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Bass Clarinet,Piano - Level 4 - Digital Download

SKU: A0.549934

Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Easter,Instructional,Romantic Period,Standards. Score and part. 90 pages. Jmsgu3 #4303885. Published by jmsgu3 (A0.549934).

A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30

Pictures at an Exhibition (Картинки с выставки) by Modest Petrovič Musorgskij, 1874 (Модест Петрович Мусоргский)

Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto    page 1

1. GNOMUS (The Gnome)  Sempre vivo page 4

Promenade 2  Moderato commodo assai e con delicatezza page 10

 2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12

 Promenade 3 Moderato non tanto, pesamente page 18

 3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                                                            

 4. BYDLO (Cattle) Sempre moderato pesante  page 22

Promenade 4 Tranquillo page 26

5. Ballet of the Unhatched Chicks Балет невылупившихся птенцов Scherzino  page 27

6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир  Andante page 30

Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36

7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando   page 39

8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) Парижские катакомбы  Largo page 46

   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47

9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. Часы в русском стиле Allegro con brio, feroce page 50

10. The Bogatyr Gates (In the Capital in Kiev) Проект городских ворот в Киеве. Главный фасад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63

Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.


Mussorgsky: Pictures at an Exhibition for Bass Clarinet & Piano
Clarinette Basse, Piano

$32.95 31.35 € Clarinette Basse, Piano PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download

SKU: A0.549923

Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Holiday,Instructional,Patriotic,Romantic Period,Standards. 91 pages. Jmsgu3 #4302641. Published by jmsgu3 (A0.549923).

A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30

Pictures at an Exhibition (Картинки с выставки) by Modest Petrovič Musorgskij, 1874 (Модест Петрович Мусоргский)

Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto    page 1

1. GNOMUS (The Gnome)  Sempre vivo page 4

Promenade 2  Moderato commodo assai e con delicatezza page 10

 2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12

 Promenade 3 Moderato non tanto, pesamente page 18

 3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                                                             

 4. BYDLO (Cattle) Sempre moderato pesante  page 22

Promenade 4 Tranquillo page 26

5.  Ballet of the Unhatched Chicks Балет невылупившихся птенцов Scherzino  page 27

6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир  Andante page 30

Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 

7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando   page 39 

8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) Парижские катакомбы  Largo page 46

   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47

9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. Часы в русском стиле Allegro con brio, feroce page 50

10. The Bogatyr Gates (In the Capital in Kiev) Проект городских ворот в Киеве. Главный фасад  The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63

Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.


Mussorgsky: Pictures at an Exhibition for Violin & Piano
Violon et Piano

$32.95 31.35 € Violon et Piano PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.738395

Composed by Fiona Hickie. Baroque,Classical,Contemporary,Jazz. Score. 13 pages. Fiona Alice Hickie #6714313. Published by Fiona Alice Hickie (A0.738395).

A new version of Pictures of an Exhibition that reflects on what art galleries are like today. Why not take your audiences for a walk through the art gallery. It is composed for solo piano. It includes:
The Gallery - A majestic Walk through the gallery
The Ancients - Ancient artworks 0:41
Environmental Reflection - Artwork based on the environment .The outside parts mirror each other. This of the top side being a pretend image, while the reflection is the hidden destruction. 2:57
Baroque Masters - 5:37 Rite of Opinion - Based on the beautiful song, Clare de Lune'. Here it has been given the Stravinsky treatment to represent how some modern art seems abstract and not particularly pleasing to the eye, but becoming a talking point. 6:50
 By Popular Demand - Well think pop art; bright and cheery. 8:05.

Pictures at an Exhibition
Piano seul
Popular Demand - Well think pop art; bright and cheery 8:05
$7.99 7.6 € Piano seul PDF SheetMusicPlus

Percussion Octet - Level 5 - Digital Download

SKU: A0.1185106

Composed by Dan Cook. Chamber,Classical,Contemporary,Contest,Festival,Instructional. 86 pages. Pecan Valley Music #784785. Published by Pecan Valley Music (A0.1185106).

For percussion octet
duration; 11:05

crotales / handbells / vibraphone / marimba
(4) timpani / roto-toms / sand blocks / (3) flower pots
rainstick / claves / (2) bongos
boomwhackers (C maj. diatonic set, chromatics set, treble extension set)

Dragonfly, Perseverance, and Alvin: three probes exploring very different environments to learn more about our place in the universe.

Dragonfly is a rotorcraft expected to perform vertical take-offs and landings on the surface of Saturn's moon Titan in 2034. Titan is a world like our own with oceans, rivers, and lakes. On Titan though, our water cycle is replaced with hydrocarbons, it rains liquid methane, and the surface temperature averages -179 degrees Celsius. The first section of Probe features contrapuntal melodies with a set of roto-toms representing the probe, flower pots representing the possibility of something growing in such a frigid place, and a rainstick representing the potential food source for a hypothetical methanogen. 

Perseverance will roam the dry, dusty surface of Mars beginning in 2021 drilling and preparing samples that will, for the first time, be returned to Earth. Perseverance will also carry with it a small rotorcraft to prove the ability of flight within Mars’ thin atmosphere. In the second section, tonal harmony is replaced with sandpaper blocks, claves, and bongos with the roto-toms now playing the role of both the secondary rotorcraft and the Martian wind. 

Alvin has been ferrying explorers to the deepest parts of Earth's oceans and providing insights into the origins of life since the 1970s. The discovery of large tubeworms living in an environment without sunlight, thriving on the energy provided to them by hydrothermal vents on the ocean floor, changed our understanding of how life might thrive in many environments across the universe. The conclusion of Probe features Boomwhackers appearing as tubeworms.

Probe

$14.00 13.32 € PDF SheetMusicPlus

Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download

SKU: A0.1180477

Composed by John R. Sweeny, Robert Lowery, Robert Robinson, John Wyeth. Arranged by Ginny Saltzman. 19th Century,Christian,Praise & Worship,Religious. 12 pages. Ginny's House of Music #780380. Published by Ginny's House of Music (A0.1180477).

These are the 4 hymns in the colorized movie Stars in My Crown.

(1) Will There Be Any Stars in My Crown? - An old favorite simplified hymn arrangement on Late Elementary-Early Intermediate Level, in the Key of G, with lyrics and Guitar chords included. From the scriptures Daniel 12:3 And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. 1 Peter 5:4 And when the chief Shepherd shall appear, ye shall receive a crown of glory that fadeth not away. 1 Thessalonians 2:19-20 For what is our hope, or joy, or crown of rejoicing? Are not even ye in the presence of our Lord Jesus Christ at his coming? For ye are our glory and joy.

(2) Shall We Gather At The River? - An old favorite hymn with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and Guitar chords. Very special arrangement with duet notation using the Violin and Flute. From the scriptures Revelation 22: 1 And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb. 2 In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.

(3) Beulah Land - An old favorite hymn with simplified Late Elementary - Early Intermediate Level Piano Accompaniment, Lyrics, in the Key of G. From the scriptures Deuteronomy 8: 7 For the Lord thy God bringeth thee into a good land, a land of brooks of water, of fountains and depths that spring out of valleys and hills; 8 A land of wheat, and barley, and vines, and fig trees, and pomegranates; a land of oil olive, and honey; 9 A land wherein thou shalt eat bread without scarceness, thou shalt not lack any thing in it; a land whose stones are iron, and out of whose hills thou mayest dig brass. 10 ¶ When thou hast eaten and art full, then thou shalt bless the Lord thy God for the good land which he hath given thee. Isaiah 33:17 Thine eyes shall see the king in his beauty: they shall behold the land that is very far off.

(4) Come Thou Fount of Every Blessing - An old favorite hymn in the Key of C, with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and additional melody with the Bb Clarinet. From the scriptures 1 Corinthians 15:10 But by the grace of God I am what I am: and his grace which was bestowed upon me was not in vain; but I laboured more abundantly than they all: yet not I, but the grace of God which was with me.1 Samuel 7 :12 Then Samuel took a stone, and set it between Mizpeh and Shen, and called the name of it Eben-ezer, saying, Hitherto hath the Lord helped us.

Four Favorite Hymns from the Movie - "Stars In My Crown"

$7.99 7.6 € PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - Digital Download

SKU: A0.587539

Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 3 pages. David McKeown #4355095. Published by David McKeown (A0.587539).

The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop.  Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard.

This full version is arranged as a duet for Violin and Cello and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The complete performance on youtube and the short audio sample are from the Clarinet Duet version of this arrangement.

Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both parts enjoying melodic interest.

Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Trumpet Voluntary, (Prince of Denmark's March), Duet for Violin and Cello
Violon, Violoncelle (duo)

$4.60 4.38 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.1374158

Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Published by Arkady Leytush (A0.1374158).

This 4-part suite is called Serenade in A. This name, chosen by its author, completely exhausts the content of this music and emphasizes the main idea of the composition, as well as the tonality of all parts. Each part provides comprehensive details in this series and has its own title. I emphasize that this is by no means a programmatic essay. The nature of each part and their internal content pushed me to follow my interpretation of each part in the orchestral transcription. 1. Hymne is essentially nothing more than a Hymn of love! His character, sublime above the everyday, is, as it were, raised to the surface and presented in bright, broad strokes as an irrefutable truth. 2. Romanza - I perceive it as a kind of parody of a love romance with the main sentiments and elements inherent in this genre. This is by no means a refutation of love, but only some irony over the false, pretentious way of expressing this feeling. The grotesque character is emphasized whenever possible by the orchestration. 3. Rondoletto - this part, from the very beginning in my orchestration, resembles the multi-voiced play of musicians preparing to play, testing the sound of their instruments, tuning them and playing out. 4. Cadenza Finala - the nature of the music is the union and rapture of love. In my orchestration there can be traced duets of various instruments and orchestra groups such as: a pair of Flutes, a pair of Oboes, Clarinets, Trumpets, Trombones, 1st and 2nd Violins. This feature of the pairs I have chosen should emphasize their relationship and relatedness.

I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only Orchestre

$60.00 57.08 € Orchestre PDF SheetMusicPlus

Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download

SKU: A0.1156205

Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 43 pages. Socrates Arvanitakis #756519. Published by Socrates Arvanitakis (A0.1156205).

This is the seventeenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.

Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)

I Love My Love
I must live all alone
I saw a maiden
I will Give my Love an Apple
I will give you the keys of Heaven (Cheshire)
I wish I was Single Again
I wish I wish 1 (My True Love Once He courted Me 1)
I wish I wish 2 (My True Love Once He courted Me 2)
I wish I wish 3 (My True Love Once He courted Me 3)
I wish I wish 4 (My True Love Once He courted Me 4)
I Wonder as I Wander
I’ll Build Myself A Gallant Ship
I’ll Mount the Air on Swallow’s Wings [The Loyal Lover]
I’ll Tell You of a Fellow
I’m a Man that’s done wrong to my Parents
I’m A’ Doon For Lack of Johnnie
I’se the B’y That Builds the Boat
I’ve Set My Face For Zion’s Kingdom
In a British Man O’ War
In Bethlehem City
In Good King Arthur’s Time (King Arthur’s Servants)
In My Father’s Garden
In Nightly Stillness
Iron Horse (THE)
Isle of Dreams
It’s of a farmer all in the town.

Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)

$25.00 23.78 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.999879

Composed by William P. Gorton. 20th Century,Concert,Patriotic. Score. 3 pages. William P. Gorton #6116537. Published by William P. Gorton (A0.999879).

Freedom's Cost is a beautiful lament on the price that has been paid by the few for so many, full of irony. With an 18th-century text by William Collins, this art song has been written with the style Schubert in mind (it was a Composition Modeling class project I completed when working on my doctorate). Haunting and lugubrious, it captures the essence of the ironic text. This would be great material for a faculty or student conservatory recital, or a public art song concert. Very accessible for less-experienced singers, yet providing plenty of depth for interpretation.
Freedom's Cost
Piano, Voix

$4.95 4.71 € Piano, Voix PDF SheetMusicPlus

2 oboes, 2 clarinets, 2 horns and 2 bassoons - advanced to difficult - Digital Download

SKU: S9.Q47745

Arranged for wind octet by Sebastian Manz (2016). Composed by Jean Francaix. Arranged by Sebastian Manz. This edition: score and parts. Ein Stück arrangiert für Blasoktett von Sebastian Manz. Downloadable, score and parts. Duration 10 minutes. Schott Music - Digital #Q47745. Published by Schott Music - Digital (S9.Q47745).

The clarinetist and winner of the ARD music competition, Sebastian Manz, presents, with this arrangement, a virtuosic and varied expansion of the repertoire for wind quartet. The work by the only 23-year-old Jean Françaix, fascinating with its irony, is ideal as a charming opening piece or as an effective encore. In this arrangement with its multi-faceted instrumentation, each instrument can distinguish itself in an effective and varied way.

Petit quatour

$51.99 49.46 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.818377

By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 35 pages. Stephen R Dalrymple #6753169. Published by Stephen R Dalrymple (A0.818377).

Infinite, Eternal, Invisible, Undetectable God
♫ original song by Stephen R Dalrymple
♫ based on 2 Chronicles 2:6, John 1:18, John 4:24
♫ CCLI song # 7193328
♫ Does God, the Creator of the Universe, have a face, eyes, ears, hands, arms, and feet? (Eze 39:29, Ps 34:15, Isa 59:1, Ps 98:1) Does He have wings like a chicken that He uses to comfort us? (Ps 91:4) Does He travel on the back of a cherub? (Psalm 18:10) Are the clouds a hiding place for God? (Job 22:14) Is His residence a place called heaven? Is the earth the footstool of His throne? (Isaiah 66:1) Does God change His mind? (Ex 32:14)
♫ The poetry of the Bible, (like other ancient literature) is full of figures of speech. Figures of speech explain things in words and ideas we can understand. The Bible abounds in figures of speech such as simile (comparison using like or as), metaphor (comparison not using like or as), synecdoche (using a part for the whole), deliberate hyperbole [obvious exaggeration], verbal irony (the tone of voice tells that the speaker means the opposite of the words he or she is using), personification (attributing human features or feelings to animals or inanimate objects), anthropomorphism / anthropopathism (gives human attributes, feelings to God.) [or animals, inanimate objects, cartoon characters.]
♫ God is spirit. (John 1:18, John 4:24) He is infinite, eternal, invisible, undetectable. The humanlike descriptions of God are actually figures of speech that help us understand and identify with Him. Descriptions of God’s eyes, arms, feet, wings, etc. are all figures of speech that tell us God is present everywhere, sees everything, hears everything, and cares about every part of his creation. (God is imminent).
♫ The heavens, even the highest heavens cannot contain Him. (2 Chronicles 2:6, 6:18) God is separate from the universe. (God is transcendent.) Scientific measurements cannot detect Him because He is not in the universe, the universe is in Him.
♫ Just as you can feel your fingers and your toes at the same time, God knows what is happening in every atom of the universe simultaneously. Back to the original question.
♫ After swimming laps in our local pool, I like to float on my back a bit. It reminds me that as the water surrounds me and supports me, so I am constantly encircled and upheld by God’s actual presence
♫ music © 2022 Stephen R Dalrymploe
♫ recording ℗ 2022 Stephen R Dalrymple
♫ presentation © 2022 Stephen R Dalrymple
♫ sequenced by the composer
♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).

Infinite, Eternal, Invisible, Undetectable God
Piano, Voix
Stephen R Dalrymple
$4.50 4.28 € Piano, Voix PDF SheetMusicPlus

Level 2 - Digital Download

SKU: A0.1128114

Composed by Igor Korneitchouk, Chad Mealey. 20th Century,Comedy,Contemporary,Spiritual. 28 pages. Studio at the Post #728730. Published by Studio at the Post (A0.1128114).

Duration: variable for each piece, 18 pp. Description: Seven works by the group touch me hear. Feel the art hear the art be the art. At the turn of the century (20th to 21st century, for you music history buffs) Igor Korneitchouk and Chad Mealey formed the group touch me hear with friends Dennis Aman and Jim Soe Nyun, and, with technical and musical assistance of various music faculty and students of San Diego Mesa College, presented concerts of new conceptual music/conceptual art/performance art. (The taxonomy and distinctions between such categories can be debated; we leave it to those who like to create new theory to follow our new practice.) The group was dedicated to the idea that such new music can and should be presented to an appreciative yet unsuspecting audience that rises to the challenge when put to the test. Indeed, a major feature of many of the works exhibited relies on the performance by the audience to entertain us and themselves. Thus, down comes the fourth wall. If you truly listen, as John Cage would encourage, the conceptual can sound just as fascinating, the visual display just as spectacular, the serendipitous theater just as dramatic, as the idea is imaginative. “Music is all around us, if only we have ears...” (to quote John Cage). Here are some of the original works of those concerts. Ironically, one in particular dispenses with the idea of an “audience”. It is the tree that falls in the forest (or desert) no one hears. NO RECORDINGS OF ANY OF THESE PIECES EXIST; BE THE FIRST TO RECORD THESE!

touch me hear: a collection of conceptual compositions

$5.02 4.78 € PDF SheetMusicPlus


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