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Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi...  Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
David Warin Solomons
$5.50 4.71 € PDF SheetMusicPlus

Cello Duet Cello - Level 4 - Digital Download SKU: A0.870441 By Katherine L Fraser. By Katherine L Fraser. Arranged by Katherine L Fraser. Classical,Contemporary,Romantic Period,Wedding. Score. 14 pages. Katherine L Fraser #1998665. Published by Katherine L Fraser (A0.870441). This duet for two cellos travels through several key signatures, tempos and moods. It is appropriate for two intermediate cellists. Note that Cello Part II is slightly more challenging to play than Part I. Both parts offer a chance at the melody and harmony – watch for accidentals. This piece is ideal for special functions, weddings, church services, as background music, or for student recitals.  The home recording, attached, offers an idea of tempo and dynamics.  The video follows the sheet music.  Enjoy!
Music in Variations for Two Cellos
2 Violoncelles (duo)
Katherine L Fraser
$8.00 6.86 € 2 Violoncelles (duo) PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher.  The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre

$38.95 33.38 € Orchestre PDF SheetMusicPlus

Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella. Score and parts. 22 pages. Guido Menestrina #516705. Published by Guido Menestrina (A0.828718). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà. Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà, poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://youtu.be/qjcFrb638VI or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/leonardo-leo-dixit-dominus-4a-parte-quartetto Score includes: - full score - strings part - oboi par.
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)

$12.99 11.13 € PDF SheetMusicPlus

Cello,Flute,Guitar - Level 3 - Digital Download SKU: A0.1396718 By Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo García (cello). By Traditional. Arranged by David Warin Solomons. Jewish,Multicultural,Praise & Worship,Sacred,World. Full Performance. Duration 282. David Warin Solomons #980060. Published by David Warin Solomons (A0.1396718). Arrangement of one of the traditional melodies for the Jewish prayer Adon Olam (Eternal Lord) performed by the Cámara Klezmer Trío:Pablo Sanhueza Tohá (flute), Michel Bert (guitar) and Rodrigo García (cello)Adon olam, asher malach,b'terem kol y'tzir nivra.L'et na'asah v'cheftzo kol,azai melech sh'mo nikra.V'acharey kichlot hakol,l'vado yimloch nora.V'hu haya, v'hu hoveh,v'hu yih'yeh b'tifara.V'hu echad, v'eyn shenil'hamshil lo, l'hachbira.B'li reishit, b'li tachlit,v'lo ha'oz v'hamisrah.V'hu Eli, v'chai go'ali,v'tzur chevli b'et tzarah.V'hu nisi umanos li,m'nat kosi b'yom ekra.B'yado afkid ruchib'et ishan v'a'irah.V'im ruchi g'viyati,Adonai li v'lo ira. The Lord of the Universe who reignedbefore anything was created.When all was made by his willHe was acknowledged as King.And when all shall endHe still all alone shall reign.He was, He is,and He shall be in glory.
Variations on Adon Olam for flute, cello and guitar (mp3)
Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo García (cello)
$5.50 4.71 € PDF SheetMusicPlus

Organ - Level 3 - Digital Download SKU: A0.1421836 Composed by Gaelic 19th cent. and Lynn L. Petersen. Arranged by Lynn L. Petersen. Celtic,Christian,Irish,Praise & Worship,Sacred,Traditional. Score. 4 pages. Lynn L. Petersen #1003183. Published by Lynn L. Petersen (A0.1421836). An organ introduction and alternate accompaniment for one stanza of congregational singing of the hymn “This Is My Will†(SUANTRAI).  The introduction and accompaniment are independent and may be inserted or repeated as desired.  Material from the introduction may also serve as an interlude between stanzas.  The score is written on three staves, with left and right hands playing on one manual and the pedal part on the bottom staff.
This Is My Will (SUANTRAI)
Orgue

$2.99 2.56 € Orgue PDF SheetMusicPlus

Cello,Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.1454076 Composed by Ludwig van Beethoven. Arranged by Dina H. L. Slechta. Classical,Religious,Wedding. 13 pages. Dina H. L. Slechta #1033250. Published by Dina H. L. Slechta (A0.1454076). A joyful piece in the Wedding Music Series, Ode To Joy by Ludwig van Beethoven is arranged here by ArrangeMe.com arranger, Dina H. L. Slechta, for Violin/Flute and Cello Duet.  The approximate playing time for Ode To Joy is three and a quarter minutes for the entire piece without repeat, seven and a half minutes with the repeat.  Rehearsal letters are provided at the beginnings of phrases to allow some possibilities for starting and stopping places within the arrangement for different times needed in weddings.  Ode To Joy was arranged with the intention for use as a recessional piece, but also works well as a prelude.The Violin/Flute part was arranged to switch back and forth between violin and flute, but can be played entirely by either instrument.Cover, Score, Violin and/or Flute, and Cello Parts - altogether 13 pages.Recommended for late intermediate to advanced musicians.
Ode To Joy
Flûte, Violoncelle

$9.99 8.56 € Flûte, Violoncelle PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1104992 By David L Turkheimer. By J.S., Bach and Robert Schumann. Arranged by David L Turkheimer. Baroque. Individual part. 4 pages. David L Turkheimer #708235. Published by David L Turkheimer (A0.1104992). The original 3rd suite for cello by Bach is a masterpiece of writing for a melodic instrument. While fun to play on guitar, its plucked single notes do not take advantage of the harmonic depth which the guitar can deliver. Robert Schumann wrote a piano accompaniment for this suite that provides harmony. This arrangement mines this to show what the guitar can bring. The music has been transposed to A; standard tuning. The other movements are also available.
Cello suite 3 for guitar - gigue
Guitare
David L Turkheimer
$2.00 1.71 € Guitare PDF SheetMusicPlus

Marimba Solo - Level 1 - Digital Download SKU: A0.1365155 Composed by Béla Ugró. 21st Century,Children,Classical,Multicultural,Traditional,World. Individual part. 45 pages. Bela Ugro #949463. Published by Bela Ugro (A0.1365155). Embark on a melodic journey with Happy Mallets - Songs and Song Arrangements for 4.1/3 Octave Marimba, a delightful collection crafted by the talented composer Béla Ugró. This sheet music compilation offers a diverse array of tunes, spanning from traditional melodies to original compositions, each carefully arranged for the enchanting tones of the 4.1/3 Octave Marimba with a total of 45 pages.Content: have you ever seen this (gyakorlat) where are you going, little kid? (hová mégy te kisnyulacska?) the candle is burning (ég a gyetya ég) even they say (még azt mondják) oops juliska (hopp juliska) cickom, cickom (cickom, cickom) little kece daughter (kis kece lányom) hey tulips, tulips (hej tulipán, tulipán) i picked flowers from the garden (kertbe virágot szedtem) there’s a catfish in the water (harcsa van a vízbe) dance (tánc) lacrimosa yellow corn fiber (sárga kukoricaszál) spring wind (tavaszi szél) three songs (három dal): it blows from above (felülről fúj), my sweet friend (kincsem komámasszony) i am not (nem vagyok én) noveletta flea market (bolhapiac) argentine summer shower (nyári zápor) greeting (köszöntő) the citrus tree (a citrusfa) dance house (táncház) nights in kapolcs (kapolcsi éjszakák) farewell (búcsú) bamby rome (róma) Béla Ugró's intricate arrangements bring these melodies to life, providing marimba enthusiasts with a captivating repertoire that spans various genres and cultural influences. Happy Mallets is not just sheet music; it's an invitation to explore the diverse sounds and emotions encapsulated within each composition.Happy Mallets - Songs and Song Arrangements for 4.1/3 Octave Marimba invites young learners and educators to dive into the fascinating world of percussion, where each piece becomes a stepping stone in their musical education. With its engaging compositions, this sheet music promises an enjoyable and educational experience for aspiring percussionists of all ages.Keywords:Marimba Sheet MusicBéla Ugró Compositions4.1/3 Octave Marimba SolosMelodic Marimba ArrangementsPercussion Ensemble PiecesDiverse Cultural MelodiesEducational Marimba MusicOriginal Sheet Music CollectionEnchanting Melodies for MarimbaBéla Ugró Happy Mallets.
Happy Mallets - Songs and Song Arrangements for 4.1/3 Octave Marimba
Marimba

$13.00 11.14 € Marimba PDF SheetMusicPlus

String Ensemble Cello Duet - Level 3 - Digital Download SKU: A0.1282847 By Eric Weissberg & Steve Mandell. By Arthur Smith. Arranged by Dina H. L. Slechta. Country,Film/TV,Folk. 14 pages. Dina H. L. Slechta #874088. Published by Dina H. L. Slechta (A0.1282847). From Cello Duet to Mixed Level Cello Choir, options abound in this exciting Dueling Banjos arrangement for Cellists.  Twenty-six marked solo options provide a range of opportunities to allow a beginner to participate (Solo 7) in a small way, to solos for intermediate students with fingerings in upper second and upper third positions and one in tenor clef (Solo 14) to a more advanced student shifting in and out of thumb position (Solo 19).  The refrain is more of an intermediate level requiring extensions and use of upper second position, about the level of Suzuki Vol. 2 or above, putting Vol. 2 students on the Cello 2 part.  For use as a duet, Cello 1 is of the level of Suzuki Vol. 6 or above, and Cello 2 of the level of Suzuki Vol. 4 or above.Dueling Cellos is an arrangement of the Bluegrass favorite, Duelin’ Banjos, written by Arthur Smith, and arranged under arrangeme.com, by Dina H. L. Slechta, for Cello Duet to Mixed Level Cello Choir.  It comes with one copy of the score and three copies of each part, for up to a six person cello choir.
Duelin' Banjos
Eric Weissberg & Steve Mandell
$12.99 11.13 € PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.869642 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 66 pages. Thomas Oboe Lee #5302511. Published by Thomas Oboe Lee (A0.869642). I saw an obituary in the New York Times entitled Overlooked No More: Claude Cahun, Whose Photographs Explored Gender and Sexuality.  I was so fascinated by the article that I went and purchased a book of her poems and writings.  Within it I found a series of poems under the subtile of Délectations Moroses that were truly fantastic.  A year ago I wrote a work for soprano and string quartet titled Gaspard de la Nuit on a set of poems by Aloysius Bertrand.   Ravel's Gaspard de la Nuit is for solo piano, a set of tone poems inspired by the poems of the same A. Bertrand.  I enjoyed my Gaspard so much that I wanted to write another work for soprano and string quartet, this time using these fascinating poems by Claude Cahun.The work is in seven movements.1. Allegro  (de l'oubli)2. Largo    (de l'oubli)3. Allegro con moto    (d'un enfant difficile)4. Moderato   (de l'amour)5. Moderato   (de l'art)6. Allegro   (Vocation)7. Adagio   (Quatrième dimension)Enjoy!!!Duration: 27 minuteshttps://thomasoboelee.bandcamp.com/album/aveux-non-avenus-2020-for-soprano-and-string-quartet
Aveux Non Avenus (2020) for soprano and string quartet
Orchestre de chambre

$9.99 8.56 € Orchestre de chambre PDF SheetMusicPlus






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