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Percussion Ensemble Bass Marimba,Percussion - Level 4 - Digital Download SKU: A0.1342892 By Francois Du Bois. By Francois Du Bois. 21st Century,Contemporary,Contest,Festival,Multicultural,Spiritual,World. 23 pages. D-Project Co., Ltd. #928400. Published by D-Project Co., Ltd. (A0.1342892). Au-delà des Astres is a lively ensemble piece featuring percussion and marimba. It exudes a positive spirit with a determined energy to reach beyond boundaries. The composition, written in a major key, carries a dynamic vibe. A notable feature is the solo part in the middle, where the soloist has the flexibility to explore other parts, like marimba 2 or 3, before and after the solo, adding a layer of versatility to the performance.
Au-delà des Astres
Francois Du Bois
$26.00 22.4 € PDF SheetMusicPlus

Marimba Solo - Digital Download SKU: A0.955417 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6035749. Published by Neal Fitzpatrick Editions (A0.955417). This is Impromptu No.6 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
Impromptu No.7 For Marimba
Marimba

$1.99 1.71 € Marimba PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.955406 Composed by Neal Fitzpatrick. Contemporary,Standards,World. Score. 2 pages. Neal Fitzpatrick Editions #6021099. Published by Neal Fitzpatrick Editions (A0.955406). This is Impromptu No.15 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
Impromptu No.15 For Piano
Piano seul

$1.99 1.71 € Piano seul PDF SheetMusicPlus

Recorder Quartet Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download SKU: A0.1083526 Composed by Alfonse X of Castille, el Sabio. Arranged by Cody Sibley. Classical,Renaissance. Recorder Ensemble. 11 pages. Drachen Music #687369. Published by Drachen Music (A0.1083526). The Cantigas de Santa Maria, or “Canticles of Holy Maryâ€, is a collection of over 400 poems set to music. The text of the Cantigas is written in the medieval Galician-Portuguese language. The poems were collected during the reign of Alfonso X of Castile El Sabio (1221–1284) and are characterized by the fact that every one of them mentions the Virgin Mary (with over 300 being about miracles) and that every tenth poem in the collection is an actual hymn. Alfonso sent scribes throughout the region to collect these poems and thus it is not only one of the largest collections of monophonic songs from the Middle Ages it is also one of the first mass collections of living culture in history. Though all are attributed to Alfonso, it has been determined that much of the musical notation, scribing, and illumination was completed by artisans of his court.  This arrangement FEATURES Full Score and Individual Parts for one cantiga as Interpreted by the Arranger from the Original Mensural Notation into a performance quality arrangement for SATB recorders. The title in this arrangement is: 018. Pro Nose de Dulta Tirar This Cantiga de Santa Maria song is also included in the collection titled: Cantigas de Santa Maria for Recorder Quartet Volume 02 which includes a total of 10 individual arrangements from the source material. Note: Song titles are medieval Galician-Portuguese language and are derived by the arranger from the first line of each cantiga lyric. This is another great sheet music arrangement from Drachen Music.
Cantigas de Santa Maria 018 Pro Nose de Dulta Tirar for Recorder Quartet
Quatuor de Flûtes à bec

$8.95 7.71 € Quatuor de Flûtes à bec PDF SheetMusicPlus

Violin solo - Grade 3 - Digital Download SKU: DX.161113 Composed by Isaac Watts. Arranged by Marilyn Carlson. Traditional. Sacred instrumental music. Score and parts. 7 pages. David E. Smith - Digital Sheet Music #161113. Published by David E. Smith - Digital Sheet Music (DX.161113). A solo beginning with unrelated melodic in the piano then join by the soloist in a straight forward manner with the theme. The chorus continues in much the same way and then concluded with a simple transition in the piano. The second verse is much like the first, melodically only supported by changing moods in the piano. The third section melody is in the piano while the soloist presents a gently obbligato. The next transition is more active rhythmically and then concludes in a sense of determined solemnity.
My Shepherd Will Supply
Violon

$4.50 3.88 € Violon PDF SheetMusicPlus

9 organs (8 positivorgans and 1 big organ) and percussion (3 player: 2 Crotales, 5 Wood Blocks, 5 Temple Blocks, 5 Toms, 4 gongs, Tam Tam) - difficult - Digital Download SKU: S9.Q6650 Revolt of the organs. Composed by Jean Guillou. This edition: set of parts. Downloadable, Set of parts. Op. 69. Duration 30 minutes. Schott Music - Digital #Q6650. Published by Schott Music - Digital (S9.Q6650). This work with its unusual instrumentation originates in Guillou's conceptual design of the organ for the new concert hall in Tenerife. The composition project came into being when he determined the specifications of this organ, its scales, the distribution of the organ pipes among eight cases and the arrangement around the audience as well as the design with eight additional manuals. In contrast to its original purpose, the world premiere of the work took place at the parish church of Landsberg near Munich on 12 May 2007.
La Révolte des Orgues

$88.99 76.68 € PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.955394 Composed by Neal Fitzpatrick. Contemporary,Standards,World. Score. 3 pages. Neal Fitzpatrick Editions #6019649. Published by Neal Fitzpatrick Editions (A0.955394). This is Impromptu No.3 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com.
Impromptu No.3 For Piano
Piano seul

$1.99 1.71 € Piano seul PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 187 pages. Graham Boag #685889. Published by Graham Boag (A0.1081763). Back to the Future is a 1985 American science fiction film directed by Robert Zemeckis, and written by Zemeckis and Bob Gale. It stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. Set in 1985, the story follows Marty McFly (Fox), a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Doctor Emmett Doc Brown (Lloyd). Trapped in the past, Marty inadvertently prevents his future parents' meeting-threatening his existence-and is forced to reconcile the pair and somehow get back to the future. Back to the Future was conceived of in 1980 by Gale and Zemeckis. They were desperate for a successful film after numerous collaborative failures, but their idea was rejected over 40 times by studios because it was not considered raunchy enough to compete with the successful comedies of the era. A development deal was secured following Zemeckis' success directing Romancing the Stone (1984). Fox was the first choice to portray Marty, but he was unavailable; Eric Stoltz was cast instead. Shortly after principal photography began in November 1984, Zemeckis determined Stoltz was not right for the part and made the concessions necessary to hire Fox. This included re-filming scenes already shot with Stoltz and adding $4 million to the budget. Back to the Future was filmed in and around California and on sets at Universal Studios. Filming concluded the following April. Replacing Stoltz delayed production and the film's release date but, following highly successful test screenings, the date was brought forward to July 3, 1985, to give Back to the Future more time in theaters. This resulted in a rushed post-production schedule, and some incomplete special effects. Back to the Future was a critical and commercial success, earning $381.1 million to become the highest-grossing film of 1985 worldwide. Critics praised the story, comedy, and the cast-particularly Fox, Lloyd, Thompson, and Glover. It received multiple award nominations and won an Academy Award, Saturn Awards, and a Hugo Award. Its theme song, The Power of Love by Huey Lewis and the News, was a significant success globally. In the years since its release, Back to the Future has grown in esteem and is now considered to be among the greatest films of the 1980s, one of the best science-fiction films ever made, and one of the greatest films of all time. In 2007, the United States Library of Congress selected the film for preservation in the National Film Registry. The film was followed by two sequels, Back to the Future Part II (1989) and Back to the Future Part III (1990). With its effect on popular culture and a dedicated fan following, Back to the Future launched a multimedia franchise. This includes an animated television series, video games, comic books, board games, clothing, music, books, food, toys, collectibles, and theme park rides. Its enduring popularity has led to numerous books about its production, documentaries, and commercials. Back to the Future has been adapted into a 2020 stage musical.
Back To The Future
Orchestre d'harmonie

$59.99 51.69 € Orchestre d'harmonie PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
Prelude 11 in Db Major Lydian
Piano seul
Brian Golden
$5.99 5.16 € Piano seul PDF SheetMusicPlus

2 flutes, oboe, clarinet, 2 bassoons - Digital Download SKU: IZ.PDP221 Composed by Romeo Cascarino. Score and Parts. 59 pages. Imagine Music - Digital #PDP221. Published by Imagine Music - Digital (IZ.PDP221). 9 x 12 in inches.For Two Flutes, Oboe, Clarinet, Two BassoonsBy Romeo Cascarino. The Tow Path (Divertimento for Woodwind Sextet) is a chamber tone poem composed in 1983-1984. As far as can be determined, Cascarino's instrumentation (two flutes, oboe, clarinet, and two bassoons) is unique in the wind chamber music repertoire. The work is cast in a single movement employing a variety of meters and tempi. In a letter to the bassoonist/ conductor Christopher Weait, dated 24 January 1990, Cascarino wrote: The specific tow path I had in mind is located on the Delaware River at New Hope, Pennsylvania.Although my work has no specific program, the moods and feelings aroused at the various times of day, at this beautiful spot, I hope, have been expressed. Bassoonist Otto Eifert conducted the first performance of The Tow Path at the College-Conservatory of the University of Cincinnati on 13 November 1984 in Corbett Auditorium with an ensemble of the Conservatory's students.
The Tow Path
Romeo Cascarino

The Tow Path (Divertimento for Woodwind Sextet) is a chamber tone poem composed in 1983-1984

$30.00 25.85 € PDF SheetMusicPlus

Marimba Solo - Digital Download SKU: A0.955421 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6039281. Published by Neal Fitzpatrick Editions (A0.955421). This is Impromptu No.10 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
Impromptu No.10 For Marimba
Marimba

$1.99 1.71 € Marimba PDF SheetMusicPlus






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