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Saxophone in Eb and piano - easy - Digital Download SKU: S9.Q11838 From Woodland Sketches. Composed by Edward MacDowell. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 51/1. Schott Music - Digital #Q11838. Published by Schott Music - Digital (S9.Q11838). The American composer and pianist Edward MacDowell (1860–1908) is rather unknown in Germany although he had his artistic roots there for he was trained as a pianist in Paris, Stuttgart, Wiesbaden and Frankfurt. After returning to his home country, he worked as a teacher while also being the director of the Boston Symphony Orchestra.for eight years. During that time (1896), he wrote 'Woodland Sketches' Op. 51 which is among his best known compositions for piano, particularly the opening piece of these musical landscape paintings: 'To a wild rose', a simple, yet expressively harmonized melody full of grace and peace.
To a wild rose

$4.99 4.32 € PDF SheetMusicPlus

Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784824 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Pop. 10 pages. DF McCorkle Music and eBook Publications #11737. Published by DF McCorkle Music and eBook Publications (A0.784824). ACT ONE: Song 11. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 16:11 - And Samuel said to Jesse: ‘Are here all your children?’ And he said: ‘There remains yet the youngest, and, behold, he tends the sheep.’ And Samuel said unto Jesse: ‘Send and fetch him; for we will not sit down till he come here.’] [Psalm 23 Sacred Melody of David. YAHWEH is My Shepherd I shall not want] SAMUEL leaves SAUL and goes to the house of Jesse in Bethlehem where he chooses DAVID and anoints him as king. DAVID returns to the field and his sheep, trying to understand the meaning of the previous events [Pastures of Green – David and Ensemble]. The next morning, his father Jessie sends one of his servants to ask DAVID to take provisions to his brothers who are on the front line with SAUL engaged in a fierce battle with the Philistines. David leaves the sheep with the servant and goes off to the battlefield. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
Pastures of Green (23rd Psalm) (David) from "The Kings" - ACT 1:Song 11
Voix Tenor, Piano

$2.99 2.59 € Voix Tenor, Piano PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.955392 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Score. 2 pages. Neal Fitzpatrick Editions #6018677. Published by Neal Fitzpatrick Editions (A0.955392). This is Impromptu No.1 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
Impromptu No.1 For Piano
Piano seul

$1.99 1.72 € Piano seul PDF SheetMusicPlus

Piano - intermediate to difficult - Digital Download SKU: S9.Q53321 Op. 12. Composed by Edward Elgar. Edited by Robert Schafer and Wilhelm Ohmen. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 12. 5 pages. Schott Music - Digital #Q53321. Published by Schott Music - Digital (S9.Q53321). ‘Salut d’amour’ is one of Edward Elgar’s best-known works. He composed the short duo for violin and piano in 1888 as an engagement present for his piano student Caroline Alice Roberts, whom he then married the following year. The dedication ‘à Carice’ was derived from her initials. Since Alice spoke German very well, Elgar originally chose the title ‘Liebesgruß’. The publishers Schott, to whom he sold all rights for a one-off fee of just two guineas in 1888, changed the title to the French ‘Salut d’amour’ in order to exploit the sales potential. The present piano version (plate number 24787-2) was created by Elgar himself and was published by Schott in 1889 along with the editions for violin and piano and for small chamber orchestra. Later, without Elgar’s involvement, the piece was arranged and published for all possible instrumental combinations. Elgar was naturally annoyed that he did not benefit financially himself from this success and in a letter to Novello & Co. In 1897 wrote: ‘[Salut d’amour] which unfortunately I sold some years ago for a nominal sum, now sells well – I understand 3000 copies were sold in the month of January alone.’.
Salut d'amour
Piano seul

$3.99 3.45 € Piano seul PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.955458 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Score and parts. 14 pages. Neal Fitzpatrick Editions #6700893. Published by Neal Fitzpatrick Editions (A0.955458). Presence For String Quartet by guitarist and composer Neal Fitzpatrick.This set contains the score and parts and is approximately 2:46 minutes in duration.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
Presence For String Quartet
Trio à Cordes: violon, alto, violoncelle

$6.99 6.05 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Bassoon,Oboe - Level 3 - Digital Download SKU: A0.552143 Composed by Franz Joseph Haydn. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. 24 pages. Jmsgu3 #6205867. Published by jmsgu3 (A0.552143). Divertimento 27 in three movements in G major.Scored for Oboe Duo & Bassoon. Originally scored for Baryton, Viola & Cello.1. Adagio cantabile2. Allegro molto3. Menuetto: AllegrettoDuration: ca 9:25Score: 12 pagesFranz Josef Haydn was an Austrian composer who is best known for his work in the field of chamber music. He composed in a variety of musical forms, including divertimenti, trios and string quartets. He was a prolific composer who wrote over 100 pieces of chamber music and is believed to have been a major influence on the music of his students and contemporaries, including Mozart and Beethoven. Haydn's music is known for its balance and clarity in structure. His chamber works were known for their accessibility and elegance, with melodies that were often lighthearted and charming. His symphonies were well-crafted and often featured balanced melodic elements. Haydn composed many well-known divertimenti and trios, but his string quartets are what he is most celebrated for. He wrote some sixty to eighty string quartets, and these works were historically significant for expanding the limits of the genre and for their influence on the composers and musicians who followed him.
Haydn: Divertimento No. 27, Trio for Oboe Duo & Bassoon
Hautbois, Basson (duo)

$32.95 28.52 € Hautbois, Basson (duo) PDF SheetMusicPlus

Baritone Saxophone,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1074034 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678304. Published by jmsgu3 (A0.1074034). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
Josquin: 22 Duets for Tenor & Baritone Sax
2 Saxophones (duo)

$32.95 28.52 € 2 Saxophones (duo) PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola - Level 3 - Digital Download SKU: A0.552125 Composed by Franz Joseph Haydn. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. Score and parts. 19 pages. Jmsgu3 #6136987. Published by jmsgu3 (A0.552125). Divertimento in three movements in G major. Originally scored for Baryton, Viola & Cello.1. Moderato2. Menuetto3. Finale: Allegro assaiDuration: 8:30Score: 10 pagesFranz Josef Haydn was an Austrian composer who is best known for his work in the field of chamber music. He composed in a variety of musical forms, including divertimenti, trios and string quartets. He was a prolific composer who wrote over 100 pieces of chamber music and is believed to have been a major influence on the music of his students and contemporaries, including Mozart and Beethoven. Haydn's music is known for its balance and clarity in structure. His chamber works were known for their accessibility and elegance, with melodies that were often lighthearted and charming. His symphonies were well-crafted and often featured balanced melodic elements. Haydn composed many well-known divertimenti and trios, but his string quartets are what he is most celebrated for. He wrote some sixty to eighty string quartets, and these works were historically significant for expanding the limits of the genre and for their influence on the composers and musicians who followed him.
Haydn: Divertimento No. 25 Trio for Two Violas & Cello

$32.95 28.52 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.927475 Composed by Annie Routley. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. Christian Music Ministries #6306121. Published by Christian Music Ministries (A0.927475). Words and music by Annie RoutleyA setting of words from Hebrews 12:2 (chorus) with verses encouraging faith and hope in the midst of a painful situation.Sources of inspiration for this song were threefold: firstly the Scripture from Hebrews 12 was my baptism verse, on Easter Sunday 1979; secondly, from Corrie ten Boom´s ´The Hiding Place´, where her sister Betsy tells Corrie not to look at the wounds she´d received from the concentration camp guards, but to look instead at Jesus and fix her eyes on him; and thirdly, from C S Lewis´ ´The Magician´s Nephew´, where Digory wants so desperately for Aslan to cure his mother who is terminally ill, but the great Lion sets him a task instead which will protect all of Narnia for years to come; Digory is looking down at Aslan´s paws, his heart heavy, but as he looks up into the Lion´s face, what he sees there surprises him very deeply – for Aslan´s eyes are filled with tears. He realizes that Aslan cares even more deeply about Digory´s mother than he himself.For soloist, 4–part choir and piano accompaniment. Guitar chords also included.From the Roger Jones Song Collection (2010); originally from the collection ´Precious and honoured´ (1995). A backing track and/or instrumental parts are available on request from events@cmm.org.uk
Let us fix our eyes upon Jesus
Chorale SATB

$1.99 1.72 € Chorale SATB PDF SheetMusicPlus

Euphonium,Piano - Level 5 - Digital Download SKU: A0.792382 Composed by Lalo, Edouard. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Period. Score and part. 16 pages. Gordon Cherry #4820069. Published by Gordon Cherry (A0.792382). Lalo was born in Lille (Nord), in northernmost France. He attended that city's music conservatory in his youth. Then, beginning at age 16, Lalo studied at the Paris Conservatoire under Berlioz's old enemy François Antoine Habeneck. For several years, he worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, playing viola and second violin. Lalo's earliest surviving compositions are songs and chamber works. He dedicated most of his career to the composition of chamber music, which was in vogue, and to writing works for orchestra. These two works beautifully arranged by Mr. Sauder show the core of Lalo's chamber music; personal, subtle at times and filled with a French lyricism. For advanced performers.
Two Pieces for Euphonium & Piano
Euphonium, Piano (duo)

$20.00 17.31 € Euphonium, Piano (duo) PDF SheetMusicPlus

Choral Choir,Choral (2-Part) - Level 1 - Digital Download SKU: A0.1399595 By Spanish. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual. 6 pages. Mare Dan Music #982887. Published by Mare Dan Music (A0.1399595). Glory Hallelujah, He Is Alive is perfect for Easter and Easter Season tells the story of the Women at the Tomb, The Road to Emmaus, Doubting Thomas. Come to one conclusion: He Is Alive! This is also available in Solo, Two Part, SAB and SATB also in Spanish: Gloria Aleluya, Esta Vivo! and in French: Gloire Alléluia, Il Est Vivant and in English Glory Hallelujah, He Is Alive!.The music has a Hebrew modality and uses rhythms like a hora. Fun and dramatic to sing and based on solid scriptures. Can provide many wonderful lessons in Faith.Gloria Aleluya, Esta Vivo! es perfecto para la Pascua y la Temporada de Pascua cuenta la historia de las Mujeres en la Tumba, El Camino a Emaús, Tomás el Dudoso. Llega a una conclusión: ¡Está vivo! También está disponible en Solo, Dos Partes, SAB y SATB también en español: Gloria Aleluya, Esta Vivo! y en Francés: Gloire Alléluia, Il Est Vivant y en inglés Glory Hallelujah, He Is Alive!La música tiene una modalidad hebrea y utiliza ritmos como una hora. Divertido y dramático para cantar y basado en escrituras sólidas. Puede proporcionar muchas lecciones maravillosas de Fe.
Gloria Aleluya, ¡Está Vivo!
Chorale 2 parties
Spanish
$2.49 2.15 € Chorale 2 parties PDF SheetMusicPlus

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-48E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-48E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-48E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
Op. 48, No. 8: Hélas! combien de jours! from Songs of Gouvy, V1 (Downloadable)
Piano, Voix

$3.00 2.6 € Piano, Voix PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.773330 Composed by Various. Arranged by Yoel Epstein. Christian,Contemporary,Jewish,World. Score and parts. 37 pages. Yoel Epstein #4285845. Published by Yoel Epstein (A0.773330). These six songs have become icons of remembrance of the six million Jews who died in the Holocaust. They are traditionally played on Holocaust Day, which is on the 28th day of the Hebrew month of Nissan in Israel, or January 27th in the rest of the world. Unter Dyne Vyse Shteren (Under the Starry Sky) was written by Avraham Sutskover, a leading Yiddish poet, while trapped in the ghetto of Vilna, in July 1943. Days before the ghetto was destroyed and all the Jews murdered, Sutskover escaped to the forest with his wife. He reached Russia, and in 1947 moved to Palestine. He died in Israel in 2010 at the age of 96. The poem was set to music by Avraham Brodna, a simple laborer in the Vilna ghetto who died in a concentration camp. Ani Maamin (I Believe): The words to this simple song are of the Jewish prayer I believe with perfect faith in the coming of the Messiah. The tune is attributed to Azriel David Festig, a leading Warsaw hazzan (cantor) who died in the Holocaust. The song was performed after the war by Rabbi Shaul Yedidia Eliezer Taub, the Admor (Rabbinical leader) of the Modzitz Hassidic sect, and has become the iconic song of the remembrance in the Hassidic community. Shtiller Shtiller (Hush Hush) was written by Alexander Volkovitzky, then a 12-year-old boy, in the Vilna Ghetto in the spring of 1943. Volkovitzky, who wrote the melody for a song contest organized to encourage the cultural life of the ghetto, eventually came to Israel where he (under the name Alexander Tamir) became a leading pianist and music educator. The words are by Shmerke Kacserginsky, a leading poet of Vilna, who later escaped the Holocaust and migrated to South America. Papirossen (Cigarettes) actually predates the Holocaust by 15 years. It was written by Yiddish actor and composer Herman Yablokoff in 1922 in Grodno, Poland. Yablokoff later immigrated to America, where he produced a musical Papirossen that incorporated the song. It was later made famous by the Barry Sisters, a Yiddish popular music group. Donna Donna was written by Shalom Secunda, with words by Aaron Zeitlin for the Yiddish musical Esterke in 1940. Though the song originally related to the 600-year-old legend of a Polish king who married a Jewess, it quickly became associated with the Holocaust because of its haunting message. The song has entered the popular folk repertoire, with canonical renditions by Joan Baez, Theodore Bikel, and many others.  Hatikva (the Hope) is Israel's national anthem. The words are by Naftali Zvi Imber, and the tune is a traditional eastern European tune.  You are welcome to try some of my other arrangements. In addition to the songs offered on this site (you can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), I have arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.  
Six Songs of the Holocaust, arranged for string quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$1.99 1.72 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Alto Saxophone,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074056 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Standards,Wedding. 50 pages. Jmsgu3 #678327. Published by jmsgu3 (A0.1074056). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
Josquin: 22 Duets for Alto & Tenor Sax
2 Saxophones (duo)

$32.95 28.52 € 2 Saxophones (duo) PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701681 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3245783. Published by Kevin G. Pace (A0.701681). An original hymn with text by Mark Fotheringham below.YouTube video: https://youtu.be/aGXd5B6KjpoWhen the world is too much with usAnd the soul cries out for more,When we call upon our Savior,The Lord will open the door.In Gethsemane He suffered for usOn the cross He bled and diedThat the price of sin be paid for allTrue repentance never denied.For The Lord knows all our sorrows,For The Lord knows all our pain.All our troubles He will temper.He can bring joy again.His Atonement ever reaches the oneWho in secret kneels to implore.Though redemption oft' seems far awayStill The Lord will open the door.Still The Lord will open the door.
The Lord Will Open the Door - an original hymn for SATB voices
Chorale SATB

$1.99 1.72 € Chorale SATB PDF SheetMusicPlus






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