Alto Voice,Bass Voice,Choir,Flute,Piano,Soprano voice,Tenor Voice - Digital Download SKU: A0.1317286 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas,Holiday,Religious,Sacred. 15 pages. Connie Boss #905946. Published by Connie Boss (A0.1317286). God sent his son in the form of a baby. He was born to save all of us. This is a pretty song about a little baby (Jesus). It is for SSAA, flute or violin or cello and piano. I have this in other versions as well on here. You can perform this without the flute if you don't have one. To hear just the piano, you can search solo and piano on here. Questions or requests - email cdboss@cvalley.netLyrics:A Little BabyChristmas SongComposed by Connie Boss Verse 1:A little baby in a stallA little baby oh so smallA little baby born for allA little babyA little babyRefrain:He was the one God sent usHe was born to save usHe was our light   He gave His life   For usVerse 2:News of His birth spread all aroundAcross the desert and the townThey all were searching up and down….forA little babyA little babyRefrain:Verse 3:His mother stays close by His sideHis father with a watchful eyeA baby gives a humble cryA little babyA little babyRefrain:Verse 4 (Final Ending)In a stall oh so smallBorn to save us one and allHe fulfilled His father’s callA little babyA little baby.

Small Ensemble Accordion,Voice - Level 3 - Digital Download SKU: A0.904250 Composed by Lars Ek. Folk,World. Score and parts. 2 pages. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1909159. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.904250). Lars Ek is one of Sweden's best accordionists, and include known for its fine interpretation of Pietro Frosini, Nisse Lind and even his own more than 100 compositions! Lars Ek is from Stockholm and started playing the accordion as a 5 year old and a year later - in 1953 he made radio debut! TV debut in 1958! Lars is working as an accordionist in different contexts, including has he worked as a teacher, accompanist for numerous artists and toured a lot in Sweden and abroad. He has also toured with his popular Hot-trio and as a solo accordionist in Europe, Asia and North America! Lars has over the years recorded several records, which he actually managed to reflect the old accordion masters' compositions! Lars Ek is the initiator of Frosinisociety founded in 1985, which is to preserve the old accordion music. Lars is now as chairman of the International Frosinisociety and is one of the founders of The World Accordion Music Expo in Ransäter Sweden! The International Frosinisociety he makes through the site www.frosinisociety.org a huge fine job of promote the accordions development and popularity both in Sweden and abroad. Lars works alongside music by an artist agency Music & Underhållningsskrädderiet AB, which he runs together with the family since inception in 1980.

Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Oboe Solo - Level 5 - Digital Download SKU: A0.533543 Composed by Andersen Viana. 20th Century,Concert,Contemporary,Standards. Individual part. 5 pages. Musik Fabrik Music Publishing #3017633. Published by Musik Fabrik Music Publishing (A0.533543). Part of a series of fantasies for solo instrument, this lyrical monologue for oboe is in a modernist style: Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.

Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038041. Published by Geofonica Artistworks (A0.948696). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in Bb lead-sheet format here, for tenor sax or other Bb instruments.) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track featured Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.893869 Composed by David Kai. Country,Folk,Pop. Score. 6 pages. David Kai #6140185. Published by David Kai (A0.893869). ACCOMPANIMENT IN DA fun song about a famous symbol of Newfoundland - the Newfoundland Dog!You Can’t Tell a Newfie        words and music by David Kai ©1990 No you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. He’s the kind of a dog that will never be scared, For to serve and protect he was bred and prepared And there’s many a swimmer whose life has been spared, By the Newfoundland dog, who’s like a lifeguard with hair. But you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. You can hook up a Newfie to a cart or a sleigh, It will bear all your burdens, not tiring all day It can carry a line from a boat to the land, To rescue the perishing, saving all hands But you can’t tell a Newfie a thing it should do, To sit or to stay or to come back to you It’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. She is strong but so gentle, a real teddy bear, But there won’t be a place where you won’t find her hair She will care for the children, watch them just like a Mum, And keep them in safety ‘til labours are done But you can’t tell a Newfie a thing she should do, To sit or to stay or to come back to you She’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. It’s the Newfoundland dog that I sing of, of course.

Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.592130 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6354207. Published by David McKeown (A0.592130). Frankie the Frank Frankenstein is a fun and original duet written by David McKeown for one Clarinet and one Alto Saxophone. Frankie the Frank Frankenstein is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Clarinet and Alto Saxophone.Frankie is a straightforward kinda monster. He tells it as he sees it; he likes to speak his mind. Unfortunately, he is constructed from so many and various spare parts that he isn’t always entirely sure which eyes he saw it through, which mind to believe, or indeed from which mouth to say it. Frankie the Frank Frankenstein is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the changing styles and tempo and some syncopated rhythms. With a playing-time of around three and a half minutes, Frankie the Frank Frankenstein is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.815260 By Ateneo Chamber Singers. By Joy T. Nilo. 20th Century,Contemporary,Sacred. Octavo. 10 pages. MR. JOY T. NILO #2020269. Published by MR. JOY T. NILO (A0.815260). Just like a painter who tries to catch God’s image on a canvass, the composer strives to catch it on a soundscape. He starts depicting the mystery of God in dayaw ken lawag kawesmo (you are clothed in honor and light) juxtaposed with God’s vast greatness in naindaklan ka unay (you are great) and God’s authority in pannakabalin mot’ agturay (you power rules). With strokes of faith he paints toy kararwak agdaydayaw kenka (my soul worships you). Then he begins to unravel God’s majesty in pagluganam dagiti ulep, pagsakayam ti payak ti angin (you ride on clouds and soar through the wings of the air) before portraying God’s influence over creation in langit ken daga napnuan iti gloriam (heaven and earth are full of your glory). He then struggles to create the best sound describing God by blending all these elements. Finally, he comes to the realization that God is INDESCRIBABLE and just exclaims what he has been saying all along, Annian a kinatan-okmo! (How precious You are!).

C Instrument - Level 1 - Digital Download SKU: A0.1375496 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. Lead Sheet / Fake Book. 8 pages. Ken Medema Music #960009. Published by Ken Medema Music (A0.1375496). Children's Choir and PianoEv’rybody come and seeI will sing a thank you songGod loves kids like you and meMaybe you can sing alongHe won’t push us far awayThank you, God, for loving meIn His love He’ll let us stayLoving me so perfectly Don’t you think it’s great to know that God loves you and me?In His Holy Word He says He always willHe knows ev’rything about me, even knows my nameWhen I make mistakes, He loves me still 

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.918173 Composed by Christy L'Esperance. Christian,Praise & Worship,Sacred. Score. 4 pages. Christy L'Esperance #6427961. Published by Christy L'Esperance (A0.918173). This 4-verse responsorial psalm setting of Psalm 33 By the Word of the Lord the Heavens were Made is appropriate for use within the Catholic Mass. This arrangements sets verses 2-9 from Psalm 33:1.Give thanks to the Lord on the harp; with the ten-stringed lyre chant his praises. Sing to him a new song; pluck the strings skillfully, with shouts of gladness.2.For upright is the word of the Lord and all his works are trustworthy. He loves justice and right; of the kindness of the Lord the earth is full.3.By the word of the Lord the heavens were made; by the breath of his mouth all their host. He gathers the waters of the sea as in a flask; in cellars he confines the deep.4.Let all the earth fear the Lord. Let all who dwell in t he world revere him. For he spoke, and it was made; he commanded, and it stood forth..

SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8320-E Composed by Ronald Perera. Advanced/Collegiate. Secular, Christmas, Christmas-Sacred. Octavo. 14 pages. Duration 4 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8320-E. Published by E. C. Schirmer Music Company - Digital (MQ.8320-E). This setting of the well known Christmas poem 'I Heard the Bells on Christmas Day' restores some of the language that is commonly left out of most hymnals. This setting restores some of the anguish associated with the Civil War and allows for a tension not often associated with this text. A powerful setting. The title of the original Longfellow poem is 'Christmas Bells.' Charles Appleton Longfellow was the eldest son of the famous poet Henry Wadsworth Longfellow and Fannie Elizabeth Appleton, who lived in Cambridge, Massachusetts. In March of 1863, with the Civil War then in its third year, nineteen year old Charley ran away to Washington to join the Union Army. He presented himself for enlistment to the commander of Battery A of the 1st Massachusetts Artillery, who knew the boy. The officer contacted Henry who reluctantly gave his permission for the boy to enlist. Charley proved himself such an exceptional soldier that he was soon offered a commission as a Second Lieutenant of Artillery. He first saw action at the Battle of Chancellorsville. In June he was briefly invalided home following a bout of typhoid fever and malaria, rejoining his unit in August. Then in November, during the Battle of New Hope Church, Charley was shot through the left shoulder, the bullet just grazing his spine. He narrowly avoided being paralyzed. Henry received word of Charley’s wounding on December 1, and he and a younger son went immediately to Washington, where Charley was in hospital, and brought him home to Cambridge. It was while nursing his son in his slow recovery that Henry Wadsworth Longfellow composed this poem during Christmas, 1863. -Ronald PereraDuration: 4:40.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1224449 Composed by Wolfgang Amadeus Mozart. Arranged by Kamada, Mikio. Classical. 11 pages. ACORDO Sheet Music #820552. Published by ACORDO Sheet Music (A0.1224449). Papageno and Tamino face the ordeals. Tamino is able to overcome them one by one, but Papageno struggles because he lacks the mental strength to do so. When Papageno tells Sprecher that he would be happy with just some wine, Sprecher asks if he has any other wishes. Papageno says he didn't have any before, but then he thinks of something else he wants and starts singing a song about it. The song says that it feels good to eat and drink delicious things, but Papageno is lonely and wants a cute girl or a wife. Papageno plays a musical instrument called a Glockenspiel while singing. This instrument is different from the modern Glockenspiel and is a keyboard instrument that strikes metal plates. In this arrangement, all the parts take turns playing the melody so that all the performers can enjoy it.

Cello,Electric Violin,Flute,Medium Voice,Piano - Level 2 - Digital Download SKU: A0.1287824 Composed by Connie Boss. Christmas. 9 pages. Connie Boss #878905. Published by Connie Boss (A0.1287824). God sent his son in the form of a baby. He was born to save all of us. This is a pretty song about a little baby (Jesus). It is for melody, flute or violin or cello and piano. I have this in other versions as well on here. Questions or requests - email cdboss@cvalley.netLyrics:A Little BabyChristmas SongComposed by Connie Boss Verse 1:A little baby in a stallA little baby oh so smallA little baby born for allA little babyA little babyRefrain:He was the one God sent usHe was born to save usHe was our light   He gave His life   For usVerse 2:News of His birth spread all aroundAcross the desert and the townThey all were searching up and down….forA little babyA little babyRefrain:Verse 3:His mother stays close by His sideHis father with a watchful eyeA baby gives a humble cryA little babyA little babyRefrain:Verse 4 (Final Ending)In a stall oh so smallBorn to save us one and allHe fulfilled His father’s callA little babyA little babyYouTube Link.

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531403. Published by jmsgu3 (A0.549727). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.

Viola Duet Viola - Level 4 - Digital Download SKU: A0.592164 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #6354279. Published by David McKeown (A0.592164). Frankie the Frank Frankenstein is a fun and original duet written by David McKeown for two Violas. Frankie the Frank Frankenstein is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Viola.Frankie is a straightforward kinda monster. He tells it as he sees it; he likes to speak his mind. Unfortunately, he is constructed from so many and various spare parts that he isn’t always entirely sure which eyes he saw it through, which mind to believe, or indeed from which mouth to say it. Frankie the Frank Frankenstein is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the changing styles and tempo and some syncopated rhythms. With a playing-time of around three and a half minutes, Frankie the Frank Frankenstein is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203