Violin Solo - Level 1 - Digital Download SKU: A0.1468336 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Christmas,Film/TV,Folk,Religious,Singer/Songwriter. 1 pages. Walt Oliver #1046647. Published by Walt Oliver (A0.1468336). Discover the Magic of Leonard Cohen's Hallelujah: Violin Arrangement (Easy - Beginner Level) Dive into the enchanting world of music with this special arrangement of Leonard Cohen's Hallelujah, one of the most iconic and emotionally charged songs of all time, famously known from the movie Shrek. Perfect for beginner violinists, this arrangement captures the essence of the original melody, allowing even novice players to experience the beauty of this masterpiece.Arrangement Features:- Difficulty Level: Easy - Beginner- Instruments: Solo Violin- Musical Genre: Contemporary BalladBenefits and Usage: This Hallelujah arrangement is ideal for various occasions, from school recitals to intimate family gatherings. With a simplified transcription, it allows violin students to develop their technical skills while playing a melody that deeply resonates with all who hear it.Why This Arrangement is Perfect for You:- Easy and Enjoyable Learning: Specifically designed for beginners, with accessible notes and a gentle rhythm, making learning and practice enjoyable.- Emotionally Engaging: The rich and acclaimed melody of Hallelujah offers an emotional experience that captivates both musicians and audiences.- Versatility: Perfect for event performances, home practice sessions, or as a centerpiece in violin recitals.Awaken Emotions with Every Note: Each note of this arrangement has been carefully adapted to maintain the integrity and beauty of the original composition, allowing you, even as a beginner, to convey the depth and emotion that Hallelujah offers. Transform your performances into unforgettable moments with this arrangement that is both easy to play and deeply moving.Purchase Now and Start Playing: Don't miss the chance to add this essential piece to your repertoire. Buy now and begin exploring the magic of Hallelujah on the violin!Turn your practice sessions into an exciting musical journey and share the beauty of Hallelujah with the world.

Violin Solo - Level 1 - Digital Download SKU: A0.1468334 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Christmas,Film/TV,Folk,Religious,Singer/Songwriter. 1 pages. Walt Oliver #1046645. Published by Walt Oliver (A0.1468334). Discover the Magic of Leonard Cohen's Hallelujah: Violin Arrangement (Easy - Beginner Level) Dive into the enchanting world of music with this special arrangement of Leonard Cohen's Hallelujah, one of the most iconic and emotionally charged songs of all time, famously known from the movie Shrek. Perfect for beginner violinists, this arrangement captures the essence of the original melody, allowing even novice players to experience the beauty of this masterpiece.Arrangement Features:- Difficulty Level: Easy - Beginner- Instruments: Solo Violin- Musical Genre: Contemporary BalladBenefits and Usage: This Hallelujah arrangement is ideal for various occasions, from school recitals to intimate family gatherings. With a simplified transcription, it allows violin students to develop their technical skills while playing a melody that deeply resonates with all who hear it.Why This Arrangement is Perfect for You:- Easy and Enjoyable Learning: Specifically designed for beginners, with accessible notes and a gentle rhythm, making learning and practice enjoyable.- Emotionally Engaging: The rich and acclaimed melody of Hallelujah offers an emotional experience that captivates both musicians and audiences.- Versatility: Perfect for event performances, home practice sessions, or as a centerpiece in violin recitals.Awaken Emotions with Every Note: Each note of this arrangement has been carefully adapted to maintain the integrity and beauty of the original composition, allowing you, even as a beginner, to convey the depth and emotion that Hallelujah offers. Transform your performances into unforgettable moments with this arrangement that is both easy to play and deeply moving.Purchase Now and Start Playing: Don't miss the chance to add this essential piece to your repertoire. Buy now and begin exploring the magic of Hallelujah on the violin!Turn your practice sessions into an exciting musical journey and share the beauty of Hallelujah with the world.

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.916582 Composed by Johann Sebastian Bach. Arranged by Steve Newman. Baroque,Standards. Score and parts. 31 pages. Steve newman #3388849. Published by steve newman (A0.916582). Brandenburg 6 is a unique composition because of its original instrumentation (2 lead violas + string orchestra), and because of the nature of the first movement- that starts with a canon for the 2 violas playing the same line just one eighth note apart! Its fun to play, but hard to get the needed players to make it happen.  So here is a reduction where the violist plays the first viola part, and a keyboard does the second viola part plus a reduced version of the backing strings.   This  piano reduction is meant to accompany a violist playing the original first viola part.  If you want an excellent contemporary typesetting of the first viola part,  you can get it at the Free Scores website-  http://www.free-scores.com/download-sheet-music.php?pdf=43649      PLAY ALONG MP3’s There are mp3 files ‘in the cloud’  which you can download and use to practice with.  They use the stereo capability to have the soloist on one channel, and the keyboard on the other.  This way you can tune out your part if you want,  or leave it in, at a volume of your choice.  The tempo of the ‘playalong’ tracks can be adusted to your choice by using readily available playback software for instance, Roni music-https://www.ronimusic.com/,  or even websites that do it for you online.  Also,  even very inexpensive mp3 players in the under $20 range nowadays provide playback with adjustable tempo.  The mp3 files can be downloaded from-https://app.box.com/s/xpkqc7xpkhlixbf56tsahqu3tkt83gpo  xml files are also available if you have a notation program and want to customize the score or the sound files.  Steve Newman              Nov 2017                          newmans@cruzio.com

Violin Duet Violin - Level 3 - Digital Download SKU: A0.1463833 By Soundtrack. By James Horner. Arranged by James Watson. Film/TV. 17 pages. James Watson #1042542. Published by James Watson (A0.1463833). This arrangement was done as a duet to commemorate the passing of James Horner.  On 22 June 2015, we lost an extraordinary mind who scored some of the most iconic moments in cinematic history.  From Willow, to Jumanji, Titanic, and Avatar, his music inspired generations of aspiring and professional musicians and composers.  Countless covers and renditions have been made of these classic film scores to remember and acknowledge his legacy, as is the intention of this one.  Please enjoy this arrangement for violin and piano of One Last Wish from the film Casper.

Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!

Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!

Cello Duet Cello - Level 4 - Digital Download SKU: A0.1266695 Composed by Giorgio Gentili. Arranged by Snakewood Editions. Baroque,Classical. Score. 25 pages. Sneakwood Editions #859373. Published by Sneakwood Editions (A0.1266695). Giorgio Gentili was surely one of the most influential musicians in Venice at the beginning of the 18th century. In 1702, or even earlier, he was appointed maestro di instromenti at the prestigious Ospedale dei Mendicanti in Venice, where musicians such as Legrenzi, Biffi and Galuppi worked. In 1689 he became a violinist in the San Marco orchestra and shortly after, in 1691, he was appointed concertmaster. Under his direction he had musicians like Veracini or Giovanni Battista Vivaldi and Antonio Vivaldi. Surely this fact is related to the notable influence of Gentili's concerti on those of Antonio Vivaldi.Gentili's departure from the Ospedale dei Mendicanti in 1717 coincides with the departure to Dresden of other famous Venetian musicians such as Lotti, which gives rise to the suspicion that Gentili was also hired along with these musicians by the Elector of Saxony during his trip to Italy.Gentili was one of those rare musicians who only played instrumental music, at least as far as we know. Gentili published six volumes of music:Op. 1. Suonate a tre, 1701Op. 2. Concerti da camera a tre, 1702Op. 3. Capricci da camera a violino e violoncello o cimbalo, 1707Op. 4. Suonate a tre (lost)Op. 5. Concerti a quattro e cinque, 1708Op. 6. Concerti a quattro, 1716Apart from this work, we find two interesting manuscripts in the Library of the Benedetto Marcello Conservatory in Venice that contain the only two known sonatas for cello and basso continuo by Gentili.

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.503652 By Elvis Presley. By Trad. Arranged by Thomas Graf. Folk,Pop. Score and parts. 24 pages. Thomas Graf - the-hit-factory.com #115736. Published by Thomas Graf - the-hit-factory.com (A0.503652). Muss i' denn zum Städtele hinaus - is a German folk song by Friedrich Silcher, originating from the Rems Valley in Württemberg, southwest Germany. A famous cover version called Wooden Heart is a song best known for its use in the 1960 Elvis Presley film G.I. Blues. Here you have a richly contrapuntal and rewarding arrangement to play which features all players. Not technically difficult, confident players of grade 3 standard should be able to get much from this music. Your audience will love it, too! Instrumentation: Tpt 1/2 in Bb/C, Horn in F/Eb/Bb, Trombone C/Bb, Tuba/Bass in Bb/Eb Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our Big Band and Concert Band arrangements are played and prooved with our own ensembles with great success. Please let us know if you need any transposed part. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1453569 Composed by Michel Jean Legrand. Arranged by John Hoesly. Film/TV,Jazz,Pop. 42 pages. PRS&B #1032793. Published by PRS&B (A0.1453569). SUMMER OF ’42 (THE SUMMER KNOWS) - by Michel Legrand. Arrangement for Little Big Band/ Jazz Ensemble. Difficulty: Intermediate. Beautiful theme from the movie The Summer of ‘42.  It became an instant hit for many artists. Haunting and nostalgic. Includes a sax soli section.Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.

Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.746236 Composed by J.J. Johnson. Arranged by Michael Pilley. Jazz. Score and parts. 9 pages. Michael Pilley Music #5710815. Published by Michael Pilley Music (A0.746236). J.J. Johnson's signature ballad, Lament was best known for the Miles Davis / Gil Evans version from Miles Ahead (1957, Columbia). This arrangement is a transcription from the original track by J.J. and Kai Winding on Jay and Kai, aiming to recreate the recording in an unaccompanied trombone quartet exactly. Written for advanced ensembles, this arrangement features the top two trombones, but the other two are kept busy with recreating the jazz trio underneath. A smooth, warm sound is recommended to blend the trombones, whilst care must be taken in the upper register to sound sweet. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic Follow Super Bone at https://www.youtube.com/superbonequartet, https://www.facebook.com/SuperBoneQuartet,  https://twitter.comSuperBoneTweets and https://www.instagram.com/superbonequartet

Brass Quintet Baritone Horn TC,Trumpet,Tuba - Digital Download SKU: A0.1414057 By Will Corbin. By John Philip Sousa. Arranged by Will Corbin. March. 13 pages. Will Corbin #995827. Published by Will Corbin (A0.1414057). Sousa wrote this in 1893 as part of an operetta on commission. But he and the customer couldn't agree on a price -- Sousa wanted $1,500, and the customer wouldn't go higher than $1,000 -- so Sousa walked. A march from the operetta became The Liberty Bell. It's probably best known now as the theme song from Monty Python's Flying Circus, pressed on the British comedy group by its only American member for reasons that are too arcane to go into or even understand.It's arranged for two trumpets, horn, baritone TC and tuba; subsitute instrumentation can be arranged.

Baritone Horn TC,Cello,Harp,Tenor Voice - Digital Download SKU: A0.1071788 Composed by James Orcutt. Christian,Jewish,Praise & Worship,Sacred. Accompaniment. Duration 112. James Orcutt #4111663. Published by James Orcutt (A0.1071788). Hallelujah, Yeshua is a 1:45.  This will be the initial song on a series of pieces praising Yeshua appearing on a dvd set or album.  (Yeshua Adonai will be part of the dvd). This is a worshipful song of harp and cello.  The cello fills in for the vocal part.  A solo voice or the whole church family of Christian and Jewish brethren alike.  The Christian roots in Judaism are always to be remembered and cherished and honored!  The short, almost choppy style verses give way to the flowing melodic texture of the Chorus.  May Jesus Christ be praised!  As a seminary graduate, the utmost is put into each song for the best of Biblical theology I know to date.  As the Lord keeps teaching and illuminating more about Himself, I'm certain the lyrics and songs will become even better than what they are presently.  The Spirit of God enabled me to write all the compositions, and they are SPLENDID right now!  All songs are From the Lord, By the Spirit of God, and To the praise of the Lord Jesus!  Amen!!!  :). OOOH...no piece of music is ever performed quite the same twice.  If you wish, be creative and open the piece up...add other instruments as the Lord leads.  Turn the mp3 off and expand the sheet music as the Spirit of God sees fit to take you.  The sheet music is only the germ of the idea, right?  Let the musicians go NUTS, if they wish...most musicians are better than halfway down that path already.  LOL  OR, simply stick w/what's on the mp3 and sheet music and let that be that.  Jim Orcutt.

Piano Solo - Level 5 - Digital Download SKU: A0.1125803 By Michael Swedberg. By Traditional French Melody. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726544. Published by Niska Music Publishing (A0.1125803). I first became familiar with this tune in high school choir when we performed “Sing We Now of Christmas� for a holiday concert. I did not know that it had originated as a French carol from the late 15th/early16th century and like many of my favorite carols, it is set in a minor key. I had forgotten all about it until a friend suggested arranging it for this collection. As I began working on the piece, I was torn between staying true to the feel of the original and this growing sense I had to write something more dramatic and more inspired by one of my favorite composers, Ralph Vaughn Williams. I chose a much slower tempo than the French carol and as a result it has more depth and a sense of gravitas, reflecting the mystery of the birth of Christ. At the end of the first verse, I transition to the parallel major key and the music takes on a more lighthearted and almost dance-like character as the stable is visited by shepherds and kings alike to see for themselves the sleeping child and enjoy the sense of wonder and amazement at such a scene. The music then moves back to the opening and the original key as the kings offer their gifts to the babe and prepare to return home. Even though it is in a minor key, there is an overpowering grandeur in this prelude reflecting the events to come in His short life on this earth, but even more the importance to all that his sacrifice would bring. There is a brief coda that returns to the major key with the promise of hope offered by one so small.

Small Ensemble Cello,Harp,Voice - Digital Download SKU: A0.1012216 Composed by James Orcutt. Contemporary. Score and parts. 4 pages. James Orcutt #3919743. Published by James Orcutt (A0.1012216). Item Number: S0.436499Hallelujah, Yeshua is a 1:45.  This will be the initial song on a series of pieces praising Yeshua appearing on a dvd set or album.  (Yeshua Adonai will be part of the dvd). This is a worshipful song of harp and cello.  The cello fills in for the vocal part.  A solo voice or the whole church family of Christian and Jewish brethren alike.  The Christian roots in Judaism are always to be remembered and cherished and honored!  The short, almost choppy style verses give way to the flowing melodic texture of the Chorus.  May Jesus Christ be praised!  As a seminary graduate, the utmost is put into each song for the best of Biblical theology I know to date.  As the Lord keeps teaching and illuminating more about Himself, I'm certain the lyrics and songs will become even better than what they are presently.  The Spirit of God enabled me to write all the compositions, and they are SPLENDID right now!  All songs are From the Lord, By the Spirit of God, and To the praise of the Lord Jesus!  Amen!!!  :). OOOH...no piece of music is ever performed quite the same twice.  If you wish, be creative and open the piece up...add other instruments as the Lord leads.  Turn the mp3 off and expand the sheet music as the Spirit of God sees fit to take you.  The sheet music is only the germ of the idea, right?  Let the musicians go NUTS, if they wish...most musicians are better than halfway down that path already.  LOL  OR, simply stick w/what's on the mp3 and sheet music and let that be that.  Jim Orcutt.

Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.