Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.911834 Composed by Josef Strauss. Arranged by Raymond Fenech. Classical,Contest,Easter,Festival,Instructional,Multicultural,World. Brass Band. 37 pages. Raymond Fenech #517797. Published by Raymond Fenech (A0.911834). Josef Strauss (20 August 1827 – 22 July 1870) was an Austrian composer. He was born in Mariahilf (now Vienna), the son of Johann Strauss I and Maria Anna Streim, and brother of Johann Strauss II and Eduard Strauss. His father wanted him to choose a career in the Austrian Habsburg military. He studied music with Franz Dolleschal and learned to play the violin with Franz Anton Ries Even though Josef Strauss was a more serious (even depressed) member of the famous Strauss family of musicians, quite capable of writing music of darker character, he also had the talent to write cheery fluff. This polka is just that, and while it may not conjure up images of a jockey riding a horse, it will impart a playful sense of madcap hustle with the bustle of its colorful notes. Lasting but a mere two minutes, this delightful work will appeal to Strauss enthusiasts and lovers of light classics.

Piano - Level 3 - Digital Download SKU: A0.1135122 By Robert Schumann. By Robert Schumann. Arranged by Unimusic Academy (Academia Unimusica). Classical. Score (Chords/Lyrics). 1 pages. Unimusic Academy (Academia Unimusica) #735164. Published by Unimusic Academy (Academia Unimusica) (A0.1135122). Robert Schumann[a] (German: [ˈ�o�bɛ�t ˈʃu�man]; 8 June 1810 – 29 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.

Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.790055 By Billy Joel. By Billy Joel. Arranged by W. Brent Sawyer. A Cappella,Pop,Rock. Octavo. 11 pages. Diamond S Music #3561307. Published by Diamond S Music (A0.790055). THE LONGEST TIME by Billy Joel. For TTBB CHORUS or QUARTET. This new arrangement is very similar to the original iconic Billy Joel version and is authentic to to feel and groove of there original version. There is a new modulation in the middle that gives a nice lift to the arrangement. The arrangement is not too difficult at all and most groups would be able to learn it very quickly. The arrangement is a cappella with the singers snapping throughout. But a Bass and Drums could be easily added to give an even cooler groove to it (the Bass could just double the lowest vocal part). This arrangement is available for TTBB and SSAA in different keys for each.  THE AUDIO CLIP IS OF THE SSAA VERSION - THE TTBB IS IN A HIGHER KEY.video of the SSAA version of this arrangement: https://youtu.be/vp20TkR6LBAOther similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.872994 Composed by Richard Rodgers. Arranged by Jennifer J. Durham. A Cappella. Octavo. 9 pages. Jennifer J. Durham #3637173. Published by Jennifer J. Durham (A0.872994). This beloved song has been arranged for vocal quartet (SATB) by Jennifer Durham (ASCAP). An a capella setting, it is appropriate for small ensembles. What a perfect performance piece for Valentine's Day or another romantic event! Originally from the Lorenz/Hart musical Babes in Arms, this song's popularity has never waned since 1937! This arrangement will showcase your vocal abilities while providing a few surprises along the way. Approximately 4'30, but a section can be deleted if time is a constraint.

Instrumental Duet Cello,Clarinet,Instrumental Duet - Digital Download SKU: A0.994844 Composed by Aaron Orr. Children,Contemporary. Score and parts. 3 pages. Aaron Orr #4363487. Published by Aaron Orr (A0.994844). For Cello and Clarinet.Braided River is a whimsical duet between a cellist and clarinetist, depicting a person with their head in their clouds but a soft carefulness about their actions. This piece is part of a running collection of songs that represent individuals in the Composer's life similar to Elgar's Variation on a Theme. Contact Information: aaronorrfg@gmail.com

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1111554 Composed by Alan Edgar. Baroque. Score and parts. 13 pages. Alan Edgar Ted Moon #713846. Published by Alan Edgar Ted Moon (A0.1111554). Brass quintet. I have shamelessly combined ideas from three famous pieces popular for funerals: Pachelbel's Canon, Elgar's Nimrod from the Enigma Variations and Chopin's Marche Funebre from his 2nd Pianoforte Sonata. So it is a passacaglia, having a solemn repeating 4 bars in the bass; 8 variations on a 4 bar phrase; and an accompanied canon having each variation repeated twice, in the lower parts after delays, while a new variation appears in the 1st TRUMPET. All in A minor, but a tierce de Picardie ends the piece. Only 3 minutes: after all that work!

Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON

Piano Solo - Level 2 - Digital Download SKU: A0.1403569 By The Chainsmokers. By Andrew Taggart, Emily Schwartz, and Scott Harris. Arranged by Fernando Ramos. 21st Century,Contemporary,Pop,Rock. Score. 3 pages. Fernando Ramos #986748. Published by Fernando Ramos (A0.1403569). Other Arrangements Available: https://www.sheetmusicplus.com/en/category/arrangeme/426/fernando-ramos/?isPLP=1I make piano solo arrangements for my students of songs that they love! My goal is to create something that sounds beautiful as a standalone piece of music and, most importantly, that it also makes pianistic sense. Each of my arrangements is made for a specific student, so the results will vary in terms of playing level. Most decisions are based on their current skills and abilities, or where I would like for them to be when they complete the piece.This arrangement was made for a late beginner student currently working on Federation class Elementary 2. It had its challenges but a little perseverance did the trick and pushed my student to get better at jumping around with the left hand. Pedaling is pretty straightforward. As with many of my arrangements, I find that making the left hand a bit of a time-keeper is always helpful, especially with pop vocal rhythms.

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1446572 By Queen. By Freddie Mercury. Arranged by D Kim Clayton. A Cappella,Contemporary,Pop,Rock. 6 pages. HarmonyPlus Publications #1026364. Published by HarmonyPlus Publications (A0.1446572). Freddie Mercury's and Queen's Somebody to Love done A Cappella!  Not only is it a cappella, but a version created for female voices!  This SSAA version is fun to learn, perform and will delight audiences everywhere!  Get ready for a harmonic treat and a marvelous opportunity to let soloists rock!  Don't take my word for it.  Listen in!

Piano,Trombone - Level 5 - Digital Download SKU: A0.792532 Composed by Armand Russell. 20th Century,Contemporary. Score and part. 33 pages. Gordon Cherry #5008359. Published by Gordon Cherry (A0.792532). The first movement, Prologue, consists of an Exposition (bars 1-42) with a main theme followed by four development sections and ending with a return to the main theme before a short coda. The second movement, Variants is a set of seven variations on the theme presented in the opening with descriptive terms pointing out the contrasts between the variations. The final movement is titled an Epilogue follows the general structure of ABCDCEBA which is a modified arch form with an abundant use of dance-like syncopated rhythms but a lyric and less active middle section D for contrast. This work of about 17 minutes in length is suitable for advanced performers.

Bb/A Clarinet/Alto Sax and Piano - Advanced - Digital Download SKU: F2.FM202 Composed by Antonio D'Amato. Score and parts. 20 pages. Forton Music - Digital #FM202. Published by Forton Music - Digital (F2.FM202). ISBN 9790570481019.A or Bb Clarinet (or alto saxophone) and Piano. Harmonically rich and seductive, with flowing lyrical lines interspersed with more dramatic, exclamatory sections almost like a recitative. Complex and difficult for both players, but a great showcase piece. Suitable for players of around Grade 7 upwards. The solo clarinet part is the same for Bb or A Clarinet, with a transposed piano part supplied.

Choral Choir (5-Part) - Level 2 - Digital Download SKU: A0.1147977 By Il Divo. By Chiara Ferrau and Ennio Morricone. Arranged by Mark Burnip. 20th Century,A Cappella,Classical,Contemporary. Octavo. 4 pages. Mark S Burnip #748176. Published by Mark S Burnip (A0.1147977). This is a 5 part (TTTBB) arrangement of Morrecone’s Gabriel’s Oboe (In my Fantasy) vocal version with a tenor soloist. The first verse is is sung in Italian to give it authenticity, the other verses are in English translation. This is a beautiful melody with heartfelt lyrics and would fit into any chorus’s repertoire. A medium difficulty but a challenging project for any vocal group.

Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON

Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON