Piano Solo - Level 2 - Digital Download SKU: A0.1216991 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Joe Forget (JFpiano). Broadway,Jazz,Musical/Show,Pop. Score. 3 pages. PianoMotifs (JFpiano) #813518. Published by PianoMotifs (JFpiano) (A0.1216991). (W/FINGERINGS)  //  avec DOIGTÉS SUGGÉRÉS)  This is a piano arrangement for the song Alice in wonderland, popularised by Bill Evans and many other musicians. It is also an ''Étude'' for learning the basic concepts of Jazz piano solo left-hand technics. Mostly the ''2-hands voicings'' , that is used on quite every measures, but played differently; sometimes in ''block style'', in arpeggios, and so on...Cet arrangement pour piano solo de la chanson Alice au pays des Merveilles, popularisée par Bill Evans et plusieurs autres musiciens est aussi une Étude pour apprendre différents concepts du Piano Jazz en solo pour la main gauche en particulier. On y voit majoritairement les voicings 2-mains, qui sont utilisées presqu'à chaque mesure, mais joués de différentes façons; en accords plaqués, arpégés, etc...pour info ou reporter des erreurs: jfpiano@hotmail.com.

Piano Solo - Level 2 - Digital Download SKU: A0.1267809 By Various. By Franz Xaver Gruber. Arranged by Sérgio Matias da Cunha. Children,Christian,Christmas,Instructional,Traditional. Score. 2 pages. Sérgio Matias da Cunha #860360. Published by Sérgio Matias da Cunha (A0.1267809). Arranjo claro, objetivo, conciso e acessível apresentando marcações de cifra, dedilhado e linha de oitava. Partitura com figuras rítmicas maiores que a semicolcheia e acompanhamento na mão esquerda baseado nos acordes tonais perfeitos maiores, arpejados por sucessivas colcheias, mantendo um desenho padronizado que ultrapassa o limite de uma oitava, envolvendo no geral notas que vão do “Dó1 até Sol3� na clave de FA. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

B-Flat Bass Clarinet,B-Flat Clarinet - Level 4 - Digital Download SKU: A0.1330458 By Budapest Scoring Clarinet Ensemble. By Josquin des Prez. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 115. David Warin Solomons #918326. Published by David Warin Solomons (A0.1330458). There is a theory that El grillo refers to Carlo Frillo, a singer who worked for the same patron as Josquin, Cardinal Galeazzo Sforza, and that it was intended to remind the prelate that his musicians’ salaries were overdue. The Sforzas were apparently notoriously mean to their employees, in spite of (or possibly because of) the fact that one of them was happy to pay a large sum of money for a parrot that could recite the Creed. Certainly the words of this little piece, with their reference to the cricket who sings for love, seem to have a good deal more impact in this sardonic light. Although the piece is similar in form to many other frottole, it is really quite unlike most such works, especially the way the repeated notes are used for comic effect.  In this instrumental arrangement I have add several decorations and divisions, to illustrate the words behind it, and also just for fun.El grillo è buon cantoreche tiene lungo verso.Dalle beve grillo canta.Ma non fa come gli altri uccelli,come li han cantato un pocovan' de fatto in altro loco,  sempre el grillo sta pur saldoQuando la maggior è l' caldoalhor canta sol per amore.[suggested English paraphrase]The cricket is a good singerand he sings for a long timeGive him a drink so he can go on singingBut he doesn't do what the other birds doWho after singing a littleJust go elsewhere.  The cricket is always steadfastWhen the weather is hottest,    then he sings just for lovePerformed by The Budapest Scoring Clarinet Ensemble.

String Ensemble - Level 3 - Digital Download SKU: A0.719775 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 63 pages. Curtis Hanson #6258417. Published by Curtis Hanson (A0.719775). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example contains one piece from each of the three composers included, John Dowland, Thomas Morley, and Thomas Weelkes, three English giants in this genre.