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Concert Band - Level 3 - Digital Download SKU: A0.1152527 Composed by Hector Berlioz. Arranged by Guilherme Ribeiro. 20th Century,Classical,March,Opera,Romantic Period. Score and Parts. 103 pages. Gui Ribeiro #752748. Published by Gui Ribeiro (A0.1152527). Symphonie fantastique is a piece of program music that tells the story of an artist gifted with a lively imagination who has poisoned himself with opium in the depths of despair because of hopeless, unrequited love. Berlioz provided his own preface and program notes for each movement of the work. Convinced that his love is spurned, the artist poisons himself with opium. The dose of narcotic, while too weak to cause his death, plunges him into a heavy sleep accompanied by the strangest of visions. He dreams that he has killed his beloved, that he is condemned, led to the scaffold and is witnessing his own execution. The procession advances to the sound of a march that is sometimes sombre and wild, and sometimes brilliant and solemn, in which a dull sound of heavy footsteps follows without transition the loudest outbursts. At the end of the march, the first four bars of the idée fixe reappear like a final thought of love interrupted by the fatal blow. Berlioz claimed to have written the fourth movement in a single night, reconstructing music from an unfinished project, the opera Les francs-juges. The movement begins with timpani sextuplets in thirds, for which he directs: The first quaver of each half-bar is to be played with two drumsticks, and the other five with the right hand drumsticks. The movement proceeds as a march filled with blaring horns and rushing passages, and scurrying figures that later show up in the last movement. NOTES: - The two timpani part can be played by only the 2 pairs of timpani. - Measure 93 and 100: Clarinet 1, 2 and 3 play one octave lower as written.
Symphonie Fantastique: IV. Marche au supplice
Orchestre d'harmonie

$14.99 13.05 € Orchestre d'harmonie PDF SheetMusicPlus

Solo Guitar - Digital Download SKU: A0.955439 Composed by Neal Fitzpatrick. Contemporary,Instructional. Individual part. 27 pages. Neal Fitzpatrick Editions #6169435. Published by Neal Fitzpatrick Editions (A0.955439). This set of Etudes For Guitar is Vol.1 No.1-10 from Twenty Etudes for Guitar by Neal Fitzpatrick. These are performance etudes that also provide conventional technical demands associated with playing the guitar. These pieces engage some of the wonderful idiomatic elements of the guitar-arpeggios, scales, tremolo, harmonics, tonal contrast and harmonic richness while at times exploring possibilities outside of conventional forms. They can be performed alone or in any set desired by the performer. These works are in standard notation. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
Twenty Etudes For Guitar Vol.1 No.1-10
Guitare

$19.99 17.4 € Guitare PDF SheetMusicPlus

Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53272 Op. 73. Composed by Iwan Muller. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 73. 9 pages. Schott Music - Digital #Q53272. Published by Schott Music - Digital (S9.Q53272). German • Danish.Iwan Müller, clarinettist, composer and reformer of the clarinet, was born to German parents in Reval (Russia). One of his first jobs was in St. Petersburg. In 1809 he went to Paris where he worked as an instrument maker, amongst other things. In 1812 he presented his new clarinet with 13 round keys, the ‘clarinette omnitonique‘, which could be played in all keys, to a panel. Although the initial evaluation was negative, the innovation was implemented in the coming years. In 1820 Müller returned to Russia and then to Germany (Kassel, Berlin). He performed concerts in various countries and finally became a court musician in Bückeburg. Iwan Müller’s skill as a composer is revealed in both the melody and harmony of Le rêve (The Dream). The piece was published in 1845 (plate number 7855).
Le rêve
Clarinette

$3.99 3.47 € Clarinette PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1232325 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Renaissance,Spiritual. Octavo. 10 pages. Kevin G. Pace #828014. Published by Kevin G. Pace (A0.1232325). Stunningly beautiful, sacred choral music composed by Kevin G. Pace.  Text, by Mary Ann W. Snowball, is in reference to Christ healing the woman with the issue of blood.Text:Twelve years she had suffered; she bled with no cure. When drained of all resource, a crowd was then heard. Boldly approaching, she pressed in the throng, For Jesus was nearing, and her faith was strong. This womam pressed forward, though she was unclean. She knew He could heal her; she would not be seen. Reaching his garment, his garment of grace, She mended abruptly in that  very place. Her presence was shrouded, but Jesus perceived. He asked who had touched Him and who had believed? Trembling and falling, she bowed at his feet. My daughter, He named her. Now go with My peace.Thy faith, it hath healed thee, for now thou art whole. O, be of good comfort. He honored her soul. Jesus, our Healer, with garments of grace, Will cover our suff'rings with love on his face.
His Garment of Grace, sacred music for SATB choir
Chorale SATB

$1.99 1.73 € Chorale SATB PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1106177 Composed by Pierre Leemans. Arranged by James Pybus. 20th Century,Chamber,Contest,Festival,Historic,March. 21 pages. James Pybus #709291. Published by James Pybus (A0.1106177). Pierre Leemans, Dutch: Pieter Leemans, (1897 – 1980) was a Belgian musician and composer. He worked in a variety of genres, including orchestral and choral music, film scores, and songs, but is best known for his marches. The March of the Belgian Paratroopers (Marche des Parachutistes Belges) is especially popular. While Leemans was serving in the Belgian army during World War 1, on a request from his commander he began to write a march, which he did not finish. During World War 2, when the Belgian parachute brigade was formed, he was having dinner with a group of paratroopers and was again asked to compose a march. During one single night Leemans composed this march on themes recalled from his earlier effort. This arrangement for SATB Saxophone Quartet is suitable for a variety of performance and concert settings. The duration is 2:34. Contact me at james.pybus56@gmail.com.
March Of The Belgian Paratroops (marche Des Parachutistes Belges)
Quatuor de Saxophones: 4 saxophones

$20.00 17.41 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Trumpet Solo - Level 5 - Digital Download SKU: A0.934188 Composed by René SUAREZ. Contemporary,Instructional,Standards. Individual part. 29 pages. René Suarez #3458437. Published by René Suarez (A0.934188). Arlequin et Scaramouche, René SUAREZ, advanced level.4'20 minutesArlequin (Harlequin) is a typical character of the commedia dell'arte, whose costume is made of multicolored rhombuses. These would represent the many facets of Harlequin, as well as his poverty.Scaramouche is a typical character of the commedia dell'arte, whose name (skirmish) means little fighter. He is boastful, braggart, and timid, and he always ends up running away or being beaten. All dressed in black, in the Spanish fashion, and carrying a long rapier he announces himself as being at least prince or duke, but he fills the roles more modest if necessary.Playing on characters, dynamics and articulations
Arlequin et Scaramouche
Trompette (partie séparée)

$7.99 6.95 € Trompette (partie séparée) PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.955358 Composed by Throng/Goss. Arranged by Neal Fitzpatrick. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 3 pages. Neal Fitzpatrick Editions #5213293. Published by Neal Fitzpatrick Editions (A0.955358). The Hymn Jesus Came, The Heavens Adoring is here arranged for string quartet. This arrangement is in the key of C Major. Ideal for a beginner or youth string ensemble or for service.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
Jesus Came, the Heavens Adoring For String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$2.99 2.6 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Bassoon,Instrumental Duet,Oboe - Level 2 - Digital Download SKU: A0.1073981 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #678247. Published by jmsgu3 (A0.1073981). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
Josquin: 22 Duets for Oboe & Bassoon
Hautbois, Basson (duo)

$32.95 28.68 € Hautbois, Basson (duo) PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.955365 Composed by Neal Fitzpatrick. Instructional. Score and parts. 2 pages. Neal Fitzpatrick Editions #5224191. Published by Neal Fitzpatrick Editions (A0.955365). This work for string quartet in D flat Major is No.8 of a set Major scale exercises in all 12 major keys. The focus of the study is varied divisions of the beat using whole notes, half notes, quarter notes and eighth notes. The exercise will also help understand articulation, tone and dynamics. A steady cycle through all 12 keys will help further an understanding of keys, key signatures and harmonic relationships.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.comhttps://www.youtube.com/channel/UCqZJwiMXPYbpckJVveQ6qag
Major Scale Exercise For String Quartet No.8 in D flat Major
Quatuor à cordes: 2 violons, alto, violoncelle

$1.99 1.73 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Instrumental Solo,Pipe Organ - Level 2 - Digital Download SKU: A0.1251264 By Audra Telksnytė. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Romantic Period. Individual part. 2 pages. Nacionaline vargonininku asociacija #845539. Published by Nacionaline vargonininku asociacija (A0.1251264). 14 Preludes, Op. 20. Fourteen pieces for organ, dedicated to a “beloved friend, Fr. Teodoras Brazys,†presents the largest collection of works for this instrument in Naujalis’ oeuvre. Like Naujalis, Brazys was the graduate of the Church Music School in Regensburg. These fourteen preludes for organ appear to be written in expression of deep affinity and gratitude to a like-minded friend who shared similar values. Some of Naujalis’ organ preludes have been included in music collections abroad – by Mieczysław Surzyński in Warsaw and Joseph Joubert in Paris. Juozas Naujalis (1869–1934) – Lithuanian composer and organist. In 1892, he was appointed organist and choir leader at the Kaunas Cathedral, a position he held until his death. Naujalis became actively involved in organizing local musical societies and institutions. As an outcome of his groundbreaking work, a number of important private entities, such as the first boys’ choir in Lithuania based at the Archcathedral Basilica in Kaunas, courses and the school for organists (1911), the first legal Lithuanian bookshop and music publishing house in Kaunas (1905–1912), the first music magazine Vargonininkas (The Organist) and calendars for organists published in Lithuanian (1909–1910), and the music school in Kaunas (1919), have been launched. In 1908, he founded the Children Society and St. Gregory Society for Organists, which was later reorganised into St. Cecilia Society for church musicians (1924). Naujalis was also the first Lithuanian composer to achieve recognition abroad. His church music was published in Regensburg, Warsaw, St. Petersburg, Leipzig and Paris. In recognition of his merits in the field of church music he was made Commander of the Order of the Crown of Italy in Rome, in 1929.A total of 29 organ pieces by Naujalis were recorded at the Archcathedral Basilica in Kaunas in 2019.
Prelude No. 10 in G minor, Op. 20 by Juozas Naujalis (1869–1934)
Orgue
Audra TelksnytÄ—
$4.99 4.34 € Orgue PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.955357 Composed by Neal Fitzpatrick. Instructional. Score and parts. 2 pages. Neal Fitzpatrick Editions #5210101. Published by Neal Fitzpatrick Editions (A0.955357). This work for string quartet in D Major is No.3 of a set Major scale exercises in all 12 major keys. The focus of the study is varied divisions of the beat using whole notes, half notes, quarter notes and eighth notes. The exercise will also help understand articulation, tone and dynamics. A steady cycle through all 12 keys will help further an understanding of keys, key signatures and harmonic relationships.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.comhttps://www.youtube.com/channel/UCqZJwiMXPYbpckJVveQ6qag
Scale Exercise For String Quartet No.3 in D Major
Quatuor à cordes: 2 violons, alto, violoncelle

$1.99 1.73 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1257042 Composed by George West. Arranged by George West and edited by CHRIS MAGEE. Jazz. Score and Parts. 92 pages. Dubba C Music #850377. Published by Dubba C Music (A0.1257042). Spirit of 7 to 6 is a modal jazz tune by George West. Composed in the 1970s around the time of the American bicentennial celebration, the title also refers to meter changes between 7/4 (written as 4/4+3/4) and 6/4. Your soloists only need to know two scales to solo on this tune: C dorian minor and Ab mixolydian. Range and technical demands are moderate. After the statement of the melody, an open solo section leads to a sax soli, then a great shout chorus. If you are looking for a change of pace for your concert or assessment program, this is an excellent choice!Grade: 3+Ranges:Trumpet: C6Trombone: G4 About George West: Trombonist and educator George West (1931-2013) was founder and head of the jazz program at James Madison University for 25 years, from 1971 until his retirement in 1996. He served as bass trombonist and arranger with the U.S. Air Force Airmen of Note from 1953 until 1958, and performed with the Kai Winding trombone Group from 1959 through 1960. George completed his undergraduate degree at Oberlin Conservatory, and earned his masters and Ph.D. from Michigan State University. He founded the jazz programs at both schools while he was a student. George also founded the jazz program at Blue Lake Fine Arts Camp (Muskegon, MI) in 1971 and led that program through 2004. After his retirement from James Madison University, he relocated to Deland, Florida, and led the jazz program at Stetson University until his passing in 2013.
Spirit of 7 to 6
Ensemble Jazz

$60.00 52.22 € Ensemble Jazz PDF SheetMusicPlus

Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.982407 Composed by Gustav Mahler. Arranged by Nick Fife. Romantic Period. Score and parts. 32 pages. Nicholas Fife #6660879. Published by Nicholas Fife (A0.982407).         While attending the University of South Carolina the horn choir performed Robert Pruzin’s arrangement of selections from Mahler’s third symphony. All of the horn students loved it, and we performed it at the Southeast Horn Workshop at Western Carolina University in 2009. When Mr. Pruzin died; the arrangement was lost, so I reproduced his arrangement. After studying the original score I was able to identify the portions of the piece that Mr. Pruzin used.        Mr. Pruzin taught at the UofSC for 35 years, mentoring and inspiring countless young music students. He was the principal horn of the SC Philharmonic and the Augusta Symphony. He was also an artist in residence at the SC Governor’s School for the Arts. Mr. Pruzin always had a deep admiration for Mozart, so he started a program called Bring Mozart Alive!. He would dress as a court musician from the time of Mozart and performed for thousands of elementary school students.        I have wonderful memories from my time at the UofSC, and that includes performing this arrangement. It is my hope that this arrangement continues to be enjoyed by horn students for many years to come. Thank you for everything, Mr. Pruzin.        Gustav Mahler finished writing his third symphony in 1896. It is his longest composition. Performance times usually range from 95 to 110 minutes. This arrangement contains portions of the first and final movements of the work.
Selections from Symphony No.3

$9.99 8.7 € PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1455855 By Keith Terrett. By Fryderyk Franciszek Chopin. Arranged by Keith Terrett. 20th Century,Chamber,Classical,Contest,Festival,Instructional. Individual part. 9 pages. Keith Terrett #1035005. Published by Keith Terrett (A0.1455855). An arrangement by Francisco de Asís Tárrega Eixea (21 November 1852 – 15 December 1909) of Chopin's Nocturne no. 2, op. 9. Tárrega  was a Spanish composer and classical guitarist of the late Romantic period. He is known for such pieces as Capricho Árabe and Recuerdos de la Alhambra.He transcribed many works from the piano (he was a capable keyboard player), violin and the operatic repertory. As with several of his Spanish contemporaries, such as his friend Isaac Albéniz, he had an interest in combining the prevailing romantic style in classical music with Spanish folk elements, and transcribed several of Albéniz's piano pieces.
Nocturne Opus 9, No. 2 for Classical Guitar
Guitare
Keith Terrett
$2.50 2.18 € Guitare PDF SheetMusicPlus

Solo Guitar - Digital Download SKU: A0.955377 Composed by Johann Sebastian Bach. Arranged by Neal Fitzpatrick. Baroque,Classical,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #5718735. Published by Neal Fitzpatrick Editions (A0.955377). Gigue from BWV 1006-Partita No.3 This arrangement of the Gigue from BWV 1006-Partita No.3 is for guitar solo. This Gigue is the sixth and last movement from Johann Sebastian Bach's Partita No.3. This arrangement is in the key of E Major, also the original key for the violin. Of all of Bach's solo works for violin BWV 1006 in particular well for guitar. This edition has standard notation and accompanying tablature.This arrangement is by Neal Fitzpatrick.  Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the  chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com.
Gigue From BWV 1006-Partita No.3 For Guitar-Standard Notation
Guitare

$3.50 3.05 € Guitare PDF SheetMusicPlus






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