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Horn Ensemble Horn - Level 4 - Digital Download SKU: A0.1272388 Composed by Friedrich Spohr, George Frideric Handel, Gottfried Piefke, Gottfried Sonntag, John Philip Sousa, and Josef Franz Wagner. Arranged by Edition Maulwurf. 19th Century,Baroque,March. 70 pages. Edition Maulwurf #864616. Published by Edition Maulwurf (A0.1272388). 7 Marches01 – J.F. Wagner: “Unter dem Doppeladlerâ€02 – G.F. Händel: “Marsch aus ‘Rinaldo'â€03 – G. Sonntag: “Nibelungenmarschâ€04 – G. Piefke: “Preussens Gloriaâ€05 – F.  Spohr: “Gruss an Kielâ€06 – J.P. Sousa: “King Cottonâ€07 – J.P. Sousa: “Stars and Stripes Foreverâ€arrangement for 5 French Hornsduration: ca 15m 30sscore + partshttps://www.edition-maulwurf.deEdition Maulwurf is a publisher of digital sheet music. For more information and other pieces please visit our web site.
7 Marches Ensemble de Cors

$29.99 25.62 € Ensemble de Cors PDF SheetMusicPlus

Bassoon Solo - Level 5 - Digital Download SKU: A0.876519 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 64 pages. JoeCopio Music LLC #1920727. Published by JoeCopio Music LLC (A0.876519). THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Bassoon but also for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Bassoon are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
The Beethoven Duets For Bassoon Volume 3 Scherzi 7, 8 and 9 Basson
Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies These duets are the first of their kind in history making them noteworthy, unique and valuable
$19.98 17.07 € Basson PDF SheetMusicPlus

Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488235 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #1065122. Published by Artaria Editions (A0.1488235). Artaria Editions AE379 The flute writing in Wanhal's quartets is a good deal less virtuosic than the solo writing found in Hofmann's quartets. The principal reason for this lies in the greater equality of part-writing and in this respect Wanhal's quartets are more modern and technically advanced than those of Hofmann. One prime example of this can be seen in Wanhal's adoption of the modern alla breve notation in first movements in preference to the fussy eight-in-a-bar favoured by Hofmann and others. There is also a greater emphasis on the development of thematic material although not to the same extent or intensity that one encounters in the composer's symphonies. In keeping with the conventional practice of the period the flute quartets were conceived to be played with a variety of possible instruments on the top part. The London publisher Welcker, for example, issued the Op. 7 set with the title page Six Quartettes for a / Hautboy or German Flute whereas Sieber styled them Six Quartetto Concertante / Pour une Flute au Hautbois. Copies of several works from the set are preserved in manuscript as string quartets and at least one work as a clarinet quartet. There is good reason to believe that the six flute quartets under consideration were conceived as a set and probably intended for immediate publication. They first appeared under Huberty's imprint in 1771 (as Op.8) and may have been composed reasonably close to the publication date. Whether Wanhal sent the works direct to Huberty is uncertain. It is very interesting to note, however, that Sieber issued the same works in a new edition the following year - it was announced on 28 January 1772 - and this seems to have been the basis for the later (undated) Welcker edition published in London and many of the extant manuscript copies.In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets. Paul Bryan, Uwe Grodd
Flute Quartet in F major, Op.7 No.1 (Weinmann Vb: F1)
$53.00 45.28 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1444282 Composed by Frederic Chopin. Arranged by SCMusic. 19th Century,Chamber,Classical,Romantic Period,Traditional. 10 pages. SCMusic #1024196. Published by SCMusic (A0.1444282). A slightly longer version of Chopin's Prelude in A Major, Op.28 No.7, arranged for woodwind quintet. Following the familiar opening, with the main melody being played on the flute and oboe, the clarinet and bassoon take over, carrying the melody once more through its second iteration, in a lower register. This leads to a harmonic climax with the instrumental lines intertwining in a short fugal passage, before returning to a final repetition of the melody as per the opening. This arrangement is suited for a relaxed encore, a musical interlude or an educational performance.
Prelude in A Major Op.28 No.7 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$9.99 8.54 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus






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