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Alto Saxophone Duet Alto Saxophone - Level 2 - Digital Download SKU: A0.1152452 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 2 scores. 7 pages. Woods Only, Arrangements #752678. Published by Woods Only, Arrangements (A0.1152452). This arrangement adapted for alto sax duo was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
Ode to Joy by Beethoven for Alto Sax Duet
2 Saxophones (duo)

$3.99 3.42 € 2 Saxophones (duo) PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1290509 Composed by Claude Debussy. Arranged by Toshihiko Tsuru. Classical,Pop. Score. 7 pages. Popnroll 1976 #881224. Published by Popnroll 1976 (A0.1290509). This is a piano score (with lead sheet) with chords for the solo piano piece Rêverie (Dreaming) by Claude Debussy, a French composer active from the late 19th century to the beginning of the 20th century.The lead sheet is in single-step notation with the main melody and the same chord notation as in jazz and popular music, allowing those who know chords to play freely with chord expressions and making it easy to accompany the single melody melody instrument with a chord instrument such as guitar.PDF format, 7 pages in total. Contents: 4 pages of piano notation with chords, 3 pages of lead sheets.Translated with www.DeepL.com/Translator (free version).
Rêverie - Debussy (Piano with Chords & Lead Sheet)
Piano seul

$4.99 4.27 € Piano seul PDF SheetMusicPlus

French Horn Solo - Level 5 - Digital Download SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
Horn Sonata No. 2 (Complete)
Cor

$18.00 15.41 € Cor PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.516993 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 434 pages. Santino Cara #3106651. Published by Santino Cara (A0.516993). Full scores and separate parts, Book 2 of L'Estro armonico Op.3 for Violins concertanti, Cello concertante, Strings and Continuo realized for harpsichord. Concertos: 7. RV 567 – Violin Concerto No.7 in F major, 8. RV 522 – Violin Concerto No.8 in A minor, 9. RV 230 – Violin Concerto No.9 in D major, 10. RV 580 – Violin Concerto No.10 in B minor, 11. RV 565 – Violin Concerto No.11 in D minor, 12. RV 265 – Violin Concerto No.12 in E major
Vivaldi - L'Estro Armonico Op.3 Book 2 - 6 Concertos for Violins, Cello, Strings and Harpsichord
Orchestre à Cordes

$32.40 27.73 € Orchestre à Cordes PDF SheetMusicPlus

Handbells 3-5 octave handbell choir - Level 2 - Digital Download SKU: H1.2545DP Composed by Susan Geschke. Original, General Worship, Sacred. Handbell score. 7 pages. Hope Publishing - Digital #2545DP. Published by Hope Publishing - Digital (H1.2545DP). 2 Corinthians 9:6 - 2 Corinthians 9:7 - 2 Corinthians 9:8 - 2 Corinthians 9:9 - 2 Corinthians 9:10 - 2 Corinthians 9:11 - 2 Corinthians 9:12 - 2 Corinthians 9:13 - 2 Corinthians 9:14 - 2 Corinthians 9:15.A Celtic composition with phrases from Amazing Grace Weaving together original melodies with phrases from Amazing Grace, Susan Geschke's latest piece reflects a sense of quiet joy with a Celtic flavor. With no bell changes, this piece is delightfully fun to play the sprinkling of staccato notes throughout will give your ringers just the right amount of challenge.
Celtic Grace
Cloches

$6.25 5.35 € Cloches PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.887080 Composed by Marilena Zlatanou. Contemporary. 136 pages. Marilena Zlatanou #3435187. Published by Marilena Zlatanou (A0.887080). A Secular Oratorio for Mezzo-soprano soloist, SAB soloists/chamber group, SATB choir, Strings and one percussionist. Nine movements. Duration 45 minutes.This pdf file includes the vocal score, the choir score and the piano part, as well as some useful notes at the start.The texts are 7 poems by Norwegian poet Rolf Jakobsen, in authorized English translation, and the message ultimately a declaration of love for our Earth and consequently perfect for concerts with the objective to express concern for our threatened environment.The movements are:1. It is blue2. hush3. fresh water4. impovisation5. Dream-ocean6. Some7. Wait for me8. Your thoughts9. But we liveThe music writing is melodious and tonal (with some contemporary effects!) and this composition is suitable for both youth and other SATB choirs. It has been very well received in Norway where it has been prformed but also received good reviews from USA where a recording of a concert was presented at radio stations.The attached mp3 file (of the last movement) is a converted Sibelius file.Please vist website www.zlatanou.net for more information on the Composer (member of TONO, the Norwegian copyright org.)
BUT WE LIVE, a Secular Oratorio
Chorale SATB

$35.00 29.96 € Chorale SATB PDF SheetMusicPlus

Handbell - Level 2 - Digital Download SKU: A0.953733 Composed by Frank M. Davis, Henry Smart, John Hughes, Robert Lowry, William B. Bradbury, and and George A. Young. Arranged by G. R. Adkison. Christian,Sacred. Score. 10 pages. Gary Ray Adkison #14705. Published by Gary Ray Adkison (A0.953733). God: Our Leader Medley is a 120 measure arrangement for 4-5 octave handbell choir and 3 octaves of OPTIONAL associated handchimes, although the handchime parts can also be played by handbells. The overall theme is the leadership of God in the life of the Christian. This is a medley of 7 Christian hymns. The first 4 are requests---requests to God to lead us. The last 3 are descriptions of God leading us (responses by God). The 1st request is presented by the handchimes playing Savior Lead Me. This is a simple, easy to play section in the key of D. Still in D, the 2nd request is Lead on, O King Eternal. After a false modulation, the 3rd request is Savior, Like a Shepherd Lead Us. This features a few bass runs. After a modulation to the key of G, the 4th request starts with Guide Me, O Thou Great Jehova. Also featuring some bass runs, it also makes use of descant lines. The 1st response, also in G, is All the Way My Savior Leads Me. This section is not in the original 3/4 time, but in 4/4 time, although near the end it reverts to the normal 3/4. It makes heavy use of fills and a brief descant line. The 2nd response is a 6/4 version of God Leads Us Along in the key of C. Again, there is a brief descant line. The last response is He Leadeth Me, also in C, that features two descant passages, and bass runs in the last two lines. After the first section of the overall arrangement, the chords used are often significantly more interesting than the chords normally used with these 7 hymns. This arrangement uses various dynamic and tempo markings, in order to achieve musical contrast, and still be true to the character of the original hymns. (The MP3 audio demonstration file provided is in a piano patch (voice), although the actual arrangement is for (and, of course, will sound better with a) handbell choir.) This arrangement is probably a level 2+ (2 plus) degree of difficulty.
God: Our Leader Medley (for 4 and 5 octave handbell choirs)
Cloches

$4.00 3.42 € Cloches PDF SheetMusicPlus






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