Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.736276 Composed by Jerry Bock. Arranged by Phyllis Avidan Louke. Broadway,Film/TV,Musical/Show,Wedding. 23 pages. Louke Publishing #3567097. Published by Louke Publishing (A0.736276). For Clarinet Choir Sunrise, Sunset from FIDDLER ON THE ROOF Program NotesSunrise, Sunset is one of the most famous songs to come from the musical Fiddler on the Roof. This poignant song is haunting and emotional. It is sung during the wedding of the oldest daughter of the main characters, Tevye and Golde, as they reminisce about how fast their children have grown.  Now a standard, Sunrise, Sunset is often heard at weddings.  As a matter of fact, Sunrise, Sunset was played at my wedding as I walked down the aisle.  It’s always held a special place in my heart. This arrangement for clarinet choir can be performed with as few as 6 players or with multiple players on a part.  It is scored for Eb Clarinet (Bb part included), 4 Bb Clarinets, and Bass Clarinet. MusicalsWeddingWedding ProcessionalStandard BalladAnniversaryLove Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit.  www.phyllislouke.com

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.927819 Composed by Leslie Bricusse. Arranged by EDDY CLEMENT. Contemporary. Octavo. 9 pages. Eddy Clement #5797457. Published by Eddy Clement (A0.927819). Not a Christmas classic, but should be, this haunting tune by Leslie Bricusse tells the age-old tale of children's anticipation of Santa's arrival on Christmas morning.  The text creates beautiful nostalgic images from an innocent child's perception, but reminds us that Christmas is for children young and old.  Cleverly inserted in the original song is a joyous major key statement of the Glorias from the beloved French carol Angels We Have Heard On High.  Optional small instrumental ensemble (Ehn or Cl, Syn, Perc, Bs) available separately can be added to the Piano accompaniment.  SATB voicing version available NOW on sheetmusicplus.com.

Harp - Digital Download Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: single sheet. Eingangsmelodie, Handy- Klingelton, Mozart. Downloadable. Op. 5b. Duration 4 minutes. Schott Music - Digital #Q46259. Published by Schott Music - Digital

2 pianos - difficult - Digital Download On themes from the opera by Georges Bizet. Composed by Alexander Rosenblatt. This edition: Sheet music. Downloadable. Duration 10 minutes. Schott Music - Digital #Q11389. Published by Schott Music - Digital

Accordion - Digital Download SKU: A0.822476 Composed by Traditional. Arranged by Julia Gordon. Celtic,Folk,World. Score. 4 pages. Julia Gordon #2859107. Published by Julia Gordon (A0.822476). Three Scottish airs arranged for accordion.  Full RH and LH notation, tempo directions and suggested couplers.Suitable for self-improvers and teaching accordion.Historical Notes:Kirkconnel Lea  Also known as Helen of Kirkconnel, Fair Helen and (I Wish I Were) Where Helen Lies.  This well known Scottish ballad is about the tragic death in the 16th Century, of Helen Irving who, intervening in a quarrel between two rival admirers receives a fatal wound as a result. The air itself is believed to be much older.The Fower Maries  This ballad, also known as The Four Marys, Mary Hamilton and The Queen’s Marys, dates from the 18th Century and is believed to be a hybrid of two stories - one taking place at the court of Mary Queen of Scots and the other at the court of Peter The Great, Tsar of Russia - both concerning a handmaiden who was executed for the murder of her illegitimate child.Sound The Pibroch  This is a traditional Jacobite song to which words were added by Mrs Norman MacLeod, senior, in the 19th Century.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1421819 Composed by Henry Purcell. Arranged by Robert Stevens. Baroque,Chamber,Classical,Early Music. 32 pages. SAXpress.com #1003167. Published by SAXpress.com (A0.1421819). Suite from Abdelazer Henry Purcell (1659-1695) SATB Saxophone Quartet Suite from Abdelazer by Henry Purcell, arranged for saxophone quartet SATB. Purcell wrote the incidental music for the play Abdelazer (sometimes spelled 'Abdelazar') in 1695, shortly before his death. It is a lively mix of songs and dances of the time. Typical of the day, several of the movements became well known as popular songs. The rondo was later made famous by Benjamin Britten, who used it as the theme for his set of variations, ‘The Young Person’s Guide to the Orchestra’. The rondo as well as another selection, the Hornpipe, was included in the 2005 film Pride and Prejudice.This transcription for saxophone quartet SATB of Suite from Abdelazar is comprised of five of the ten selections Purcell wrote for the play. The movements are as follows: I. Overture II. Minuet III. Hornpipe IV. Air V. Rondo About the Composer: Henry Purcell (born c. 1659, London, England—died November 21, 1695, London) was an English composer of Baroque music. Purcell's musical style was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is included with John Dunstaple and William Byrd as England's most important early music composers. Later, Purcell's music also had a strong influence on the composers of the English musical renaissance of the early 20th century.The cause of Purcell's untimely death at the age of 36 is unclear. There are many theories, some preposterous (he died from chocolate poisoning), some more likely: he died of tuberculosis. Purcell was universally mourned as a very great master of music.  Following his death, the officials at Westminster honoured him by unanimously voting that he be buried with no expense spared in the north aisle of the Abbey.

Solo Guitar - Level 3 - Digital Download SKU: A0.742404 Composed by Matteo Carcassi. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual part. 3 pages. Arte Nova Music Lab #3007597. Published by Arte Nova Music Lab (A0.742404). Carcassi was born in Florence, Italy, and first studied the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuosoconcert guitarist.He moved to Germany in 1810, gaining almost immediate success. In 1815, he was living in Paris, earning his living as a teacher of both the piano and the guitar. On a concert tour in Germany in 1819, he met his friend Antoine Meissonnier for the first time. Also a famous guitarist, Meissonnier published many of Carcassi's works in his Paris publishing house. For Meissonnier he also arranged a number of popular songs for guitar that were originally written for piano, including works by Théodore Labarre and Loïsa Puget.From 1820 on, Carcassi spent the majority of his time in Paris. In 1823, he performed an extremely successful series of concerts in London that earned him great fame, both as a performing artist and as a teacher. However, in Paris, a long time passed before his talents were truly recognized, partly because of the presence of Ferdinando Carulli.Carcassi was in Germany again during autumn 1824. Afterwards he performed in London, where his reputation now gave him access to more prestigious concert halls. Finally he returned to Paris. For several years, he made concert trips from here to the most important cultural towns of Europe, including London. After a short return to performing in 1836, he quit his concert practice around 1840 and died in Paris in 1853. Taken from https://en.wikipedia.org/wiki/Matteo_Carcassi

Organ: 3-staff - Moderately Advanced SKU: LO.70-1973S Composed by Eugene Butler. Sacred. Sacred Music Press #70/1973S. Published by Sacred Music Press (LO.70-1973S). ISBN 9780787734794.One of America's most beloved choral composers, Eugene Butler is well known to musicians for his more than 1, 000 published works. This treasury presents Butler's entire output for organ, offering a mixture of original and hymn-based compositions that explore a variety of styles and moods. The book revives seven out-of-print titles from 1981 and debuts twelve more!

Solo Guitar - Level 5 - Digital Download SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #6435265. Published by Daniel Clark (A0.982523). This is a full transcription of Bach’s second violin partita for classical guitar, including the Allemanda, Corrente, Sarabanda, Giga, and the Ciaccona. The transcription is authentic to the original has been made strictly to the original violin manuscript. The partita has been arranged in D-tuning to take advantage of the resonance of the guitar, though the lower D on the guitar is never played since it is below the dynamic range of the violin, (taking into account the octave difference). Bach’s Ciaccona, or Chaconne, in d-minor for solo violin from the second partita is well known on the guitar thanks to Segovia’s arrangement. However, Segovia’s version takes a number of liberties in his arrangement that have the effect of blurring the contrapuntal voices through his decision to harmonise the chords into 6-strings wherever possible. This current arrangement takes the contrary position that it is better to clearly retain the different voices. The working dynamic range of the classical guitar and violin are similar, albeit with an octave difference in pitch. The fact that the classical guitar notation is written an octave higher than it is in relation to the notation for other instruments makes transcribing the violin work for guitar relatively straightforward.  Consequently, I have made no changes to the violin version. This transcription is exact, in the sense that the manuscript for the violin has been used as a basis for the transcription. The articulation of the arpeggios is suggested at the beginning of these sections, which are arranged to be idiomatic to the violin. These realisations can also be adopted on the guitar, though I have not written these out and leave it to the performer to interpret these passages.   

String Orchestra - Level 3 - Digital Download SKU: A0.1431642 By Keith Terrett. By Antonin Dvorak. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Romantic Period. 9 pages. Keith Terrett #1012118. Published by Keith Terrett (A0.1431642). Transcribed for String Orchestra the second movement of the New World Symphony is introduced by a harmonic progression of chords in the wind instruments. Beckerman interprets these chords as a musical rendition of the narrative formula Once upon a time. Then a solo cor anglais (English horn) plays the famous main theme in D-flat major accompanied by muted strings. Dvo?ák was said to have changed the theme from clarinet to cor anglais as it reminded him of the voice of Harry Burleigh. The movement's middle section contains a passage in C? minor evoking a nostalgic and desolate mood which eventually leads into a funeral march above pizzicato steps in the basses. It is followed by a quasi-scherzo that incorporates this movement's theme as well as the first movement's main and closing themes. The Largo is concluded with the soft return of the main theme and introductory chords.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.702435 Composed by Kevin G. Pace (ASCAP), Mary Ann Snowball. Christmas,Praise & Worship,Sacred. Octavo. 8 pages. Kevin G. Pace #6686875. Published by Kevin G. Pace (A0.702435). Sacred vocal solo for Christmas with music by Kevin G. Pace and text by Mary Ann Snowball. See text below: Hush, sweet Baby called to earth long before thy mortal birth. Truth portrays angelic worth. Hush, sweet Baby, hush. Chosen Child from on high, there will be sweet lullabies Silencing each human cry. Hush, sweet Baby, hush. Hush, sweet Baby now adorned, wrapped in swaddling bands so warm. Love was born this Christmas morn. Hush, sweet Baby, hush. Now earth's Savior will be known: There will come a time to show Heav'nly power so blessings flow. Hush, sweet Baby, hush. Hush, 'til Thou saves from the Fall. Love will imprint on thy palms, Grace displaying healing balm. Hush, sweet Baby, hush. 'Til then sleep the night away, waiting for a brand-new day. Close your eyes now while you may. Hush, sweet Baby, sleep. Hush, hush oh Baby sweet. Sleep, sleep tonight. Jesus, our dear Savior lives, will His saving light.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1281368 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. Octavo. 9 pages. Kevin G. Pace #872711. Published by Kevin G. Pace (A0.1281368). Sacred choral music for Christmas with music by Kevin G. Pace and text by Mary Ann Snowball. Text: Hush, sweet Baby called to earth long before thy mortal birth. Truth portrays angelic worth. Hush, sweet Baby, hush. Chosen Child from on high, there will be sweet lullabies Silencing each human cry. Hush, sweet Baby, hush. Hush, sweet Baby now adorned, wrapped in swaddling bands so warm. Love was born this Christmas morn. Hush, sweet Baby, hush. Now earth's Savior will be known: There will come a time to show Heav'nly power so blessings flow. Hush, sweet Baby, hush. Hush, 'til Thou saves from the Fall. Love will imprint on thy palms, Grace displaying healing balm. Hush, sweet Baby, hush. 'Til then sleep the night away, waiting for a brand-new day. Close your eyes now while you may. Hush, sweet Baby, sleep. Hush, hush oh Baby sweet. Sleep, sleep tonight. Jesus, our dear Savior lives, will His saving light.

Piano Solo - Level 4 - Digital Download SKU: A0.1494549 Composed by Alex Turner and Miles Kane. Arranged by Isaac Regules. 21st Century,Baroque,Pop,Rock,Singer/Songwriter. Score. 7 pages. Isaac Regules #1071136. Published by Isaac Regules (A0.1494549). Meeting Place (sometimes titled The Meeting Place) by The Last Shadow Puppets, is a standout track from their debut album The Age of the Understatement. The song blends symphonic pop, pop rock and baroque pop, creating a sound that feels nostalgic, haunting and cinematic. This piano solo arrangement of this piece captures the essence of the original, distilling its qualities into a format that allows for an intimate and expressive performance.The song, written by Alex Turner and Miles Kane, explores themes of love, loss, and the lingering impact of memories associated with a particular place. It tells the story of a man who, after a difficult breakup, finds himself reflecting on a relationship that was as fleeting as it was meaningful. The lyrics paint a vivid picture of a couple who, for a short time, found solace in their meeting place, even as they understood their time together was limited. The inevitable end of the relationship, initiated by the woman, leaves the man grappling with heartache and a profound sense of longing.As the man wrestles with his emotions, he is caught between wishing the relationship had never happened and being unable to forget it. The orchestral elements and bittersweet melody underscore the melancholic tone of the song, culminating in a reflective conclusion that leaves a lasting impression of love lost.Miles Kane has mentioned that the inspiration for this song came from his own experiences at Heebie Jeebies, a beloved Liverpool venue where his first girlfriend worked.This piano solo arrangement translates the intricate melodies and uplifting accompaniment into a format that is both accessible and challenging for performers. Intended for intermediate to advanced players, it offers an opportunity to delve into the emotional nuances of the piece while improving technical skills.Engage with this arrangement, and allow the piano to evoke the feelings of longing, memory, and the inevitable pain of break-ups. This sheet music, transcribed and arranged by a life-long TLSP fan, faithfully captures the spirit of Meeting Place”.Listen to the arrangement now on YouTube—find the link in the post details.Contact: wnis4659@gmail.comJust for the love of music.

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55th�—under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song� most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio� section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweigh�, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March King�, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata form�, and even the modern formal designation of “recapitulating march� alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55th�, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Forever�) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th� an appropriate and even artistic concert march.