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Jazz Ensemble - Digital Download SKU: AX.00-PR-0004923 Score (20 pages). Arranged by Dave Wolpe. Instructional. Score. 17 pages. Alfred Music - Digital Sheet Music #00-PR-0004923. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004923). UPC: 038081314853.A staple of every jazz singer's repertoire, arranger Dave Wolpe delivers another great chart with plenty of musical space for the vocalist. Dave knows how to arrange better than just about anyone and this chart proves it with perfect ensemble writing, an alto solo, and it's arranged in two keys: female (low) key of B-flat---G below middle C to 3rd space C, male (high) key of E-flat---middle C to top line F, treble clef. Includes two scores and reversible parts---just flip the page for the key that suits your vocalist. You'll get a kick out of this chart! (4:02).
I Get a Kick Out of You: Score
Ensemble Jazz

$11.00 9.35 € Ensemble Jazz PDF SheetMusicPlus

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1290769 Composed by Sergei Rachmaninoff and Stuart Campbell. Arranged by John Ivor Holland. 20th Century,Chamber,Christian,Sacred. 15 pages. John Ivor Holland #881466. Published by John Ivor Holland (A0.1290769). The All-Night Vigil (often mis-translated as simply 'Vespers') is an a cappella choral composition by Sergei Rachmaninov, his Op. 37, premiered on 23 March 1915 in Moscow. The piece consists of settings of texts taken from the Russian Orthodox All-night vigil ceremony. Along with 'The Bells', it was one of Rachmaninov's two favorite compositions and the composer requested that its fifth movement be sung at his funeral. The sixth movement is 'Ave Maria' which is considered to be the most beautiful part of the entire piece and performed independently in many settings, such as this saxophone choir arrangement, adapted from the edition prepared by Stuart Campbell.
All-night Vigil
Ensemble de saxophones

$29.99 25.49 € Ensemble de saxophones PDF SheetMusicPlus

Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533945. Published by Regis Bookshar (A0.813838). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Trombone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Trombone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instru.
Largo (from "Symphony No. 9") ("From the New World") (Db) (Trombone Quintet)
Ensemble de Trombones

$15.00 12.75 € Ensemble de Trombones PDF SheetMusicPlus

Clarinet Choir,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1500810 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by David Boyd. Pop. 30 pages. David Boyd #1076879. Published by David Boyd (A0.1500810). IntroductionNever Gonna Give You Up, a classic pop anthem by Rick Astley, has been reimagined for clarinet choir, bringing its infectious melody and driving rhythm into a new, sonorous setting. This arrangement captures the essence of the original while exploring the rich timbral possibilities of the clarinet family. It aims to provide a fun and engaging performance experience for players and an entertaining piece for audiences.Instrumentation:E-flat ClarinetB-flat Clarinet 1B-flat Clarinet 2B-flat Clarinet  3B-flat Clarinet  4B-flat Clarinet  5B-flat Clarinet  6 (Alternate E-flat Clarinet)B-flat Clarinet  7 (Alternate E-flat Alto Clarinet)Basset Horn in F (Alternate E-flat Alto Clarinet)E-flat Alto ClarinetB-flat Bass Clarinet 1B-flat Bass Clarinet 2B-flat Bass Clarinet 3E-flat Contra Alto ClarinetB-flatContrabass ClarinetDrum Kit (optional)I encourage you to adapt this instrumentation to your ensemble as needed. Alternate B-flat parts are provided. The alto clarinet solo is cued in both the Basset Horn and Clarinet 7 part. The Clarinet 1 solo is cued an octave lower in Clarinet 2.Structure and FormThe arrangement retains much of the original song's form in a condensed format, including the iconic intro, verse, and chorus. It omits the bridge entirely. Careful attention has been given to the balance and texture, ensuring each section of the clarinet choir contributes to the overall sound.Performance ConsiderationsDynamics and Articulation: Players should pay close attention to the dynamic contrasts throughout the arrangement. The verses should be lighter and more articulate, while the chorus demands a fuller, more resonant sound. Articulations are marked to mimic the vocal phrasing of the original song, so accents and staccatos should be crisp and well-defined.Balance and Blend: Given the diverse range of voices in the clarinet choir, balance is crucial. The melody must always be prominent, particularly in the chorus where it may be in unison across several voices. Ensure that the supporting lines do not overpower the melody, especially in the lower clarinets.Technical Challenges: While the arrangement is accessible to intermediate players, some sections, particularly in the Eb Clarinet and 1st Bb Clarinet parts, may require attention to finger dexterity and breath control. Encourage players to practise these passages slowly, focusing on evenness of tone and clarity.
Never Gonna Give You Up
Ensemble de Clarinettes
Rick Astley
$19.99 16.99 € Ensemble de Clarinettes PDF SheetMusicPlus






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