibelyou, who holds a Doctor of Musical Arts degree in classical guitar performance from the Eastman School of Music. Learn more at www.erikgibelyou.com.

Cello,Keyboard Accompaniment,Violin,Voice - Level 3 - Digital Download SKU: A0.1422133 By Alicia Keys. By Alicia Augello Cook. Arranged by Joás Erate. Pop,R & B,Soul,Wedding. 10 pages. Joas Erate #1003480. Published by Joas Erate (A0.1422133). Arrange for violin, cello, voice and chords from the If I Ain't Got You.

Concert Band - Level 1 - Digital Download SKU: A0.1435814 Composed by Brian Harris. Arranged by Brian Harris. Christmas,Holiday,Instructional,Traditional. 26 pages. HMS Music #1015909. Published by HMS Music (A0.1435814). ___________________________With a nice minor mode sound and a propelling timpani line, TIDINGS OF JOY opens with God Rest Ye, Merry, harmonized in drone fashion, then features a soli middle section of Pat-a-Pan for which you audition the players who get to play this more difficult middle section (keeps your best players challenged!) while the rest of the band vocalize a single pitch on ahh. The piece then recaps with God Rest You Merry with a slightly fuller instrumentation and a simple flute obligato line.FEATURES: Melody opportunities for all wind parts; Multiple percussion parts give colorful sound; timpani provide bass ostinato; Students sing ahh on a single note - great for improving intonation!; Soli section in middle will motivate players to learn the part so they get to play the melody (keeps your better players challenged); Low brass parts are very simple.RANGES: C minor (3 flats). Some Clarinets play low G and F (m. 14 and 48) - put your best players on these low notes and have rest play the comfortable notes of D and C.CHALLENGES: Appropriate for young players who have encountered eighth-notes and the key of E-flat; Independence of lines (melody played with/against simple bass and accompaniment; simple flute obligato line in last section); Some slurs and eighth-notes; Key/few accidentals (mostly in flutes, oboe, clarinet, and trumpet); A few extended range notes for some parts.INSTRUMENTATION: includes Full Conductor Score (8 pages) and PARTS (16 pages): one each for Flute, Oboe, Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet, Horn in F, Trombone/Euphonium/Bassoon, T.C. Euphonium, Tuba, Percussion 1 (Suspended Cymbal/Tenor Drum, Bass Drum), Percussion 2 (Triangle, Finger Cymbals), Timpani (3 or 4 drums), Bells/Tambourine, Chimes.PERCUSSION: parts to occupy 9 or more players; playable by as few as four players.MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, 2 Clarinets, Alto Sax, Trumpet, 1 Percussion (Timpani), and 2 bass voices (Voice 1: Trombone, Horn, or Tenor Sax; Voice 2: Bassoon, Bass Clarinet, Bari Sax, or Tuba).NOTE: This Digital Download document is assembled with the Clarinet part appearing as page 1 so you may view it as you listen to the sound file. When you print the full document (25 pages, total), the first page to print will be the Clarinet part, followed by the FULL SCORE, then the remaining PARTS. Also included is a SITE LICENSE granting permission to photocopy as many SCORES or PARTS as needed for use by your school. (BcP-YB)___________________________Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at public school and college levels. ___________________________Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________.

Soloists, Choir and Orchestra - Digital Download SKU: S9.Q49181 Lieder der Vergänglichkeit for three soloists (SMezBar), mixed choir and orchestra. Composed by Krzysztof Penderecki. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 55 minutes. Schott Music - Digital #Q49181. Published by Schott Music - Digital (S9.Q49181). German.The form of this work is not so much based on the classical symphony, but is closer to a song cycle structure which has now grown to include 13 movements for choir and orchestra. The Romantic characteristics and form of the 8th Symphony are both reminiscent of Gustav Mahler’s choral symphonic works and his Lied von der Erde. Krzysztof Penderecki here extends and augments his expressive musical material, for example through cluster techniques and glissandi, possibilities which he has been systematically exploring since the 1950s. He has compiled the texts from poetry by Eichendorff, Rilke, Brecht, Kraus, Hesse, Goethe, Bethge and von Arnim on the theme of ’forests and trees’, which has long been close to his heart as demonstrated by his private arboretum near Luslavice (’my personal Ithaca’) containing over 1500 species of trees.3 (1. auch Bambusfl. ad lib., 2. auch Altfl., 3. auch Picc.) · 2 · Engl. Hr. · 3 (1. und 2. auch in A, 3. auch in Es und Bassklar.) · 2 · Kfg. - 4 · 3 · 3 · 1 - P. S. (Glsp. · Xyl. · Marimba · Röhrengl. · Kirchengl. · Trgl.-baum · Schellenbaum · Crot. · Beckenpaar · 4 hg. Beck. · 2 Tamt. · Schellentr. · Mil. Tr. · gr. Tr. m. Beck.) (4 Spieler) - Hfe. · Cel. - Str. - Im Saal: Basstrp.

Cello (cello 2 ad libitum) - very easy to easy - Digital Download Accompaniment by a second Violoncello. Composed by Friedrich August Kummer (1797-1879). This edition: Sheet music. Etudes, exercises, study works. Essential Exercises. Downloadable. Op. 60, Op. 1 (Nr. 1-57). Schott Music - Digital #Q46514. Published by Schott Music - Digital

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55th�—under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song� most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio� section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweigh�, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March King�, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata form�, and even the modern formal designation of “recapitulating march� alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55th�, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Forever�) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th� an appropriate and even artistic concert march.

Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.900895 By Ray Charles & Betty Carter. By Frank Loesser. Arranged by Robert Moody. Film/TV. 2 scores. 3 pages. Robert Moody #3384665. Published by Robert Moody (A0.900895). What a fun duet for the winter! This arrangement is for two Bb clarinets using the Idina Menzel & Michael Bublé accompaniment from Karaoke-Version.com.  The first clarinet range is from A2 (second space) to D3 (above staff).  The second clarinet range is from A1 (below staff) to F#3 (top line of staff).Remember to relax and swing with this delightful and rewarding duet that has entertained millions since 1944!

Woodwind Ensemble - Level 4 - Digital Download SKU: A0.835881 By Joe Chindamo. By Henry Mancini. Arranged by Paul Burnell. Contemporary. 13 pages. Paul Burnell #6487217. Published by Paul Burnell (A0.835881). Lujon, Henry Mancini, arranged by Paul Burnell for instruments in two parts (duet).Duration 2:30Download comprises both score and parts.The arrangement is suitable for multiple duet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, G, Bb, Eb, F (Alto Flute, Bb Clarinet, Alto Saxophone, Horn in F, Trumpet, Violin, Viola)Part 2: C, Bb, Eb, (Bass Clarinet, Bassoon, Tenor Saxophone, Trombone, Eb Bass, Marimba, Cello)Any other appropriate instruments, even if not suggested above, may play.The unpitched sounds in Part 1 at the beginning and end of the piece will be determined by the instrument being played.Play notes within brackets if the main notes are out of range or impractical. Two notes have been added as options to the sustained note in the melody to fill out the harmony at bars 13-14 and 31-32.Chord symbols are presented in the score and may be used by a keyboard player to provide an harmonic accompaniment. Chord symbols are also presented in the parts to enable improvisation or to suggest alternate harmony notes.This arrangement retains the key of the original composition.Programme note:'Lujon' (also known as 'Slow Hot Wind') is a composition by US composer Henry Mancini (1924 - 1994). A recording of the piece was included on Mancini's 1961 album 'Mr. Lucky Goes Latin'. The title comes from the lujon percussion instrument invented by William Loughborough and which is played on the album recording. The lujon derived its name from 'John Lewis' - the American jazz pianist who bought the first instrument from Loughborough.

Guitar - Level 1 - Digital Download SKU: A0.1430004 By Brad Breeck. By Brad Breeck. Arranged by Kyle Gray Young. 21st Century,Film/TV. Guitar Tab. 1 pages. Kyle Gray Young #1010617. Published by Kyle Gray Young (A0.1430004). This is the main title theme from Gravity Falls arranged for guitar. This is a lead sheet style with the melody in standard notation and tablature. There are also chord names for accompaniment.

Lever Harp - Level 4 - Digital Download SKU: A0.1426525 By Aiga Helmer. By Aiga Helmer. Arranged by Aiga Helmer. 20th Century,Chamber,Contemporary,Contest,Festival,Latin. Score. 4 pages. Aiga Helmer #1007225. Published by Aiga Helmer (A0.1426525). This 4-page and almost 5 minute long original composition for solo lever or pedal harp in G minor has chord symbols attached for optimal accompaniment. As the piece is quite long, a shortened MP3 sound sample of 2 1/2 min. is included. Those caves in the Provinc of Malaga  are like a giant cathedral  and very impressive which I try to express in the music.  The harp plays  the few bars with  bisbigliando notes (rapid arpeggios)  quite well.  The tempo changes from 6/8 to 4/4 on the last page .

Voice - very easy to easy - Digital Download From the 13th century to the present day. This edition: Sheet music. Schott Best Of. Downloadable. Schott Music - Digital #Q45896. Published by Schott Music - Digital

C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.

String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.