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String Orchestra - Level 3 - Digital Download SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 33 pages. BJE Music #3602315. Published by BJE Music (A0.750794). Australian Folksong Medley No. 6 – String Group with Optional Percussion - Suitable for a school or community group.​This Medley includes:​1. The Dying Stockman (3/4 Waltz Tempo): Wrap me up with my stockwhip and blanket And bury me deep down below. Where the dingoes and crows can't molest me In the shade where the Coolibahs grow.​2. Jim Jones of Botany Bay (6/8 Adagio in 6) is a traditional Australian folk ballad. The narrator, Jim Jones, is arrested, tried, and sentenced to transportation. En route, his ship is attacked by pirates, but the crew holds them off. Arriving in Australia, Jones vows to escape, join the bushrangers, and get revenge.​3. The Drovers Dream (6/8 Brightly in 2)One night when traveling sheep, my companions lay asleep There was not a star illuminate the sky. I was dreaming I suppose, for my eyes were partly closed. When a very strange procession passed me by. First there came a kangaroo with a swag of blankets blue. And the dingo ran beside him as his mate. They were traveling mighty fast but they shouted as they passed. We'll have to jog along, it's getting late.​This arrangement is for String Orchestra with plenty of interest for all sections. There are also Optional Percussion parts - Timpani, Drum Set, Glockenspiel, and Xylophone.  There is a Violin 3 part which is a substitute for the Viola Part.There are also versions for Full Orchestra, Concert Band and Brass Band at this website.​The MP3 was recorded with NotePerformer 3.​Grade = 3 Duration = 5:30 mins.
Australian Folksong Medley No. 6 - String Group (Optional Percussion)
Orchestre à Cordes

$15.00 13.02 € Orchestre à Cordes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Level 1 - Digital Download SKU: A0.877931 Composed by Gioachino Rossini. Arranged by Rebecca Bogardus. Classical,Film/TV,Romantic Period,Standards. 61 pages. Lillwy Publishing #4776267. Published by Lillwy Publishing (A0.877931). The two movements of Rossini's famous opera overture included here are familiar the world over. Whether your students can name them or not, they've certainly heard them! There are two versions of this arrangement included. Version A is easier and is correlated with popular method books, and Version B is for a more intermediate-level group, although Version B's Parts 3 and 4 are still within the reach of a second-year student. For Version A, if a student has mastered the lesson listed in the score, they can play the part! About Ensembles by the BookBeginners will have a blast with these ensemble arrangements leveled to correlate with popular flute method books! Each part is correlated with a specific lesson in the Flute 101 and Blocki Methods. Creating an ensemble for your beginning flute students is one of the best things you can do for them; intonation, phrasing, and dynamics are all more effectively taught when reinforced through ensemble work. Since these are multi-level ensembles, your students will quickly find role models within your studio who are playing at a higher level, increasing motivation to practice so they can play the harder parts the next time!  *Please note that these arrangements correlate with method books meant for private lessons, which typically begin with the notes B, A, and G, rather than band methods, which start students with less beginner-friendly flute notes.
William Tell Overture
Quatuor de Flûtes : 4 flûtes

$7.99 6.94 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 5 - Digital Download SKU: A0.1384514 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 pages. Jmsgu3 #968787. Published by jmsgu3 (A0.1384514). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
Guthrie: Toccata Agitato for Clarinet & Piano
Clarinette et Piano

$32.95 28.61 € Clarinette et Piano PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1456169 Composed by Charles Villiers. Arranged by Myrick Crampton. Chamber,Christian,Classical,Religious. 49 pages. MDC Music LLC #1035320. Published by MDC Music LLC (A0.1456169). Three Latin Motets, Op. 38, published by Boosey & Co in 1905, is a collection of three sacred motets based on Latin texts for mixed unaccompanied choir by Charles Villiers Stanford.Justorum animae is an offertory hymn on All Souls’ Day. But the souls of the righteous are in the hand of God, and there shall no torment touch them. In the sight of the unwise they seemed to die, but they are in peaceArrangement: (F1-4, AF4-5, BF6, CBF7)Time: 2’ 8”Coelos ascendit hodie is a 14th century German Ascension hymn.He ascended to heaven today, Alleluia!Jesus Christ King of glory,Alleluia!He sits at the right hand of his father,Alleluia!He rules heaven forever,Alleluia!Arrangement: (Group 1: F1-3, AF3, BF4, CBF5, Group 2: F6-8, AF8, BF9, CBF 10)Time: 1’ 30”Beati quorum via is a paraphrase of the first verse of Psalm 119.Happy are they that are upright in the way, who walk in the law of the LORD.Arrangement: (Group 1: F1-4, AF4, BF5-6, CBF7)Time: 2’ 50”.
Three Motets by Charles Villiers
Ensemble de Flûtes

$19.99 17.36 € Ensemble de Flûtes PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1106278 Composed by American Spiritual. Arranged by Jennifer A. Henderson. 19th Century,Folk,Praise & Worship,Spiritual,Traditional. Score. 4 pages. ISFS Productions #709395. Published by ISFS Productions (A0.1106278). “Oh, watch the stars, see how they run. Oh, watch the stars, see how they run. The stars run down at the setting of the sun. Oh, watch the stars, see how they run.†So goes the first verse of this little known American spiritual. As soon as I first heard the serene melody that accompanies the text, I knew I needed to create my own arrangement. This is an intermediate piano solo appropriate for recitals or other performances. The song is in D major with no key changes. There is a three-against-two pattern throughout. The song is 3 pages long with a playing time of around 3 minutes. Follow me on Facebook: https://www.facebook.com/ISFSProductions Subscribe to my YouTube channel: https://www.youtube.com/channel/UCoxlP8Gb1BvoTq8A_kFZgTg.
Oh, Watch the Stars
Piano seul

$4.99 4.33 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.984012 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Score. 9 pages. Boothe Publishing #4360949. Published by Boothe Publishing (A0.984012). Just one person doing what he knows is right will set off a chain reaction for the good that will go on and on. Before I arrived at mission age I had to make a lot of decisions about whether or not I wanted to go on a mission. There were so many voices calling out to me. The voices promised me scholarships and fame. The voices questioned my logic. The voices tried to make me doubt my motives and character. The voices ridiculed me and my desires to do good. The voices told me that they loved me, but wouldn't wait for me if I went on a mission. All of those voices were demeaning of me if I went on a mission. They also promised me joy, but only if I decided not to go on a mission. I ultimately decided to go on a mission. By going on a mission I was put in a situation where I could testify of God's gospel truths. Those people hearing the truths had the opportunity to pray to God to find out for themselves if what they had been taught was true. Those people that talked to God in prayer joined the church. Why? Because God answered their prayers. Some of those new members went on missions to other lands converting through the spirit of the Holy Ghost others, who in turn went on missions to other lands. The cycle continues. Just one person doing what he knows is right can set off a chain reaction for the good that will go on and on.
The Promise PVG
Piano, Voix
going on a mission I was put in a situation where I could testify of God's gospel truths Those people hearing the truths had the opportunity to pray to God to find out for themselves if what they had been taught was true
$3.99 3.46 € Piano, Voix PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1208520 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 15 pages. Jmsgu3 #806617. Published by jmsgu3 (A0.1208520). 5. Allegro ma non troppo.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 5 of Beethoven's Op. 33 is a short piece that showcases the composer's mastery of melody and harmony. The piece is in the key of C major and is written in a simple ternary form, with a lively and playful opening theme that is followed by a contrasting middle section in the homotonic key of C minor. The opening theme is characterized by its use of syncopation, which give it a lively and energetic feel. The middle section, on the other hand, is more introspective and lyrical, with a more subdued and melancholic mood. The piece ends with a return to the opening theme, which is now played in a surprising and forceful manner. Overall, Bagatelle No. 5 is a charming and delightful piece that showcases Beethoven's skill in creating memorable melodies and harmonies within a concise and compact form.
Beethoven: Bagatelle Op. 33 No. 5 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$24.95 21.66 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Mezzo soprano voice and piano - Medium - Digital Download SKU: MQ.8575-5E Composed by Juliana Hall. Secular, 21st century. 6 pages. E. C. Schirmer Music Company - Digital #8575-5E. Published by E. C. Schirmer Music Company - Digital (MQ.8575-5E). English.Based on a set of seven poems created as a group by Boston imagist poet Amy Lowell, and they effectively convey the grim sense of unease felt in a time of war or strife. While they never depict the mundane details of war in a visual manner, they capture the types of fragmented images, bizarre thoughts, and deep anxieties experienced in our worst dreams during such times. Duration: 19:00Contents:1. I wandered through a house of many rooms 2. I dug a grave under an oak-tree 3. I gambled with a silver money 4. I painted the leaves of bushes red5. I followed a procession of singing girls6. I wished to post a letter7. I had made a kite.
Dreams in War Time: V (Downloadable)

$3.75 3.26 € PDF SheetMusicPlus

Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1384473 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 27 pages. Jmsgu3 #968744. Published by jmsgu3 (A0.1384473). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
Guthrie: Toccata Agitato for Soprano Saxophone & Piano
Saxophone Soprano et Piano

$32.95 28.61 € Saxophone Soprano et Piano PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.742473 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 8 pages. Arte Nova Music Lab #4600763. Published by Arte Nova Music Lab (A0.742473). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Le Turc Generaux. Osman Pasha is in love with his slave, the young Émilie, but she rejects him, telling him she was about to be married when a group of brigands abducted her. Osman urges her to give up hope that her fiancé is still alive (Air: Il faut que l'amour s'evole) but Émilie refuses to believe this is true. The sky turns dark as a storm brews; Émilie sees the violent weather as an image of her despair (Air: Vaste empire des mers). A chorus of shipwrecked sailors is heard (Chorus: Ciel! de plus d'une mort). Émilie laments that they too will be taken captive. She recognises one of the sailors as her fiancé Valère. Their joy at their reunion is tempered by sadness at the thought they are both slaves now. Osman enters and is furious to see the couple embracing. However, unexpectedly, he announces he will free them. He too has recognised Valère, who was once his master but magnanimously freed him. Osman loads Valère's surviving ships with gifts and the couple praise his generosity. They call on the winds to blow them back to France (Duet and chorus: Volez, Zéphyrs). The act ends with celebratory dances as Valère and Émilie prepare to set sail.
Les Indes Galantes - Le Turc Generaux (Premiere Entree)
Quatuor à cordes: 2 violons, alto, violoncelle

$20.00 17.37 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.998788 Composed by Robert A. Howard. 20th Century,Contemporary,Standards. Score. 4 pages. Robert A. Howard #6009611. Published by Robert A. Howard (A0.998788). The church of All Saints Tudeley, outside Maidstone in Kent (England) has stained glass windows like few other churches. Fairly unusually, all of the current windows were designed by a single person, the great Russian twentieth-century artist Marc Chagall. They make for a dazzling spectacle in that small church, as they are characterised by strong, bold colours. However, behind their commissioning lies a heart-wrenching true story as they commemorate the tragic death of a young local girl in a boating accident. This piano piece aims to reflect some of the poignancy of these images. The work is characterised by a constant ostinato pedal (a repeated pattern on a single note). Around this, various triadic harmonies are juxtaposed, as the piece gradually makes what may be interpreted as a 'heavenly' ascent in pitch to the piano's highest register. The piece is highly accessible and is appropriate for most standards of pianist, including students and advanced players.
Chagall Reflection II (Elaboration)
Piano seul

$2.99 2.6 € Piano seul PDF SheetMusicPlus

Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801676 Composed by French Carol - unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 12 pages. Connie Boss #6403517. Published by Connie Boss (A0.801676). This lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. This is in SATB parts with violin and piano accompaniment. It has a unique intro and the last verse has SATB taking turns. cdboss@cvalley.netBring a Torch Jeanette, IsabellaFrench CarolArranged by Connie Boss Bring a torchBring a torchBring a torchBring a torch Jeanette, Isabella. Bring a torch, Jeanette, Isabella!Bring a torch, to the stable callChrist is born, tell the folk of the villageJesus is born and Mary's calling.Ah![a] Ah! Beautiful is the Mother!Ah! Ah! Beautiful is her Child Who is knocking on the door?Who is it, knocking like that?Open up, we've arranged on a platterLovely cakes that we have brought hereKnock! Knock! Open the door for us!Knock! Knock! Let us celebrate! It is wrong when the Child is sleeping,It is wrong to speak so loud.Silence, now as you gather around HimLest your noise should waken Jesus.Hush! Hush! See how He slumbers;Hush! Hush! See how He's fast asleep! Softly now unto the stable,Softly for a moment come!Look and see how charming is Jesus,Look at Him there,] His cheeks are rosy!Hush! Hush! See how the Child is sleeping;Hush! Hush! See how He smiles in His dreams
Bring a Torch, Jeanette, Isabella - SATB, violin and piano with parts page
Piano, Voix

$5.50 4.78 € Piano, Voix PDF SheetMusicPlus






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