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Voice and piano - Medium - Digital Download SKU: MQ.8492-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-35E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-35E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
Op. 1, No. 11: Comme la fleur discrète from Songs of Gouvy, V2 (Downloadable)
Piano, Voix

$3.00 2.6 € Piano, Voix PDF SheetMusicPlus

Violin Duet Violin - Level 4 - Digital Download SKU: A0.592166 Composed by David McKeown. 20th Century,Contemporary,Standards. 4 pages. David McKeown #6354283. Published by David McKeown (A0.592166). Frankie the Frank Frankenstein is a fun and original duet written by David McKeown for two Violins. Frankie the Frank Frankenstein is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Violin.Frankie is a straightforward kinda monster. He tells it as he sees it; he likes to speak his mind. Unfortunately, he is constructed from so many and various spare parts that he isn’t always entirely sure which eyes he saw it through, which mind to believe, or indeed from which mouth to say it. Frankie the Frank Frankenstein is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the changing styles and tempo and some syncopated rhythms. With a playing-time of around three and a half minutes, Frankie the Frank Frankenstein is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Frankie the Frank Frankenstein, Halloween Duet for Violin
2 Violons (duo)

$3.99 3.45 € 2 Violons (duo) PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549730 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531411. Published by jmsgu3 (A0.549730). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
Fauré: Élégie Op. 24 for Tenor Sax & Piano
Saxophone Tenor et Piano

$32.95 28.52 € Saxophone Tenor et Piano PDF SheetMusicPlus

Voice and piano - Medium - Digital Download SKU: MQ.8492-17E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-17E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-17E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
Op. 45, No. 17: On verra défaillir tous les astres aux cieu from Songs of Gouvy, V2 (Downloadable)
Piano, Voix

$3.00 2.6 € Piano, Voix PDF SheetMusicPlus

Small Ensemble Guitar,Piano,Violin,Voice - Level 2 - Digital Download SKU: A0.801596 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 4 pages. Connie Boss #6247375. Published by Connie Boss (A0.801596). This moving song is based on The Passion of the Lord. It is for duet, violin and piano. The pain and suffering He endured to save us all from sin. Crucified though innocent. cdboss@cvalley.net  lyrics below:Crucified(song for Good Friday)Composed by Connie Boss Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V1The people shout.     Let’s crucify!He’s not our King.     So, He must dieBut Pilate said.           Is He the one?I see no crime.           That He has done. Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V2With piercing thorns.   A crown of grief!Carried a cross.             To CalvaryThey nail your hands.  And then your feetUpon the cross.         For all to see Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V3Then you cried out.         With your last breathForgive them God.           Then came your deathThe sky grows dark.           The earth shakesThough terrified.               They all exclaim! He truly is.                         The son of God! Crucified, Lord they crucified you.
Crucified (Lent/Good Friday) - duet, violin and piano

$5.00 4.33 € PDF SheetMusicPlus

Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voix

$3.00 2.6 € Piano, Voix PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.592152 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6354255. Published by David McKeown (A0.592152). Frankie the Frank Frankenstein is a fun and original duet written by David McKeown for one Trumpet and one Trombone. Frankie the Frank Frankenstein is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Trombone.Frankie is a straightforward kinda monster. He tells it as he sees it; he likes to speak his mind. Unfortunately, he is constructed from so many and various spare parts that he isn’t always entirely sure which eyes he saw it through, which mind to believe, or indeed from which mouth to say it. Frankie the Frank Frankenstein is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the changing styles and tempo and some syncopated rhythms. With a playing-time of around three and a half minutes, Frankie the Frank Frankenstein is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Frankie the Frank Frankenstein, Halloween Duet for Trumpet and Trombone
Trompette, Trombone (duo)

$3.99 3.45 € Trompette, Trombone (duo) PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.522319 By Dixie Melody Boys,Dixie Melody Boys. By Mccray Dove. Arranged by Paul A. Jorg. Contemporary. Octavo. 5 pages. Paul A. Jorg #5795997. Published by Paul A. Jorg (A0.522319). This is a spirited and moving arrangement for male (TTBB) voices, and is a fun song to sing!  The bass part keeps the rhythm going.  The lyrics are:  Goin' up to my Savior when I'm down on my knees. Goin' up, liftin' praise to God, knowin' Jesus is liftin' me. Down to seek His face by leanin' on the promises of His grace. I'm goin' up to His heavenly power, for He is my rock, and my Lord. Goin' up to my Savior when I'm down on my knees. Goin' up, liftin' praise to God, knowin' Jesus is liftin' me. Down to seek His face by leanin' on the promises of His grace. I'm goin' up to His heavenly power, for He is my rock, and my Lord. Oh I'm cleansed Heal'd Leaning on His arms to carry me through O yes! For Jesus is the mighty King; by His blood I've been redeemed. I'm goin up to Him on Glory Avenue. I'm goin' up, King; goin' up to my Savior when I'm down on my knees. Goin' up, liftin' praise to God, knowin' Jesus is liftin' me. Down to seek His face by leanin' on the promises of His grace. I'm goin' up to His heavenly power, for He is my rock, and my Lord. Oh there is no problem too great or small for Jesus to answer when I call. Seeking His guidance and doing His will. You know I'm praisin' Him all the day long, Yet still I'm goin' Leaning on His arms to carry me through For Jesus is the mighty King; Goin' up to my Savior when I'm down on my knees. Goin' up, liftin' praise to God, knowin' Jesus is liftin' me. Down to seek His face by leanin' on the promises of His grace. I'm goin' up to His heavenly power, for He is my rock, and my Lord. Yes, He is my rock, and He is my Lord! Love lifted me! Lord! Lord! Love lifted me!
I'm Going Up
Chorale TTBB
Dixie Melody Boys,Dixie Melody Boys
$4.59 3.97 € Chorale TTBB PDF SheetMusicPlus

Soprano Saxophone Duet Soprano Saxophone - Level 4 - Digital Download SKU: A0.592160 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #6354271. Published by David McKeown (A0.592160). Frankie the Frank Frankenstein is a fun and original duet written by David McKeown for two Soprano Saxophones. Frankie the Frank Frankenstein is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Soprano Saxophone.Frankie is a straightforward kinda monster. He tells it as he sees it; he likes to speak his mind. Unfortunately, he is constructed from so many and various spare parts that he isn’t always entirely sure which eyes he saw it through, which mind to believe, or indeed from which mouth to say it. Frankie the Frank Frankenstein is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the changing styles and tempo and some syncopated rhythms. With a playing-time of around three and a half minutes, Frankie the Frank Frankenstein is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Frankie the Frank Frankenstein, Halloween Duet for Soprano Saxophone
2 Saxophones (duo)

$3.99 3.45 € 2 Saxophones (duo) PDF SheetMusicPlus

Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.592153 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6354257. Published by David McKeown (A0.592153). Frankie the Frank Frankenstein is a fun and original duet written by David McKeown for one Violin and one Clarinet. Frankie the Frank Frankenstein is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Violin and Clarinet.Frankie is a straightforward kinda monster. He tells it as he sees it; he likes to speak his mind. Unfortunately, he is constructed from so many and various spare parts that he isn’t always entirely sure which eyes he saw it through, which mind to believe, or indeed from which mouth to say it. Frankie the Frank Frankenstein is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the changing styles and tempo and some syncopated rhythms. With a playing-time of around three and a half minutes, Frankie the Frank Frankenstein is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Frankie the Frank Frankenstein, Halloween Duet for Violin and Clarinet
Clarinette, Violon (duo)

$3.99 3.45 € Clarinette, Violon (duo) PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.779554 Composed by Kim Kirkman. A Cappella,Christian,Concert,Contemporary,Praise & Worship,Sacred. Octavo. 7 pages. Kim Kirkman #5292007. Published by Kim Kirkman (A0.779554). John One for SATB a cappellaThis sacred choral work uses the text from the beginning of John's Gospel.It underlies the mystery of creation and how word (or some might think, sound) created the universe.The lyrics are:In the beginning was the Word, The Word was with Word And the Word was God. He was with God in the beginning. Through him all things came to be, Not one thing had its being but through him. All that came to be had life in him, life in him And that life was the light of men, a light that shines in the dark, A light that darkness could not over-power. The word was the true light That enlightens all men And he was coming into the world. He was in the world that had its being through him, and the world did not know him. He came to his own domain And his own people did not accept him. But to all who did accept him, He gave power to become children of God, To all who believe in the name of him Who was born not out of human stock Or urge of flesh or will of man but of God Himself. The word was made flesh He lived among usAnd we saw his glory.
John One for SATB a cappella
Chorale SATB

$1.99 1.72 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1260605 Composed by Martha Hill Duncan. 21st Century,Classical,Contemporary. Score. 27 pages. Abundant Silence #853798. Published by Abundant Silence (A0.1260605). SPIRALS IN THE SKY, BY MARTHA HILL DUNCANFOR SOLO PIANO, LATE INTERMEDIATE, 21 PAGES.....................................In this whimsical marriage of astronomy and music, my husband,  astrophysicist, Dr. Martin Duncan and I have combined our talents to celebrate the beauty of the night sky and the magic of music. M.H. DuncanMartha Hill Duncan’s passion for music started early, inspired by her mother, who sang and played the piano by ear. Martha was a member of the first graduating class of the Houston High School for Performing and Visual Arts and earned a Bachelor of Music degree in Composition from the University of Texas at Austin.Her piano works have been inspired, at least in part, by her long-time career as a piano teacher and some of these pieces, as well as her art songs, appear in educational publications and syllabi. Piano collection titles include The Sunken Garden, Isla Vista Suite, Precipitations, Angular Measures, Limestone Etchings, Rainy Days and Cottage Days. Since moving from the United States to Canada, many of her compositions have been inspired by Canadian landscapes and texts. In January 2014, her youth opera, Searching the Painted Sky, with poet/librettist Janet Windeler Ryan, was premiered at the National Opera Association Convention in New York City. She was named a finalist for the 2020 Louis Applebaum Award.A former piano examiner for the Royal Conservatory of Music, she is also a founding member of Red Leaf Pianoworks, a self-publishing composers’ collective. Originally from Houston, Texas, Martha and her husband Martin have lived in Kingston, Ontario since 1988. She also conducts the women’s choir She Sings! and has two grown children and two granddaughters. To explore more of her music, please visit www.marthahillduncan.comDr. Martin Duncan was born in London, England and was raised in Montreal, Canada. As a child, his biggest question was, “What would happen if...?†His first experiments involved creating foul-smelling concoctions with his chemistry set in hisparents’ basement. He survived and went on to complete an Honours Physics degree at McGill University, followed by graduate degrees in astronomy at the Universities of Toronto and Texas at Austin. Post-doctoral research was performed at Cornell University, the University of Toronto and the University of California, Santa Cruz. In 1988, he became a professor of astronomy and physics at Queen’s University in Kingston, Ontario.In his academic career he has co-authored over 120 scientific papers, which have been cited over 8,000 times. He has presented numerous invited talks at international scientific conferences and has been the guest speaker at many public lectures. His research has ranged from the study of black holes to simulations of the formation and orbital evolution of planets and comets. He is best known for the prediction of the existence of a disk of small icy bodies beyond Neptune, which he and his colleagues called the Kuiper Belt. In 1996, the International Astronomical Union named Asteroid 6115 “martinduncan†in honor of his contributions to planetary dynamics.
Spirals in the Sky
Piano seul

$19.50 16.88 € Piano seul PDF SheetMusicPlus

Accordion - Digital Download SKU: A0.904247 Composed by Lars Ek. Folk,World. Score. 3 pages. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1910779. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.904247). Lars Ek is one of Sweden's best accordionists, and include known for its fine interpretation of Pietro Frosini, Nisse Lind and even his own more than 100 compositions! Lars Ek is from Stockholm and started playing the accordion as a 5 year old and a year later - in 1953 he made radio debut! TV debut in 1958! Lars is working as an accordionist in different contexts, including has he worked as a teacher, accompanist for numerous artists and toured a lot in Sweden and abroad. He has also toured with his popular Hot-trio and as a solo accordionist in Europe, Asia and North America! Lars has over the years recorded several records, which he actually managed to reflect the old accordion masters' compositions! Lars Ek is the initiator of Frosinisociety founded in 1985, which is to preserve the old accordion music. Lars is now as chairman of the International Frosinisociety and is one of the founders of The World Accordion Music Expo in Ransäter Sweden! The International Frosinisociety he makes through the site www.frosinisociety.org a huge fine job of promote the accordions development and popularity both in Sweden and abroad. Lars works alongside music by an artist agency Music & Underhållningsskrädderiet AB, which he runs together with the family since inception in 1980.
MariAnneMarie
Accordéon

$3.99 3.45 € Accordéon PDF SheetMusicPlus

Instrumental Duet Accordion,Instrumental Duet,Voice - Level 1 - Digital Download SKU: A0.904261 Composed by Lars Ek. Folk,World. Score and parts. 2 pages. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1910875. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.904261). Lars Ek is one of Sweden's best accordionists, and include known for its fine interpretation of Pietro Frosini, Nisse Lind and even his own more than 100 compositions! Lars Ek is from Stockholm and started playing the accordion as a 5 year old and a year later - in 1953 he made radio debut! TV debut in 1958! Lars is working as an accordionist in different contexts, including has he worked as a teacher, accompanist for numerous artists and toured a lot in Sweden and abroad. He has also toured with his popular Hot-trio and as a solo accordionist in Europe, Asia and North America! Lars has over the years recorded several records, which he actually managed to reflect the old accordion masters' compositions! Lars Ek is the initiator of Frosinisociety founded in 1985, which is to preserve the old accordion music. Lars is now as chairman of the International Frosinisociety and is one of the founders of The World Accordion Music Expo in Ransäter Sweden! The International Frosinisociety he makes through the site www.frosinisociety.org a huge fine job of promote the accordions development and popularity both in Sweden and abroad. Lars works alongside music by an artist agency Music & Underhållningsskrädderiet AB, which he runs together with the family since inception in 1980.
THE CHOIR OF THE BIRDS

$3.99 3.45 € PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1287819 Composed by Connie Boss. Christmas. Score. 4 pages. Connie Boss #878897. Published by Connie Boss (A0.1287819). God sent his son in the form of a baby. He was born to save all of us. This is a pretty song about a little baby (Jesus). It is for melody and piano. I have this in other versions as well on here. Questions or requests - email cdboss@cvalley.netLyrics:A Little BabyChristmas SongComposed by Connie Boss Verse 1:A little baby in a stallA little baby oh so smallA little baby born for allA little babyA little babyRefrain:He was the one God sent usHe was born to save usHe was our light   He gave His life   For usVerse 2:News of His birth spread all aroundAcross the desert and the townThey all were searching up and down….forA little babyA little babyRefrain:Verse 3:His mother stays close by His sideHis father with a watchful eyeA baby gives a humble cryA little babyA little babyRefrain:Verse 4 (Final Ending)In a stall oh so smallBorn to save us one and allHe fulfilled His father’s callA little babyA little baby.
A Little Baby - Christmas song solo and piano composed by Connie Boss
Piano, Voix et Guitare

$5.99 5.18 € Piano, Voix et Guitare PDF SheetMusicPlus






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