2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)

Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Tuba - Level 5 - Digital Download SKU: A0.916589 Composed by Christian L. Thomas. Contemporary. 42 pages. C. L. Thomas Music #6380913. Published by C. L. Thomas Music (A0.916589). The playground used to be full of young life but in light of recent events, it seems as if none of the kids really play here any more. Not really that anything happened at the playground specifically except maybe the occasional skirmish. But a few of the kids who spent most of their time here at this playground died over the past couple of years. Rumor has it that this playground is haunted by some of the kids that used to come here all the time… Not really haunted in a scary way because they are kids. But their spirits live here and man are they energetic. All day, All night, shenanigans would happen here and yet, the police could never find any evidence. At this point, the police reports have to say something about ghosts considering they never have any evidence to give an account. The Graveyard Playground tells the tale of five kids whose spirits are confined to this playground.

Piano,Violin - Level 3 - Digital Download SKU: A0.1444309 Composed by J. Francis Ball, Mercedes M Yardley. Arranged by J.Francis Ball. Classical,Contemporary. 30 pages. J.Francis Ball #1024223. Published by J.Francis Ball (A0.1444309). Program Notes   Mercedes M. Yardley      is a dark fantasist who wears poisonous flowers in her hair. She is a two-time Bram Stoker Award winner for Little Dead Red and “Fracture.” She is the author of Darling, the Stabby Award-winning Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love, Pretty Little Dead Girls, and Love is a Crematorium. Mercedes lives in Las Vegas and can be found at mercedesmyardley.com.   J. Francis Ball Is a composer, violinist, and guitarist who has performed in multiple bands, in collaborations, in orchestras, and solo projects. He has recorded and released ten studio albums with The Unwieldies and The Psyatics. His classical, jazz, romantic, and punk musical influences can be heard in all his contemporary compositions. J. Francis Ball was born and raised in Pittsburgh, PA, and currently lives and performs in Las Vegas.    His Words This collaboration began with a powerful name. I asked Mercedes to listen to and name an early piano composition I wrote. Her reply was “Beyond Her Only Dreaming.” The original composition was ultimately scrapped, but the name stuck with me. It inspired the muses whispering in my haunted ear. I wrote five musical tone poems that were loosely based on a woman’s dream. During the creative process, I asked Mercedes to listen to the tones and use her imagination to create sketches for each section. Her spoken poetry powerfully frames a woman’s dreams, fears, desires, and hope for love. They blend seamlessly with the music and are so masterfully written that they create a picture frame to use as structure but leave the canvas blank. This allows the listener to also take part in this collaboration and paint their own visions of how they experience the music. J.F.B.Her Words   I’m a dreamer and writer of words, but I love music. When John asked me to name his original musical piece, I was delighted. I had recently written a story based on Robert Chamber’s famed The King in Yellow collection and, due to the sound and feel of John’s piece, loosely named the composition after my short story. John took this title and created a brilliant new musical composition. After listening to it, I was influenced to create spoken- word pieces that match the emotion of the music while also hearkening back to the original short story.   The piece you’ll hear contains poetry influenced by original music inspired by a short story based on a collection written in 1895. Time is a flat circle. This is how art moves and breathes, and I’m truly honored to take part. MMY.

Choral Choir (SA) - Level 2 - Digital Download SKU: A0.944816 Composed by Hazel J. Hawlik. Children,Graduation,Musical/Show,Pop. Octavo. 7 pages. Hazel J. Hawlik #5191535. Published by Hazel J. Hawlik (A0.944816). A two-part choral piece for elementary age children.  Length 3:05.  Perfect for PTA meetings, Sunday school performance, kindergarten/elementary/primary school graduation, etc.  Lyrics inspired by Peter Pan and Undertale.  This piece works wonderfully with illustrating the qualities children should keep with them as they grow up and how, with enough determination, they can do anything they set their mind to.  Can be sung as a solo by singing the top notes alone.

Flute,Piano - Level 2 - Digital Download SKU: A0.765030 Composed by Lori Archer Sutherland. Chamber,Children,Contemporary,Contest,Festival,Halloween. Score and part. 6 pages. Lori Archer Sutherland #4840171. Published by Lori Archer Sutherland (A0.765030). They’re big, they’re strong, they’re smelly. Trolls have a certain reputation in stories. When one arrives near town, it may sound a bit jarring!The Troll Arrives features interplay between the soloist and the piano accompaniment and introduces tonalities that, at first, may not be what the listener expects. Suitable for solo and ensemble contest.

Oboe,Piano - Level 5 - Digital Download SKU: A0.1386502 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 pages. Jmsgu3 #970386. Published by jmsgu3 (A0.1386502). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.738276 Composed by Fiona Hickie. Classical,Contemporary. Score and parts. 7 pages. Fiona Alice Hickie #6332093. Published by Fiona Alice Hickie (A0.738276). This piece for string quartet is inspired by penguins, flightless birds that have flippers instead of wings to move through the water. They also have short legs which make them appear like they are waddling when they are walking.

String Orchestra - Level 3 - Digital Download SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 33 pages. BJE Music #3602315. Published by BJE Music (A0.750794). Australian Folksong Medley No. 6 – String Group with Optional Percussion - Suitable for a school or community group.​This Medley includes:​1. The Dying Stockman (3/4 Waltz Tempo): Wrap me up with my stockwhip and blanket And bury me deep down below. Where the dingoes and crows can't molest me In the shade where the Coolibahs grow.​2. Jim Jones of Botany Bay (6/8 Adagio in 6) is a traditional Australian folk ballad. The narrator, Jim Jones, is arrested, tried, and sentenced to transportation. En route, his ship is attacked by pirates, but the crew holds them off. Arriving in Australia, Jones vows to escape, join the bushrangers, and get revenge.​3. The Drovers Dream (6/8 Brightly in 2)One night when traveling sheep, my companions lay asleep There was not a star illuminate the sky. I was dreaming I suppose, for my eyes were partly closed. When a very strange procession passed me by. First there came a kangaroo with a swag of blankets blue. And the dingo ran beside him as his mate. They were traveling mighty fast but they shouted as they passed. We'll have to jog along, it's getting late.​This arrangement is for String Orchestra with plenty of interest for all sections. There are also Optional Percussion parts - Timpani, Drum Set, Glockenspiel, and Xylophone.  There is a Violin 3 part which is a substitute for the Viola Part.There are also versions for Full Orchestra, Concert Band and Brass Band at this website.​The MP3 was recorded with NotePerformer 3.​Grade = 3 Duration = 5:30 mins.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1009482 Composed by Becky Hull. Contemporary. Octavo. 8 pages. Becky Hull #2003389. Published by Becky Hull (A0.1009482). See the Children-SSA by Becky Hull with Piano Accompaniment. Contemporary, Medium Difficulty. 8 pages. Choral octavo. Approx. 2' 27 Very inspiring, up-beat and feel-good song. See the Children, They're laughing, They're dancing, They're singing, Let's join them! You can't sing or hear this song without feeling better!

Choral Choir (3-Part Mixed) - Level 2 - Digital Download SKU: A0.1273616 Composed by Quincy D Jones. Arranged by SYDZ. Contemporary,Contest,Festival,Jazz. Octavo. 12 pages. SYDZ MUZIK #865758. Published by SYDZ MUZIK (A0.1273616). This a 3 part vocal with rhythm section backing.  Starts out simply and ends in an exciting vocal round for the ending.  Can be used as a performance piece.  As an example:  The 3 groups can be placed in different parts of the room/venue and as the song progresses they converge to a central point to symbolize friends coming together.  As they travel through they interact with the audience.  This add to a total event for all.

Small Ensemble Guitar,Piano,Violin,Voice - Level 2 - Digital Download SKU: A0.801755 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 6 pages. Connie Boss #6697069. Published by Connie Boss (A0.801755). This original song has lyrics that work great for Lent and Good Friday, but it could be sung at any time. Sometimes when we feel very low and things don't seem to going well for us or we think life isn't fair, we should think about what Jesus went through with strength and courage. Any questions or request please email me at cdboss@cvalley.netBe More Like Jesus composed by Connie BossVerse 1:Be more like Jesus in strength and courage,When they whipped Him till He bled.Be more like Jesus in strength and courage,When they placed the thorns on His head Refrain:Be more like JesusBe more like JesusBe more like Jesus, Christ Verse 2: Be more like Jesus in strength and courage,When He carried the cross to that placeBe more like Jesus in strength and courage,As the blood streamed down His face. RefrainVerse 3: Be more like Jesus in strength and courage,When they nailed His feet and His handsBe more like Jesus in strength and courage,When forgive them is what He said RefrainRefrain to end.

B-Flat Tuba,Piano - Level 5 - Digital Download SKU: A0.1385714 Composed by James M. Guthrie. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and part. 13 pages. Jmsgu3 #969652. Published by jmsgu3 (A0.1385714). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.994887 Composed by Anthony Mosakowski. 20th Century,A Cappella,Christian,Classical,Contemporary,Sacred. Octavo. 20 pages. Anthony Mosakowski #4580953. Published by Anthony Mosakowski (A0.994887). This choral song cycle consists of settings of the four main Marian antiphons used in the traditional Latin liturgy: Ave, Regina coelorum; Regina Coeli; Alma Redemptoris Mater; and Salve Regina. The music makes use of much expressive dissonance but within the limits of a purely diatonic collection of pitches. The antiphons are presented here in the order in which they would be sung during the church year. If performed as a group in a concert setting they may be sung in this order or the order may be changed for musical reasons. They may also be performed individually for liturgical or concert use.

Choral Choir (SAB) - Level 1 - Digital Download SKU: A0.773889 Composed by Anthony Giamanco. Children,Concert,Graduation,Instructional. Octavo. 35 pages. Whole Tone Press #6055715. Published by Whole Tone Press (A0.773889). Here is a collection of six distinctive choral pieces, wordless songs, ideal for middle school and high school choirs. They are arranged for 2-part treble voices with an optional third part well-suited to boys' changing voices. All include piano accompaniment.  I've created this collection to be used in one or more of the following ways: ♫ Any piece may be utlised, in whole or in part, as a vocalise (using neutral syllables). ♫ They may be used, individually or collectively, as concert material. No.'s 5 and 6 include optional lyrics. ♫ The songs may be programmed in any order desired. ♫ They may be used in either a live or virtual setting. ♫ Each song may be performed by either 2-part treble voices only or by adding (opt.) part III, ideal for boys' changing voices. 35 pages.Two of the selections, Somewhere (No. 5) and Wand'ring (No. 6), are available for purchase separately on my publisher page.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com, https://www.anthonygiamanco.com,on SoundCloud (https://soundcloud.com/tony-giamanco),and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg)Contact info:tony@shalomlife.org.

B-Flat Clarinet,Cello,Violin - Digital Download SKU: A0.1205114 Composed by Gilad Cohen. Chamber,Classical,Contemporary. 73 pages. Gilad Cohen #803301. Published by Gilad Cohen (A0.1205114). Dances of Peril is comprised of three movements. While they differ in their melodic, harmonic and rhythm languages, they are all fast, energetic, and unsettling. I imagine them as three peculiar dances in a small, mysterious party. While dance is often an act of joy and love, these dances are not. Scored for clarinet, violin, and cello, these dances involve three dancers; the relationships among them are unclear. Their motions are fast, sharp; at times, aggressive. The looks on their eyes convey suspicion. Each of them knows that something bad is about to happen, but they have to play the game. Like a good “whodunit� thriller, it is unclear who the source of danger is. And this uncertainly enhances the fear and pushes each dancer to move faster, to seize control, to deceive. Who knows how this will end.