Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891191 Composed by Traditional. Arranged by Laurie Betts Hughes. Contemporary,Folk,Traditional. Octavo. 16 pages. Dandelion Music Press #3103589. Published by Dandelion Music Press (A0.891191). An ideal SATB choice for Middle School/early High School changing voice and developing ensembles of all ages, this boy-friendly accompanied concert arrangement explores the cambiata voice, male vocal registers, and encourages enthusiastic use of the falsetto and upper range through the use of an appealing yodel. Ask your choristers to bring their guitars, ukuleles, mandolins, and banjos and strum along!Conceived using the SA(T)B concept (http://www.dandavisonmusic.com/what-is-satb.html) and also available in Two-Part Treble and Unison voicings, Git Along Little Dogies is a traditional American cowboy ballad.  The melody and lyrics were first published in 1910 in John Lomax's Cowboy Songs and Other Frontier Ballads, though the song has existed long before publication in the anonymous aural tradition of folk music. Since selling cattle was quite profitable, a crew of cowboys drove a herd, particularly from Texas, to railheads where they would be loaded into railcars and shipped cross-country to get the best price at market. Cowboys watched the cattle 24 hours a day, herding them in the proper direction in the daytime and watching them at night to prevent stampedes and deter theft.  Around the campfire, cowboys sang of life on the trail with all the challenges, hardships, and dangers encountered along the way.E. C. Teddy Blue Abbott, honored in the Montana Cowboy Hall of Fame, explains The singing was supposed to soothe the cattle and it did... The two men on guard would circle around with their horses on a walk, if it was a clear night and the cattle was bedded down and quiet, and one man would sing a verse of a song, and his partner on the other side of the herd would sing another verse; and you'd go through a whole song that way.Notable performances: 2016 Idaho Middle School All-State Choir, inaugural year | 2016 Northshore 6th Grade Honor Choir, boys2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com 

Unison/Two-part chorus - Digital Download SKU: C7.CGC53 A Children's Musical for Unison/Two-part Voices and Piano. Composed by Allen Pote and Tom S Long. General. With Piano. Cantata. Choral Score. 50 pages. Chorister's Guild - Digital #CGC53. Published by Chorister's Guild - Digital (C7.CGC53). UPC: 749193016183.Commissioned by Helen Kemp for the Kemp Endowment for Church Music Symposium at Westminster Choir College of Rider University, The Lost Boy tells the story of Luke 2:39-52. Mary and Joseph lose track of twelve-year-old Jesus for three days, and when they finally find him, he is sitting in his Father's house--demonstrating with his questions a great understanding of God. Within the musical is a reassuringly human message: even parents chosen by God can lose a child; even a perfect child can give his parents anxiety. The message is sure to comfort anyone who has ever been a parent, a child, or even those who have misplaced Jesus for a while. The musical can be produced with a minimum of costumes, props, and scenery. At under 25 minutes, it is short enough to fit into a worship service but is solid enough to stand alone. Stage directions, production notes, and simple prop, costume, and scenery ideas are included, but feel free to adapt any of the suggestions to your situation.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.879422 Composed by Frederic Weatherly. Arranged by Dennis Frayne. Concert,Folk,Holiday,Standards,World. Score. 1 pages. Presto! It's Music Magic Publishing #6330583. Published by Presto! It's Music Magic Publishing (A0.879422). Danny Boy, also titled Londonderry Air and Irish Tune from County Derry, is a folk song and ballad, with lyrics written by English songwriter Frederic Weatherly in 1913, and set to the traditional Irish melody of Londonderry Air. This arrangement is written in the key of Gb Major. Includes lyrics and solfege syllables.

Small Ensemble Guitar,High Voice,Low Voice - Level 4 - Digital Download SKU: A0.775409 Composed by Thomas Moore (1779-1852). Arranged by John Pinno. Classical,Concert,Holiday. Score and parts. 4 pages. John Pinno #2832137. Published by John Pinno (A0.775409). An arrangement of The Minstrel Boy, a well-known Irish patriotic song by Thomas Moore (1779-1852). The minstrel boy is a warrior-bard, who plays the harp, and who was felled in battle, but rather than let his harp fall in the enemy's hand, his final act was to destroy it.This song could fit a soprano, mezzo-soprano, alto, or tenor voice.For any concerns or questions email John Pinno at jpinno093@hotmail.com.  Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745

Small Ensemble Bassoon,Cello,Clarinet - Level 3 - Digital Download SKU: A0.811737 Composed by William Boyce (1711 - 1779). Arranged by Pat Spence. Baroque,Concert,Graduation,Standards,Wedding. Score and parts. 20 pages. Piper Publications #5723425. Published by Piper Publications (A0.811737). The eighth of twelve trio sonatas first published in London by John Walsh in 1747 for 2 violins and cello or harpsichord by William Boyce 'composer to his Majesty' George the second. Boyce had been granted the Royal Privilege and Licence in 1745 to have his music printed and sold for a period of fourteen years. The list of subscribers to the publication includes everyone who was anyone and included one 'George Frederick Handel, Esq;'.This arrangement for clarinets and bassoon or cello can be tackled by players of intermediate standard and above. Additional dynamic markings are in parentheses ( ). The musical notation has been modernised e.g. dots across bar/measure lines have been replaced with ties. In the original publication all the dynamics were spelled out in full e.g. piano instead of p . 

Harp - Level 3 - Digital Download SKU: A0.541685 Composed by Cindy Blevins. Contemporary,New Age. Score. 3 pages. Cindy Blevins #3120853. Published by Cindy Blevins (A0.541685). This original song is from my harp book Etheriality, which contains 26 pages of beautiful original harp solos, in the approximate range of intermediate. There are 12 songs in the book. One is one page, one is three pages, one is four pages, and the rest are two pages. The book is for lever or pedal harp. Little Baby Boy is two pages of music.You can purchase the harp recording (mp3) of this song here on Sheet Music Plus. The item # is S0.244961.The complete eBook Etheriality is Item # S0.244043.My website: https://www.blevinsmusic.com

Drums,Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1495629 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Phil Beaman. Christmas,Pop,Standards. 7 pages. Phil Beaman #1072152. Published by Phil Beaman (A0.1495629). Here is a 'must-have' standard for your Christmas season, The Little Drummer Boy; presented here in a simple arrangement in C for piano and solo drum.  It begins with the drum only, slowly adds LH piano then both hands for Verse 1; then both piano and drum adds some more texture for Verse 2, then it slowly unwinds and ends with only the drum.  This arrangement was written for a specific duo; a beginning first year middle school drummer and a slightly arthritis pianist.  Thus the drumming is very basic and steady patterns with long stretches before a slight pattern change (there are 5 different patterns).  And thus the piano part has a LH of mostly broken arpeggios so it can be played by rolling the wrist instead of using finger strength, and the RH is all simple detached chords so the arm can go up and down, and it rarely expands beyond a 6th, again, taking the pressure and movement off of the fingers.  Nevertheless, this is still a piece full of character and great for a featured solo this season!

Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. 240 pages. Stanleymhoffman.com #1015206. Published by stanleymhoffman.com (A0.1435098). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Ma?gorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Ma?gorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Ma?gorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoffman.com #1015189. Published by stanleymhoffman.com (A0.1435089). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Ma?gorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Ma?gorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Ma?gorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.

C Instrument - Level 4 - Digital Download SKU: A0.1111147 Composed by Otto Harbach, Schuyler Greene, and Vincent Youmans. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #713423. Published by John Fries (A0.1111147). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  This arrangement is in the style of Bill Evans. The Boy Next Door is a 1944 popular song by Hugh Martin and Ralph Blane. It was introduced in the musical film Meet Me in St. Louis, where it was performed by Judy Garland to an arrangement of Conrad Salinger conducted by Georgie Stoll. It has been praised as a perfect example of how to advance a story and reveal a character’s emotions efficiently on screen. In 1954 Vic Damone sang it in the first minutes of the film Athena. It has subsequently become a popular jazz standard, performed by many artists. It is sometimes performed and recorded under the title The Girl Next Door..

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202153 By Secrets. By Hugh Martin and Ralph Blane. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score. 2 pages. John Fries #800809. Published by John Fries (A0.1202153). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. This arrangement is in the style of Bill Evans. The Boy Next Door is a 1944 popular song by Hugh Martin and Ralph Blane. It was introduced in the musical film Meet Me in St. Louis, where it was performed by Judy Garland to an arrangement of Conrad Salinger conducted by Georgie Stoll. It has been praised as a perfect example of how to advance a story and reveal a character’s emotions efficiently on screen. In 1954 Vic Damone sang it in the first minutes of the film Athena. It has subsequently become a popular jazz standard, performed by many artists. It is sometimes performed and recorded under the title The Girl Next Door..

Piano Solo - Level 2 - Digital Download SKU: A0.1354817 Composed by Frederick Edward Weatherly. Arranged by Fernando Ramos. 20th Century,Celtic,Children,Classical,Folk,Irish. Score. 3 pages. Fernando Ramos #939520. Published by Fernando Ramos (A0.1354817). Other Arrangements Available: https://www.sheetmusicplus.com/publishers/fernando-ramos-sheet-music/3016426?isPLP=1I make piano solo arrangements for my students of songs that they love! My goal is to create something that sounds beautiful as a standalone piece of music and, most importantly, that it also makes pianistic sense. Each of my arrangements is made for a specific student, so the results will vary in terms of playing level. Most decisions are based on their current skills and abilities, or where I would like for them to be when they complete the piece. This arrangement was made for a late beginner, even though it's probably better for early intermediate. She had just finished the Level 1 books of the Keith Snell series and playing in Federation Class Elementary II. Pedaling is pretty straightforward. Fingering suggestions are included.

Piano Solo - Level 4 - Digital Download SKU: A0.744787 Composed by Traditional. Arranged by Dan Chadburn. Christian,Christmas,Contemporary,Sacred. Score. 6 pages. Dan Chadburn Music #4323197. Published by Dan Chadburn Music (A0.744787). In the Bleak Midwinter is recorded on Dan Chadburn’s album, Whispers the Falling Snow, which was nominated for Solo Piano Album of the Year by One World Music Radio, as well as Zone Music Reporter, the industry standard for measuring radio airplay worldwide across multiple genres. Each of the tracks on the album, including In the Bleak Midwinter, was improvised and recorded in a single take in the studio during the month of October, 2013.From the composer:  As a boy, I often sat at the piano, playing traditional carols on Christmas Eve, while my parents, sisters and brother sang along. Enhanced by an occasional Oregon snowfall, these memories continue to bring me joy today. May this collection of improvisations bring you peace, hope, and love throughout the holiday season and beyond…The album is dedicated to the memory of Dan Chadburn’s former teachers, Maxine Martin and Dr. Calvin Knapp. More information about Dan Chadburn and his music can be found at his website, www.DanChadburn.com

Piano Solo - Level 4 - Digital Download SKU: A0.744789 Composed by Traditional. Arranged by Dan Chadburn. Christian,Christmas,Contemporary,Sacred. Score. 5 pages. Dan Chadburn Music #4323205. Published by Dan Chadburn Music (A0.744789). Away in a Manger is recorded on Dan Chadburn’s album, Whispers the Falling Snow, which was nominated for Solo Piano Album of the Year by One World Music Radio, as well as Zone Music Reporter, the industry standard for measuring radio airplay worldwide across multiple genres. Each of the tracks on the album, including Away in a Manger, was improvised and recorded in a single take in the studio during the month of October, 2013.From the composer:  As a boy, I often sat at the piano, playing traditional carols on Christmas Eve, while my parents, sisters and brother sang along. Enhanced by an occasional Oregon snowfall, these memories continue to bring me joy today. May this collection of improvisations bring you peace, hope, and love throughout the holiday season and beyond…The album is dedicated to the memory of Dan Chadburn’s former teachers, Maxine Martin and Dr. Calvin Knapp.More information about Dan Chadburn and his music can be found at his website, www.DanChadburn.com