Bass Clarinet - Digital Download SKU: A0.1069924 Composed by Sigfrid Karg-Elert. Arranged by Stephen Davies. 20th Century,Concert,Standards. Full Performance. Duration 478. Stephen Davies #6038833. Published by Stephen Davies (A0.1069924). FROM THE SUITE 'CATHEDRAL WINDOWS' Movements 5 & 6. I know that the music of Sigfrid Karg-Elert is probably not well known amongst the Woodwind fraternity, however when the notes are extracted from the Organ scores, a completely new light is shed upon the music that he wrote. As with the other pieces by Karg-Elert on this site that I have arranged for Clarinet groups in particular, there seems to be no chord extension barred from the ongoing harmonies, elaborate rhythms on the inner parts and such invention! Maybe with a couple of hearings you will get what I mean! I'm sure that in a generous acoustic, this music would sound glorious.... just like the Organ...only different!!

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - Digital Download SKU: A0.891953 Composed by Sigfrid Karg-Elert. Arranged by Stephen Davies. 20th Century,Standards. 32 pages. Stephen Davies #6038829. Published by Stephen Davies (A0.891953). FROM THE SUITE 'CATHEDRAL WINDOWS' Movements 5 & 6. I know that the music of Sigfrid Karg-Elert is probably not well known amongst the Woodwind fraternity, however when the notes are extracted from the Organ scores, a completely new light is shed upon the music that he wrote. As with the other pieces by Karg-Elert on this site that I have arranged for Clarinet groups in particular, there seems to be no chord extension barred from the ongoing harmonies, elaborate rhythms on the inner parts and such invention! Maybe with a couple of hearings you will get what I mean! I'm sure that in a generous acoustic, this music would sound glorious.... just like the Organ...only different!!MP3 also available to download.

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1408476 By Beyonce. By (Beyonce Knowles), (Megan Bulow), Beyoncé Knowles, Brian Bates, Elizabeth Boland, Megan Bülow, Nathan Ferraro, and Raphael Saadiq. Arranged by Jhonata Lino. Country,Folk,Pop,Soul. 14 pages. Jhonata Lino #991062. Published by Jhonata Lino (A0.1408476). Texas Hold 'Em is Beyoncé's newest hit from her eighth studio album, Cowboy Carter. It is the lead single from the album, along with 16 Carriages. The song was a surprise release and premiered during Super Bowl LVIII, on February 11, 2024, by Parkwood Entertainment and Columbia Records. Not just a tribute to the poker game variant, Texas Hold 'Em is a country pop, western and soul song with folk elements. In this arrangement for strings, the style is maintained and the fun is guaranteed when playing. It's going to be a party.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1171401 Composed by Roger Quilter. 20th Century,Classical. Octavo. 24 pages. Forsyth Brothers Ltd #771738. Published by Forsyth Brothers Ltd (A0.1171401). A delightful early opus from one of the most individual English songwriters of the Twentieth Century, Roger Quilter (1877-1953). The texts are taken from the works of Seventeenth Century English poet Robert Herrick (ca 1591-1674) whose lyrics Quilter also set to music in his Opus 8 song-cycle To Julia (1905). The Opus 7 settings are dedicated to Quilter's friend Percy Grainger.FIVE LYRICS OF ROBERT HERRICK (SATB & Piano): Cupid A Dirge Morning Song To Electra To Violets  CupidLove, like a beggar came to meWith hose and doublet torn;His shirt bedangling from his knee,With hat and shoes outworn. He asked an alms; I gave him bread,And meat too for his need,Of which, when he had fully fed,He wished me all good speed.Away he went, but as he turned,In faith I know not how,He touched me so, as that I burnedAnd am tormented now. Love’s silent flames and fires obscureThen crept into my heart;And though I saw no bow, I’m sureHis finger was the dart. A DirgeHere she lies, in bed of spice,Fair as Eve in ParadiseFor her beauty was suchPoets could not praise too much.Virgins come, and in a ringHer supremest requiem sing.Then depart but see ye treadLightly, lightly o’er the dead.Morning Song Let's now take our time,While we're in our prime,And old, old age is afar off:For the evil, evil daysWill come on apace,Before we can be aware of. To ElectraI dare not ask a kiss;I dare not beg a smile;Lest, having that or this,I might grow proud the while. No, no, the utmost shareOf my desire shall beOnly to kiss the airThat lately kissèd thee. To VioletsWelcome, maids of honour!You do bringIn the SpringAnd wait upon her She has virgins manyFresh and fair;Yet you areMore sweet than anyY'are the maiden posiesAnd so graced,To be placed'Fore damask roses.Yet though thus respectedBy and byYe do lie,Poor girls, neglected.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Published by Con Spirito Music (A0.1349231). Three Evening Canticles were written as part of a setting of choral evensong for Church of the Holy Apostles - Anglican, Fort Worth, Texas. Metrical, mostly homophonic, and conservative in technical challenges and ranges, these canticles are accessible for small choirs and those of moderate ability, yet musically satisfying for large and accomplished groups. Phos Hilaron (“O Gladsome Light�) is one of the earliest known Christian hymns (ca. 3rd-4th century) recorded outside of the Bible. Intended to be sung at the kindling of lights in the evening, it is sometimes known as the “lamp-lighting hymn� and has been adopted by some Anglican bodies as an optional invitatory canticle immediately preceding the psalm(s) appointed for the day.Magnificat (The Song of Mary) is a scriptural canticle based on an account in the Gospel of Luke (1:46-55). Mary, the expectant mother of Jesus, visits her cousin  Elizabeth, the expectant mother of John the Baptist, who will prophetically proclaim the coming of the Messiah. Elizabeth praises Mary for her faith and subjection to God’s will, and Mary responds, “My soul doth magnify the Lord ... for he that is mighty hath magnified me ... and his mercy is on them that fear him throughout all generations.� The Magnificat is said or sung immediately after the first lesson (scripture reading) in the service of evening prayer. Nunc Dimittis (The Song of Simeon) is also a scriptural canticle taken from Luke (2:29-32).  Simeon, a devout Jew, had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph bring the infant Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son, Simeon takes the child into his arms and says “Lord, now lettest thou thy servant depart in peace ... for mine eyes have seen thy salvation.� The Nunc Dimittis is said or sung after the second lesson in evening prayer.Texts for these settings are from The Book of Common Prayer (2019), Traditional Language Edition, according to the use of the Anglican Church in North America, and they are largely the texts of the 1662 Book of Common Prayer of the Church of England.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Concert Band - Level 3 - Digital Download SKU: A0.1342594 By Ichiro Mizuki. By Haruo Hayashi and Michiaki Watanabe (pka Chuumei Watanabe). Arranged by Lorenzo Bocci. Film/TV. 100 pages. Lorenzo Bocci #928094. Published by Lorenzo Bocci (A0.1342594). KOTETSU JEEG NO UTA (Jeeg Robot)for Concert Band - Grade 3 - Digital Download Composed by Michiaki Watanabe, Haruo Hayashi. Arranged by Lorenzo Bocci. Cartoons/Anime/Jazz. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 3'00''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Timpani, Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Steel Jeeg , also known as Kotetsu Jeeg, is a Japanese mecha anime series created by manga artists Go Nagai and Tatsuya Yasuda and produced by Toei Doga (now Toei Animation), directed by Masayuki Akehi. It was first broadcast on NET in Japan from October 5, 1975, to August 29, 1976, lasting for 46 episodes. Steel Jeeg also ran as a manga in several children's publications, with the original manga was first serialized in Kodansha's TV Magazine from August 1975 to June 1976. The original theme song was written by Chumei Watanabe (Michiaki Watanabe) and the lyrics by Hayashi Haruo. The song was sung by Ichir� Mizuki, a famous and prolific Japanese singer, lyricist, composer, actor and voice actor, known for his work on theme songs, anime and tokusatsu.

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.

Small Ensemble Harmonium,Harpsichord,Organ,Piano - Level 2 - Digital Download SKU: A0.842551 Composed by Various. Arranged by B. Brennan. Christmas,Instructional,Standards,Traditional. Score and parts. 28 pages. Bl_music #5791213. Published by bl_music (A0.842551). The Victorian Christmas Melodies  60 Victorian Christmas Melodies for Harmonium or American Organ without lyrics. This is the Christmas edition in our ´Victorian´ series for harmonium or reed organ which contains 60  harmonised carol melodies. We have not included the lyrics as this publication is mainly intended for instrumental performance. The carols may be repeated according to the number of verses indicated in brackets at the beginning of each piece. The selection represents the carols best known and loved by the Victorians, many having been introduced by Prince Albert himself from Germany. We have kept the original titles in German, Latin or English. These are easy to medium arrangements also suitable for piano, keyboard or organ.1.    Deck The Halls 2.    Alle Jahre wieder 3.    As With Gladness 4.    Away In A Manger 5.    Am Weihnachtsbaum die Lichter 6.    Wassail Song 7.    Der Christbaum ist der schönste Baum 8.    Ehre sei Gott9.    Hark! The Herald Angels Sing 10.  Es kommt ein Schiff, geladen 11.  Macht hoch die Tür 12.  Es ist ein Ros‘ entsprungen 13.  Ihr Hirten, erwacht 14.  Freu Dich, Erd und Sternenzelt 15.  0 Little Town of Bethlehem 16.  Heiligste Nacht 17.  Inmitten der Nacht 18.  Once in Royal David's City 19.  Joseph, lieber Joseph mein 20.  Laßt uns froh und munter sein 21.  Ihr Kinderlein, kommet 22.  Gloria in Excelsis Deo 23.  Leise rieselt der Schnee 24.  Adeste Fideles, Come All Ye Faithful 25.  It Came Upon A Midnight Clear 26.  Kommet Ihr Hirten 27.  Lobt Gott, Ihr Christen 28.  Kling Glöckchen 29.  Quem Pastores laudavere 30.  Sussex Carol 31.  Laßt uns das Kindlein wiegen 32.  Laufet, Ihr Hirten 33.  The Angel Gabriel 34.  Boar's Head Carol 35.  Morgen, Kinder, wird's was geben 1 36.  Morgen, Kinder, wird's was geben 2 37.  Lobet den Herren 38.  0 Freude über Freude 39.  While Shepherds Watched 40.  Coventry Carol 41.  Tochter Zion 42.  0 Du fröhliche 43.  In Dulci Jubilo 44.  Stille Nacht 45.  Still,still, still 46.  0 Tannenbaum 47.  See Amid The Winter's Snow 48.  Ding Dong, Merrily On High 49.  Vom Himmel hoch 50.  Cherry Tree Carol 51.  The Holly And The Ivy 52.  Schlaf wohl, Du Himmelsknabe) 53.  Maria durch ein Dornwald ging 54.  Zu Bethlehem geboren 55.  Süßer die Glocken) 56.  God Rest Ye, Merry Gentlemen 57.  Morgen kommt der Weihnachtsmann 58.  Susani 59.  Was soll das bedeuten? 60.  We Wish You a Merry Christmas

Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River� was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.

Piano - Level 1 - Digital Download SKU: A0.1252765 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by DecPlay Ltd. Contemporary,Folk,Pop,Rock,Standards. DecPlay Piano. 3 pages. DecPlay Ltd #846584. Published by DecPlay Ltd (A0.1252765). You have great taste - this is a great song! If you’re not a DecPlay student yet, you might be wondering why the song sheet isn’t using traditional notation or chord names …..This patented form of song sheet from DecPlay® enables songs to be learnt much quicker and more easily than using traditional notation or guitar chords. The simple numbers, colours and patterns method enables rapid results on piano.The same song sheet enables beginner and advanced playing styles, in any musical key.For more details and a FREE video lesson go to www.DecPlay.com(This type of sheet music is known as piano tabs or PianoTabz and includes lyrics, melody and chords.).

Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River� was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1272498 By Maria Thompson Corley. By Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Religious,Sacred,Spiritual. Score. 28 pages. Maria Thompson Corley #864723. Published by Maria Thompson Corley (A0.1272498). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1272508 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 35 pages. Maria Thompson Corley #864733. Published by Maria Thompson Corley (A0.1272508). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River� was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. Please note that the YouTube version for clarinet is slightly different than the one with violin, to accommodate the differences in range.

Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.

Concert Band - Level 2 - Digital Download SKU: A0.933694 Composed by T. J. Williams, J. S. Bach. Arranged by Leandro Bizama. Baroque,Christian,Concert,Sacred. Score and parts. 93 pages. Leandro Bizama Music #3420423. Published by Leandro Bizama Music (A0.933694). A dramatic juxtaposition of the hymn Once to Every Man and Nation with excerpts from the Prelude in C minor by Bach's renown The Well Tempered Clavier. The pipe organ part, which is just as playable on a synthesizer as a real pipe organ, quotes straight from Bach's hand to add to the power of the hymn. With accessible writing but an impressive ensemble sound, this can be an exciting piece in your next program. Suitable for High School, advanced Middle School ensembles, church or community wind ensembles, Once to Every Man introduces the famous writings of Bach's keyboard works to the modern avenue of Concert Band. And just like Bach did in his prelude, this arrangement reaches a stirring finale in the major key, and will quickly be loved by audiences and performers alike.For more info about the arranger visit www.leandrobizama.com