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Large Ensemble Alto Saxophone,Bass Clarinet,Flute,Piano Accompaniment,Trombone,Violin,Voice - Level 3 - Digital Download SKU: A0.965353 Composed by Horatio G. Spafford, Phillip P. Bliss. Arranged by Colin P. Langille. Christian,Praise & Worship,Sacred. Score and parts. 15 pages. Flying Baton Publications #4319319. Published by Flying Baton Publications (A0.965353). A simple arrangement suitable for congregational singing, yet intricate enough to stand alone as a worship anthem. The instrumentation of my church orchestral group is admittedly unusual, but if you like what you hear and need something similar but different, please drop me a line at flyingbatonpublications@gmail.com and I would be happy to adjust this arrangement for your own unique orchestration.
It Is Well (With My Soul)

$7.99 7.63 € PDF SheetMusicPlus

Large Ensemble Alto Saxophone,Bass Clarinet,Flute,Piano Accompaniment,Trombone,Violin,Voice - Level 3 - Digital Download SKU: A0.965354 By Chris Tomlin. By Chris Tomlin, Louie Giglio, and Traditional American Melody. Arranged by Colin Langille. Christian. Score and parts. 15 pages. Flying Baton Publications #4317665. Published by Flying Baton Publications (A0.965354). This stirring arrangement of a classic hymn with modern chorus never gets too intricate so as to distract from the simple message of grace.The instrumentation of my church orchestral group is admittedly unusual, but if you like what you hear and need something similar but different, please drop me a line at flyingbatonpublications@gmail.com and I would be happy to adjust this arrangement for your own unique orchestration. .
Amazing Grace (my Chains Are Gone)
Chris Tomlin
$12.99 12.4 € PDF SheetMusicPlus

Small Ensemble Clarinet,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.965391 Composed by Colin P. Langille. Contemporary. Score and parts. 14 pages. Flying Baton Publications #5887325. Published by Flying Baton Publications (A0.965391). Four instruments playing four partner songs with an independent piano, first one, then another, combining all five instruments by the end. On their own, each tune is unique, but all calming and lyrical, with slightly different phrasing, so that when combined, each instrument's shining moment appears from the melange.If you like this original composition, but need it in a slightly different instrumentation for your chamber group, please don't hesitate to contact me at flyingbatonpublications@gmail.com, and I would be more than happy to make any necessary tweaks for you. The four wind instruments were chosen for timbre and range, but many others are also possible.
Peace for Five

$19.99 19.09 € PDF SheetMusicPlus

Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.781401 Composed by Joanna Mills. Broadway,Children,Contemporary,Holiday,Instructional,Musical/Show. Octavo. 52 pages. Joanna Mills Music #6687495. Published by Joanna Mills Music (A0.781401). Celebrate all four seasons with your unison choir with this collection of six original songs by award-winning composer Joanna Mills and save more than 50% by purchasing this collection instead of individually! All pieces are set in accessible keys for young children and feature easy, short, optional echo/harmony parts for added interest and challenge. The piano parts support the melody to assist very young singers, and guitar/ukulele chords are included! Full scores and additional one-page lyric sheets are included for the following songs:Autumn Days (Late Summer/Fall): A dreamy melody accompanies an adaptation of the poems October and November by Helen Hunt Jackson. Butterflyin’ (Spring, Summer) :  Inspired by the story of the Boy and the Butterfly, this lovely song tells the tale of a weary caterpillar who perseveres through many struggles, holds onto its dreams, and emerges a beautiful butterfly. First Snow (Late Fall/ Winter): This hauntingly beautiful original song celebrates the magic of winter's first snowfall! The Crocuses (Late Winter/Spring) : Set to a sweet, original melody, Frances Ellen Watkins Harper's poem The Crocuses has been adapted into a lovely song about the first flowers of spring and their love for Mother Earth. The Winding Creek (Late Spring/Summer) : This folk-style song evokes nostalgic summer memories of long hot days spent playing in a country creek. The World is a Rainbow (Spring/Summer/Fall):This fun and upbeat song teaches the colours of the rainbow by listing many red, orange, yellow, green, blue, indigo and violet items found in nature! Joanna Mills' passion is music and singing. From 1998 to 2018, she was the director of the Roncesvalles Gospel Choir and has written and directed many original children's musicals at Roncesvalles United Church. From 2011 to 2020 Joanna was the music director and head vocal teacher at Broadway Arts Centre. She performs frequently in local festivals and clubs with her six-voice folkgrass ensemble North of Queen and also sings with Toronto’s premiere rock choir newchoir. Joanna is an award-winning songwriter (Songdoor, Song of the Year, ISSA) and arranger and her works have been performed by choirs and bands all over the world. Trained formally in voice, piano, and oboe throughout her younger years, Joanna has sung in (and lead) various choirs, performed with the New Westminster Musical Theatre Guild, and teaches Musical Theatre, piano, and voice at her studio in Toronto, Ontario.
Seasons of Song (6 songs to celebrate the seasons for Unison Choirs)
Chorale Unison

$4.99 4.77 € Chorale Unison PDF SheetMusicPlus

Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.781400 Composed by Joanna Mills. Arranged by Additional PD Lyrics by Helen Hunt Jackson & Frances Ellen Watkins Harper. Holiday,Instructional,Standards. Octavo. 76 pages. Joanna Mills Music #6694219. Published by Joanna Mills Music (A0.781400). Celebrate all four seasons with your 2-Part choir with this collection of six original songs by award-winning composer Joanna Mills and save more than 50% by purchasing this collection instead of individually! All pieces are set in accessible keys for young children, have easy-to-learn harmonies, and some feature easy optional counterpoint/descant parts for added interest and challenge. The piano parts support the melody and harmonies to assist very young singers, and guitar/ukulele chords are included! Full scores and additional lyric sheets for each part are included for the following songs:Autumn Days (Late Summer/Fall): A dreamy melody accompanies an adaptation of the poems October and November by Helen Hunt Jackson.Butterflyin’ (Spring, Summer) :  Inspired by the story of the Boy and the Butterfly, this lovely song tells the tale of a weary caterpillar who perseveres through many struggles, holds onto its dreams, and emerges a beautiful butterfly.First Snow (Late Fall/ Winter): This hauntingly beautiful original song celebrates the magic of winter's first snowfall!The Crocuses (Late Winter/Spring) : Set to a sweet, original melody, Frances Ellen Watkins Harper's poem The Crocuses has been adapted into a lovely song about the first flowers of spring and their love for Mother Earth.The Winding Creek (Late Spring/Summer) : This folk-style song evokes nostalgic summer memories of long hot days spent playing in a country creek.The World is a Rainbow (Spring/Summer/Fall):This fun and upbeat song teaches the colours of the rainbow by listing many red, orange, yellow, green, blue, indigo and violet items found in nature!Joanna Mills' passion is music and singing. From 1998 to 2018, she was the director of the Roncesvalles Gospel Choir and has written and directed many original children's musicals at Roncesvalles United Church. From 2011 to 2020 Joanna was the music director and head vocal teacher at Broadway Arts Centre. She performs frequently in local festivals and clubs with her six-voice folkgrass ensemble North of Queen and also sings with Toronto’s premiere rock choir newchoir. Joanna is an award-winning songwriter (Songdoor, Song of the Year, ISSA) and arranger and her works have been performed by choirs and bands all over the world. Trained formally in voice, piano, and oboe throughout her younger years, Joanna has sung in (and lead) various choirs, performed with the New Westminster Musical Theatre Guild, and teaches Musical Theatre, piano, and voice at her studio in Toronto, Ontario.
Seasons of Song (6 songs to celebrate the seasons for 2-Part Choirs)
Chorale 2 parties

$4.99 4.77 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir,Choral (SAB) - Digital Download SKU: A0.1286825 Composed by Kwok Man Ho Marco. 21st Century,Children,Multicultural,New Age,Spiritual,World. 15 pages. Kwok Man Ho Marco #877839. Published by Kwok Man Ho Marco (A0.1286825). If I Could FlyComposed for SAB Choir with piano accompaniment by Kwok Man Ho MarcoFull scoreLyrics:-----If I could fly,I would fly way up high.If I could fly,I'd fly way up into the sky and fly with birdsand talk with them between the clouds.If I could fly,I would fly way up high.If I could fly,I'd fly and soar into the sky and bring a brush to paint the rainbowfrom my mind to the sky!I'd spread my wings and soar up really high.The wings that I have now will never let me fall to the ground!The wings I own can bring me to Utopiawhere I can chase my dreams by flying high into the sky.If I could fly,I would fly way up high.If I could fly,I would take off into the sky.I'd glide through the top of mountains and the hills and the sea!I'd spread my wings and soar up really high.The wings that I have now will never let me fall to the ground!The wings I own can bring me to Utopiawhere I can chase my dreams by flying high into the sky.I'm flying up high, in the sky!-----For any inquiry, please visit my personal website (https://kwokmanhomarco.wordpress.com) or send me a message via Instagram (https://www.instagram.com/kmh.marco).
If I Could Fly
Chorale 3 parties

$2.99 2.86 € Chorale 3 parties PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1030611 Composed by Lynne Cox. Contest,Festival,Instructional. Score. 12 pages. Lynne Coc Publications #635979. Published by Lynne Coc Publications (A0.1030611). This late elementary/early intermediate collection of piano solos (no lyrics) includes four 4 character pieces capturing the personalities/characteristics of the dinosaurs in Lynne's personal Jurassic neighborhood. Piano solos in this book have been chosen for national and state contest/festival lists. These 4 character pieces capture artistically the personalities/characteristics of the dinosaurs and the flying reptile of that age, the Pteranodon. Includes: TYRANNOSAURUS REX, heralded as the king he once was with a trumpet fanfare, marches menacingly in C minor through the prehistoric forest, Form: intro ABA coda; PTERANODON, a flying reptile that lived in this period is a haunting melody in E harmonic minor w/melody in RH supported by arpeggios in LH. B section arpeggios sweep over the piano representing flying. Form:ABA; BRONTOSAURUS lumbers through the forest using answering open fifths between the hands and at times answered by RH breaking up triad; begins both hands in bass clef, Form: ABA coda, the coda represents chase as he valiantly tries to escape being the lunch of Tyrannosaurus by running into the nearest lake at the end to escape, this ends in a sweeping glissando as he dives; STEGOSAURUS is in a fun mood and dances to a Latin rhythm. With hands in unison in intro, the LH takes the melody in A section, reversing in B section presenting RH to have melody w/LH accompaniment. Form: intro ABA coda, in B harmonic minor. Great for recitals and/or contests and festivals. ***once you click on you tube link below, which is for Tyrannosaurus, you will see others on you tube. In other words, they are listed one piece at the time, not the entire collection,.
Dinosaur Collection
Piano seul

$6.98 6.67 € Piano seul PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1028773 Composed by L.J Harding. Contemporary. Score and parts. 6 pages. L.J Harding #3921145. Published by L.J Harding (A0.1028773). ‘From Flutter to Flight’ is a String Quartet featuring sequencing, imitation, dynamics and a wide exploration of range. The reason I chose the name ‘From Flutter to Flight’ was because of the inspiration I gained while composing this piece. The story of a bird’s first experience of flight is something that is beautiful, however awkward it may be. The start of the piece, with the duet between Violin 1 & 2, symbolises young birds watching as their parents fly in a dance. The theme is then developed into a four part. The rhythmic pattern in the Viola part represents the fluttering and awkwardness of the young birds as they attempt to fly while the duet between the Violins is maintained and complemented by low notes from the Cello. This represents the birds as they finally begin to learn and begin flying faster and stronger. This swiftly follows by descending thirds on the Cello leading to a four-broken chord progression which creates a sense of adventure and willingness to advance forward. Violin comes in alongside the Cello as the younger birds begin to get more confident. The notes move with the movement of the birds, higher notes representing them flying higher whereas lower notes representing them flying lower. The second theme is then developed with the first theme being played in Violin 2 as a gentle reminder of the birds past and how far they have come. This ends with the return of the first theme in recapitulation followed with some new ideas including a much higher range in Violins 1 & 2 and it closes with the tonic 7th chord to symbolise an ending with the birds finally achieving flight.
From Flutter to Flight
Quatuor à cordes: 2 violons, alto, violoncelle

$8.99 8.58 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.81 € Chorale TTBB PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.495678 Composed by Gabrielle Felicita Chen. 20th Century,Children,Contemporary,Contest,Festival,Holiday. Score. 1 pages. Published by Gabrielle Felicita Chen (A0.495678). The music into the piece brings out the cute mood, imagination of butterfly. Its a playing ahead with simple reading and chords. Melody and harmony are in the piece throughout. Introducing ornaments and trill. It is most useful for beginning to preparatory pianist, students, and adults learning music. With the story behind the piece was, Once upon the time, there was a butterfly flying around on the top of the flowers inside the woods. She was bored and just flying near to the ground. She wanted to see outside the woods, she tried to fly up high. Wondering what would be like to see things from the top of the woods, see the world from the sky? Once day, she met a fairy who could grant a wish, and she wish to fly up high to the top of the sky. ... and wooshhh ... there she go up, flying up high, and higher, and thorough the clouds ... fading away to the sky.
MAGIC BUTTERFLY
Piano seul

$1.99 1.9 € Piano seul PDF SheetMusicPlus

Choir - Digital Download SKU: A0.1059474 Composed by Maurice Ravel. Arranged by David Warin Solomons. 20th Century,Romantic Period. Full Performance. Duration 99. David Warin Solomons #3387809. Published by David Warin Solomons (A0.1059474). Sung by the dwsChoraleLes vieilles:                           [English translation below] N'allez pas au bois d'Ormonde, Jeunes filles, n'allez pas au bois: Il y a plein de satyres, de centaures, de malins sorciers, Des farfadets et des incubes, Des ogres, des lutins, Des faunes, des follets, des lamies, Diables, diablots, diablotins, Des chèvre-pieds, des gnomes, des démons, Des loups-garous, des elfes, des myrmidons, Des enchanteurs et des mages, Des stryges, des sylphes, des moines-bourrus, Des cyclopes, des djinns, gobelins, Korrigans, nécromans, kobolds... Les vieux : N'allez pas au bois d'Ormonde, Jeunes garçons, n'allez pas au bois: Il y a plein de faunesses, de bacchantes et de males fées, Des satyresses, des ogresses et des babaïagas, Des centauresses et des diablesses, Goules sortant du sabbat, Des farfadettes et des démones, Des larves, des nymphes, des myrmidones, Hamadryades, dryades, naïades, ménades, thyades, Follettes, lémures, gnomides, succubes, gorgones, gobelines... N'allez pas au bois d'Ormonde. Filles et garçons : N'irons plus au bois d'Ormonde, Hélas! plus jamais n'irons au bois. Il n'y a plus de satyres, plus de nymphes ni de males fées. Plus de farfadets, plus d'incubes, Plus d'ogres, de lutins, De faunes, de follets, de lamies, Diables, diablots, diablotins, De chèvre-pieds, de gnomes, de démons, De loups-garous, ni d'elfes, de myrmidons, Plus d'enchanteurs ni de mages, de stryges, de sylphes, De moines-bourrus, de cyclopes, de djinns, De diabloteaux, d'éfrits, d'aegypans, de sylvains, gobelins, Korrigans, nécromans, kobolds... N'allez pas au bois d'Ormonde, Les malavisées vieilles, les malavisés vieux Les ont effarouchés! [English Translation] Old women : Don't go to Ormond wood, Maidens beware, go not to the woods: They are full of grim satyrs, and of centaurs, of cunning wizards, Of hobgoblins and of incubus, Imps and ogres hide there, Will o'the wisps and fauns, roguish lamia, Flying devils, devilkins, Goat-footed folk and gnomes and demons, Full of werewolves, elves, tiny myrmidons, Of enchanters and of magicians, Strygia and sylphs, full of humpback monks, Of cyclops and of djinns, goblins, Korrigans, necromancers, kobolds... Old men : Don't go to Ormond wood, Young lads beware, go not to the woods: They are hiding host of fauns, and of bacchantes and of fairy folks, Of satyresses and ogresses, and of babaïagas, Of centauresses and of shedevils, Witches out from their sabbath, Of she-hobgoblins, of female demons, Of larves and of nymphs, tiny myrmidons, Of Hamadryads, and dryads, of naiads, menades, thyades, Will o'wisps, of lemures, female gnomes, succubus, of gorgons and she-goblins... Don't go to Ormond wood. Maidens and Young lads : We shall not go to the wood again, Alas, never more shall we go there. There are no more grim satyrs, And no more nymphs, fairy folk have fled. Gone the hobgoblins and incubus, Or ogres, no more imps, Fauns or will o' the wisps, No more furies, flying devil, devilkins, goat-footed folks, No more gnomes or demons, No more werewolves, elves, imps and myrmidons, No enchanters, or magicians, or strygia, No more sylphs or humpba.
N'allez pas au bois d'Ormonde (mp3)

$2.20 2.1 € PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1441788 Composed by Neil Diamond. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 59 pages. Music Arrangement Services Inc. #1021773. Published by Music Arrangement Services Inc. (A0.1441788). Performed by Neil Diamond.  This Concert Band Scores accompanies the SSA/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion.  This song is about being alone yet having a good time dancing to the party next door.  The song refers to sitting at home, reading a magazine, sound of rock and roll, losing control, grooving with the kids, having a good time, being reserved and proper, flying high, seeing the writing on the wall, flying while being afraid to fall.  This arrangement includes a vocal feature and dance break.  This arrangement is designed for high school or college show choir, concert choir or community choir.  SSA/Piano Score also available.  Performance time is approximately 2:55.
Dancing To The Party Next Door
Orchestre d'harmonie

$49.99 47.74 € Orchestre d'harmonie PDF SheetMusicPlus






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