SKU: A0.551222

Duet No. 2 -  F. 55
Score: 14 pages, Duration - ca. 10:12
Contents:
I. Allegro ma non troppo
II. Cantabile
III. Alla breve
IV. Gigue, Allegro.

SKU: A0.551242

Duet No. 3 - F. 56
Score: 14 pages, Duration - ca. 8:30
Contents:
I. Allegro
II. Adagio ma non troppo
III. Presto.

SKU: A0.551264

Duet No. 4 - F. 57
Score: 14 pages, Duration - ca. 17:30, 193 measures
Contents:
I. Allegro moderato
II. Lamentable
III. Presto.

SKU: A0.551174

Duet No. 1 - F. 54
Score: 14 Pages, Duration ca. 11:15
Contents:
I. Allegro
II. Larghetto
III. Vivace.

SKU: A0.551305

Duet No. 5 - F. 59
Score: 11 pages, Duration - ca. 7:08
Contents:
I. Un poco allegro
II. Largo
III. Vivace.

SKU: A0.551285

Duet No. 5 - F. 58
Score: 18 pages, Duration - ca. 17:20
Contents:
I. Un poco allegro
II. Largo
III. Vivace.

SKU: A0.551160

Duration ca. 7:00
Contents:
I. Andante
II. Allegro
III. Allegretto

Carl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.

SKU: A0.521662

Christmas Concerto, Adagio and Allegro movements, Corelli, Brass Quintet of 2 trumpets in Bb, horn in F(optional trombone substitution), trombone, tuba/bass trombone

Score: 5 pages

parts: 9 pages 

time: 2'50

Please visit  https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.

If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing.

VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.

PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. 

AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.

LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. 

ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.

EXCELLENT for corporate events, weddings, social gatherings and recitals.

APPROPRIATE for students and schools.

CHURCH REPERTOIRE I’m always adding more titles.

Thank you for your purchase!

SKU: A0.551675

I. Sonata in G Major. Duration: 6:45, Score: 19 pages. In four movements:
1. Cantabile 2. Allegro 3. Affettuoso 4. Allegro

II. Sonata in C Minor. Duration: 11:47, Score: 22 pages. 209 measures. In five movements:  1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. Allegro

III. Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:
1. Vivace 2. Largo 3. Allegro

IV. Sonata in Bb Major. Score: 17 pages, duration: ca. 9:30. In five movements:
1. Largo 2. Allegro 3. Allegretto 4. Vivace 5. Allegro.

SKU: A0.1083751

Sammartini Op. 1 No. 1 Sonata. Score: 10 pages. Duration: 8:43 I. Andante II. Allegro III. Allegro

Giuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.


Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.