Cello Duet Cello - Level 3 - Digital Download SKU: A0.588511 Composed by Traditional Irish. Arranged by David McKeown. Celtic,Folk,Holiday,Wedding,World. Score. 4 pages. David McKeown #6013345. Published by David McKeown (A0.588511). The Londonderry Air is among the best loved melodies of Ireland. This beautiful version is arranged as a duet for two Cellos. The Londonderry Air was first collected and notated in the mid-nineteenth century in County Londonderry in the North of Ireland, however, the origins of the melody remain unknown. In 1913 the English writer Frederic Weatherley set his poem Danny Boy to the melody. There are many other settings of the Londonderry Air, with various lyrics and in musical styles from orchestral to brass band to jazz, but Danny Boy remains the best known.Londonderry Air is simply arranged in accessible keys and over a range best suited to the instruments. The melody is played twice with a key change and different accompaniment on the second verse and is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Londonderry Air is perfect for recitals and concert performance. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.588533 Composed by Traditional Irish. Arranged by David McKeown. Celtic,Folk,Holiday,Wedding,World. Score and parts. 4 pages. David McKeown #6013283. Published by David McKeown (A0.588533). The Londonderry Air is among the best loved melodies of Ireland. This beautiful version is arranged as a duet for one Clarinet and one Alto Saxophone.The Londonderry Air was first collected and notated in the mid-nineteenth century in County Londonderry in the North of Ireland, however, the origins of the melody remain unknown. In 1913 the English writer Frederic Weatherley set his poem Danny Boy to the melody. There are many other settings of the Londonderry Air, with various lyrics and in musical styles from orchestral to brass band to jazz, but Danny Boy remains the best known.Londonderry Air is simply arranged in accessible keys and over a range best suited to the instruments. The melody is played twice with a key change and different accompaniment on the second verse and is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Londonderry Air is perfect for recitals and concert performance. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.588719 Composed by Traditional Irish. Arranged by David McKeown. Celtic,Folk,Holiday,Wedding,World. 2 scores. 4 pages. David McKeown #6013293. Published by David McKeown (A0.588719). The Londonderry Air is among the best loved melodies of Ireland. This beautiful version is arranged as a duet for two Clarinets. The Londonderry Air was first collected and notated in the mid-nineteenth century in County Londonderry in the North of Ireland, however, the origins of the melody remain unknown. In 1913 the English writer Frederic Weatherley set his poem Danny Boy to the melody. There are many other settings of the Londonderry Air, with various lyrics and in musical styles from orchestral to brass band to jazz, but Danny Boy remains the best known.Londonderry Air is simply arranged in accessible keys and over a range best suited to the instruments. The melody is played twice with a key change and different accompaniment on the second verse and is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Londonderry Air is perfect for recitals and concert performance. Click the link above to listen to a full Youtube performance of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.589046 Composed by Traditional Irish. Arranged by David McKeown. Celtic,Folk,Holiday,Wedding,World. Score. 4 pages. David McKeown #6013329. Published by David McKeown (A0.589046). The Londonderry Air is among the best loved melodies of Ireland. This beautiful version is arranged as a duet for two Trombones. The Londonderry Air was first collected and notated in the mid-nineteenth century in County Londonderry in the North of Ireland, however, the origins of the melody remain unknown. In 1913 the English writer Frederic Weatherley set his poem Danny Boy to the melody. There are many other settings of the Londonderry Air, with various lyrics and in musical styles from orchestral to brass band to jazz, but Danny Boy remains the best known.Londonderry Air is simply arranged in accessible keys and over a range best suited to the instruments. The melody is played twice with a key change and different accompaniment on the second verse and is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Londonderry Air is perfect for recitals and concert performance. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Flute Duet Flute - Level 3 - Digital Download SKU: A0.588867 Composed by Traditional Irish. Arranged by David McKeown. Celtic,Folk,Holiday,Wedding,World. Score. 4 pages. David McKeown #6013309. Published by David McKeown (A0.588867). The Londonderry Air is among the best loved melodies of Ireland. This beautiful version is arranged as a duet for two Flutes. The Londonderry Air was first collected and notated in the mid-nineteenth century in County Londonderry in the North of Ireland, however, the origins of the melody remain unknown. In 1913 the English writer Frederic Weatherley set his poem Danny Boy to the melody. There are many other settings of the Londonderry Air, with various lyrics and in musical styles from orchestral to brass band to jazz, but Danny Boy remains the best known.Londonderry Air is simply arranged in accessible keys and over a range best suited to the instruments. The melody is played twice with a key change and different accompaniment on the second verse and is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Londonderry Air is perfect for recitals and concert performance. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.588694 Composed by Traditional Irish. Arranged by David McKeown. Celtic,Folk,Holiday,Irish,Multicultural,Wedding,World. Score and parts. 4 pages. David McKeown #6013281. Published by David McKeown (A0.588694). The Londonderry Air is among the best loved melodies of Ireland. This beautiful version is arranged as a duet for one Clarinet and one Alto Clarinet.The Londonderry Air was first collected and notated in the mid-nineteenth century in County Londonderry in the North of Ireland, however, the origins of the melody remain unknown. In 1913 the English writer Frederic Weatherley set his poem Danny Boy to the melody. There are many other settings of the Londonderry Air, with various lyrics and in musical styles from orchestral to brass band to jazz, but Danny Boy remains the best known.Londonderry Air is simply arranged in accessible keys and over a range best suited to the instruments. The melody is played twice with a key change and different accompaniment on the second verse and is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Londonderry Air is perfect for recitals and concert performance. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary Ellen Haupert. Easter,Sacred,Spiritual. 5 pages. Mary Ellen Haupert #3031789. Published by Mary Ellen Haupert (A0.900166). ILLUMINE LE TENEBRE (SSAATTBB) For Jean Saladino and the Viterbo University Concert Choir TRANSLATION of TEXT: Most High, glorious God, enlighten the darkness of my heart and give me true faith, certain hope and perfect charity, sense and knowledge, Lord, that I may carry out your holy and true command. Amen. - St. Francis of Assisi's Prayer before the Crucifix NOTES from the composer: One year ago, I had the privilege of participating in the Leadership Pilgrimage to Assisi and Rome (2011) sponsored by the Franciscan Sisters of Perpetual Adoration, Franciscan Healthcare, and Viterbo University.  I carried with me, not only the responsibility of bringing back a hint of Francis’ lived experience to my students, but the desire to compose something wholly Franciscan. The San Damiano Cross is one of the most distinctive Franciscan images we have on campus.  The gentle Jesus that hangs on this 12th-century icon will forever be linked to Francis’ dramatic step from citizen to sainthood-welcoming his earnest prayer to enlighten the darkness of his heart.  The Basilica of Santa Chiara in Assisi holds both the San Damiano Cross and the remains of his confidante, St. Clare.  It seemed a good place to start getting serious. Copying the prayer in at least six different languages, I tucked it away in my travel books, not digging it out again until the following summer (2012).  The opening phrases in the piece came easily enough (Altissimo, glorioso Dio), but I stumbled through a handful of ideas before coming up with the mantra (illumine le tenebre…).  It made sense that Francis would joyfully address God singing forte (Altissimo and Signore), while quietly chanting his humble prayers for faith, hope, charity, and knowledge. The friendship between Francis and Clare can’t be missed, not only in the intermingling of SATB voices, but in the setting of che faccia lo tuo santo e verace comadamento (that I may carry out your holy and true command).  The phrase is sung only once by the women before the final return of the illumine chant (which is repeated throughout by the men).  Maybe I chanced on weaving some of Clare’s courage with Francis’ persistence into Illumina le tenebre, all while trying to compose something wholly Franciscan?   ---Mary Ellen Haupert, October 2012.  

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1389486 By Leonard Cohen. By Leonard Cohen. Arranged by Justin Matthew Starr. Contemporary,Pop,Rock,Standards. 16 pages. J M Starr Music #973074. Published by J M Starr Music (A0.1389486). “Hallelujah� was originally released by Canadian singer/songwriter Leonard Cohen in 1984 on his album Various Positions. This composition, however, is one of the few in history that may be more well-known due to covers of the song than the original version. In 1991, John Cale did a cover of the song that removed the synthesizers, gospel choir, full band, and low, borderline-talking bass voice from Cohen’s original; and replaced it all with a bare-bones piano and tenor voice. It is not difficult to argue that this arrangement of the composition became the definitive version that all future covers would be based on: from Jeff Buckley’s stripped-down guitar and voice 1994 version, to Rufus Wainright’s piano and voice 2001 cover for the soundtrack to the motion picture Shrek, to k.d. lang, the a cappella group Pentatonix, and many, many more.When I first arranged this song in 2010 for my 8th grade SAB choir, I did not know the John Cale version existed; rather, I started by transcribing the Rufus Wainright recording and then made it my own from there. My arrangement is melodically akin to the Wainright, but I added harmonies in various places throughout. Lyric selection was also a choice I had to me, as each version of the song contains a different number of verses. Cohen’s 1984 original had four, and then in 1988 he sang a live version with seven (supposedly he drafted over 80 different verses!). I decided to go with five. This allowed me to structure the song in a way that got feature and give the melody to: a Soloist(s) (verse 1), the Baritones (verse 2), the Altos (verse 3), the Sopranos (verse 4) and then the entire choir (verse 5). Over the years that I have performed this with my students, I couldn’t help myself from rocking out with little bluesy fills and licks in the final choruses, so I decided to write it in. I hope you, your students, and accompanist have fun with that!

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Boss #920918. Published by Connie Boss (A0.1335072). I put a twist on Jolly Old Saint Nicholas. I added verses and a different melody along with the familiar melody of Jolly Old Saint Nicholas. This song starts off with a child waiting patiently in line to see Santa so he can tell him what he wishes for him to bring him for Christmas. I started off with my own original melody and lyrics and then in the middle of the song, when the child finally reaches Santa, I switch to the melody of Jolly Old Saint Nicholas. However, to modernize it, I switched to Jolly Old Dear Santa Claus. I kept verse one lyrics the same except for that part. I changed the lyrics entirely for the second verse. The child tells Santa where he can put the presents and hopes one is for him. He also tells him he tries to wait up for him each year, but Santa is so quiet, he sleeps through the night. The last verse is back to my original melody and lyrics where Santa tells him it will be a surprise what he brings him this year. This brings the song all the way from waiting in line to see Santa to sitting on his knee and Santa telling him it will be a surprise. Let me know if you have any questions or request at cdboss@cvalley.net.Lyrics:Here to see Santa Claus “Jolly Old St Nicholas� I’m here to see Santa Claus But, it’s a long, long line, With lot’s of kids ahead of me, It will take some time I have with me my Christmas listTo tell dear Santa what I wish Now my time is finally hereTo sit up on his kneeHe asked me what I want this yearSo I whisper in his ear Jolly old dear Santa Claus, lean your ear this wayDon’t you tell a single soul what I’m going to sayChristmas eve is coming soon, now you dear old manWhisper what you’ll bring to me – tell me if you can Down the chimney you will comeRight next to the tree,You can put the presents thereI hope there’s one for me You never make any noiseI wait for you each yearBut I sleep all through the nightSo I can’t catch you here Then he looked and smiled at me and whispered in my earIt will be a big surprise what I bring to you this year.

Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1077330 Composed by Kevin G. Pace (ASCAP), Sherri D. Johnson. 20th Century,Contemporary,New Age. 8 pages. Kevin G. Pace #681507. Published by Kevin G. Pace (A0.1077330). A beautiful vocal solo with music by Kevin G. Pace and text by Sherri D. Johnson. Text: When I think of my childhood and all it did bring, (5, p.u. , 6-9) what I remember most is that you always would sing. (9-12) Through the good and the bad, the happy and sad, (13-14) no matter what happened you always did sing. (14-20) There were times I know it was hard for you. (21 pu, 22- There were many things that you had to go through. (23 pu, 24-25 I’m sure there were times when your strength was all gone, (25 pu, 26 and you felt it impossible for you to go on. (27 pu, to 29) Yet somehow within you there was always a song (30 pu, 31- ) that renewed your faith and helped you be strong. (to 37) I learned that no matter what life might bring, (38- it would all be okay if we could still sing. (to 45) I think of the journey you have valiantly fought ( and all of the lessons that to me you taught. You taught me to have faith in my Savior above; you have shown me how to truly love. (to 54) Chorus: You have blessed so many lives; you have touched our hearts. Many tears will be shed when from us you depart. Now your journey soon must come to an end, oh how I will miss you, my dear mother, and friend. (to 66) Yet my life will go on, more challenges to bring, but I’ll be okay, because you taught me to sing. Oh what joy you will feel as you look on his face, and kneel at his feet in that glorious place. (to 79) As you bask in his light he will say to thee, (82-85) “My Daughter, your life has been pleasing to me. (86-89) You kept the faith, you fought a good fight, now take my hand and enter into the light. (to 98) Then joining his angels your voice will ring, as to him your praises you bring. For in that great place, throughout eternity, with Heavenly choirs you will still sing.

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1022084 Composed by Bill Taylor music, Bill Taylor with Jaye Alison Moscariello, and Lyrics. Arranged by Bill Taylor. Broadway,Contemporary,Jazz. 3 pages. William R Taylor #6475595. Published by William R Taylor (A0.1022084). Release ©2006, lyrics©2010.  Bill’s mom Priscilla Alden Taylor (nee Rowe) passed on at age 90 in January, 2010.  This piece was one she loved, but the words did not come until 2 months after her death and 2 days before Jaye and I were to perform Mom’s song Every Time We Meet at the Anderson Valley Variety Show.  We sung it as best we could with so little practice time and in a key way too high.  This version is transposed down a fifth.  Listeners with parents who have gone on, and those who haven’t, may find some familiar themes here.  If inspired, support your local elder and/or hospice organizations. I love my children to be happy.  What’s new with you Mom?  Charlotte’s got a bakery. Hannah is teaching, playing in San Jose. Tom and Jeanne expecting, he’s flying a new plane. Lucy’s kids are doing well, I’m seeing Uncle Jay. My life is going on in a most pleasant way. When are you coming here to visit, it’s been way too long? When we were children everything was made into a song. Father’s jazzy flute, brother’s boogie woogie She left Julliard to help her family Factory in the war, music she wrote A job at Schirmers she met my Dad had 5 kids Trips to Vermont and Jersey and New York Kept house, school lunch, kind words, praising Now she is running and swimming Dancing and flying, she’s singing All new adventures, new worlds to learn and know Earth body left behind, all life is love and flow Walker made her so tired, shuffling oh so slow She learned to ask for help from all of us below Gathered her children all around her at her time to go Now she’s with her God.

Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.770513 Composed by Various. Arranged by Ivan Marini. Christmas,Multicultural,Sacred,Standards,World. 30 pages. Www.dalsegno.eu #6083933. Published by www.dalsegno.eu (A0.770513). After volume 1, now out for you 12 more English Carols for a very low price: just about 40 cent for each Carol!Titles included:1) Gloucestershire Wassail2) The Boar's Head Carol3) Wassail Song4) On Christmas Night5) Blessed Be That Maid Marie6) Once in Royal David's City7) A Virgin Unspotted8) I Saw Three Ships9) Sleep, Holy Babe10) Angels from the Realms of Glory11) Deck the Hall12) The Snow Lay on the GroundEasy and flexible arrangements, printed in card size, for both SATB and AATB Quartets.Really useful for instrumental classes, to build a repertoire, for concerts, recitals, Christmas rites etc., even as a seasonal encores.Complete set with card size parts for Alto 1, Soprano (instead of Alto 1), Alto 2, Tenor and Baritone. Other transpositions or custom settings available at simply request.Duration: ca. 7 minutes tot. (but reprises are welcome), 30 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu

Small Ensemble Guitar,Mandolin,Percussion - Level 3 - Digital Download SKU: A0.861916 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and parts. 6 pages. Mark O'Connor Musik International #6207239. Published by Mark O'Connor Musik International (A0.861916). October Impressions (percussion part – mandolin, guitar, percussion) MO157DPercussion Part (score and parts available)Music by Mark O’Connor2 pages - 5:30 minutes in length From the Thirty-Year Retrospective album notes; I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my  childhood... Pickin’ in the Wind, the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2002 Composed by Mark O’ConnorCan be heard on Thirty-Year Retrospective OMAC RecordsMark O’Connor – Violin, Chris Thile - Mandolin Catalogue Number MO157DCopyright © 1983 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1040262 Composed by Mac Montgomery, Mitch Wong, and Ryan Ellis. Arranged by Barry McCormick. Praise & Worship,Sacred. Score. 12 pages. B. McCormick #645041. Published by B. McCormick (A0.1040262). About this Piano/Vocal/Guitar arrangement of “Heart of the Father� This arrangement containing a simple piano accompaniment and melody with chords of Heart of the Father by Ryan Ellis was created with the focus of ease of use in a Church setting for this modern song of worship. In the popular recording of this song Ellis uses his musicianship to change the melody slightly each verse as well as include expressive and elaborate vocal runs in numerous places through out the song. My aim was to write the melody omitting these vocal flourishes which are not as suitable for a corporate worship setting. With my many years of experience as church musician, worship leader and MD, I shaped this arrangement in a way to convey all necessary information for a modern church worship band with ease. Firstly the main Score simply has the melody and piano accompaniment. Secondly the parts are split up so the melody and accompaniment can be shared separately. The Lead, melody part, includes the chords so this part acts as a lead sheet which can be used for guitarists. I have also included the melody for Bb instruments also for bands which may have them. I have used repeats in a optimised way so that the music for each part takes up no more than 2 pages. All musicians know the frustrating limitations of music stands to hold much more than that! If you like this arrangement a also have some other arrangements of Christian worship songs and Hymns from Lead sheets to classical guitar arrangements you may also like to check out. About the Arranger, Barry McCormick I am Barry McCormick, I have an MA in music from the University of Glasgow. I am a musician, composer and arranger from Scotland. I have over 20 years experience in teaching music at a classroom and private tuition level and have taught students from early years to more mature in years. I was involved in a group using music as a means to aid mental health teaching guitar for those purposes. I now mainly focus on composing and arranging and trying to provide resources through various means for students and music educators. You can find me online You can keep up to date with me through my website and social media: Connect on inaminim.com. This is my new website where I am posting my new arrangements and compositions as well as trying to help build and collate resources that will be useful for those learning and teaching music. Connect on YouTube This is the place I will be uploading the videos of my arrangements where you can hear them alongside music educational content. Connect on Tik Tok This is a platform I am cautiously trying to utilise properly to promote my website. If you would like to follow me there please feel free. I will hopefully get over my apprehension and post more frequently soon!