Easy Piano - Level 1 - Digital Download SKU: A0.823171 Composed by Traditional Folk Songs. Arranged by Brian Buda. Children,Folk,Instructional,Standards. Score. 20 pages. Budaful music #6492729. Published by budaful music (A0.823171). Do your kiddos love the Little House books? If they have read the stories, they know just how much Pa loved to get out his fiddle and play for his sweet family! This Little House in the Big Woods piano book takes every single song mentioned in the book and arranges them for beginning pianists! The violin reels and other songs are simplified, the music includes beginner finger notation, and hand positions are illustrated, all to help your learner enjoy playing and learning the songs they read about-- whether your home is in the Big Woods or not.Feel free to make as many copies for as many musicians as you wish, especially if you have a few little learners who want their own books. Just make sure that your download stays within your immediate family, if you please.Song list:* Yankee Doodle* Money Musk* The Devil's Dream* Arkansas Traveler* Rock of Ages* Pop! Goes the Weasel* Buffalo Gals* The Irish Washerwoman Dance* Home Sweet Home* Old Grimes* Oh, Susanna* Auld Lang Syne

Alto Voice - Digital Download SKU: A0.1059519 Composed by Traditional. Arranged by David Warin Solomons, Lorin Nelson. 20th Century,Children,Contemporary. Full Performance. Duration 63. David Warin Solomons #3397203. Published by David Warin Solomons (A0.1059519). Three blind mice - Three blind mice – See how they run See how they run They all run after the farmer's wife Who cut off their tails with a carving knife You never saw such a thing in your life as three blind mice

Easy Piano - Level 1 - Digital Download SKU: A0.1309703 By Various. By Phan Van Minh. Arranged by Le Nhat Quang. Children,Pop. Score. 3 pages. StarsmusiQ #898878. Published by StarsmusiQ (A0.1309703). It's children's song talk  about family love. Everyone in the family is happy when they are together, and if they have to live apart, they are sad. For beginners.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1210113 Composed by Phil Rawle. Chamber,Classical,Contemporary. 39 pages. Phillip Rawle #807991. Published by Phillip Rawle (A0.1210113). The Fates – or Moirai – are a group of three weaving goddesses who assign individual destinies to mortals at birth. Their names are Clotho (the Spinner), Lachesis (the Alloter) and Atropos (the Inflexible). In the older myths, they were the daughters of Nyx, but later, they are more often portrayed as the offspring of Zeus and Themis. Here, they are depicted as three interludes in a short string quartet (Violin I & II, Viola, 'Cello).

Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1156789 By Spence Bundy. By William Boyce. Arranged by Spence Bundy. Baroque,Chamber. 20 pages. Spencer Bundy #757122. Published by Spencer Bundy (A0.1156789). The second in a set of twelve sonatas written by Boyce, in the Italian style. They were very popular on first publication in 1747. It's easy to understand why, they are lovely examples of their type. They make excellent concert material but also fun for any group of friends to play.

Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803853 Composed by Traditional Christmas Carol. Arranged by Serena O’Meara. Christmas,Holiday,Multicultural,Standards,Traditional,World. 7 pages. O'Meara Music #5026277. Published by O'Meara Music (A0.803853). This sweet, well known Christmas melody was originally a Finnish springtime song, dating to the 13th Century. It was published in 1582 in a book of seventy-four songs. After receiving a copy of that book as a gift, John Mason Neale set his lyrics celebrating the famous Bohemian (907-935) to this melody. In 1854, the book Carols for Easter-tide was published, including Good King Wenceslas as a Springtime song. This arrangement has 5 verses in the key of G. It represents Good King Wenceslas and his Page trudging through (eighth notes) the harsh winter weather on December 26 as they leave their warm castle to help the poor. Occasionally there is a pause as they catch their breath or look through the swirling snow at how far they have traveled. The fourth verse represents the Page walking in King Wenceslas’s footsteps. The melody is divided evenly between parts. Dynamics are clearly marked. 

Piano Solo - Level 4 - Digital Download SKU: A0.1211855 Composed by Elizabeth Borowsky. Blues,Jazz. Score. 17 pages. Piano Prodigies #809405. Published by Piano Prodigies (A0.1211855). You know that feeling when you spin in circles and then stop... but the world keeps spinning around you? You might try to walk away and pretend that you're not dizzy, but you can feel that you're swaying left and right. Well, the residents of Dizzytown have this feeling ALL the time as their little town is constantly spinning. But they quite like it (in fact, they have learned to dance to it) and they are inviting you and your audience to join them.Score Length: 3 pages PLUS optional violin and cello parts. Can be played as a violin-piano duo or violin-piano-cello trio!

Easy Piano - Level 1 - Digital Download SKU: A0.1172421 Composed by James H. Fillmore, R. Kelso Carter, and William Moore. Arranged by Amanda Tero. Children,Christian,Religious,Sacred. Score. 9 pages. Amanda Tero #772646. Published by Amanda Tero (A0.1172421). Delight your late beginner students with three exciting hymns in level 2 sheet music solos. These are specifically arranged for the students who like a little bouncy touch to their hymns.Great for church services or recital for both piano students and piano teachers. This works well for the smaller church offertories that only need about 1 minute of piano playing.This piano sheet music is equivalent to most Level 2 or ABRSM Grade 2.6 pages total. 1 piece in F. 2 pieces in C. Musical elements in Brethren We Have Met to Worship Note values: whole notes, dotted half notes, half notes, half rests, quarter notes, eighth notes Note reading: bass clef C2 to F4, treble clef Bb3 to A5 8va RH reading bass clef RH over left hand Accidentals Ties Finger numbers Practice tips for Brethren We Have Met to Worship The most fun–and hardest–part of this arrangement is the right hand, measures 11-14. The right hand is not only reading bass clef, but is reading the lowest notes in the piece of music. This is a great place to start. Additionally, the left hand for the first page is an open fifth the entire time but changes on the second page. So it may be beneficial to start learning the left hand intervals on the second page first. Musical elements in I am Resolved Note values: whole notes, half notes, quarter notes, eighth notes, eighth rests Note reading: bass clef C2-E4, treble clef C4-E5 Drop-roll (slur-staccato) Staccatos Moving left hand Accidentals LH octave reach A lot of thirds Broken chords Practice tips for I am Resolved While the left hand starts with a catchy left hand pattern, it does get more complicated for the chorus, starting in measure 11. It would benefit the student to focus a little extra attention on the rapidly changing notes of the left hand for the chorus. While the chorus is harder, it does feature repetition, so have the student identify the measures that are the same. Musical elements in Standing on the Promises Note values: whole notes, half notes, half rests, quarter notes, quarter rests, eighth notes Note reading: bass clef C2-E4, treble clef C4-C6 Fermata Staccatos Accidentals Chromatic scale LH octave reach Practice tips for Standing on the Promises If your student doesn’t know their chromatic scale yet, this is the perfect piece to teach it to them! If they already know a chromatic scale, then they will be able to easily master the last two measures. There is a solid left hand pattern that will be beneficial to help the student analyze. If they figure out the pattern it will make learning easier.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1360869 Composed by Franz Liszt. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 7 pages. Jmsgu3 #945353. Published by jmsgu3 (A0.1360869). Liszt's Consolations is a set of six solo piano works known for their enchantingly lyrical and poetic nature. They express Liszt's genuine religious mysticism and are composed in either the key of E or Dâ™­ major, each with a distinctive style. These pieces are considered relatively easy to play and appreciated for their serene sweetness and melancholic characteristics. They take the musical style of Nocturnes, with the third Consolation being an homage to Chopin's nocturnes. Liszt's ability to bring out the melody notes and subdue the harmony is necessary in interpreting these pieces. They are cataloged as S.172, a part of Liszt's more extensive work catalog created by Humphrey Searle.

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.878263 Composed by Angela Fox. Children,Concert,Instructional,Musical/Show,Standards. Score. 22 pages. Angela Fox #3687617. Published by Angela Fox (A0.878263). The Healthy Vocal Development Duet Series is designed for private voice lessons. Clever arrangements make students sound even more amazing than they already are! Even better, students get to sing songs they can relate to. No love songs here! All the subject matter is age appropriate and is about feelings and situations they (and also most adults!) can identify with. Piano accompaniment tracks available at angelafoxmusic.com.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.984012 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Score. 9 pages. Boothe Publishing #4360949. Published by Boothe Publishing (A0.984012). Just one person doing what he knows is right will set off a chain reaction for the good that will go on and on. Before I arrived at mission age I had to make a lot of decisions about whether or not I wanted to go on a mission. There were so many voices calling out to me. The voices promised me scholarships and fame. The voices questioned my logic. The voices tried to make me doubt my motives and character. The voices ridiculed me and my desires to do good. The voices told me that they loved me, but wouldn't wait for me if I went on a mission. All of those voices were demeaning of me if I went on a mission. They also promised me joy, but only if I decided not to go on a mission. I ultimately decided to go on a mission. By going on a mission I was put in a situation where I could testify of God's gospel truths. Those people hearing the truths had the opportunity to pray to God to find out for themselves if what they had been taught was true. Those people that talked to God in prayer joined the church. Why? Because God answered their prayers. Some of those new members went on missions to other lands converting through the spirit of the Holy Ghost others, who in turn went on missions to other lands. The cycle continues. Just one person doing what he knows is right can set off a chain reaction for the good that will go on and on.

B-Flat Clarinet,Cello,Violin - Digital Download SKU: A0.1205114 Composed by Gilad Cohen. Chamber,Classical,Contemporary. 73 pages. Gilad Cohen #803301. Published by Gilad Cohen (A0.1205114). Dances of Peril is comprised of three movements. While they differ in their melodic, harmonic and rhythm languages, they are all fast, energetic, and unsettling. I imagine them as three peculiar dances in a small, mysterious party. While dance is often an act of joy and love, these dances are not. Scored for clarinet, violin, and cello, these dances involve three dancers; the relationships among them are unclear. Their motions are fast, sharp; at times, aggressive. The looks on their eyes convey suspicion. Each of them knows that something bad is about to happen, but they have to play the game. Like a good “whodunit� thriller, it is unclear who the source of danger is. And this uncertainly enhances the fear and pushes each dancer to move faster, to seize control, to deceive. Who knows how this will end.

Small Ensemble Double Bass,Flute,Harp - Digital Download SKU: A0.1027474 Composed by Laura Marconi. 20th Century. Score and parts. 6 pages. Laura Marconi #518067. Published by Laura Marconi (A0.1027474). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition Velvet impressions is a piece divided in two parts, the first very short and the second longer. They are inspired to different type of velvet, the way they look, the way the light reflects itself on the tissue, the sound that they make when you hold them in your fingers.

Piano,Violin - Level 3 - Digital Download SKU: A0.1444309 Composed by J. Francis Ball, Mercedes M Yardley. Arranged by J.Francis Ball. Classical,Contemporary. 30 pages. J.Francis Ball #1024223. Published by J.Francis Ball (A0.1444309). Program Notes   Mercedes M. Yardley      is a dark fantasist who wears poisonous flowers in her hair. She is a two-time Bram Stoker Award winner for Little Dead Red and “Fracture.” She is the author of Darling, the Stabby Award-winning Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love, Pretty Little Dead Girls, and Love is a Crematorium. Mercedes lives in Las Vegas and can be found at mercedesmyardley.com.   J. Francis Ball Is a composer, violinist, and guitarist who has performed in multiple bands, in collaborations, in orchestras, and solo projects. He has recorded and released ten studio albums with The Unwieldies and The Psyatics. His classical, jazz, romantic, and punk musical influences can be heard in all his contemporary compositions. J. Francis Ball was born and raised in Pittsburgh, PA, and currently lives and performs in Las Vegas.    His Words This collaboration began with a powerful name. I asked Mercedes to listen to and name an early piano composition I wrote. Her reply was “Beyond Her Only Dreaming.” The original composition was ultimately scrapped, but the name stuck with me. It inspired the muses whispering in my haunted ear. I wrote five musical tone poems that were loosely based on a woman’s dream. During the creative process, I asked Mercedes to listen to the tones and use her imagination to create sketches for each section. Her spoken poetry powerfully frames a woman’s dreams, fears, desires, and hope for love. They blend seamlessly with the music and are so masterfully written that they create a picture frame to use as structure but leave the canvas blank. This allows the listener to also take part in this collaboration and paint their own visions of how they experience the music. J.F.B.Her Words   I’m a dreamer and writer of words, but I love music. When John asked me to name his original musical piece, I was delighted. I had recently written a story based on Robert Chamber’s famed The King in Yellow collection and, due to the sound and feel of John’s piece, loosely named the composition after my short story. John took this title and created a brilliant new musical composition. After listening to it, I was influenced to create spoken- word pieces that match the emotion of the music while also hearkening back to the original short story.   The piece you’ll hear contains poetry influenced by original music inspired by a short story based on a collection written in 1895. Time is a flat circle. This is how art moves and breathes, and I’m truly honored to take part. MMY.

Bassoon,Piano - Level 5 - Digital Download SKU: A0.1385323 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 pages. Jmsgu3 #969333. Published by jmsgu3 (A0.1385323). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.