Guitar,Piano - Level 3 - Digital Download SKU: A0.1491751 Composed by Akira Senju. Arranged by Jorge Luis G G. Film/TV. Score and part. 4 pages. Jorge G. G. #1068427. Published by Jorge G. G. (A0.1491751). Piano And Guitar - Level IntermediateComposed by Akira Senju. Arranged by Jorge Luis G G. Film/TV. Score. 4 pages. Arrangement for piano and guitar for Crime and Punishment from the Fullmetal Alchemist Original Soundtrack by Akira Senju.This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of popular titles and original compositions from a variety of voices and backgrounds. The length, difficulty, and retail pricing are determined solely by the discretion of the person who arranged or composed it.About Digital DownloadsDigital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students). This information was used thanks for the ArrangeMe user Clara Koszegi, who puts the clarities about the sheet downloading in shes works.

Piano - Digital Download SKU: A0.1066752 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 355. THEMIS KOUTRAS #5195065. Published by THEMIS KOUTRAS (A0.1066752). This a song in parable inspired by the holy spirit and a PROMISE of GOD that it is a prophesy song that we will progress to the space mission even to reach beyond the universe and creating new world up there as finishing the work GOD began to do to other worlds is that it is a sign up there he left it unfinished work he finished earth so to see how determined planet earth is to learn of him and take after the real true GOD rather then false gods to see if we will finish off those worlds up there in order to transport life there from here declairing these new worlds will then be part of planet earth the space mission today has the ability power to do this and I beleive one day they will do this it has a final meaning that the space ships will mean we will travel without tecknolodgy it be that the nick name space ship is given by me for the name of the holy spirit because his beyond all powerful I know in parable because he will accend us up high without a space ship as he already has for me for I been in the always given eternal life I have now returned back hewre the moment I left in time and space ye true ye I have been everywhere up there by the power of the holy spirit as he accended me up high in the always

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1348667 By CoMA Singers. By Dominic McGonigal. 21st Century,Classical,Contemporary. 3 pages. C8 Music #933449. Published by C8 Music (A0.1348667). On The Beach takes its inspiration from waves, lapping on the beach, overlapping and creating undercurrents. There is always movement, revolving around a rhythmic and harmonic constant. The melodic fragments allow the singers to paint their own picture, one brush stroke at a time. Written in open score, there is a randomness, determined by the performers overlapping and interacting. Scored for 6+ voices. 3' - 6' (depending on the conductor). More at www.dominicmcgonigal.com.

Violin Solo - Level 1 - Digital Download SKU: A0.1018547 Composed by Gershon Wolfe. 20th Century,Baroque,Classical,Contemporary. 3 pages. Gershon Wolfe #2016879. Published by Gershon Wolfe (A0.1018547). This piece of music is composed for solo violin. An atonal structure having no reference to any particular key. Using the octatonic scale (i.e. set class [013568A]), as the fundamental structure, and then growing each note in the scale with pre-determined set classes creates this pattern of phononic sound. Using set classes [027], [012], and the complement of set class [027], which is [01235678A], creates the harmonic structure for this piece. Set class [027] is interesting because it contains an axis of inversional symmetry, and hence, has a relation to set class [012]. Elements of the twelve-tone-technique, such as prime form, retrograde, inversion, and retrograde inversion, are used to add depth and dimension to this piece. The difficulty of this piece is classified as: easy to play. Two pages in length and contains 52 bars of notation. The sound is a bit creepy with bursts of tonic fluorescence. Please enjoy playing this composition for solo violin. Sincerely, Gershon Wolfe, Ph.D.

Brass Ensemble - Level 4 - Digital Download SKU: A0.492140 Composed by African American Spiritual. Arranged by Keith Loftis. Contemporary,Jazz,Praise & Worship,Spiritual,Traditional. Score and parts. 17 pages. Keith Loftis #107487. Published by Keith Loftis (A0.492140). This lively arrangement contains multiple harmonic and rhythmic textures that reflect something of the roots of this well known African American Spiritual. Known as an invitation song, used by Harriet Tubman to invite slaves to follow her to the promised land, the music reflects something of the dangerous, desperate and sometimes chaotic flight to freedom. Various instruments take turns telling the story in this sometimes determined, sometimes mysterious music.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1014887 Composed by Hyun Kook. A Cappella,Broadway,Holiday,Jazz,Pop,Wedding. Octavo. 17 pages. Hyun Kook #4414485. Published by Hyun Kook (A0.1014887). Lyrics: Cindy Ovokaitys This interesting, jazzy a cappella work follows the typical jazz chord and harmonies like many barbershop choral works for ensemble. After the basic sketch of the melody and structure, this piece was handed to the lyricist, Cindy Ovokaitys and after her extensive work, the beautiful and funny text that fits extremely well to the music was completed. Many scat words were determined after extensive discussion between the lyricist and the composer. A sensitive understanding of the jazz chords and hard shuffle rhythm are required for better performance. The soli could sing the melodies greasily or oily for better expression. Composed November 25, 2017 Recordings: Kammerchor Manila (Philippines) Conductor: Anthony G. Villanueva Soli: Ma. Eloisa Contreras (alto) & Darwin Lomentigar (baritone)   Recording venue: The University of Santo Tomas Museum / June 2, 2018  

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1170432 By Alessia Cara. By Lin-Manuel Miranda. Arranged by Matt Astle. A Cappella,Barbershop,Broadway,Contest,Festival,Film/TV,Musical/Show. Octavo. 8 pages. Matt Astle Music #770801. Published by Matt Astle Music (A0.1170432). This arrangement of Moana's determined anthem will excite and inspire your audience.  Also available with quartet pricing.

Piano Solo - Level 4 - Digital Download SKU: A0.1292437 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883010. Published by Brian Golden (A0.1292437). Prelude 21 in D Major Mixolydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.

Recorder Quartet Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download SKU: A0.1083527 Composed by Alfonse X of Castille, el Sabio. Arranged by Cody Sibley. Classical,Renaissance. Recorder Ensemble. 11 pages. Drachen Music #687370. Published by Drachen Music (A0.1083527). The Cantigas de Santa Maria, or “Canticles of Holy Mary�, is a collection of over 400 poems set to music. The text of the Cantigas is written in the medieval Galician-Portuguese language. The poems were collected during the reign of Alfonso X of Castile El Sabio (1221–1284) and are characterized by the fact that every one of them mentions the Virgin Mary (with over 300 being about miracles) and that every tenth poem in the collection is an actual hymn. Alfonso sent scribes throughout the region to collect these poems and thus it is not only one of the largest collections of monophonic songs from the Middle Ages it is also one of the first mass collections of living culture in history. Though all are attributed to Alfonso, it has been determined that much of the musical notation, scribing, and illumination was completed by artisans of his court.  This arrangement FEATURES Full Score and Individual Parts for one cantiga as Interpreted by the Arranger from the Original Mensural Notation into a performance quality arrangement for SATB recorders. The title in this arrangement is: 019. Fran Sandece Faz Quen Se This Cantiga de Santa Maria song is also included in the collection titled: Cantigas de Santa Maria for Recorder Quartet Volume 02 which includes a total of 10 individual arrangements from the source material. Note: Song titles are medieval Galician-Portuguese language and are derived by the arranger from the first line of each cantiga lyric. This is another great sheet music arrangement from Drachen Music.

Marimba Solo - Digital Download SKU: A0.955429 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 10 pages. Neal Fitzpatrick Editions #6053767. Published by Neal Fitzpatrick Editions (A0.955429). This is Impromptu No.19 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Small Ensemble Flute,Harpsichord,Marimba,Multi-Percussion - Level 4 - Digital Download SKU: A0.836702 Composed by Brian Joyce. Contemporary. Score and parts. 45 pages. Brian Joyce #2897325. Published by Brian Joyce (A0.836702). It’s a brave musician who, armed only with a piccolo, is willing to walk onto a stage strewn with the assorted weaponry of a determined percussionist. One’s confidence can be shaken to the point of asking, who is the soloist here, anyway?But the rewards for courage are great: where else will you find bongos, a harpsichord and a piccolo performing together? How many times do you come across a military march in 3/4 time? In what other circumstances would Goldilocks intrude on the Seven Dwarves? What more could you ask?Percussion required (one player): marimba, glockenspiel, field drum, bongos, suspended cymbal with yarn sticks, sleigh bells, maracas (1 or 2, one hand).Piccolos required: one (1).The score assumes a five-octave double-manual harpsichord, but adjustments can be made to accommodate a single without appreciable harm to the music.The audio file accompanying this blurb features snippets of the 1st, 2nd, 4th, 6th and 7th movements.  Performance time is approximately 12 minutes. Good luck!

Erhu,Instrumental Solo - Level 3 - Digital Download SKU: A0.1237564 Composed by Toby Fox. Arranged by �竑瑞. Multicultural,Video Game,World. Individual part. 2 pages. Erhu4All #833078. Published by Erhu4All (A0.1237564). The popular Undertale meme now on erhu! I added some new melodies, so feel free to use the attached video for reference. Happy playing, and stay determined :D.

Piano Solo - Level 4 - Digital Download SKU: A0.998749 Composed by Robert A. Howard. 20th Century,Contemporary,Standards. Score. 5 pages. Robert A. Howard #5722603. Published by Robert A. Howard (A0.998749). Prelude to 1984 derives much of its musical material from the numbers 1, 9, 8 and 4. The piece is designed literally as a 'Prelude' to the first chapter of George Orwell's novel, from which it derives its programmatic detail. In a dictatorship that holds complete control over people, 'big brother' surveillance cameras watch over everyone. The main character, Winston Smith, is determined to escape this totalitarian society and find freedom. Stylistically, the piece uses a stark, angular, post-tonal idiom in order to reflect the aforementioned subject matter. However, the work remains accessible for the listener and is appropriate for higher-level pianists, including advanced students and professional players.

Piano Solo - Level 2 - Digital Download SKU: A0.885769 Composed by James McDonald. 20th Century,Children,Contemporary,Instructional,Standards. Score. 3 pages. James McDonald #1919727. Published by James McDonald (A0.885769). I am decided wants to express the feeling of a child determined to go forward with his decision to succeed whatever is task is. This piano piece is for early intermediate pupils and is characterized by a much arpeggiated melody sustained by voluntary chords. The uses of chords and arppeggios is what is most interesting pedagogically with this piece. Have fun!