Oboe Duet Oboe - Digital Download SKU: A0.955435 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Score. 4 pages. Neal Fitzpatrick Editions #6063933. Published by Neal Fitzpatrick Editions (A0.955435). This is a fun little piece for violin duet. This Fancy For Two Oboes No.1 is based on work I've written for the guitar. It is essentially a direct transcription and so it is captures the drive, tonal relationships and flow one might expect in a stringed, fretted instrument but through the medium of two oboes. It's ideal for a teacher-student duet, ensemble performance, or technical exploration.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1394475 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 10 pages. Kevin G. Pace #977960. Published by Kevin G. Pace (A0.1394475). A powerful choral composition.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.  Inspired by the words in Matthew: . . . forgive us our debts, as we forgive our debtors. (Matthew 6:12).Text:When you feel resentment, jealousy, or strife,Take the time to ponder motives in your life.You will be astonished as you pray to God . . .How He helps to cleanse ideas you once thought.When injustice enters quickly in your soul,When hostility and hatred take ahold,Know that God can change your views from dark to light.As your heart is softened, He will give new sight.When it’s difficult to reconcile a hurt,And it’s hard to love when others have been curt,See the Savior as your guide. . . He lends His grace.As you pardon others, you can see His face.Chorus:Oh, forgive and you will be forgiv’n.You can gain a cherished place in heav’n.As an heir of Father, you will have a part . . .He will give to you a purified, new heart.

Guitar - Digital Download SKU: A0.955375 Composed by Johann Sebastian Bach. Arranged by Neal Fitzpatrick. Baroque,Classical,Instructional,Standards,World. Guitar Tab. 4 pages. Neal Fitzpatrick Editions #5708829. Published by Neal Fitzpatrick Editions (A0.955375). Gigue from BWV 1006-Partita No.3 This arrangement of the Gigue from BWV 1006-Partita No.3 is for guitar solo. This Gigue is the sixth and last movement from Johann Sebastian Bach's Partita No.3. This arrangement is in the key of E Major, also the original key for the violin. Of all of Bach's solo works for violin BWV 1006 in particular well for guitar. This edition has standard notation and accompanying tablature.This arrangement is by Neal Fitzpatrick.  Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the  chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Guitar - Level 3 - Digital Download SKU: A0.1214599 By Mauro Giuliani. By Mauro Giuliani. Arranged by Tracy Dean McCa and um. Baroque,Classical. Guitar Tab. 2 pages. Tracy Dean McCallum #811586. Published by Tracy Dean McCallum (A0.1214599). Born in Bisceglie, Mauro Giuliani's centre of Study was Barletta where he moved with his brother Nicola in his early childhood. He studied cello and probably violin, the former which he never fully abandoned. Subsequently he devoted himself to the six-string guitar, rapidly coming to be renowned as a skilled performer on the instrument. The teachers and movements of the young maestro are not known.

Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 3 - Digital Download SKU: A0.552137 Composed by Franz Joseph Haydn. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. Score and parts. 26 pages. Jmsgu3 #6204293. Published by jmsgu3 (A0.552137). Divertimento 26 in three movements in G major. Originally scored for Baryton, Viola & Cello.Scored for alto sax duo & baritone sax1. Presto assai2. Andante3. Menuetto: AllegrettoDuration: 9:15Score: 14 pagesFranz Josef Haydn was an Austrian composer who is best known for his work in the field of chamber music. He composed in a variety of musical forms, including divertimenti, trios and string quartets. He was a prolific composer who wrote over 100 pieces of chamber music and is believed to have been a major influence on the music of his students and contemporaries, including Mozart and Beethoven. Haydn's music is known for its balance and clarity in structure. His chamber works were known for their accessibility and elegance, with melodies that were often lighthearted and charming. His symphonies were well-crafted and often featured balanced melodic elements. Haydn composed many well-known divertimenti and trios, but his string quartets are what he is most celebrated for. He wrote some sixty to eighty string quartets, and these works were historically significant for expanding the limits of the genre and for their influence on the composers and musicians who followed him.

Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548666 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3409331. Published by jmsgu3 (A0.548666). Jingle Bells arranged for soprano sax & piano. Score: 4 pg. piano part: 3 pg. sax part: 1 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus.  Register for free lifetime updates and revisions at www.jamesguthrie.com

String Quartet Cello,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.955355 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Instructional. Score and parts. 2 pages. Neal Fitzpatrick Editions #5210023. Published by Neal Fitzpatrick Editions (A0.955355). This work for string quartet in G Major is No.2 of a set Major scale exercises in all 12 major keys. The focus of the study is varied divisions of the beat using whole notes, half notes, quarter notes and eighth notes. The exercise will also help understand articulation, tone and dynamics. A steady cycle through all 12 keys will help further an understanding of keys, key signatures and harmonic relationships.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.comhttps://www.youtube.com/channel/UCqZJwiMXPYbpckJVveQ6qag

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774725 Composed by Hugh Thomas Mcdonald. Arranged by Sandra Milliken. Contemporary. Octavo. 17 pages. Sandra Milliken #4346161. Published by Sandra Milliken (A0.774725). The Diamantina Drover is a song about life in the saddle in outback Queensland written by Australian singer-songwriter Hugh McDonald (1954-2016). Hugh was probably best known as a member of the folk-rock group Redgum. From 1986 to 1990 he was their lead singer and wrote a number of the group's hit songs, including The Diamantina Drover.The Diamantina Drover tells the story of a drover who leaves behind his family in Sydney and sets out to find work on Cork Station on the banks of the Diamantina River in the channel country of far western Queensland. He promises his family that he’ll return home when the droving is finished. But ten years go by and, despite the hardships of the drover’s life, he still finds it hard to leave behind the wide-open spaces and return to city life.The Diamantina in the song title refers to the Diamantina River, one of several large Queensland river systems that make their way towards Lake Eyre, in South Australia. Because the Lake Eyre basin is located entirely in desert and semi desert country, the rivers flow only intermittently following periods of heavy rain. For most of the time, the shallow river channels are dry and dusty, and Lake Eyre is an expansive salt plain.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-45E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-45E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-45E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701520 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 3 pages. Kevin G. Pace #3218387. Published by Kevin G. Pace (A0.701520). An original hymn with text by Krista Mason Pace below.YouTube Video: https://youtu.be/KE-8yPHYkRkI know that God lives as sure as the sun sends light from above. Rivers that flow and starlight aglow, testify true of His love. I know that God lives. His ev’ry creation delights whence it came. Mountains in splendor and beauty herald His glorious name.   I know that God lives; I know that He sent His Son to the Earth. His life he gave, then rose from the grave, off’ring a gift of great worth. I know that God lives. His work and His glory eternally sing. Cov’nants that bind me to Heaven;  Near Him, He longs to bring.   I know that God lives. This great work engages all men to know. Gained step by step, from parents who’ve kept promises made long ago. I know that God lives,  And sweet is the feeling of answering prayer Led by His Spirit, each errand;  Others know that He’s there.   I know that God lives. I honor His name and church in these days. His work is true, and always I knew I’d give my love, strength, and praise. I know that God lives, the depth of my soul yearns to sing it aloud. Praying for blessings for all ‘til Glory comes in a cloud.

Violin Duet Violin - Level 1 - Digital Download SKU: A0.955248 Composed by John Bull. Arranged by Neal Fitzpatrick. Folk,Holiday,Patriotic,Traditional. 3 pages. Neal Fitzpatrick Editions #4807937. Published by Neal Fitzpatrick Editions (A0.955248). This arrangement of the Patriotic folk song My Country 'Tis Of Thee-America is for two violins. The difficulty levels of the parts are interchangeable so each player can perform each part. A good addition to a student's ensemble repertoire or as a piece for a student and teacher. This edition is in the key of C Major.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Marimba Solo - Digital Download SKU: A0.955417 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6035749. Published by Neal Fitzpatrick Editions (A0.955417). This is Impromptu No.6 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Piano Solo - Level 4 - Digital Download SKU: A0.994762 Composed by Scott Hiltzik. Contemporary. Score. 5 pages. Not Too Music #4350187. Published by Not Too Music (A0.994762). Endless River was inspired by the following J.R. Tolkien quote in The Fellowship of The Ring:... the beauty of the melodies ... held him in a spell, as soon as he began to attend to them... then the enchantment became more and more dreamlike, until he felt that an endless river of swelling gold and silver was flowing over him, too multitudinous for its pattern to be comprehended; it became part of the throbbing air about him, and it drenched and drowned him. Swiftly he sank under its shining weight into a deep realm of sleep. There he wandered long in a dream of music that turned into running water...

Piano,Viola - Level 3 - Digital Download SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027). A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Piano,Viola - Level 2 - Digital Download SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408171. Published by jmsgu3 (A0.548654). Jingle Bells arranged for viola & piano featuring a fancy 3rd verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus.  Register for free lifetime updates and revisions at www.jamesguthrie.com