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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1112862 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 40 pages. Regis Bookshar #714820. Published by Regis Bookshar (A0.1112862). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Octet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Octet, consisting of 2 Bb Trumpets, 2 French Horns, 3 Trombones and 1 Tuba, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (40 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Octet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
Recordare (from "Requiem") (F) (Brass Octet - 2 Trp, 2 Hrn, 3 Trb, 1 Tuba)
Quatuor de Cuivres

$40.00 34.22 € Quatuor de Cuivres PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1295687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 14 pages. Jmsgu3 #885985. Published by jmsgu3 (A0.1295687). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Jan Pieterszoon Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's.
Sweelinck: Echo Fantasia No. 1 for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle

$24.95 21.34 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Flute,Piano - Digital Download SKU: A0.1035225 Composed by Theophilus Bucher (1802 - 1871). Arranged by James Strauss. Concert,Halloween,Romantic Period. Score and part. 29 pages. James Strauss #5806083. Published by James Strauss (A0.1035225). The flutist, composer and professor of music Theophilus Bucher had a settled and successful life after his immigration to England, where he is reported as newly arrived in 1831. We are lucky to have a monument at his grave in Edinburgh (in the Dean Cemetery) which gives both his date and place of birth, as well as the date and place of his demise. Theophile Bucher was born at Schlestadt, Alsace, on March 13, 1802, and died at Edinburgh, December 20, 1871.  The obituary published in Signale für die Musikalische Welt, in March 1872, which states he came from Naples, from French parents. That obituary, although in German, gives his name in the French form of Theophile Boucher, the only source which gives this spelling for his surname. Certainly, his early successes and earliest publications seem to be in Naples, although he is reported in other parts of Italy as well. Grand fantasia and brilliant variations: for the flute, on Paganini's air The witches dance, with an accompaniment for the pianoforte. Composed & dedicated to his friend G. Rudall Esqre., by T. Bucher.This publication was listed as new in the last month in October 1832 in the Harmonicon. George Rudall, (1781-1871), founder of Rudall and Rose in 1821. An arrangement of Paganini’s Witches Dance (his op. 8) was already published in volume one of the Flutonicon (1834).
Grande Fantasy on Paganini's Witches Dance
Flûte traversière et Piano

$15.99 13.68 € Flûte traversière et Piano PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.551567 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. 22 pages. Jmsgu3 #5317531. Published by jmsgu3 (A0.551567). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.scored for Flauto traverso and continuo.
BACH: Sonata in C Major BWV 1033 for Violin & Piano
Violon et Piano

$32.95 28.19 € Violon et Piano PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
Africa
Chorale TTBB
Toto
$5.00 4.28 € Chorale TTBB PDF SheetMusicPlus

Bewegliche Stimmen and Instruments in polyphonen Räumen - Digital Download SKU: S9.Q42195 Composed by Dieter Schnebel. This edition: performance score. Workshop. Downloadable, Performance score. Duration 50 minutes. Schott Music - Digital #Q42195. Published by Schott Music - Digital (S9.Q42195). Museumsstücke is how Dieter Schnebel entitled his two collections of experimental music theatre pieces which he sees ‘almost as sound images, acoustic counterparts of what is hanging on museum walls’. In the first cycle he refers to different types and genres of pictures, in the second cycle he applies typical working methods of painters such as Marcel Duchamp, Yves Klein, Anselm Kiefer or Mark Rothko to the music.1. Veduta – Signalinstrumente · 2. Tempesta – Stühle · 3. Landschaft – Stimmen, Werkzeuge · 4. Nachtstimmung – Stimmen, Schwirrholz · 5. Nature morte – Plastikmaterialien · 6. Skulpturen und Porträts – Stimmen, Körperklänge · 7. Blumen und Arabesken – Stimmen, Windchimes, Glockenspiel · 8. Selbstporträt (II) – ad lib. · 9. Bauernszene – Teller, Gläser, Besteck, Stimmen · 10. Seebild – Stimmen, Wasser, Rainmaker, Möwen-schrei · 11. Waldstück – Wasser, Vogelpfeifen, Knacker, Steine · 12. Battaglia – Ratschen · 13. Triptychon · Stimme, Waldteufel [Museumsstücke (I) wurde speziell für das Museum für Moderne Kunst in Frankfurt/Main konzipiert.].
Museumsstücke I

$15.99 13.68 € PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.1178606 Composed by Giuseppe Giordani. Arranged by César Madeira. Children,Classical,Film/TV,Multicultural,Wedding,World. 6 pages. Sheet Music To Play Editions #778569. Published by Sheet Music To Play Editions (A0.1178606). Caro Mio Ben (Come Once Again) by Giuseppe Giordani. Arrangement for Violin and Piano. With Full Score and Individual Parts. Enjoy it!Giuseppe Tommaso Giovanni Giordani (1751 - 1798) was an Italian composer, mainly of opera. Giordani's parents were Domenico Giordani and Anna Maria Tosato. He studied music in Naples with Domenico Cimarosa and Niccolò Antonio Zingarelli. In 1774 he was appointed as music director of the chapel of the Duomo of Naples. His first opera (L'Epponina) was released in 1779. His sacred drama La distruzione di Gerusalemme was a notable success at the Teatro San Carlo of Naples in 1787. He became maestro di cappella at the Cathedral of Fermo in 1791. Until recently, the popular aria Caro Mio Ben (1783) was ascribed to Giuseppe Tommaso Giovanni Giordani. However, scholars now consider Tommaso Giordani, or his father Giuseppe Giordani senior, more likely to be the aria's composer.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Caro Mio Ben (Come Once Again) - Violin and Piano (Full Score and Parts)
Violon et Piano

$7.99 6.83 € Violon et Piano PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1465638 By Neil Diamond. By Neil Diamond. Arranged by Will Corbin. Pop. 20 pages. Will Corbin #1044251. Published by Will Corbin (A0.1465638). Neil Diamond is said to have dashed off this song in half an hour in a motel room in Memphis in 1969. It was inspired, he later said, by the then-young daughter of John F. Kennedy. Still later, he said it was actually his wife, Marcia, who provided the muse, but he needed a three-syllable name to fit the music. Whatever. It's an awful song, but audiences love it, in part because it comes with ritual participatory yells and gestures born of many sports stadiums, notably Fenway Park, where it's played in every 8th inning. That's my excuse.If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
Sweet Caroline
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Neil Diamond
$15.00 12.83 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

String Quintet Cello - Level 4 - Digital Download SKU: A0.1108402 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711044. Published by Regis Bookshar (A0.1108402). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Violoncello Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Violoncello Quintet and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Violoncello Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
Recordare (from "Requiem") (F) (Violoncello Quintet)

$28.00 23.95 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.942861 Composed by James W. Knox. Contemporary,Folk. Octavo. 110 pages. Knox Music #4580161. Published by Knox Music (A0.942861). Jack and his Fortune is a major choral worked based on Flora Annie Steel's version of How Jack went out to seek his fortune.  The original Irish folktale, Jack and his Comrades dates back to 1866. Throughout many years this story has taken on other similar stories like the well known Town Musicians of Bremen by Brothers Grimm.  Each movement (six total) takes you on a grand journey of a boy named Jack who is seeking fortune.  Not long after, several traveling companions (cat, dog, goat, bull and rooster) follow him in hopes of finding fortune as well.Traveling all day, the darkness began to settle for the night and they are in need of a place to stay. Finding a house, Jack discovers robbers counting their stolen gold.  He comes up with a plan and scares the robbers away.  Jack was smart and he knew that one of the robbers would be back in the middle of the night to take back the gold.  He places each animal in different areas of the house to scare the robber away.  What happens next is a frenzy of mishaps  that eventually scare the robber away for good!
Jack and his Fortune
Chorale SATB

$12.99 11.11 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1497460 Composed by Hoagy Carmichael and Johnny Mercer. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #1073872. Published by John Fries (A0.1497460). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Carmichael wrote the melody, based on a Bix Beiderbecke cornet improvisation, as Bix Licks, for a project to turn the novel Young Man With a Horn into a Broadway musical. After that project failed, Carmichael brought in Johnny Mercer to write lyrics for the song. Mercer said that he struggled for a year after he got the music from Carmichael before he could get the lyrics right. This song is considered a jazz standard. Additionally, it is believed to have inspired a long-running Buick car of the same name that was produced from 1953 to 1998.
Skylark
Piano seul

$5.99 5.12 € Piano seul PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download SKU: A0.1018955 Composed by Benjamin Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078701. Published by Benjamin Sajo (A0.1018955). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Violin I
Violon

$3.50 2.99 € Violon PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trumpet - Level 4 - Digital Download SKU: A0.592397 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6358911. Published by David McKeown (A0.592397). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for one Trumpet and one Tenor Horn in E Flat. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Tenor Horn.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Walter the Weary Werewolf, Halloween Duet for Trumpet and Tenor Horn

$3.99 3.41 € PDF SheetMusicPlus

Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1505923 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. Score and part. 203 pages. Ben Dockery #1081304. Published by Ben Dockery (A0.1505923). These fifty classic hymns have been arranged for flute solo with piano accompaniment. They are easy enough for early intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons. Includes scores and parts.A Mighty Fortress Is Our GodAbide with MeAll Creatures of Our God and KingAll Hail the Power of Jesus’ NameAlleluia! Alleluia! (Ode to Joy)Amazing GraceAre You Washed in the Blood?At the CrossBe Thou My VisionBlessed AssuranceChrist Arose (Low in the Grave He Lay)Christ the Lord is Risen TodayCome, Christians, Join to SingCome, Thou Fount of Every BlessingCome, Thou Long-Expected JesusCrown Him with Many Crowns Down at the CrossFairest Lord JesusHe Leadeth MeHe Lives (I Know That My Redeemer Lives!)Holy, Holy, HolyHow Great Thou ArtI Stand Amazed in the Presence (How Marvelous)In the GardenIt Is Well with My SoulJesus Loves MeJesus Paid It AllJesus SavesJust as I AmLove Divine, All Loves ExcellingMy Hope Is Built On Nothing LessNear the CrossNearer, My God, to TheeNothing but the BloodO For A Thousand Tongues To SingO Sacred Head, Now WoundedO the Blood of JesusO Worship the KingOnward, Christian SoldiersRock Of AgesShall We Gather at the RiverTell Me the Story of JesusThe Old Rugged CrossThere is a FountainTo God Be the GloryWe Gather TogetherWere You ThereWhat A Friend We Have in JesusWhat Wondrous Love Is ThisWhen I Survey the Wondrous CrossBecause this is a single bound book, photocopies are permitted for performance purposes.
50 Greatest Hymns for Flute Solo with Piano Accompaniment

$24.99 21.38 € PDF SheetMusicPlus






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