String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1203853 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 8 pages. Jmsgu3 #802416. Published by jmsgu3 (A0.1203853). Score and performance parts:  Score: 4 pages. Duration: ca. 2:35 minutes.Contents: AndanteBeethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.

String Orchestra - Level 2 - Digital Download SKU: A0.1209126 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 16 pages. Jmsgu3 #807240. Published by jmsgu3 (A0.1209126). 6. Allegretto quasi andante.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 6 of Beethoven's Op. 33 is a short Allegretto that is characterized by its playful and light-hearted nature. The piece is in the key of D major and is written in a binary form, consisting of two sections that are repeated. The first section is in a brisk andante tempo and features a playful melody that is accompanied by a simple, yet effective, harmonic progression. The second section is more subdued and features a more lyrical melody that is accompanied by a more complex harmonic progression. The piece is notable for its use of syncopation, which adds to its playful character. Overall, Bagatelle No. 6 is a charming and delightful piece that showcases Beethoven's skill as a composer of small-scale works.

Oboe,Piano - Level 5 - Digital Download SKU: A0.1386502 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 pages. Jmsgu3 #970386. Published by jmsgu3 (A0.1386502). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.

Brass ensemble 2 Trumpets - Digital Download SKU: LX.30-2328R Transcribed and Edited for B-flat or C Trumpets. Composed by George P. Telemann. Edited by David Cooper. 56 pages. Roger Dean - Digital #e30/2328R. Published by Roger Dean - Digital (LX.30-2328R). Originally written for two flutes or recorders, Dr. Cooper has edited and prepared these to be beautiful teaching pieces for two trumpets. While they are titled “suites,� they are organized more like sonatas in the fast/slow/faster movement format. These duets are unique in that they are canonic; this might suggest simplicity, but these duets are anything but simplistic. Many of the duets incorporate chromaticism while others modulate. Both players have an equal role in each piece as a duet, and the music sounds complete even with only one player. This allows these pieces to be practiced as solo etudes and as duets. A Performance/Accompaniment CD is included allowing the player to hear a complete duet performance and also to play along as either trumpet 1 or 2.

Cello,Piano,Viola,Violin - Digital Download SKU: A0.1067513 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Spiritual. Accompaniment. Duration 178. Connie Boss #6429821. Published by Connie Boss (A0.1067513). This is an mp3 of a lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. Purchase the sheet music on here.  cdboss@cvalley.net Bring a Torch Jeanette, Isabella French Carol Arranged by Connie Boss   Bring a torch Bring a torch Bring a torch Bring a torch Jeanette, Isabella.   Bring a torch, Jeanette, Isabella! Bring a torch, to the stable call Christ is born, tell the folk of the village Jesus is born and Mary's calling. Ah![a] Ah! Beautiful is the Mother! Ah! Ah! Beautiful is her Child   Who is knocking on the door? Who is it, knocking like that? Open up, we've arranged on a platter Lovely cakes that we have brought here Knock! Knock! Open the door for us! Knock! Knock! Let us celebrate!   It is wrong when the Child is sleeping, It is wrong to speak so loud. Silence, now as you gather around Him Lest your noise should waken Jesus. Hush! Hush! See how He slumbers; Hush! Hush! See how He's fast asleep!   Softly now unto the stable, Softly for a moment come! Look and see how charming is Jesus, Look at Him there,] His cheeks are rosy! Hush! Hush! See how the Child is sleeping; Hush! Hush! See how He smiles in His dreams

B-Flat Clarinet Solo - Level 5 - Digital Download SKU: A0.581993 Composed by Sigfrid Karg-Elert. Arranged by John Gibson, editor. 20th Century,Contemporary,Instructional. Individual part. 40 pages. JB Linear #3885595. Published by JB Linear (A0.581993). Sigfrid Karg-Elert (1877 – 1933) was an instructor of music theory and composition at the Leipzig Conservatory. He wrote his 30 Caprices for a flautist friend in 1918 and they have since become standard etudes for flute students. With some editing as to range and technical issues arising between the flute and the clarinet, they also work well for clarinet. There were three caprices omitted in this edition since they were unsuitable for clarinet (#18, 23, 28). The clarinetist will find these caprices challenging and instructive.    One should note that the convention of accidentals only effecting the note in the octave in which it is first played is usually marked in this edition, and the player should be aware that this is the case throughout. - John Gibson, editor

Piano - Digital Download SKU: A0.1069993 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 255. Boothe Publishing #4737123. Published by Boothe Publishing (A0.1069993). Just one person doing what he knows is right will set off a chain reaction for the good that will go on and on. Before I arrived at mission age I had to make a lot of decisions about whether or not I wanted to go on a mission. There were so many voices calling out to me. The voices promised me scholarships and fame. The voices questioned my logic. The voices tried to make me doubt my motives and character. The voices ridiculed me and my desires to do good. The voices told me that they loved me, but wouldn't wait for me if I went on a mission. All of those voices were demeaning of me if I went on a mission. They also promised me joy, but only if I decided not to go on a mission. I ultimately decided to go on a mission. By going on a mission I was put in a situation where I could testify of God's gospel truths. Those people hearing the truths had the opportunity to pray to God to find out for themselves if what they had been taught was true. Those people that talked to God in prayer joined the church. Why? Because God answered their prayers. Some of those new members went on missions to other lands converting through the spirit of the Holy Ghost others, who in turn went on missions to other lands. The cycle continues. Just one person doing what he knows is right can set off a chain reaction for the good that will go on and on.

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.765022 Composed by Lori Archer Sutherland. Chamber,Children,Contemporary,Contest,Festival,Halloween. Score and part. 6 pages. Lori Archer Sutherland #4839393. Published by Lori Archer Sutherland (A0.765022). They’re big, they’re strong, they’re smelly. Trolls have a certain reputation in stories. When one arrives near town, it may sound a bit jarring!The Troll Arrives features interplay between the soloist and the piano accompaniment and introduces tonalities that, at first, may not be what the listener expects. Suitable for solo and ensemble contest.

Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.869310 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Lamentoso ... Nureyev III. 14 pages. Thomas Oboe Lee #32295. Published by Thomas Oboe Lee (A0.869310). Program note:The title, Dark Angels, has a double meaning. On the one hand, it describes the low, dark, ominous, brooding sound characteristic of the viola and the cello. On the other, these are musical portraits of three charismatic dancers - Nijinsky, Nureyev, and Baryshnikov. Male danseurs in ballet must exhibit an emotional range bordering on schizophrenia. They must be strong and tender, solid and agile, energetic and graceful, raw and gentle. They must fly.  But they must land like a feather. Narcissistic to the core. In them, madness is indeed a plus. The titles of the movements are: I. Lunacy ... Nijinsky II. Lamentoso ... Nureyev III. Mad scherzo ... Baryshnikov Enjoy!!!

B-Flat Tuba,Piano - Level 5 - Digital Download SKU: A0.1385714 Composed by James M. Guthrie. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and part. 13 pages. Jmsgu3 #969652. Published by jmsgu3 (A0.1385714). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.

Piano - intermediate - Digital Download SKU: S9.Q41217 Composed by Antonin Dvorak. This edition: Sheet music. Piano - mazurkas - waltzes. Downloadable. Op. 54 und 56. Schott Music - Digital #Q41217. Published by Schott Music - Digital (S9.Q41217). Dvorák’s Waltzes and Mazurkas prove to be a successfully contrived balancing act between stylised composition and musical immediacy. The music critic Louis Ehlert once wrote of Dvorák’s Slavonic Dances that they made a real musician’s heart laugh within him; the comment might equally well be applied to these pieces. These “Waltzes and Mazurkas� rank alongside the works of Chopin in terms of artistic merit, yet they are not widely known and have not hitherto been heard as often in concert halls as they deserve. The Urtext version of these dances is published for the first time in this edition.

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.894410 Composed by Zack Richards. A Cappella,Christmas,Contemporary,Easter,Holiday,Patriotic. Octavo. 7 pages. Zack Richards #6076701. Published by Zack Richards (A0.894410). I wrote this piece for an online competition held by an a cappella choir in the UK named Voices of Hope. They were looking for a piece they could use for a virtual choir. I'd had the Sing motive of a simple ascending Perfect Fourth in my head for a few days and decided to base the entire piece on it. The text was inspired by the 2020 pandemic situation. Choirs around the world were unable to sing together as they were accustomed due to social distancing needs as a way to slow the viral spread. The text is essentially a directive for everyone to find a way to sing in whatever way you can.

Viola Duet Viola - Level 3 - Digital Download SKU: A0.933402 Composed by Philip Clark. Contemporary,Standards. Score. 2 pages. Philip H Clark #2034679. Published by Philip H Clark (A0.933402). This Duet is part of a short three movement suite with the titles: 1. Don't Get Too Close 2. Me First 3. Just Ahead They can all be played in first position, but 3rd position may be preferable in certain spots. They can all be played in 1st position, but 3rd position may be preferable in certain spots. They will not work as a duet with the published violin music, but may be played as a duet with cello.

Small Ensemble Alto Voice,Medium-Low Voice,Mezzo-Soprano Voice,Piano,Violin - Level 2 - Digital Download SKU: A0.1096990 Composed by French Carol - unknown. Arranged by Connie Boss. Christmas,Holiday. Score and parts. 14 pages. Connie Boss #700957. Published by Connie Boss (A0.1096990). This lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. This is in SSAA parts with violin and piano accompaniment. It has a unique intro and the last verse has them taking turns. There are other versions on here as well. For requests or questions, email cdboss@cvalley.net. Lyrics Below: Bring a Torch Jeanette, Isabella French Carol Arranged by Connie Boss Bring a torch Bring a torch Bring a torch Bring a torch Jeanette, Isabella. Bring a torch, Jeanette, Isabella! Bring a torch, to the stable call Christ is born, tell the folk of the village Jesus is born and Mary's calling. Ah![a] Ah! Beautiful is the Mother! Ah! Ah! Beautiful is her Child Who is knocking on the door? Who is it, knocking like that? Open up, we've arranged on a platter Lovely cakes that we have brought here Knock! Knock! Open the door for us! Knock! Knock! Let us celebrate! It is wrong when the Child is sleeping, It is wrong to speak so loud. Silence, now as you gather around Him Lest your noise should waken Jesus. Hush! Hush! See how He slumbers; Hush! Hush! See how He's fast asleep! Softly now unto the stable, Softly for a moment come! Look and see how charming is Jesus, Look at Him there,] His cheeks are rosy! Hush! Hush! See how the Child is sleeping; Hush! Hush! See how He smiles in His dreams.

Piano Solo - Level 3 - Digital Download SKU: A0.1028775 Composed by Emma Verdonk. Contemporary. Score. 6 pages. Emma Verdonk #4111505. Published by Emma Verdonk (A0.1028775). This piece is based on Exodus 15:27. The Israelites rejoice in that they have found a place to rest, but it is bittersweet since they know that they cannot stay.