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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1516093 By The Beatles. By John Lennon and Paul McCartney. Arranged by Dr. David Salisbury. Jazz. 47 pages. Nemomusicpublishing #1090304. Published by Nemomusicpublishing (A0.1516093). This is a Big Band arrangement of the Beatles 1967 hit from the Sgt. Pepper’s Lonely Hears Club Band album. Originally written by Paul when he was about 14 in 1956.   For the recording, the song was recorded in a key different from the final version; it was sped up at the request of McCartne to make his voice sound younger. As it is in the orignal version arranged by George Martin in wheich the Clarinet was a predominant intrumental voice, this chart features Clarinet on the main melody and written or improvised solo. In addition, it also features a written or improvised Trumpet solo with the Lead Trumpet range up to G above the treble staff. Written in the original Cut Time feel of 2 it is a swing chart aimed at an intermediate band level suitable for high school and collge bands and sure to be a crowd favourite.
When I'm Sixty-Four
Ensemble Jazz
The Beatles
$49.99 42.64 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1318219 Composed by John Francis Wade. Arranged by Neil M. Boumpani. Christmas,Holiday,Jazz,Latin. 63 pages. Boumpani Music Publishing #906901. Published by Boumpani Music Publishing (A0.1318219). This driving, Latin-flavored arrangement of the traditional carol Adeste Fideles (a.k.a. O Come All Ye Faithful) sounds great with bands of all levels, from professional big bands to high school jazz bands.  After an introduction that repeats throughout the piece, the melody is presented with a soli in the 1st trumpet and 1st alto sax.  The syncopated rhythms are repeated throughout, which makes it easier for school bands.  There are plenty of opportunities for improvised solos over a 2-chord montuno that allows younger students to build confidence using a Bb blues scale (concert key).  The rhythm section is also featured throughout and your drummer will love it (after all, it was arranged by a drummer!).  Players and audiences alike will love this piece.  Ranges are very reasonable with the 1st trumpet playing a written Bb above staff only twice, and the 1st trombone range going over the written F above the staff only once to Gb.
ADESTE FIDELES
Ensemble Jazz

$75.00 63.97 € Ensemble Jazz PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans:  This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon.  Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
Brass Quartet - Titans
Ensemble de cuivres

$20.00 17.06 € Ensemble de cuivres PDF SheetMusicPlus






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