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Solo-viola, gr. flute, oboe, 2 clarinets (in Eb and B), bassclarinet (in Bb), 2 bassoons, contrabassoon, horn (in F), 2 trumpets (in C), 2 trombones, basstuba, 4 cellos, 4 double basses - Digital Download SKU: S9.Q21079 Composed by Paul Hindemith. This edition: study score. Ernst Eulenburg - chamber music - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 36/4. Ernst Eulenburg & Co. GmbH - Digital #Q21079. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21079). German • English.The chamber music works are among Hindemith's most successful instrumental works of the 1920s. At the world premiere of 'Chamber Music No. 1', the audience even demanded a repetition of the third and fourth movements. But the title of the series of works consisting of seven compositions altogether is misleading: The individual pieces rather have concertante soloistic features. No. 1 is characterised by 'instruments', like a can filled with sand and a siren, as well as the rich use of percussion. The scores are based on Vol. IV/2 (PHA 402) of the Hindemith Complete Edition, edited by Giselher Schubert.
Chamber Music No. 5

$18.99 16.19 € PDF SheetMusicPlus

Violino da brazzo III - intermediate - Digital Download SKU: S9.Q6138 Marienvesper. Composed by Claudio Monteverdi. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Duration 70 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q6138. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q6138). Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publication of sacred music, entitled: 'Of the most blessed virgin a Mass for six voices for church choirs, and Vespers for more voices with several sacred concertos suitable for princely chapels or apartments'. By the time this publication appeared, Monteverdi had been in the service of the Gonzaga court at Mantua for at least 18 years, and he was seeking a change of employment, so that the dedication of the volume to the reigning pope, Paul V, may be interpreted as a form of self-advertisement. Originally issued as an Urtext study score, the edition is based closely on the extant printed source, the set of partbooks published at Venice in 1610, and retains the original note values, key and mensuration signatures.
Vespro della Beata Vergine
the time this publication appeared, Monteverdi had been in the service of the Gonzaga court at Mantua for at least 18 years, and he was seeking a change of employment, so that the dedication of the volume to the reigning pope, Paul V, may be interpreted as a form of self-advertisement Originally issued as an Urtext study score, the edition is based closely on the extant printed source, the set of partbooks published at Venice in 1610, and retains the original note values, key and mensuration signatures
$4.99 4.26 € PDF SheetMusicPlus

Orchestra, choir and 4 soloists ad. lib. - Digital Download SKU: S9.Q21225 From the opera The Midsummer Marriage. Composed by Sir Michael Tippett. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 29 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q21225. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21225). English • German • French.Tippett’s decision to extract the four Ritual Dances from his opera 'The Midsummer Marriage' as a self-contained concert suite reflects the fact that the medium of dance was always present in his conception of the opera. From the start, there was to be an interaction within the opera between the real world and the world of mythology, partly Greek, partly Celtic. This mythological element culminates, in the finished opera, in the 'Ritual Dances' of Acts 2 and 3. Tippett himself described his opera as ‘a kind of elaborate 'L’après midi d’un faune’, in which the 'Ritual Dances' display a powerful sexual energy, though of a very different kind from Debussy’s voluptuous langour. Composition of The Midsummer Marriage occupied Tippett for six years from 1946 to 1952. The first performance of the Ritual Dances as a concert suite was given in Basel on 13 February 1953 by the Basel Kammerorchester conducted by Paul Sacher, and preceded the premiere of the complete opera by two years. Today the Ritual Dances rival the Concerto for Double String Orchestra (ETP 1331) as Tippett’s most widely-performed orchestral work.
Ritual Dances

$35.99 30.69 € PDF SheetMusicPlus






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