Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - Digital Download SKU: A0.592167 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6354285. Published by David McKeown (A0.592167). Frankie the Frank Frankenstein is a fun and original duet written by David McKeown for one Trumpet and one Tenor Horn in E Flat. Frankie the Frank Frankenstein is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Tenor Horn.Frankie is a straightforward kinda monster. He tells it as he sees it; he likes to speak his mind. Unfortunately, he is constructed from so many and various spare parts that he isn’t always entirely sure which eyes he saw it through, which mind to believe, or indeed from which mouth to say it. Frankie the Frank Frankenstein is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the changing styles and tempo and some syncopated rhythms. With a playing-time of around three and a half minutes, Frankie the Frank Frankenstein is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 4 - Digital Download SKU: A0.592147 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6354245. Published by David McKeown (A0.592147). Frankie the Frank Frankenstein is a fun and original duet written by David McKeown for one Soprano and one Alto Saxophone. Frankie the Frank Frankenstein is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Soprano and Alto Saxophone.Frankie is a straightforward kinda monster. He tells it as he sees it; he likes to speak his mind. Unfortunately, he is constructed from so many and various spare parts that he isn’t always entirely sure which eyes he saw it through, which mind to believe, or indeed from which mouth to say it. Frankie the Frank Frankenstein is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the changing styles and tempo and some syncopated rhythms. With a playing-time of around three and a half minutes, Frankie the Frank Frankenstein is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Small Ensemble,Strings Cello,Guitar,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.801598 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 4 pages. Connie Boss #6247391. Published by Connie Boss (A0.801598). This moving song is based on The Passion of the Lord. It is for strings trio and piano. The pain and suffering He endured to save us all from sin. Crucified though innocent. cdboss@cvalley.net  lyrics below:Crucified(song for Good Friday)Composed by Connie Boss Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V1The people shout.     Let’s crucify!He’s not our King.     So, He must dieBut Pilate said.           Is He the one?I see no crime.           That He has done. Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V2With piercing thorns.   A crown of grief!Carried a cross.             To CalvaryThey nail your hands.  And then your feetUpon the cross.         For all to see Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V3Then you cried out.         With your last breathForgive them God.           Then came your deathThe sky grows dark.           The earth shakesThough terrified.               They all exclaim! He truly is.                         The son of God! Crucified, Lord they crucified you.

Accordion - Level 5 - Digital Download SKU: A0.904255 Composed by Lars Ek. Folk,World. Score. 4 pages. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1910861. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.904255). Lars Ek is one of Sweden's best accordionists, and include known for its fine interpretation of Pietro Frosini, Nisse Lind and even his own more than 100 compositions! Lars Ek is from Stockholm and started playing the accordion as a 5 year old and a year later - in 1953 he made radio debut! TV debut in 1958! Lars is working as an accordionist in different contexts, including has he worked as a teacher, accompanist for numerous artists and toured a lot in Sweden and abroad. He has also toured with his popular Hot-trio and as a solo accordionist in Europe, Asia and North America! Lars has over the years recorded several records, which he actually managed to reflect the old accordion masters' compositions! Lars Ek is the initiator of Frosinisociety founded in 1985, which is to preserve the old accordion music. Lars is now as chairman of the International Frosinisociety and is one of the founders of The World Accordion Music Expo in Ransäter Sweden! The International Frosinisociety he makes through the site www.frosinisociety.org a huge fine job of promote the accordions development and popularity both in Sweden and abroad. Lars works alongside music by an artist agency Music & Underhållningsskrädderiet AB, which he runs together with the family since inception in 1980.

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.533545 Composed by Andersen Viana. 20th Century,Concert,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3017637. Published by Musik Fabrik Music Publishing (A0.533545). This was the first piece composed for the saxophone by ANDERSEN VIANA. The piece uses two contrasting sections: one related to violence and psychological instability in the big cities, and other; related to the nostalgic moods found in Rio de Janeiro in the past. It was composed specially for a friend, saxophonist and Doctor Mecenas MAGNO. Monologue for a friend is a rhapsodic and brilliant piece of great effect, also using rhythms and reminiscences of the music called Choros and Samba so popular in the Rio de Janeiro city at the 40’ths and 50'ths. It uses also free structures and little allusions to minimalism of Riley and Reich. The work is divided in six sections: Tormentàto, Scherzando, Lento, Lentissimo, reexposition (Tormentàto) and Coda.  Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.

Accordion - Digital Download SKU: A0.1068885 Composed by Lars Ek. Folk,World. Full Performance. Duration 130. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1905195. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068885). Lars Ek is one of Sweden's best accordionists, and include known for its fine interpretation of Pietro Frosini, Nisse Lind and even his own more than 100 compositions! Lars Ek is from Stockholm and started playing the accordion as a 5 year old and a year later - in 1953 he made radio debut! TV debut in 1958! Lars is working as an accordionist in different contexts, including has he worked as a teacher, accompanist for numerous artists and toured a lot in Sweden and abroad. He has also toured with his popular Hot-trio and as a solo accordionist in Europe, Asia and North America! Lars has over the years recorded several records, which he actually managed to reflect the old accordion masters' compositions! Lars Ek is the initiator of Frosinisociety founded in 1985, which is to preserve the old accordion music. Lars is now as chairman of the International Frosinisociety and is one of the founders of The World Accordion Music Expo in Ransäter Sweden! The International Frosinisociety he makes through the site www.frosinisociety.org a huge fine job of promote the accordions development and popularity both in Sweden and abroad. Lars works alongside music by an artist agency Music & Underhållningsskrädderiet AB, which he runs together with the family since inception in 1980.

Alto Saxophone Duet Alto Saxophone - Level 4 - Digital Download SKU: A0.592159 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. 2 scores. 4 pages. David McKeown #6354269. Published by David McKeown (A0.592159). Frankie the Frank Frankenstein is a fun and original duet written by David McKeown for two Alto Saxophones. Frankie the Frank Frankenstein is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Alto Saxophones.Frankie is a straightforward kinda monster. He tells it as he sees it; he likes to speak his mind. Unfortunately, he is constructed from so many and various spare parts that he isn’t always entirely sure which eyes he saw it through, which mind to believe, or indeed from which mouth to say it. Frankie the Frank Frankenstein is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the changing styles and tempo and some syncopated rhythms. With a playing-time of around three and a half minutes, Frankie the Frank Frankenstein is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.592162 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #6354275. Published by David McKeown (A0.592162). Frankie the Frank Frankenstein is a fun and original duet written by David McKeown for two Trombones. Frankie the Frank Frankenstein is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.Frankie is a straightforward kinda monster. He tells it as he sees it; he likes to speak his mind. Unfortunately, he is constructed from so many and various spare parts that he isn’t always entirely sure which eyes he saw it through, which mind to believe, or indeed from which mouth to say it. Frankie the Frank Frankenstein is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the changing styles and tempo and some syncopated rhythms. With a playing-time of around three and a half minutes, Frankie the Frank Frankenstein is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Piano Solo - Level 4 - Digital Download SKU: A0.1260605 Composed by Martha Hill Duncan. 21st Century,Classical,Contemporary. Score. 27 pages. Abundant Silence #853798. Published by Abundant Silence (A0.1260605). SPIRALS IN THE SKY, BY MARTHA HILL DUNCANFOR SOLO PIANO, LATE INTERMEDIATE, 21 PAGES.....................................In this whimsical marriage of astronomy and music, my husband,  astrophysicist, Dr. Martin Duncan and I have combined our talents to celebrate the beauty of the night sky and the magic of music. M.H. DuncanMartha Hill Duncan’s passion for music started early, inspired by her mother, who sang and played the piano by ear. Martha was a member of the first graduating class of the Houston High School for Performing and Visual Arts and earned a Bachelor of Music degree in Composition from the University of Texas at Austin.Her piano works have been inspired, at least in part, by her long-time career as a piano teacher and some of these pieces, as well as her art songs, appear in educational publications and syllabi. Piano collection titles include The Sunken Garden, Isla Vista Suite, Precipitations, Angular Measures, Limestone Etchings, Rainy Days and Cottage Days. Since moving from the United States to Canada, many of her compositions have been inspired by Canadian landscapes and texts. In January 2014, her youth opera, Searching the Painted Sky, with poet/librettist Janet Windeler Ryan, was premiered at the National Opera Association Convention in New York City. She was named a finalist for the 2020 Louis Applebaum Award.A former piano examiner for the Royal Conservatory of Music, she is also a founding member of Red Leaf Pianoworks, a self-publishing composers’ collective. Originally from Houston, Texas, Martha and her husband Martin have lived in Kingston, Ontario since 1988. She also conducts the women’s choir She Sings! and has two grown children and two granddaughters. To explore more of her music, please visit www.marthahillduncan.comDr. Martin Duncan was born in London, England and was raised in Montreal, Canada. As a child, his biggest question was, “What would happen if...?� His first experiments involved creating foul-smelling concoctions with his chemistry set in hisparents’ basement. He survived and went on to complete an Honours Physics degree at McGill University, followed by graduate degrees in astronomy at the Universities of Toronto and Texas at Austin. Post-doctoral research was performed at Cornell University, the University of Toronto and the University of California, Santa Cruz. In 1988, he became a professor of astronomy and physics at Queen’s University in Kingston, Ontario.In his academic career he has co-authored over 120 scientific papers, which have been cited over 8,000 times. He has presented numerous invited talks at international scientific conferences and has been the guest speaker at many public lectures. His research has ranged from the study of black holes to simulations of the formation and orbital evolution of planets and comets. He is best known for the prediction of the existence of a disk of small icy bodies beyond Neptune, which he and his colleagues called the Kuiper Belt. In 1996, the International Astronomical Union named Asteroid 6115 “martinduncan� in honor of his contributions to planetary dynamics.

Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters� of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,� “manly love� or with the code word, “adhesiveness.� The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.� The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer

C Instrument - Level 1 - Digital Download SKU: A0.1500489 By Sandi Patty. By Sandi Patty. Arranged by Sandi Patty. Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Steven See #1076574. Published by Steven See (A0.1500489). Down the Via Dolorosain Jerusalem that dayThe soldiers tried toclear the narrow streetsbut the crowd pressed in to seethe Man condemned to die on CalvaryHe was bleeding from the beatingthere were stripes upon his backAnd He wore a crown of thornsupon His headand He bore with every stepThe scorn for those whocried out for his deathDown the Via Dolorosacalled the way of sufferingLike a lamb came the MessiahChrist the KingBut he chose to walk that roadout of his love for you and meDown the Via Dolorosaall the way to CalvaryThe road of suffering willsoon end on that hilland his body will benailed upon the crossbut Jesus died in our placeso that our sins can be washed awayDown the Via Dolorosacalled the way of sufferingLike a lamb came the MessiahChrist the KingBut he chose to walk that roadout of his love for you and meDown the Via Dolorosaall the way to CalvaryThe blood that would cleansethe souls of all menMade its way to the heart of JerusalemDown the Via Dolorosacalled the way of sufferingLike a lamb came the MessiahChrist the KingBut he chose to walk that roadout of his love for you and meDown the Via Dolorosaall the way to Calvary.

Piano Solo - Level 5 - Digital Download SKU: A0.1394832 Composed by Richard Addinsell. Arranged by Timothy Stapay/Liberace. 20th Century,Classical,Film/TV,Singer/Songwriter,Standards. Score. 12 pages. Timothy Stapay #978316. Published by Timothy Stapay (A0.1394832). Warsaw Concerto is arranged as performed by legendary pianist, Liberace.  This is the same version that he performed on his t.v. show and in concerts in Las Vegas and around the world.   Now for the first time; you can learn to play this awesome and dramatic music in the same flamboyant style as Liberace!The Warsaw Concerto is a short work for piano and orchestra by Richard Addinsell, written for the 1941 British film Dangerous Moonlight, which is about the Polish struggle against the 1939 invasion by Nazi Germany. In performance it normally lasts just under ten minutes. The concerto is an example of programme music, representing both the struggle for Warsaw and the romance of the leading characters in the film. It became very popular in Britain during World War II.The concerto is written in imitation of the style of Sergei Rachmaninoff.The composer, Richard Addinsell, was born in London and initially studied law before turning to a career in music. His time at the Royal College of Music was brief, as he was soon drawn to musical theatre, and he also wrote for radio, but his most memorable contributions are to a series of film scores beginning in 1936. He wrote the music for the 1939 film Goodbye, Mr. Chips, the original movie, Gaslight.Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  He was born in Wisconsin to parents of Italian and Polish origin and enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1493833 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. Score. 63 pages. Thomas Oboe Lee #1070490. Published by Thomas Oboe Lee (A0.1493833). Full score.Program note.  While looking for more poems to set in Italian, I thought maybe Italo Calvino had written some. Unfortunately he did not, but in the process of my research I stumbled upon Cesare Pavese, 1908-1950. To know a bit more about this person, I contacted my Italian colleague, Giorgio Rimondi, who is a professor in Ferrara, Italy. Giorgio gave me a nice summary of Pavese's life and work. So I went on Amazon and bought a bilingual book of his poems: Disaffections. The poems that intrigued me the most were the ones he wrote for his paramour, the American model and actress, Constance Dowling. The last poem he wrote before he committed suicide at the age of 41 was dedicated to her: Death will come and will have your eyes. I chose that poem as the anchor of a set of eight poems for the song cycle. 1. Ancora tu sei l'amore 2. To C. from C.*** 3. In the morning you always come back 4. Verrà la morta e avrà i tuoi occhi 5. Passerò per Piazza di Spagna 6. The night you slept 7. I gatti lo sapranno 8. Last blues, to be read some day*** NB: Two of the poems with *** are originally in English. I thought an English setting within a song cycle that is Italian would be a bit jarring. So I asked my friend Giorgio if he could make me an Italian version of the poems. He instead informed me that Italo Calvino had already made a literal translation of those two English poems. Thanks, Giorgio and Italo.

Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.533546 Composed by Andersen Viana. 20th Century,Concert,Contemporary,Standards. 42 pages. Musik Fabrik Music Publishing #3017639. Published by Musik Fabrik Music Publishing (A0.533546). This seven minute modernist work uses both structured and aleatoric elements. Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.