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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1111833 Composed by J. H. Gould. Arranged by Sandy McIntire. 19th Century,Christian,Instructional,Praise & Worship,Sacred. Octavo. 15 pages. Sandy McIntire #714043. Published by Sandy McIntire (A0.1111833). JESUS, SAVIOR, PILOT ME is a late 19th Century hymn with lyrics by Edward Hopper that is often associated with seagoing and maritime activities. Its quiet and delicate melody with lyrics that reflect the perils of the sea are particularly appropriate for prayer and memorial services as well as any worship service or program. This arrangement is an EASY INTERMEDIATE arrangement for SAB (soprano, alto, baritone) CHOIR with a piano accompaniment. A separate solo sheet is provided for voices only and the arrangement provides opportunities for solo and duet performances. Prompts are provided for singers by the piano accompaniment. Other similar arrangements by McIntire for SAB choir include And Could It Be That I Should Gain and Mary, Did You Know? also available at this web site.
Jesus, Savior, Pilot Me
Chorale 3 parties

$2.25 1.93 € Chorale 3 parties PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0000833_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Craig Andrew Fitzpatrick. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000833_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000833_WPTBBTC). UPC: 038081274300.All things . . . for concert band, is a setting of the traditional tune All Things Bright and Beautiful. The melody, while undergoing quite a few variations and transformations, still remains true to the original lyric quality hymn tune. Initially, the hymn is fragmented and slowly is presented in larger pieces as the work progresses. At the climax of the piece a clear and exuberant presentation of the original tune can be heard. The piece then concludes by returning to where it began by fragmenting the melody again and fading into the distance.Concert/Contest.
All Things: (wp) B-flat Tuba T.C.
Orchestre d'harmonie

$3.00 2.57 € Orchestre d'harmonie PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1452731 By Rafael Griffin. By Traditional American Melody. Arranged by Rafael Griffin. Christian,Easter,Religious,Sacred,Spiritual. Score. 5 pages. Rafael Griffin #1031974. Published by Rafael Griffin (A0.1452731). John Newton's lyrical summation of the gospel has offered great assurance to countless people who have sung this hymn down through time. It is my hope that you likewise will be inspired as you play this solo piano arrangement of the timeless hymn of faith Amazing Grace, which is set in an easygoing gospel style.To stay updated on all new releases, please follow my social channels!Click here to subscribe to my YouTube channel.Click here to follow me on Facebook.
Amazing Grace
Piano seul
Rafael Griffin
$6.99 5.98 € Piano seul PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.1151203 Composed by John E. Gould. Arranged by Sandy McIntire. Christian,Contest,Festival,Instructional,Sacred,Traditional. Score and part. 6 pages. Sandy McIntire #751382. Published by Sandy McIntire (A0.1151203). JESUS, SAVIOR, PILOT ME is a late 19th Century hymn often associated with seagoing and maritime activities that has remained popular for over 150 years. This arrangement is an EASY INTERMEDIATE CELLO SOLO with PIANO ACCOMPANIMENT. Its quiet and delicate melody is particularly appropriate for prayer and memorial services while also relevant for any worship service or program. A separate music sheet for the cello is included in addition to the score. This hymn as a piano solo, a viola solo, and a violin solo is also available at this web site.
Jesus, Savior, Pilot Me
Violoncelle, Piano

$4.99 4.27 € Violoncelle, Piano PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1231691 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. 7 pages. Jmsgu3 #827392. Published by jmsgu3 (A0.1231691). Beethoven’s Eleven Bagatelles Op. 119 are known for their expressive melodies and harmonies, and their innovative approach to form and tonality. The bagatelles were written during a period of time when Beethoven was undergoing a difficult phase in his life; he was struggling with hearing loss, family problems, and depression. Despite these challenges, he managed to produce a set of musical gems that are deeply moving and uplifting. The bagatelles show a remarkable range and depth of emotion, from playful and humorous to introspective and melancholic. These pieces serve as a testament to his resilience and creative genius in the face of personal adversity. More than two centuries after their composition, the bagatelles continue to inspire music enthusiasts around the world. The Bagatelles Op. 119 is a combination of old and new pieces that were not originally planned as a cycle. No. 1. Allegretto.No. 2. Andante con moto.No. 3. à l’ Allemande.No. 4. Andante cantabile.No. 5. Risoluto.No. 6. Andante – Allegretto.No. 7. Tranquillo.No. 8. Moderato cantabile.No. 9. Vivace moderato.No. 10. Allegramente.No. 11. Andante ma non troppo.
Beethoven: Bagatelle Op. 119 No. 8 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$24.95 21.36 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1231050 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. 13 pages. Jmsgu3 #826732. Published by jmsgu3 (A0.1231050). Beethoven’s Eleven Bagatelles Op. 119 are known for their expressive melodies and harmonies, and their innovative approach to form and tonality. The bagatelles were written during a period of time when Beethoven was undergoing a difficult phase in his life; he was struggling with hearing loss, family problems, and depression. Despite these challenges, he managed to produce a set of musical gems that are deeply moving and uplifting. The bagatelles show a remarkable range and depth of emotion, from playful and humorous to introspective and melancholic. These pieces serve as a testament to his resilience and creative genius in the face of personal adversity. More than two centuries after their composition, the bagatelles continue to inspire music enthusiasts around the world. The Bagatelles Op. 119 is a combination of old and new pieces that were not originally planned as a cycle. No. 1. Allegretto.No. 2. Andante con moto.No. 3. à l’ Allemande.No. 4. Andante cantabile.No. 5. Risoluto.No. 6. Andante – Allegretto.No. 7. Tranquillo.No. 8. Moderato cantabile.No. 9. Vivace moderato.No. 10. Allegramente.No. 11. Andante ma non troppo.
Beethoven: Bagatelle Op. 119 No. 6 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$24.95 21.36 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart.  .
Rhapsody for Concert Band
Orchestre d'harmonie
July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
$20.00 17.12 € Orchestre d'harmonie PDF SheetMusicPlus






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