Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by John Frith. 21st Century, Contemporary Classical. Score, Solo Part. 36 pages. Published by Cherry Classics Music

Chamber Music & Piano Accompaniment C Trumpet or Bb Trumpet/Cornet, Piano - Grade 2 - Digital Download

SKU: FX.FX073591

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. 21 pages. Duration 7 minutes, 20 seconds. FLEX Editions - Digital Sheet Music #FX073591. Published by FLEX Editions - Digital Sheet Music (FX.FX073591).

The Trumpet du cote de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately.

This volume puts together 4 original pieces that can be played from 3 years of trumpet practice. ; Instruments: 1 C Trumpetor 1 Bb Trumpet/Cornet 1 Piano.

Chamber Music & Piano Accompaniment Bb Trumpet, Piano - Grade 1 - Digital Download

SKU: FX.FX073590

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. 17 pages. Duration 6 minutes, 30 seconds. FLEX Editions - Digital Sheet Music #FX073590. Published by FLEX Editions - Digital Sheet Music (FX.FX073590).

The Trumpet du cote de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately.

This volume, for beginners, is a visit full of surprises in an incredible zoo where nice elephants applaude a parade of ants... These 6 short pieces for very young trumpetists reflect those rare moments! ; Instruments: 1 Bb Trumpet 1 Piano.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download

SKU: A0.1335613

Composed by Traditional Scottish. Arranged by Benzaiten Editions. Early Music,Folk,Holiday,Multicultural,Traditional,World. 8 pages. Benzaiten Editions #921449. Published by Benzaiten Editions (A0.1335613).

Hey! Do you want to learn how to play Auld Lang Syne for brass quintet? It's your lucky day! 🎵

Auld Lang Syne • New Year's Anthem | Brass Quintet & Piano Accompaniment sheet music with chords

Benzaiten Editions' edition | What are you going to find?

By purchasing our edition, You'll be able to download:

• Full score with all instruments of the arrangement (including piano accompaniment part)
• Trumpet I part
• Trumpet II part
• French Horn part
• Trombone part
• Tuba part

About the song

'Auld Lang Syne' is more than a tune; it's a New Year's anthem, symbolizing reflection and the promise of new beginnings. Our arrangement pays homage to this classic, offering you a musical journey through the joy and nostalgia of year-end celebrations.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download

SKU: A0.1335607

Composed by Traditional Scottish. Arranged by Benzaiten Editions. Early Music,Folk,Holiday,Multicultural,Traditional,World. 8 pages. Benzaiten Editions #921444. Published by Benzaiten Editions (A0.1335607).

Hey! Do you want to learn how to play Auld Lang Syne for brass quintet? It's your lucky day! 🎵

Auld Lang Syne • New Year's Anthem | Brass Quintet & Piano Accompaniment sheet music

Benzaiten Editions' edition | What are you going to find?

By purchasing our edition, You'll be able to download:

• Full score with all instruments of the arrangement (including piano accompaniment part)
• Trumpet I part
• Trumpet II part
• French Horn part
• Trombone part
• Tuba part

About the song

'Auld Lang Syne' is more than a tune; it's a New Year's anthem, symbolizing reflection and the promise of new beginnings. Our arrangement pays homage to this classic, offering you a musical journey through the joy and nostalgia of year-end celebrations.

Chamber Music & Piano Accompaniment Bb Trumpet C Trumpet Piano - Grade 3 - Digital Download

SKU: FX.FX073592

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. 32 pages. Duration 12 minutes, 5 seconds. FLEX Editions - Digital Sheet Music #FX073592. Published by FLEX Editions - Digital Sheet Music (FX.FX073592).

The Trumpet du cote de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately.

This volume puts together 4 original pieces that can be played from 4 years of trumpet practice. ; Instruments: 1 Bb Trumpet 1 C Trumpet 1 Piano.

B-Flat Trumpet,Piano - Level 3 - Digital Download

SKU: A0.1210352

Composed by John R. Daniels. Arranged by John R. Daniels. Classical,Contemporary,Jazz,Pop,Wedding. Score and part. 12 pages. John R. Daniels #808116. Published by John R. Daniels (A0.1210352).

“Fascination With You� is a Mysteriously Romantic, Light Jazz Instrumental Solo with Piano Accompaniment for Trumpet. It has an easy jazz feel without being difficult. It's perfect for weddings, competition, even a church anthem. 

This arrangement can also be played by other Bb instruments. “Fascination With You� is also available for instruments in other keys. Please search this site for “Fascination With You� for other instruments. If you don't see your instrument, email me at CustomMusic@Salt-Cellar-Creations to request a version for you (usually at NO CHARGE).

Piano,Trumpet - Level 1 - Digital Download

SKU: A0.913284

Composed by James Pierpont. Arranged by L. McKinlay. Children,Christmas,Jazz,Standards. Score and part. 5 pages. L McKinlay #6668449. Published by L McKinlay (A0.913284).

I hope you enjoy this fun, jazzy version of Jingle Bells! This arrangement has been made with the beginner trumpeter in mind. A sample is shown above.
No piano player? No worries! An mp3 of the piano accompaniment is available to purchase in my SMP press store.
Jingle Bells Boogie is also arranged for other woodwind and brass instruments, as well as solo piano and piano duet.

Trumpet and piano - Grade 1 - Digital Download

SKU: IZ.FSW091T

Composed by David Marchand and Elizabeth Borowsky. Score and Parts. 47 pages. Imagine Music - Digital #FSW091T. Published by Imagine Music - Digital (IZ.FSW091T).

9 x 12 in inches.

By David Marchand and Elizabeth Borowsky. This collection of original songs is designed for students who have studied their instruments for a limited time (Level 1-2). The songs in the collection are approximately one minute in length and are in keys and meters commonly found in most instrumental methods. The ranges of the songs seldom go above one octave. There are fourteen songs in the collection sequenced by level of difficulty. There is great variety within the collection as each of the songs as its own unique character. For each song, there is a solo score and a solo/piano-accompaniment score. As an aid, the collection includes a CD with two tracks: one with only the solo part, one with only the accompaniment part. Although the accompaniments sound musically sophisticated, they were designed to be playable by the younger pianist. In the event that no pianist is available, the soloist could use the CD as his or her accompaniment. [CD available from the publisher] March Petite: Goin Baroque: Spanish Dance:.

Trumpet Duet Trumpet - Level 1 - Digital Download

SKU: A0.819922

Composed by Kathy Hirche. Contemporary,Standards. Score. 14 pages. Kathy Hirche #428995. Published by Kathy Hirche (A0.819922).

The First 5 series is suitable for elementary level performers of all ages. It provides seven pieces which are musically satisfying and fun to play without demanding more than basic technical ability and theoretical knowledge and the first five notes learned on the instrument. Pitches used: C D E F G (written range). Rhythmic values used: semibreve (whole-note), dotted minim (dotted half-note), minim (half-note), crotchet (quarter note), quavers (eighth-notes). Quavers (eighth-notes) appear only in groups of 2 or 4. Articulations/signs used: staccato, accent, slur, tie, repeat, 1st and 2nd time endings. Each piece may be performed as a Solo (use Part 1), Duet or 2-part Ensemble. All pieces in the First 5 series are in the same concert key, enabling performances with various combinations of these instruments: Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Trombone, Euphonium. Accompaniments for each piece are available as FREE MP3 FILES. These can be downloaded from kathysprintmusic.com. The audio sample provided here consists of excerpts of all seven pieces: A Sad Song, Tick Tock Rock, Waltzing in the Rain, Swinging, Lullaby, The Old Clock, Tim's Dance. ISMN 9790-9009-679-1-6.     Serie Los Primeros 5. Solo, Ensamble de 2 partes, duo - la serie de los Primeros 5 es adecuada para intérpretes Nivel Elemental de todas las edades. Contiene 7 piezas que son musicalmente satisfactorios, divertidas de tocar sin demandar de una habilidad técnica mas allá de un conocimiento teórico básico dado al tocar las primeras 5 notas del instrumento. Los tonos usados son: C, D, E, F, G.  Los valores rítmicos usados son: semibreve (nota entera), minim apuntillaría (media nota con punto), minim (media nota), cuarto de nota o negrita, corchea (octavos de nota). Los octavos de nota aparecen solo en grupos de 2 o de 4. Los símbolos/articulaciones usadas son: staccato, acento, legato, repetición, fin de primer y segundo tiempo. Cada pieza puede ser tocada como solista (usando la Parte 1), como un cueto o como ensamble de 2 partes. Todas las piezas en la seria de los Primeros 5 están en la misma clave de concierto, permitiendo a los músicos ejecutarlas con diversas combinaciones de estos instrumentos: falta, clarinete, alto saxofón, saxofón tenor, trompeta, trombon, eufónico. Los acompañamientos para cada pieza se encuentran como ARCHIVOS GRATIS de MP3 que se pueden descargar desde el sitio kathysprintmusic.com  La muestra de audio  que se proporciona aquí contiene fragmentos de las siete piezas: una canción triste , tick tick rock, bailando vals en la lluvia, swinging, canción de cuna, el reloj viejo, el baile de Tim.

Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.1220622

Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622).

A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.



Innovations

First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.

Polychoral Works

Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.

Spatial Music

Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.

First Works

Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.

Homophony

Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download

SKU: A0.1224064

Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064).

From Sacrae Symphoniae, Venice, 1597
Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.

Innovations

First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.

Polychoral Works

Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.

Spatial Music

Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.

First Works

Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.

Homophony

Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Trumpet Duet Trumpet - Level 3 - Digital Download

SKU: A0.589597

Composed by Yakow Jadow. Arranged by David McKeown. Jewish,Wedding,World. Score. 4 pages. David McKeown #6080585. Published by David McKeown (A0.589597).

Bublitschki is a Ukrainian/Jewish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for two Trumpets.

Bublitschki was written in 1922 by Yakov Jadow. The title means pretzels in Russian and was inspired by the pretzel sellers by the railway station in Odessa. Jadow observed that the street-vendors were poverty-stricken and wrote the song as a lament. Initially popular in the Soviet Union, a recording by the Barry Sisters in 1939 brought this song to an international audience.

Bublitschki is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played twice with a short coda and constant variations in the accompaniment. Bublitschki is suitable for players at an intermediate level and above. With a performance time of just over three minutes, this version of Bublitschki is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 

 

 

Trumpet Duet Trumpet - Level 3 - Digital Download

SKU: A0.589291

Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score. 4 pages. David McKeown #6020781. Published by David McKeown (A0.589291).

Hava Nagila is a Hebrew Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for two Trumpets.

Hava Nagila was originally a Nigun melody thought to have originated in the Ukraine. In 1918 a professor and musicologist at the Hebrew University in Jerusalem, Abraham Zevi Idelsohn, set the tune to words adapted from Psalm 118. Hava Nagila was first performed at celebrations at the end of the Great War and quickly spread throughout the Jewish diaspora. In the fifties and sixties, performances by singers as diverse as Harry Belafonte and Bob Dylan popularised the song far beyond its original Jewish audience. Hava Nagila remains one of the best-known and loved Klezmer standards today, traditionally performed at Jewish celebrations.

Hava Nagila is simply arranged in a key and range best suited to the instruments. After a steady beginning, the melody gradually increases in tempo, with constant variations in the accompaniment. Hava Nagila is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Hava Nagila is perfect for celebrations, weddings and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet. 

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203