Piano Solo - Level 4 - Digital Download SKU: A0.733625 Composed by Amy J. Snyder. Celtic,Concert,Folk,Holiday,World. Score. 7 pages. Amy J. Snyder #6320153. Published by Amy J. Snyder (A0.733625). Squall at Kilkee Bay is a lively, advanced intermediate piano solo, with a Celtic flavor. This arrangement has several keychanges, and helpful fingering. It's a great show-piece for recitals or just for fun. The title refers to an historic event, the shipwreck of the Edmond, in 1850 in Kilkee Bay, Ireland. The Edmond was battered by a fierce storm and pushed into the Bay, crashing against the rocks. A man by the name of Richard Russel was occupying a house on the bay. He was trying to secure his rattling bedroom window, when he spotted the distressed ship. He call the coastguard and then went down to the ship to try to help people to safety. He and 3 coastguards, James McCarthy, Timothy Hannigan, and Patrick Shannon rescued 100 passengers, men, women and children. Many others were not as fortunate. The 3 coastguards received silver medals for their heroic efforts. It's quite a story! Here is the link if you'd like to read it: http://www.clarelibrary.ie/.../wreck_of_edmond_kilkee.htm  Written by Amy J. Snyder, copyright 2015  (original title White Water Rafting. Other compositions from Amy include The Charleston Rag, Shadow Valley, The South Carolina Blues, The Union Pacific Railroad Rag, The Sun Still Sets on the Mississippi River, Le Renard Dans La Neige (The Fox in the Snow), and more. Visit Amy at  www.facebook.com/amyjsnyder7.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-25E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-25E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-25E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-09E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-09E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Instrumental Duet Guitar,Instrumental Duet,Violin - Digital Download SKU: A0.955371 Composed by Traditional. Arranged by Neal Fitzpatrick. Country,Folk,Traditional. Score and parts. 3 pages. Neal Fitzpatrick Editions #5370845. Published by Neal Fitzpatrick Editions (A0.955371). This arrangement of the classic folk song Shenandoah is for violin and guitar. This arrangement is for late beginner and beyond ensemble students and is a great introduction to bass-chord accompaniment on guitar. It's a good addition to a student's ensemble repertoire or as a piece for a student and teacher.  This piece can also be a suitable addition to gig repertoire for the appropriate event or situation. This edition is in the key of G Major.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.955459 Composed by Neal Fitzpatrick. Contemporary,Standards. Score and parts. 12 pages. Neal Fitzpatrick Editions #6736731. Published by Neal Fitzpatrick Editions (A0.955459). This is Parallels for String Trio-Violin, Viola, and Cello, by guitarist-composer Neal Fitzpatrick. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.comhttps://www.youtube.com/channel/UCqZJwiMXPYbpckJVveQ6qag

Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch)   I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell   creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge   and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch   and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost   and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love   and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched   she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity   and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night  guard   and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around  us   Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is   I stop here It will end well I can not tell the end of a love that is not written yet   I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already   go wolf go stop thinking about her from your pack you will need to return and then runs away   witch will if you want to transform changes role an actress who artand you will have new flowers   day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me   body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far   a fairy tale real or invented in between  my  hidden  truth all my stories strange and weird over this skin are now tattooed   I watc.

Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1285510 Composed by Paul M. Osborne. 21st Century,Classical,Contemporary,Contest,Festival. 7 pages. Paul M Osborne #876615. Published by Paul M Osborne (A0.1285510). Written in 2019 for the Young Men's Ensemble of the Central Coast Youth Chorus, Of a Lover's Dream is an ideal work for intermediate male ensembles both young and old. This work is a dreamy and passionate profession of love, set to an original poem by Kristopher R. McGuire. Featuring both sections of homophonic singing as well as canonic polyphonic singing, ranging from solemn to soaring, this piece takes your audience on a journey.Voicing: TBB + PianoThemes: Love, Dreams, AdventurePaul Osborne is a choral director, tenor soloist, and composer/arranger from California's Central Coast.  He received his degree at Concordia College in Moorhead, MN, where he studied choral conducting with René Clausen.  He serves as Chorus Master for Opera San Luis Obispo and Central Coast Gilbert and Sullivan, is the founder and director of Resonance Vocal Ensemble, and is the former choral director at San Luis Obispo High School. He has been a passionate composer and arranger of choral music for over 20 years.

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1219637 By Andrew Lamb. By Théodore Lack (1846-1921). Arranged by Andrew Lamb. 19th Century,Classical. 28 pages. Andrew Lamb #816001. Published by Andrew Lamb (A0.1219637). DescriptionDescription: Dive into the enchanting world of classical music with our Clarinet Choir Sheet Music Arrangement of Théodore Lack’s Cabaletta, Op. 83. This captivating piece, originally composed for piano, has been meticulously arranged for a clarinet choir, showcasing the rich and expressive tones of the clarinet family.Immerse yourself in the melodic beauty of this timeless composition. This arrangement is sure to elevate your ensemble’s performance and captivate your audience. Download the sheet music now and embark on a musical journey with Théodore Lack’s Cabaletta, Op. 83!Théodore Lack was a French pianist and composer who was born on June 22, 1846, in Nantes, France, and died on December 19, 1921, in Paris, France.Lack studied music at the Paris Conservatory under the tutelage of Antoine François Marmontel and François Bazin. He began his career as a concert pianist, but later turned to composition and became known for his elegant and refined style.Lack’s works include piano pieces, chamber music, and orchestral compositions. He was particularly known for his piano music, which was characterized by its clarity and precision. His works were widely performed and admired during his lifetime but have since fallen into relative obscurity.Lack was also a dedicated teacher, and he taught piano and music theory at the École Normale de Musique de Paris. He was highly regarded by his students, who included the pianists Marguerite Long and Alfred Cortot.Despite his contributions to French music, Lack’s legacy has largely been overshadowed by his more famous contemporaries such as Debussy and Ravel. Nevertheless, his music remains an important part of the French piano repertoire and is still performed and recorded today.

Clarinet in Bb and piano - intermediate - Digital Download SKU: S9.Q15285 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15285. Published by Schott Music - Digital (S9.Q15285). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Antonín Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan Kubelík played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.

Piano Solo - Level 3 - Digital Download SKU: A0.742489 Composed by Javier Martínez Maya. 20th Century,Concert,Instructional,World. Score. 5 pages. Arte Nova Music Lab #4848203. Published by Arte Nova Music Lab (A0.742489). Javier Martínez is a recognized producer, arranger, composer and educator in Colombia and England, where he has taught advanced production, mixing, mastering and audio technology for over 20 years. An independent writer/producer and recording engineer, his credits include works and scores for Colombian TV Channels, Moscow Symphonic Orchestra, Iberoamerican Orchestra (based at Barcelona, Spain) and almost 200 albums and films. From his Arte Nova Music Lab Studio, he’s completed film, video and multimedia original scores for clients like Nike, Honda, Chevrolet, Yoyo Music USA Inc, Mitsubishi, Mundo Arts, SAAB Miller and RCN Television. His international experience as arranger, engineer and producer includes workshops with sir Paul McCartney, Radio Head, Charlie Morgan (Elton John), and recordings at Scotland (Kim Edgar), Switzerland (Sebastian Portillo), Germany (Toby Freissler) and Spain (Iberoamerican Orchestra). Programmer and sound designer, he works with best seller music production tools, like Protools 12, Logic Pro X, Reason 9, Finale 2018, Musescore 3 and uses top music samplers from brands like Sounds Online, Native Instruments and Vir2, among others. He has worked also with several companies as manager and director, with duties as budget organization, development of musical projects and head of producers and engineers at recording studios. 

Guitar - Level 3 - Digital Download SKU: A0.1214593 By Mauro Giuliani. By Mauro Giuliani. Arranged by Tracy Dean McCallum. Baroque,Classical. Guitar Tab. 2 pages. Tracy Dean McCallum #811580. Published by Tracy Dean McCallum (A0.1214593). Born in Bisceglie, Mauro Giuliani's centre of Study was Barletta where he moved with his brother Nicola in his early childhood. He studied cello and probably violin, the former which he never fully abandoned. Subsequently he devoted himself to the six-string guitar, rapidly coming to be renowned as a skilled performer on the instrument. The teachers and movements of the young maestro are not known.

Instrumental Solo,Pipe Organ - Level 2 - Digital Download SKU: A0.1251286 By Indrė Gerikaitė. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Romantic Period. Individual part. 2 pages. Nacionaline vargonininku asociacija #845563. Published by Nacionaline vargonininku asociacija (A0.1251286). 12 Organ Trios, Op. 4. Taking into account the date of publication (1897) these seem to be the first printed organ compositions of Naujalis. They were published in Warsaw, in the collection Preludia na organy, part 2, series III. The publication soon received positive comments in the Polish newspaper of the St. Cecilia Society, Musica sacra (1898 No. 5). There are many signs that Naujalis used this edition as his favourite teaching manual since the fingerings and pedaling given are from the author himself.Juozas Naujalis (1869–1934) – Lithuanian composer and organist. In 1892, he was appointed organist and choir leader at the Kaunas Cathedral, a position he held until his death. Naujalis became actively involved in organizing local musical societies and institutions. As an outcome of his groundbreaking work, a number of important private entities, such as the first boys’ choir in Lithuania based at the Archcathedral Basilica in Kaunas, courses and the school for organists (1911), the first legal Lithuanian bookshop and music publishing house in Kaunas (1905–1912), the first music magazine Vargonininkas (The Organist) and calendars for organists published in Lithuanian (1909–1910), and the music school in Kaunas (1919), have been launched. In 1908, he founded the Children Society and St. Gregory Society for Organists, which was later reorganised into St. Cecilia Society for church musicians (1924). Naujalis was also the first Lithuanian composer to achieve recognition abroad. His church music was published in Regensburg, Warsaw, St. Petersburg, Leipzig and Paris. In recognition of his merits in the field of church music he was made Commander of the Order of the Crown of Italy in Rome, in 1929.A total of 29 organ pieces by Naujalis were recorded at the Archcathedral Basilica in Kaunas in 2019.

Trumpet (in Bb) and piano - intermediate - Digital Download SKU: S9.Q15274 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15274. Published by Schott Music - Digital (S9.Q15274). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Antonín Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan Kubelík played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.

Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - Digital Download SKU: A0.552876 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 27 pages. Jmsgu3 #6353539. Published by jmsgu3 (A0.552876). Sonata No. 3, K. 555I. AndanteII. PrestoIII. GraziosoIV. AllegroDuration: 8:50' Score: 15 pagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period.Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1202939 Composed by Javier Martínez-Ramírez. A Cappella,Chamber,Classical,Contemporary,Religious. Octavo. 6 pages. Publicado por Ediciones Martienz. #801672. Published by Publicado por Ediciones Martienz. (A0.1202939). Javier Marti�nez-Rami�rez is a Mexican composer and choral conductor. He studied opera, choral conducting and composition in the Faculty of Music of the National Autonomous University of Mexico (UNAM). He also took Byzantine Music classes in the Antiochian Orthodox Church. He received the first place in the First National Contest of Children’s Choral Composition (1999) and the second place in the Fourth National Contest of Choral Composition (2001). Some choral works have been edited by the Sistema Nacional de Fomento Musical and by the Fundacio�n Coral Me�xico for the America Cantat IV Festival. He has been director of the School of Fine Arts of Toluca Choir, of the Ibero-American University Choir, of the St. George Orthodox Cathedral Choir and OMNES Ensamble Vocal Masculino.