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Brass Ensemble Horn - Level 1 - Digital Download SKU: A0.1038577 Composed by Gioachino Rossini. Arranged by Alessandro Macrì. Classical,Film/TV,Romantic Period. Score and parts. 8 pages. Music Macri Editions #643187. Published by Music Macri Editions (A0.1038577). L'ouverture del Guglielmo Tell (titolo originale francese Guillaume Tell), è il brano orchestrale introduttivo dell'opera composta da Gioachino Rossini. L'opera debuttò nel 1829 ed è stata l'ultima delle 39 opere composte da Rossini, dopo la quale si ritirò dal panorama melodrammatico, continuando a comporre cantate, musica sacra e musica vocale profana. L'Ouverture è in quattro parti, ciascuna collegata musicalmente all'altra senza pause. All'interno della storia della musica colta, della cinematografia e dei media c'è stato un uso ponderoso del brano (e talvolta della parodia) o di parti di esso. Divenne famoso nel mondo popolare come tema musicale per Lone Ranger in radio, televisione e cinema. Due parti differenti sono stati utilizzate anche come tema musicale per la serie televisiva britannica Le avventure di Guglielmo Tell, la quarta parte (popolarmente identificata negli Stati Uniti con The Lone Ranger) nel Regno Unito, e la terza parte, riarrangiata come una marcia, negli Stati Uniti.
William Tell Overture

$7.00 6.01 € PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.1511019 Composed by Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Praise & Worship,Traditional,World. 8 pages. Keith Terrett #811977. Published by Keith Terrett (A0.1511019). An arrangement for String Orchestra of the national anthem of Finland. There are also versions for Brass Quintet & Symphony Orchestra in my two stores.Maamme (Finnish: [?m??m?e]) or Vårt land (Finland Swedish: [?vo?rt ?l?n?d]; both meaning Our Land) is Finland's national anthem. The music was composed by the German immigrant Fredrik Pacius, with (original Swedish) words by Johan Ludvig Runeberg, and with this music it was performed for the first time on 13 May 1848. Originally it was written for the 500th anniversary of Porvoo and for that occasion it was Runeberg himself who wrote the music.The poem has been influenced by the Szózat (Appeal) of Mihály Vörösmarty, both in style and content.[The melody of Maamme is also used for the national anthem of Estonia with a similarly themed text, Mu isamaa, mu õnn ja rõõm (My Fatherland, My Happiness and Joy, 1869).It is also considered to be the ethnic anthem for the Livonians as Min iz?m? (My Fatherland).The original poem, written in 1846 but not printed until 1848, had 11 stanzas and formed the prologue to the verse cycle The Tales of Ensign Stål (Fänrik Ståhls Sägner), a classic example of Romantic nationalism. The current Finnish language text is usually attributed to the 1889 translation of Ensign Stål by Paavo Cajander, but in fact originates from the 1867 translation by Julius Krohn.The Tales of Ensign Stål were much appreciated throughout all of Scandinavia. Up until the time of Finland's independence in 1917 and 1918, when the song began to be recognized as specifically applying to Finland, Pacius's tune and Runeberg's text were often also sung in Denmark, Norway, and Sweden. Note that in the original Swedish text there is no reference to Finland (except for in verses 4 and 10, which are rarely sung), only to a country in the north, but the Finnish text explicitly refers to Finland. The poem's theme is, furthermore, remarkably similar to that of the national anthems of Sweden (Du gamla, Du fria) and Norway (Ja, vi elsker dette landet).[citation needed]There is no law regarding an official national anthem in Finland, in the way the coat of arms and flag of Finland are legally defined. Instead its position has been established gradually by convention over the years.Today, Maamme is firmly established by convention. Children learn it in school; in formal occasions it is sung both in Finnish and in Swedish. It is played at sporting events, such as the Olympics. In the 1880s and in the 1920s there were more attempts to replace it with a Finnish language version but these ceased by the 1930s. Some Finns have proposed that the Finnish national anthem be changed to Finlandia by Jean Sibelius, with lyrics by V.A. Koskenniemi (Finnish) and Joel Rundt (Swedish). There are also those who simply prefer Finlandia as a musical piece, although critics claim that it is difficult to sing.[citation needed]It is said that Pacius composed the tune in four days. It was popular throughout the 19th century, but established as national anthem only after Pacius' death.The melody of Maamme has similarities with the German drinking song Papst und Sultan. Many believe that Fredrik Pacius intentionally or unintentionally copied parts of the tune. Another Finnish patriotic song, Sotilaspoika, composed by Pacius, also includes similarities with Papst und Sultan.[citation needed]During 1993, an instrumental version of Maamme was used as Finnish professional wrestler Tony Halme's (under the ring name Ludvig Borga) entrance theme Love anthems, then join me on twitter, facebook, instagram & soundcloud for updates.
Finnish National Anthem for String Orchestra

$8.99 7.72 € PDF SheetMusicPlus

Small Ensemble Cello,Medium Voice - Level 3 - Digital Download SKU: A0.1503292 By Michael Card. By Michael Card. Arranged by Dina H. L. Slechta. Christian,Pop,Praise & Worship,Sacred,Wedding. 35 pages. Dina H. L. Slechta #1078777. Published by Dina H. L. Slechta (A0.1503292). Joy in the Journey by Michael Card, arranged here in C Major by ArrangeMe.com arranger, Dina H. L. Slechta, is flexible for Three-Part Mixed Level Cello Choir, or Two Cellists with Mezzo-Soprano Vocalist, or Two-Part Mixed Level Cello Choir with Mezzo-Soprano Vocalist.  The Mezzo-Soprano Vocalist Part covers a range from G3 to D5.  The Cello parts are leveled to allow for players of mixed levels to play together.  The Cello 1 part is playable by Suzuki Volume 6 Level or above cellists, reading treble and bass clefs.  The Cello 1 part is melody except at the beginning and at the end.  If using a Vocal Soloist, one may want to leave out all but the beginning and end of the Cello 1 part, or could even leave out all of the Cello 1 part.  The Cello 2 part is playable by Suzuki Volume 3 Level or above cellists, reading bass clef.  The Cello 3 part is playable by nearing the end of Suzuki Volume 1 Level or above cellists, reading bass clef, providing practice in reading in 3/4, slurs, ties, counting rests, and playing lower notes.Joy in the Journey is a lovely piece to play as a Wedding Prelude.  It can also be used during a Wedding Ceremony, especially with a vocalist.  It also makes a great Musical Offering during a regular church service.  The approximate playing time is three minutes.1-Score, 4-Cello 1, 4-Cello 2, 4-Cello 3, 1-Mezzo-Soprano Vocalist - altogether 35  pages.Three-Part Mixed Level Cello Trio to 12 Person Mixed Level Cello Choir, or Two Cellists with Mezzo-Soprano Vocalist, or Two-Part Mixed Level Cello Choir with Mezzo-Soprano Vocalist.
Joy In The Journey
Michael Card
$19.99 17.16 € PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.918154 Composed by Christy L'Esperance. Concert,Instructional,Latin,Standards,World. Score and parts. 4 pages. Christy L'Esperance #5802347. Published by Christy L'Esperance (A0.918154). The first of Three Spice Duets, Ground Cumin evokes the rhythms and melodies of Spain and Portugal. Techniques explored are syncopation, varied articulation, and navigating multiple voicing in one hand (secondo). The melody is featured in both primo and secondo parts. Mid- to Late- Intermediate piano duet, excellent recital repertoire or for duet contests requiring contemporary American composers' works. The Three Spice Duets collection is best performed as a complete set. Look for Hungarian Paprika and French Vanilla by Christy L'Esperance, also available on Sheet Music Plus.
Ground Cumin

$4.99 4.28 € PDF SheetMusicPlus

Organ - Level 3 - Digital Download SKU: A0.1110104 Composed by Various, Lynn L. Petersen. Arranged by Lynn L. Petersen. Christian,Praise & Worship,Religious,Sacred. Score. 26 pages. Lynn L. Petersen #712436. Published by Lynn L. Petersen (A0.1110104). Three Communion hymns are arranged for organ in chorale prelude style, with phrases of the hymn tune soloed out. The tunes are DU LEBENSBROT HERR JESU CHRIST (G Major), FARLEY CASTLE (C Major), and JESUS CHRISTUS UNSER HEILAND (F Major). Two settings are provided for each hymn tune, in a variety of styles and textures, with simple registration. Setting 1 is for manuals only and Setting 2 is for manuals plus pedal. Each setting is 3-4 pages long, written on two or three staves, and suitable for a two-manual organ.Each set is also available separately:DU LEBENSBROT HERR JESU CHRISTFARLEY CASTLEJESUS CHRISTUS UNSER HEILAND
Hymn Preludes for Holy Communion
Orgue

$15.99 13.73 € Orgue PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.973242 Composed by Ludvig van Beethoven and Lynn L. Petersen. Arranged by Lynn L. Petersen. Chamber,Classical,Contemporary,Contest,Festival. 19 pages. Lynn L. Petersen #5993635. Published by Lynn L. Petersen (A0.973242). Based on themes from the popular piano solo by Beethoven, this tongue-in-cheek arrangement incorporates snatches of the famous tune with altered rhythm and meter.  Duration 2:58.  Advanced.  Suitable for recitals or concerts.  May be performed as part of a suite with companion arrangements of Gentle Annie and Oh! Susanna.  Available separately for brass quartet.
Für Elise for brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$11.99 10.29 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.
Lua para o Epilogo de Verão (Août)
Guitare

$5.95 5.11 € Guitare PDF SheetMusicPlus

Piano - intermediate - Digital Download SKU: S9.Q25583 14 famous classical pieces, original version + jazzy arrangement. Composed by Uwe Korn. Arranged by Uwe Korn. This edition: Sheet music. Jazz rock - classic - music history. Downloadable. Op. Vol. 2. Schott Music - Digital #Q25583. Published by Schott Music - Digital (S9.Q25583). 14 famous themes from music history, from Bach to Offenbach, each with its own jazzy interpretation - just as in Vol. 1. This edition shows that 'classical music' and jazz are not that distant from one another after all. Just imagine Grieg's Piano Concerto played on a bandoneon - and you have got the perfect tango! Brahms' Hungarian Dance No. 1 is also ideal as a salsa ('Hungarian Salsa No.1'). Schubert's trout suffers a terrible fate, here it may continue to live in a lively ragtime ('Fish Rag'). With Mozart, the night is merry and friendly. but 'A Black Night Music' shows its dark side.Quatorze célèbres thèmes de l'histoire de la musique, de Bach à Offenbach, à chacun duquel est jointe une interprétation jazzy. Il devient ainsi clair que classique et jazz ne sont pas si éloignés l'un de l'autre ! La 1ère Danse hongroise de Brahms se prête merveilleusement à la salsa (Salsa hongroise n° 1). La nuit, claire et sereine chez Mozart, montre son côté sombre dans A Black Night Music.Le CD joint propose une interprétation des morceaux.
Classics meet Jazz
Piano seul

$15.99 13.73 € Piano seul PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1104968 By David L Turkheimer. By J.S., Bach and Robert Schumann. Arranged by David L Turkheimer. Baroque. Individual part. 3 pages. David L Turkheimer #708210. Published by David L Turkheimer (A0.1104968). The original 3rd suite for cello by Bach is a masterpiece of writing for a melodic instrument. While fun to play on guitar, its plucked single notes do not take advantage of the harmonic depth which the guitar can deliver. Robert Schumann wrote a piano accompaniment for this suite that provides harmony. This arrangement mines this to show what the guitar can bring. The music has been transposed to A; standard tuning. The other movements are also available.
Cello suite 3 for guitar - Courante
Guitare
David L Turkheimer
$2.00 1.72 € Guitare PDF SheetMusicPlus






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