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Guitar - Level 3 - Digital Download SKU: A0.1264472 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 2 pages. Danny Crocome Music #857298. Published by Danny Crocome Music (A0.1264472). These info sheets show guitarists 5 different ways to play A# Minor 7 Flat 5 (A#m7b5) arpeggios on guitar. Plus an ascending and descending arpeggio exercise to build familiarity with the shapes, as well as the five different associated chord voicings built from the arpeggio shapes. An excellent way to develop not only your technical ability, but your understanding of how arpeggios and chords are connected on the fretboard.
A# Minor 7 Flat 5 Arpeggios (5 Ways to Play)
Guitare notes et tablatures

$3.00 2.55 € Guitare notes et tablatures PDF SheetMusicPlus

Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553794 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period,Standards,Wedding. Score and parts. 31 pages. RayThompsonMusic #4621337. Published by RayThompsonMusic (A0.553794). The Slavonic Dances (Czech: Slovanské tance) are a series of 16 orchestral pieces composed by Antonín Dvořák in 1878 and 1886 and published in two sets as Op. 46 and Op. 72 respectively. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. Contrary to what the title might suggest, the dances are not so much inspired by Slavic folk music generally, but specifically by styles and forms from Bohemia. In these pieces, Dvořák never actually quotes folk melodies, but evokes their style and spirit by using traditional rhythmic patterns and structures in keeping with traditional folk dances.This is my arrangement of No 7 from the first set Op.46This is titled SkoÄná  which is a rapid Slavic folk-dance, normally in 24 metre.Arranged double wind quintet and bass.
Dvorak: Slavonic Dances Op.46 No.7 in C minor (Skocná) - symphonic wind dectet/bass

$14.95 12.72 € PDF SheetMusicPlus

String Quintet - Level 4 - Digital Download SKU: A0.1346335 Composed by Ludwig van Beethoven. Arranged by César Madeira. 19th Century,Chamber,Classical,Film/TV,Romantic Period. 14 pages. Sheet Music To Play Editions #931158. Published by Sheet Music To Play Editions (A0.1346335). Symphony No.7 in A major, Op.92 - 2nd movement (Allegretto) by Beethoven. Arrangement for String Quintet - Violin 1, 2, Viola, Violoncello and Contrabass. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Ludwig van Beethoven (1770 - 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire. His works span the transition from the classical period to the romantic era in classical music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Symphony No.7, Op.92 - Allegretto - String Quintet (Full Score) - Score Only

$13.99 11.9 € PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.
Prelude 7 in Eb Ionian
Piano seul
Brian Golden
$5.99 5.1 € Piano seul PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Oboe d'Amore - Level 4 - Digital Download SKU: A0.955125 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 28 pages. Chamber Ensemble of Minnesota, Inc. #4767085. Published by Chamber Ensemble of Minnesota, Inc. (A0.955125). Oboe d’amore I and Oboe d’amore II soloist score and individual soloist parts of the Concerto for Two Oboes in C Major, Op. 7, No. 8 and String Orchestra, composed in 1715 by T. Albinoni, arranged by D Werdick for two Oboe d’amore. Includes Oboe d’amore I & II 8va version. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 11 minutes 2019 Chamber Ensemble of Minnesota, Inc.
Concerto for Two Oboe d’amore in C Major, Op. 7 No. 11

$7.00 5.95 € PDF SheetMusicPlus






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