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Oboe,Piano - Level 4 - Digital Download SKU: A0.1213274 Composed by Alan Bullard. 20th Century. Score and part. 24 pages. Colne Edition / BullardMusic #810456. Published by Colne Edition / BullardMusic (A0.1213274). Alan Bullard’s Sonatina for Oboe and Piano was written when the composer was in his early twenties, and it has received many performances from students and professionals.Its three movements are in an unashamedly neo-classical style, with the two instruments seen as equal partners: in the first, flowing melodies are shared between the two instruments: in the second, a romantic oboe solo is presented over a simple repetitive accompaniment, later growing into a duet in which the piano takes the lead for a time: and the third movement is characterised by a witty sense of rhythmic interplay between the two instruments.The pdf contains the score and the separate oboe part.More details: https://www.alanbullard.co.uk/score/sonatina-oboe-piano/  or  www.colneedition.co.uk.
Sonatina for Oboe and Piano
Hautbois, Piano (duo)

$6.99 5.96 € Hautbois, Piano (duo) PDF SheetMusicPlus

Cello Solo - Level 2 - Digital Download SKU: A0.1117302 By Jorge Anckermann. By Jorge Anckermann. Arranged by Vanessa Baez Menendez. 20th Century,Historic,Latin,Multicultural,Traditional,World. Individual part. 2 pages. Madeleine Duba / Watusi Dance co ltd #718876. Published by Madeleine Duba / Watusi Dance co ltd (A0.1117302). Music notes featuring Cuban 20th century Cello Duets available to print and play instantly. A wide range from 1900's - 1960's of Cuban genres like Bolero's, Cha Cha's, Danzon's and Son's, shop our newest and most popular two cellos sheet music such as Besame Mucho (1941) - Cello Duet, QuizaÌs, QuizaÌs, QuizaÌs (1947) - Cello Duet and Frenesi (1939) - Cello Duet, Con tigo Aprendi (1967) - Cello Duet, Besame Mucho (1941) - Cello Duet, Sabor a Mi (1959) - Cello Duet and others. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . About the Composer and the song: Jorge Anckermann (22 March 1877 – 3 February 1941) was a Cuban pianist, composer and bandleader. Havana-born, he started in music at eight with his father. At age ten he was able to substitute in a trio. In 1892, he went to Mexico as musical director of the bufo company of Nachos Lopez, visiting various Mexican states, and touring California.[1] Anckermann lived in Mexico City for a number of years, teaching music. In Cuba, he was for many years the musical director of leading theatres. He composed and produced pieces for zarzuelas, reviews and comedies. He also composed boleros, and was apparently the originator of the guajira. The grand theatre Alhambra was the scene of his greatest hits, such as La isla de cotorras. Famous pieces include El arroyo que murmura; El quitrín; Flor de Yumurí; Un bolero en la noche.[2] His father, Carlos Anckermann, and his brother, Fernando Anckermann, were also prominent composers and musicians.
Flor de Yumuri (1937)
Violoncelle
Jorge Anckermann
$5.99 5.11 € Violoncelle PDF SheetMusicPlus






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