Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1007039 Composed by Jonson K. Gao. Contemporary. Octavo. 3 pages. Johnson Gao #6326381. Published by Johnson Gao (A0.1007039). Note:This song was composed by Johnson K. Gao for guarding the Constitution in the duration within Jan. 25- Mar. 11, 2021, when he was in sick and agony of pain, because that he was infected by shingle and under the post herpetic neuralgia. He did so when he felt that the constitution had been damaged by the extreme left Democrats in the 2020 President election.笔记:这首歌是由 Johnson K. Gao 创作的,在 2021 年 1 月 25 日至 3 月 11 日这段时间里,他因患带状疱疹和疱疹�神�痛而感到 �适和痛苦 。 当他感到宪法在 2020 年总统大选中�到�左 派民主党人的破�时, 他这样�了。

Flute,Piano - Level 4 - Digital Download SKU: A0.560170 Composed by Hans Sitt. Arranged by Lisa Ochoco. Concert,Romantic Period. Score and part. 12 pages. Lisa L Ochoco #6591313. Published by Lisa L Ochoco (A0.560170). Hans Sitt might not be a well-known composer to wind players, as he composed music almost entirely for the strings. Born in Prague into a musical family, he was a violinist, violist, teacher, and composer. His father was a well-known violin maker. Although not pushed into music, he chose music as his profession, and was one of the most sought-after violin teachers of his time. Along with many positions as a performing violinist, he was also an orchestral conductor in several European countries.

Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.955447 Composed by Charles Wesley. Arranged by Neal Fitzpatrick. Christian,Gospel,Sacred,Spiritual. Score and parts. 2 pages. Neal Fitzpatrick Editions #6404649. Published by Neal Fitzpatrick Editions (A0.955447). This version of Christ the Lord Is Risen Today is arranged  for Guitar Quartet. This arrangement is ideal for late beginner to early intermediate level players. This piece can be played by any level group for worship service or for secular music enjoyment as well. Each part is composed of single notes and so can be played by all styles of guitar-classical, steel string or a combination of both. Any treble clef reading instrument can also play each part and join in. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.comhttps://www.youtube.com/channel/UCqZJwiMXPYbpckJVveQ6qag

Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.533329 Composed by Zvonimir Nagy. Concert,Contemporary,Standards. Score and parts. 54 pages. Musik Fabrik Music Publishing #2344333. Published by Musik Fabrik Music Publishing (A0.533329). A native of Croatia, the American composer Zvonimir Nagy has been the recipient of music honors and awards, most notably the Seattle Symphony Orchestra Composition Prize and Swan Prize in Music Composition. Nagy received a doctor of music composition degree from Northwestern University (USA); he also studied music at Texas Christian University, the école Normale de Musique (France), and the Academy of Music-University of Zagreb (Croatia). Nagy's compositions are inspired by the intersection of music aesthetics and perception. He explores various contexts and critical perspectives that illuminate ideas on music and its impact on the mind. His music is frequently commissioned and performed throughout the United States and Europe. Nagy has taught on the faculties of Northwestern and St. Xavier University in Chicago (USA) and has presented at music conferences, workshops, and colloquia. Currently, he serves as Assistant Professor of Music at Duquesne University in Pittsburgh, Pennsylvania. He is also the Cathedral Organist at St. Joseph Cathedral in Wheeling, West Virginia. Nagy continues to perform as a solo and collaborative organist and pianist.

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Digital Download SKU: A0.955436 Composed by Neal Fitzpatrick. Contemporary. 52 pages. Neal Fitzpatrick Editions #6078811. Published by Neal Fitzpatrick Editions (A0.955436). A DREAM WHISPERED by Neal Fitzpatrick is a work for woodwind quartet-flute, oboe, B flat clarinet, and bassoon. This piece is in E minor and is approximately 9:30 in duration. It was written in the summer of 2020. This file contains both the score and parts. The score is here accompanied by an MP3 midi realization of the piece for preview. Contact with me, the composer Neal Fitzpatrick, with any questions about the score or performances.  Video performances are welcome with purchase! nealfitzpatrickguitar@gmail.comGuitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …� and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.�It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..

String Ensemble - Digital Download SKU: A0.955383 Composed by Neal Fitzpatrick. Contemporary,Standards. Score and parts. 11 pages. Neal Fitzpatrick Editions #5766253. Published by Neal Fitzpatrick Editions (A0.955383). Four Pieces For Viola And Double Bass by Neal Fitzpatrick.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the  chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch)   I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell   creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge   and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch   and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost   and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love   and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched   she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity   and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night  guard   and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around  us   Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is   I stop here It will end well I can not tell the end of a love that is not written yet   I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already   go wolf go stop thinking about her from your pack you will need to return and then runs away   witch will if you want to transform changes role an actress who artand you will have new flowers   day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me   body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far   a fairy tale real or invented in between  my  hidden  truth all my stories strange and weird over this skin are now tattooed   I watc.

2 Pianos,8 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1377886 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical,Contemporary. Score. 38 pages. Thomas Oboe Lee #961575. Published by Thomas Oboe Lee (A0.1377886). I was recently invited to a farewell cocktail party for Robert Levin and Ya Fei Chuang on the occasion of their move from Cambridge, Massachusetts, to Salzburg where Ya Fei got a job teaching at the Mozarteum. John Harbison wrote a little piano duet for them, and it inspired me to looking into writing a grand duo for two pianos. Looking around, I discovered that Charles-Valentin Alkan (1813-1888) wrote a work with the title, Grand Duo Concertant for violin and piano. I immediately launched into a search for Alkan the composer and I discovered that he was a contemporary of Chopin, Franz Liszt, George Sand, and Victor Hugo. Like Liszt and Chopin, he wrote tons of music for the piano, and he was at the cusp of fame when he withdrew from society and remained a recluse for the last years of his life.Aside from the Grand Duo Concertant, I found his 49 Ésquisses to be especially lovely and beguiling. My work for two pianos is based on ideas from both works. I especially thought the beginning of the GDC fascinating because the LH sounded like a walking jazz bass line. That got me started on the Prelude, and then I organized the remaining movements of the work around the GDC with materials I found attractive in the 49 ésquisses.I. Prélude ... Assez animéII. La Vision ... Assez lentementIII. La Staccatissimo ... Allegro, TRIOIV. Barcarollette ... LentementV. L'enfer ... Lentement, PrestoVI. Grâces ... Assez lentementVII. Contredanse ... VivaceVIII. Petit Air Dolente ... AdagiettoIX. Fuguette ... Très carrémentThis work is dedicated to Jung-A and Min on the occasion of their wedding ceremony in December of 2023.

Flute, bass clarinet, piano - Digital Download SKU: OX.9780193202580 Composed by Michael Finnissy. Score and parts. 27 pages. Oxford University Press Digital #9780193202580. Published by Oxford University Press Digital (OX.9780193202580). ISBN 9780193202580.For flute, bass clarinet, and piano. WAM is an investigation of Mozart - it uses hundreds of slightly altered fragments of, or parodies of, his music - and, instead of assembling them as he might if he were composing, allows them to float by rather as he might if he were daydreaming. Finnissy is making a point about the way we listen to music two hundred years after its composition - usually without a sense of the adventure of putting it together from scratch.

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon.                                                                                         As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-14E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-14E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Concert Band - Level 2 - Digital Download SKU: A0.1242010 Composed by Maurice Jarre. Arranged by Ted Samuels, George Pollen. 20th Century,Contemporary,Film/TV,Multicultural,Religious,World. Score and Parts. 52 pages. Theodore A. Samuels #837366. Published by Theodore A. Samuels (A0.1242010). Witness is a 1985 American neo-noir crime thriller film directed by Peter Weir, and starring Harrison Ford, Kelly McGillis and Lukas Haas, with Jan Rubeš, Danny Glover, Josef Sommer, Alexander Godunov, Patti LuPone and Viggo Mortensen in supporting roles. The film focuses on a police detective (Ford) protecting an Amish woman (McGillis) and her young son (Haas), who becomes a target after he witnesses a brutal murder in a Philadelphia train station. ~ WikipediaThis is an arrangement for concert band of the incidental music which was played while Harrison Ford's police detective character, John Book, assisted the Amish community with building a barn for a young Amish couple of newlyweds.(FYI: Earlier in the film, he had repaired a large birdhouse which he had accidentally knocked down with his car. So the Amish folks put him to work on the barn raising, as they called it.Also, before he was an actor, Ford was a licensed, professional carpenter.  One of his clients at that time was Steven Spielberg.)This piece basically plays like a canon (e.g., Pachelbel's Canon in D). It's performance time is approximately 3:45-4:00.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701681 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3245783. Published by Kevin G. Pace (A0.701681). An original hymn with text by Mark Fotheringham below.YouTube video: https://youtu.be/aGXd5B6KjpoWhen the world is too much with usAnd the soul cries out for more,When we call upon our Savior,The Lord will open the door.In Gethsemane He suffered for usOn the cross He bled and diedThat the price of sin be paid for allTrue repentance never denied.For The Lord knows all our sorrows,For The Lord knows all our pain.All our troubles He will temper.He can bring joy again.His Atonement ever reaches the oneWho in secret kneels to implore.Though redemption oft' seems far awayStill The Lord will open the door.Still The Lord will open the door.

String Orchestra - Level 3 - Digital Download SKU: A0.811668 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert,World. Score and parts. 36 pages. Piper Publications #3436773. Published by Piper Publications (A0.811668). Gordon wrote the Hymn Symphony for the Hereford String Orchestra in 1977. They gave the first performance in Hereford and also performed it at Gordon’s memorial service in 2001. The symphony is composed in the Classical style, the themes being mostly well-known hymn tunes. The rest are Dale originals which just sound as if they should be hymn tunes. (People have made thorough searches without success.) There are four movements and the piece lasts about twenty minutes. Gordon was a good violinist. He played in the CBSO where he also doubled as their solo alto saxophone player when required. He was a very popular violin teacher. He wrote pieces for his pupils from beginners to advanced much of which can be found on the Piper Publications web site.