Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.

Piano Solo - Level 5 - Digital Download SKU: A0.1372519 By Amy Winehouse. By Jack Lawrence and Walter Gross. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #956836. Published by Timothy Stapay (A0.1372519). Tenderly is arranged as performed by famous piano artist, Liberace.  This is a version that he played on his emmy award-winning t.v. show.Tenderly is a popular song published in 1946 with music by Walter Gross and lyrics by Jack Lawrence.  The song has become a popular jazz standard. Notable versions have been recorded by singers, such as Sarah Vaughan and Nat King Cole, and pianists, such as Art Tatum, Bill Evans and Liberace.Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  He was born in Wisconsin to parents of Italian and Polish origin and enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!

String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1112143 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 41 pages. Regis Bookshar #714329. Published by Regis Bookshar (A0.1112143). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Septet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 3 Violins, 2 Violas and 2 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (41 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.

Full Orchestra - Level 3 - Digital Download SKU: A0.1364649 By Alicia Domínguez Arcos Sonay. By Alicia Domínguez Arcos. Arranged by Alicia Domínguez Arcos. Classical,Contemporary,Film/TV,Medieval,Multicultural,World. 346 pages. Alicia Dominguez #948939. Published by Alicia Dominguez (A0.1364649). Complete opera (Prelude and four acts) 346 pages in band/symphony orchestra and voices. About the history of the 15th century of Alfonso de Arcos mayor of Tarifa and first mayor of Gibraltar, in which he restored both Alcazarseguer, Estepona, Jimena de la Frontera, being mayor of Tarifa and then being the first mayor of Gibraltar. With all his achievements, in his last years he was the one who maintained La Cartuja de Sevilla with 100 needy people then who remained in La Cartuja. where he even attended King Henry IV as well as the King of Portugal. Then with the money earned from his achievements, La Cartuja was maintained for 200 years, helping needy people or captives from Gibraltar, Tarifa and North Africa. The sheet music is in English and Spanish. It has not yet been performed on stage.

French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Clarinet Solo - Level 5 - Digital Download SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical,Opera,Romantic Period. 4 pages. Richard deCosta #897289. Published by Richard deCosta (A0.1308012). Words by Emily DickinsonMusic by Richard deCostaBecause I could not stop for Death –He kindly stopped for me –The Carriage held but just Ourselves –And Immortality.We slowly drove – He knew no hasteAnd I had put awayMy labor and my leisure too,For His Civility –We passed the School, where Children stroveAt Recess – in the Ring –We passed the Fields of Gazing Grain –We passed the Setting Sun –Or rather – He passed Us –The Dews drew quivering and Chill –For only Gossamer, my Gown –My Tippet – only Tulle –We paused before a House that seemedA Swelling of the Ground –The Roof was scarcely visible –The Cornice – in the Ground –Since then – 'tis Centuries – and yetFeels shorter than the DayI first surmised the Horses' HeadsWere toward Eternity –-=-In the reclusive chambers of Emily Dickinson's 19th-century Massachusetts home, the haunting poem, 'Because I Could Not Stop for Death,' was conceived. Living much of her life in isolation, Dickinson's thoughts often ventured into the shadowlands of existence. This poem, published posthumously in 1890, offers a chilling reflection of her contemplation. The Grim Reaper, a timeless symbol, is portrayed as a carriage driver, guiding the reader through a somber journey that mirrors the ephemeral nature of life. Passing scenes of childhood innocence, maturity's labor, and the twilight of existence, it culminates in the cold embrace of the grave. Her words, etched in a gothic darkness, resonate with the uncertainties and fears of her time, transcending to speak to the eternal human condition.

Small Ensemble Flute,Guitar,Violin - Level 4 - Digital Download SKU: A0.531370 Composed by H.C. Lumbye (1810-74). Arranged by Klas Krantz. Concert,Romantic Period. Score and parts. 6 pages. Amadeus Music #2034955. Published by Amadeus Music (A0.531370). Hans Christian Lumbye (1810-1874), Danish composer and conductor. Lumbye was one of the most important names in danish 19th century music. He created the kind of light entertainment musical tradition, which is now associated with Tivoli in Copenhagen. He was chief conductor and leader of the Tivoli Symphony Orchestra between 1843 to 1872. As a composer he was influenced by viennese music and especially by Strauss. Lumbye composed over 600 pieces, many of them are typical of its time (polkas, marches, waltzes).

Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1399600 By French. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Sacred. 6 pages. Mare Dan Music #982892. Published by Mare Dan Music (A0.1399600). En Francais Gloire Alléluia, Il Est Vivant! available also in Spanish: Gloria Aleluya, ¡Está Vivo! and in English: Glory Hallelujah He is Alive. Also available as solo, two parts, SAB and SATB. He Is Alive is perfect for Easter and Easter Season tells the story of the Women at the Tomb, The Road to Emmaus, Doubting Thomas. They all come to one conclusion: He Is Alive! The music has a Hebrew modality and uses rhythms like a hora. Fun and dramatic to sing and based on solid scriptures. Can provide many wonderful lessons in Faith.Il Est Vivant est parfait pour la période de Pâques et raconte l'histoire des femmes au tombeau, du chemin d'Emmaüs et de Thomas le Douteux. Une seule conclusion s'impose : Il est vivant ! Cette chanson est également disponible en Solo, Two Part, SAB et SATB, ainsi qu'en espagnol : Gloria Aleluya, Esta Vivo ! et en français : Gloire Alléluia, Il Est Vivant.La musique a une modalité hébraïque et utilise des rythmes comme la hora. Le chant est amusant et dramatique et repose sur des écritures solides. Elle peut offrir de merveilleuses leçons de foi.

Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.1509337 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. Score. 61 pages. Ben Dockery #1084589. Published by Ben Dockery (A0.1509337). These fifty classic hymns have been arranged for two trombones. They are easy enough for early intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons.A Mighty Fortress Is Our GodAbide with MeAll Creatures of Our God and KingAll Hail the Power of Jesus’ NameAlleluia! Alleluia! (Ode to Joy)Amazing GraceAre You Washed in the Blood?At the CrossBe Thou My VisionBlessed AssuranceChrist Arose (Low in the Grave He Lay)Christ the Lord is Risen TodayCome, Christians, Join to SingCome, Thou Fount of Every BlessingCome, Thou Long-Expected JesusCrown Him with Many Crowns Down at the CrossFairest Lord JesusHe Leadeth MeHe Lives (I Know That My Redeemer Lives!)Holy, Holy, HolyHow Great Thou ArtI Stand Amazed in the Presence (How Marvelous)In the GardenIt Is Well with My SoulJesus Loves MeJesus Paid It AllJesus SavesJust as I AmLove Divine, All Loves ExcellingMy Hope Is Built On Nothing LessNear the CrossNearer, My God, to TheeNothing but the BloodO For A Thousand Tongues To SingO Sacred Head, Now WoundedO the Blood of JesusO Worship the KingOnward, Christian SoldiersRock Of AgesShall We Gather at the RiverTell Me the Story of JesusThe Old Rugged CrossThere is a FountainTo God Be the GloryWe Gather TogetherWere You ThereWhat A Friend We Have in JesusWhat Wondrous Love Is ThisWhen I Survey the Wondrous CrossBecause this is a single bound book, photocopies are permitted for performance purposes.

Bassoon Solo - Level 5 - Digital Download SKU: A0.876510 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 13 pages. JoeCopio Music LLC #1920655. Published by JoeCopio Music LLC (A0.876510). THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Bassoon but also for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Bassoon are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.

Piano Solo - Level 1 - Digital Download SKU: A0.1297537 Composed by Frederic Chopin. Arranged by He Jiaju and Yao Huiyuan. Classical,Romantic Period. Score. 8 pages. Jiaju He #887581. Published by Jiaju He (A0.1297537).

B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1222431 Composed by Giuseppe Giordani. Arranged by César Madeira. Children,Classical,Early Music,Multicultural,Opera,World. Score and part. 3 pages. Sheet Music To Play Editions #818697. Published by Sheet Music To Play Editions (A0.1222431). Caro Mio Ben (Come Once Again) by Giuseppe Giordani. Arrangement for Bb Trumpet and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Giuseppe Tommaso Giovanni Giordani (1751 - 1798) was an Italian composer, mainly of opera. Giordani's parents were Domenico Giordani and Anna Maria Tosato. He studied music in Naples with Domenico Cimarosa and Niccolò Antonio Zingarelli. In 1774 he was appointed as music director of the chapel of the Duomo of Naples. His first opera (L'Epponina) was released in 1779. His sacred drama La distruzione di Gerusalemme was a notable success at the Teatro San Carlo of Naples in 1787. He became maestro di cappella at the Cathedral of Fermo in 1791. Until recently, the popular aria Caro Mio Ben (1783) was ascribed to Giuseppe Tommaso Giovanni Giordani. However, scholars now consider Tommaso Giordani, or his father Giuseppe Giordani senior, more likely to be the aria's composer.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

C Instrument - Level 4 - Digital Download SKU: A0.501355 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #114249. Published by John Fries (A0.501355). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US). This arrangement includes the lyrics.

Voice (female choir, men's choir, mixed choir), strings and other instruments ad libitum - Digital Download SKU: S9.Q19879 (In Praise of Music). Composed by Paul Hindemith. This edition: choral part. Downloadable, Choral part. Schott Music - Digital #Q19879. Published by Schott Music - Digital (S9.Q19879). English • German.We owe it to Paul Hindemith's interest in education, which, in turn, was owed not only to the professional musicians and composers, that he composed for children and amateur musicians as well. Dame Music stands for this dialogue to make contemporary music for amateurs accessible not only in theory but also in practice. Dame Music was composed during his stay in the USA after he had been asked for an American edition of his composition Frau Musica. Musik zum Singen und Spielen auf Instrumenten nach einem Text von Luther, Op. 45 No. 1 from 1928. In 1942 he wrote the successful American version Dame Music for which Hindemith also revised some instrumental parts. The vocal setting was adopted without any changes and its text translated into English. With great success: Within just a few years, Dame Music had been included in the repertoire of amateur musicians in the United States.