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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.1015164 Composed by Timothy Piper. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Timothy Piper #4747147. Published by Timothy Piper (A0.1015164). Glorificamus Deum is a setting of Psalm 23. This setting works well in both a church service and a concert setting.It takes the very traditional words of the psalm, and spins them with a fresh new approach. The music takes you on a journey from a quiet beginning, into a jazzy-pop expression of wonder as the words joyfully proclaim that goodness and mercy shall follow me all the days of my life.... An added refrain of Glorificamus Deum adds an accent of exuberance throughout the piece. This piece of music is not difficult and is accessible to most choirs. Mostly sung in unison, it goes into two parts briefly, but the two parts are canonic and thus, easy to master. The piece is musically interesting for the conductor of a youth ensemble. The range is just over an octave and has young people singing in their head voices. There are opportunities for controlled expressive singing, and also opportunities for more exuberant let-it-out singing. The piece goes back and forth between the major and minor modes. It has one particularly challenging interval with a descending major 7th. As well, there is a large dynamic range and some excellent opportunities for rubato and watching the conductor carefully in the softer, more expressive sections. This piece is fun, melodic, and will be a favorite with every chorister, the instant it is learned.
Glorificamus Deum
Chorale 2 parties

$1.99 1.9 € Chorale 2 parties PDF SheetMusicPlus

Flute,Guitar,Instrumental Duet - Digital Download SKU: A0.576897 Composed by David Warin Solomons. 20th Century,Folk,Multicultural,World. 11 pages. David Warin Solomons #504811. Published by David Warin Solomons (A0.576897). Instrumental version of a song in Dorian mode originally written for alto voice and guitar (also with guitar chord names) written for a friend in her appartment in Ghemme, Northern Italy. The words of the original song are partly in Italian and partly in English, as follows: Qui e adesso amore mio. A Ghemme non so che voglio. [Here and now, my love. In Ghemme I don't know what I want] Land of fuzzy fizzy foggy friendliness Alpine heights and glowing plains land of lovely people and fruitfulness village feasts and bobbly trains Qui e adesso amore mio. A Ghemme non so che voglio Italy, you land of musicalityFill my soul and make it heardNot with love if only love's banalityFor then 'tis best not to have sung a wordQui e adesso amore mio. A Ghemme non so che voglio My love can hear the bells ring from your steeple see the mountains in the sun hear the singing language of your people smile and dance and sing like none Qui e adesso amore mio. A Ghemme non so che voglio. Amore mio dove sono Dove siamo? [My love where am I? Where are we?].
Song for Jenny for flute and guitar
Flûte et Guitare

$8.00 7.64 € Flûte et Guitare PDF SheetMusicPlus

C Instrument - Level 3 - Digital Download SKU: A0.1238248 By Etta James. By Irving Kahal and Sammy Fain. Arranged by Johannes H. Hindriks. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 4 pages. Johannes H. Hindriks #833722. Published by Johannes H. Hindriks (A0.1238248). This Comfort Covers setting of the refrain of “I’ll Be Seeing Youâ€, known from Frank Sinatra’s singing, is primarily intended to provide bedside support to patients and their loved ones in the hospital, nursing home or hospice. The mezzo-soprano lead voice gently blends with the mostly open guitar chords while the male voice modestly winds its way between the song and the bass line of the guitar, thereby creating a warm and welcoming blend. The 4-page document contains a large-print score with the two voices plus spelled-out guitar chords. Mezzo range: A3–C5; Baritone range: B2–C4. Skill Level: Intermediate, with somewhat simplified rhythms. Capo as preferred. Click here for a full listing of Comfort Covers titles.
I'll Be Seeing You
Instruments en Do
Etta James
$3.99 3.81 € Instruments en Do PDF SheetMusicPlus

Choral SATB choir - Digital Download SKU: H1.C5288DP Arranged by Larry Shackley. Spirituals & Gospel, Jazz / Swing, General Worship, Eternal Life, Gospel, Spiritual. Octavo. 12 pages. Hope Publishing - Digital #C5288DP. Published by Hope Publishing - Digital (H1.C5288DP). Popular spiritual With this spirited setting, Larry Shackley continues his series of jazz-flavored spirituals for church and school choirs. You can hear the train wheels turning in the opening accompaniment, then the voices enter one by one, singing: Gospel train is a-comin', comin'! The driving, bluesy piano part provides the energy for the joyous refrain. A smooth, serene middle verse leads to a final visit from the gospel train, ending in an exuberant coda.
Get On Board, Little Children
Chorale SATB

$2.95 2.82 € Chorale SATB PDF SheetMusicPlus

Unison Chorus/2-Part Chorus - Digital Download SKU: C6.646018024 Composed by Diane Beckstread. Growing in Grace. General, Missions. Accompaniment MP3. Growing In Grace - Digital #646018024. Published by Growing In Grace - Digital (C6.646018024). This special piece from Diane Beckstead uses water themes to explain how we will share with others as an overflow of God's love for us. Scored for unison/optional two-part voices, this lightly syncopated song flows seamlessly between sections. The second verse provides optional two-part singing. The memorable Bridge includes echo-like singing between Parts 1 & 2, followed by a more developed refrain with additional harmonies. The piece concludes quietly with simple harmonies.
Till We Overflow (Accompaniment MP3)
Chorale Unison

$9.99 9.55 € Chorale Unison PDF SheetMusicPlus

Guitar - Level 1 - Digital Download SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional,Irish,Traditional. Guitar Tab. 2 pages. Brian Streckfus #762722. Published by Brian Streckfus (A0.1162362). 1. Arranged for guitar. 2. Guitar TAB added. 3. Re-harmonized to be idiomatic for guitar and have more adventerous harmony. 4. Grace notes added.5. The grace notes, uncommon harmony, and overly drenched G major pentatonic sound lead to a more Irish/Celtic/Scottish idiom, as if this was written for bag pipes. 6. Too many versions of public domain songs will just phone in the chords in my opinion with a I IV and V7. This version is a bit jazzed up, which may not be what you looking for. If you are looking for real basic accompianiment this isn't the version for you, though I do try to use as many open strings on the guitar as possible, and the chords are often small.7. The other problem I often see with public domain songs is that the famous cowboy guitar chords most versions use lead to a lot of clunky part writing in my opinion (no thought of tendency tones, no thought of smooth voice leading, parralel 8ves and 5ths, doubled 3rds, etc). Those voicings are easier to sight-read, but are also not super creative, and as a teacher, I don't exactly want a student to see the same G Major voicing forever. That gives this false impression that that G major vocing is somehow superior. 8. Another small issue I see with public domain songs is that the vocal melody is sometimes not in the famous cowboy guitar chord. There is nothing wrong with that, and sometimes you want that, but since I like to train my singing with the help of my guitar, I like when arrangements make the vocal melody easy to add or remove on guitar. I can easily play a sophisticated solo version of this in a coffee shop, or I can just look at the chord nomenclature and see the song only from a rhythm section point of view when in a full band, when usually you purposely want to contribute less.9. Notes with an upward stem represent those notes being the original melody. This give arrangement a lot of replay value because a skillfull performer can improvise the background harmonies.
Auld Lang Syne
Guitare notes et tablatures

$2.99 2.86 € Guitare notes et tablatures PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726032 Composed by Traditional. Arranged by Todd Marchand. Christmas,Folk. Score and parts. 17 pages. Con Spirito Music #2958109. Published by Con Spirito Music (A0.726032). “On December Five-and-Twenty†brings together three folk tunes from different regions of Europe. The first, “Fum, Fum, Fum,†is a Catalan carol from northeastern Spain. The second, “Pat-a-Pan,†comes from the Burgundy region of east-central France. The third, “Touro-Louro-Louro!†comes from the Provence region of southeastern France.Each tune bears an onomatopoetic title (a word that phonetically imitates or suggests the source of the sound that it describes): The refrain “fum, fum, fum†in the Catalan carol is an onomatopoeia for the strumming of a guitar. “Pat-a-pan†— the title of the Burgundian carol — imitates the sound of a drum being struck. “Touro-louro-louro!†— the title of the Provencal carol — suggests the singing of birds. (A similar onomatopoeia, “turelurelu,†appears in “Pat-a-Pan,†suggesting the sound of a fife, or flute, being played.)This is a delightful arrangement that is enjoyable to play and pleasing to listeners. ©Copyright 2014 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
On December Five-and-Twenty (medley) - brass quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$15.00 14.33 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus


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