Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.955245 Composed by Neal Fitzpatrick. Instructional,Standards. Score and parts. 2 pages. Neal Fitzpatrick Editions #4807739. Published by Neal Fitzpatrick Editions (A0.955245). This exercise for guitar ensemble is designed to enhance and improve ensemble playing for guitarists. It is designed to enhance and improve ensemble playing and sight-reading skills for new guitarists. This exercise can be played on nylon and steel string guitars. Each player can take turns playing each part.

Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.955243 Composed by Neal Fitzpatrick. Instructional. Score and parts. 2 pages. Neal Fitzpatrick Editions #4807723. Published by Neal Fitzpatrick Editions (A0.955243). This exercise for guitar ensemble is designed to enhance and improve ensemble playing for guitarists. It is designed to enhance and improve ensemble playing and sight-reading skills for new guitarists. This exercise can be played on nylon and steel string guitars. Each player can take turns playing each part.

Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Graf - the-hit-factory.com #717714. Published by Thomas Graf - the-hit-factory.com (A0.1115994). Fantasy in 3 movements for large wind ensemble, double bass and percussion 1. Deux Caracteres 2. Dialogues 3. Dance de Confusion Confluence is the name of a place in Lyon where 2 rivers flow together: The Saône flows into the - at least in German - female Rhone. In French, however, it flows into DEN Rhone - Le Rhône. This confuses the composer: How do rivers get their gender, are they sometimes male, sometimes female? Is it because of their character, because of the landscape that they flow through? By their water, even by their fish? On the people on their shores? A real confusion ensues. In the subsequent thoughts about music, the composer discovers certain analogies and asks himself the question: does gender-typical music actually exist? Or instruments? Typically male harmonies or rhythms? Or clearly female melodies and the way to interpret? The 3-movement composition is dedicated to this question and meanders like a dance in the bed of the converging streams. Colorful modal harmonies form the bed for wide arcs of melody. A varied, recurring theme sets the direction and creates a bubbling, dancing pull in the direction of the mouth: dancing finale! 1st movement: Deux Characters In the first movement (Andante) the roles are distributed - the Sâone and the Rhône get their performers. A first glance at the ensemble reveals a tendency: woodwinds take on the female lead, the male brass the counterpart. The two drummers each support one of the two poles in solidarity. The assignment may be obvious, but strong doubts remain in the final chord of the first movement. 2. Dialogues: In smaller and larger dialogues, there is a lively exchange and the properties are worked out and further developed. But it is also increasingly being copied and imitated, even maliciously agitated and aped. You try to convince each other, interrupt each other, both sides increasingly flare up, it gets louder and more hectic, louder and louder, too loud, until communication stops: in the end, you just yell at each other! 3. Dance de Confusion The resulting confusion finds a conciliatory end in the third movement of the composition: Let's dance! In the end, the initial confusion turns into a confusion: what belongs together flows and dances together. Composed by: Thomas H. Graf Arranged by: Thomas H. Graf for Woodwind Ensemble Instrumentation:  Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum, Chimes) Perc 2 (Triangle, Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1477331 By François-Auguste Gevaert. By François-Auguste Gevaert. Arranged by Andrew Lamb. Christmas. 37 pages. Andrew Lamb #1054753. Published by Andrew Lamb (A0.1477331). ?? A Joyful Christmas Song for Clarinet Ensemble ? Experience the festive spirit with this advanced Clarinet Ensemble adaptation of A Joyful Christmas Song by the renowned Belgian musicologist and composer, François-Auguste Gevaert. This arrangement is crafted to bring joy and cheer to your Christmas concert or recital.? Scored for the following instruments: ? Part 1: Clarinet in Bb, Clarinet in Eb ? Part 2: Clarinet in Bb ? Part 3: Clarinet in Bb, Basset Horn ? Part 4: Alto Clarinet in Eb ? Part 5: Bass Clarinet in Bb This arrangement allows for flexibility in the choice of instruments, making it adaptable for various ensemble configurations.Level of Difficulty: AdvancedPotential Uses: Perfect for Christmas concerts and recitals.About the Composer: François-Auguste Gevaert (31 July 1828 – 24 December 1908) was a Belgian musicologist and composer, born in Huise, near Oudenaarde. Gevaert's journey from being a baker's son to a celebrated composer and musicologist is inspiring. He studied at the Ghent Conservatory, became the organist of the Jesuit church in Ghent, and later won the Belgian Prix de Rome. His career took him to Paris, Spain, and Italy, and he eventually became the head of the Brussels Conservatoire. Although his own compositions are largely forgotten today, his legacy as a teacher, historian, and lecturer endures.? Notable Works: Treatise on Instrumentation, Vade Mecum for organistsPlease like and subscribe for more videos and music arrangements.

Large Ensemble B-Flat Trumpet,Bass Trombone,Horn,Tenor Trombone,Tuba - Level 4 - Digital Download SKU: A0.1036437 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Jazz. Score and parts. 108 pages. Pete Strohm Music #641461. Published by Pete Strohm Music (A0.1036437). Dialogue (for Brass Ensemble) from American composer P. F. Strohm, is an up-tempo, jazz-based work written for a 10-part ensemble, comprised of two brass quintets, one using tuba and one using bass trombone. The antiphonal scoring with the two quintets makes the work ideal for brass sections looking for a hard-hitting showpiece. It employs two quintet groupings to create straight-ahead, ensemble energy. The two quintets trade off melodic and rhythmic figures throughout the opening. In the mid-section, two trumpets and the soprano sax trade solo lines, then combine in a riveting climax. The two quintets then trade tight, challenging phrases as the piece rockets to a big tutti ending. Dialogue is an exciting work for contest or concert, and has a Medium-Advanced level of difficulty. Total performance time is 4:00. Member, ASCAP.

Woodwind Ensemble - Level 3 - Digital Download SKU: A0.982376 Composed by John Stafford Smith (1780). Arranged by Paul Ferington. Folk,Holiday,Patriotic. 10 pages. Paul K Ferington #6639429. Published by Paul K Ferington (A0.982376). A new arrangement (1:25) of our US National Anthem Star Spangled Banner for Woodwind Ensemble with short intro, update harmonies, and lower key (Ab) for easier singing. (Also available for Brass/Percussion Ensemble, String Ensemble, Concert Band, and Full Orchestra).

Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264873 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 277. Blue Steer Studios #857711. Published by Blue Steer Studios (A0.1264873). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.   The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.

Harp - Level 4 - Digital Download SKU: A0.1267054 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 279. Blue Steer Studios #859689. Published by Blue Steer Studios (A0.1267054). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.   The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1147368 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #747572. Published by Woods Only, Arrangements (A0.1147368). This arrangement adapted for clarinet ensemble was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..

Percussion Ensemble Chimes,Mallet Percussion,Snare Drum,Suspended Cymbal,Timpani,Triangle,Vibraphone - Level 5 - Digital Download SKU: A0.1212688 Composed by Johann Sebastian Bach. Arranged by Glen Poehlmann. Baroque,Classical. 42 pages. Arrangements by GPoehlmann #810008. Published by arrangements by GPoehlmann (A0.1212688). TOCATTA & FUGUE IN D MINOR - arranged for PERCUSSION ENSEMBLEJ.S. Bach's famous organ solo (BWV 565) is presented in an arrangement for Percussion Ensemble. The Mallet parts can have multiple players if desired.293 measures.  Performance Time +9:00.Difficult (Grade 4+)Key: D Minor.  Meter: 4/4 - 2/4 - 12/8Parts provided (PDF)Full ScoreMallet 1Mallet 2Mallet 3VibraphoneTimpaniPercussion 1 - Chimes, TrianglePercussion 2 - Snare Drum, Bass Drum, Suspended Cymbal

Instrumental Parts, 3 Trumpets and 3 Trombones, Alto Sax, Tenor Sax, Organ, Rhythm Section - Digital Download SKU: LX.30-3581L Arranged by Mark Hayes. Sacred Anthem. Instrumental Ensemble Score and Parts. 57 pages. Lorenz Publishing - Digital Sheet Music #e30/3581L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3581L). Instrumental Ensemble Score and Parts for I Must Tell Jesus (10/5133L) Set in an irresistible, slow gospel groove, Mark Hayes’s version of this classic will give your choir a chance to put some “soul� into their singing. The piano part is a winner on its own, but the optional rhythm and brass ensemble really brings this anthem alive.

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1147369 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 15 pages. Woods Only, Arrangements #747573. Published by Woods Only, Arrangements (A0.1147369). This arrangement adapted for clarinet ensemble was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).

Solo Guitar - Level 1 - Digital Download SKU: A0.955246 Composed by Neal Fitzpatrick. Instructional. Individual part. 2 pages. Neal Fitzpatrick Editions #4807741. Published by Neal Fitzpatrick Editions (A0.955246). This exercise for guitar ensemble is designed to enhance and improve ensemble playing for guitarists. It is designed to enhance and improve ensemble playing and sight-reading skills for new guitarists. This exercise can be played on nylon and steel string guitars. Each player can take turns playing each part.

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1147365 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 11 pages. Woods Only, Arrangements #747569. Published by Woods Only, Arrangements (A0.1147365). This arrangement adapted for clarinet ensemble was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.

Small Ensemble - Level 2 - Digital Download SKU: A0.972023 Composed by Keir C. Crawley. Children,Contemporary,Instructional. Score and parts. 14 pages. Keir C Crawley #3129967. Published by Keir C Crawley (A0.972023). ‘AsCent’ is the culmination of a number of ideas and experiences, first of which was the need to compose exciting and challenging music for the classroom. This piece attempts to put the Key Stage 2 or Key Stage 3 budding musician into the musical world of the Marvel Cinematic Universe or other similar big budget sci-fi action adventure films. Combining motor ostinati with contextually more adventurous accompanying harmony my aim is to move the musical learning away from the sometimes twee and undemanding into something with a little more musical bite. This orchestration of the piece includes parts for what I have come to know as a ‘mixed ability school ensemble’ i.e. a selection of instruments that you might typically find being taught in high schools both in London and nationally. The idea behind this was to put primary school musicians alongside older (sometimes as much as 10 years older) musicians from high schools to act both as inspiration and role models. 'AsCent’ for mixed ability school ensemble was first performed on Saturday 1st July 2017 by 76 musicians including 34 primary school children from the London Borough of Brent under the baton of the composer.