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Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. · Vl. 2) - tiefe Stimmen in Violin- und Bassschlüssel (Fg. · Vl. 3 · Vc.) - Sopran-, Alt- und Tenor-Blockflöten - S. (Trgl. oder Tamb. · Trommel) - Klav. children's choir (SMez), melody instruments and percussion - very easy - Digital Download SKU: S9.Q22789 Spiel für Kinder nach einem Text von Robert Seitz. Composed by Paul Hindemith. This edition: score. Downloadable, Score. Duration 30 minutes. Schott Music - Digital #Q22789. Published by Schott Music - Digital (S9.Q22789). German.CONTENT How does a town intended for children evolve, who lives in it, what forms of transport can be used to get around and how it is also possible that unpleasant moments occur in an urban community? These are all questions which Wir bauen eine Stadt answers in a playful and child-oriented mode. COMMENTARY Since 1926, Hindemith had been pursuing the objective of attracting children and amateur musicians to contemporary music through the composition of especially suitable musical works. In 1927, his musical-educational ambitions led among other projects to the involvement of the youth music movement in his plans for the Baden- Baden chamber music festival in which he was deeply involved in his capacity as member of the programme committee. Neue Musik Berlin 1930, a supplementary event following the Baden-Baden music festival, was to be devoted not only to radio plays, amateur choirs and electric music, but also to the field of ‘plays and songs for children’. The play for children Wir bauen eine Stadt was created in collaboration with the Berlin author Robert Seitz who provided the text and was premièred on 21 June 1930 by children aged between eight and twelve years old providing the final work in the concert Neue Musik Berlin 1930. The work swiftly achieved widespread dissemination and was available in a number of different languages within two years of its completion. Hindemith explained his pedagogical concept behind Wir bauen eine Stadt in a preface to the score as follows: ‘A play for children: this means that this work was more intended as a lesson and exercise for children themselves rather than for the entertainment of adult audiences. The form of the work can be altered according to the appropriate needs of the group of children involved: songs can be omitted and other musical pieces, dances or scenes inserted. An infinite number of children can participate in this work; apart from the minimum of three players for the “orchestraâ€, no specific instrumentation is specified. If numerous musicians are available (perhaps also those with instruments which are played in other registers than the pitches indicated in this work), these can be employed doubling at the octave of the two outer parts to achieve a more interesting texture. The music can additionally be livened up by tambourines, drums and other easily playable percussion. […]’ Alongside three instrumental movements, Hindemith’s play for children primarily consists of choral songs in verse form for one- and two-voice choir with a few simple individual solo parts. This classic children’s theatre composition has up to the present day retained its prominent place within the (school) theatre repertoire. Six pieces from this work were issued in a piano version for children in 1931 under the title: Wir bauen eine Stadt. Klavierstücke für Kinder. (S. Sch.-G.) EDITOR’S NOTE A documentation of national premieres is not possible with Wir bauen eine Stadt. The performance material is on sale at music dealers and performance right is included by purchasing the material, without further involvement of the publisher.
Wir bauen eine Stadt

$15.99 13.88 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.939813 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 139 pages. Richard St. Clair #4760561. Published by Richard St. Clair (A0.939813). This work, running over 50 minutes performance time, is a dramatic presentation of the Beowulf epic from Medieval England. The action is compelling throughout, with prominent solo and full chorus passages. The Audio Clip presents the complete Overture and highlights from Scene 1 and the battle with Grendel and the joyful conclusion of Scene 4. This work is not intended for stage production, but with imagination it could be presented on stage. Rather, the concept is for concert performance. The Score, 139 pages long, is the complete piano-vocal score.
Beowulf: A Classical Melodrama in Four Scenes for Chorus, Soiloists and Piano
Chorale SATB

$100.00 86.83 € Chorale SATB PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1511499 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by John Ivor Holland. 21st Century,Christmas,New Age,Religious,Singer/Songwriter. 48 pages. John Ivor Holland #1086655. Published by John Ivor Holland (A0.1511499). In 2006, Enya started work on a Christmas album of traditional carols and original tracks, but the idea was changed to a collection of songs with a Christmas or winter theme as it better suited the style of the new material. It was recorded with her long-time collaborators, arranger and producer Nicky Ryan and his wife, lyricist Roma Ryan. Journey of the Angels is from this album, 'And Winter Came...' and was written in the style of what Enya described as a slow traditional carol; she chose it as a personal highlight. The song is dedicated to the American director and editor Tim Royes, who produced the music videos for Enya's songs Amarantine and It's in the Rain and died in 2007. This arrangement for concert band is part of an ongoing project to bring more music by women composers into the worldwide repertoire and features prominent parts for Cor Anglais (cued if not available) and tubular bells (chimes) to really bring out the wintery atmosphere. The ending should just float away to nothing...
Journey Of The Angels
Orchestre d'harmonie
Enya
$59.99 52.09 € Orchestre d'harmonie PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 2 - Digital Download SKU: A0.1270954 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #863338. Published by jmsgu3 (A0.1270954). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Bass Clarinet Trio
3 Clarinettes (trio)

$24.95 21.66 € 3 Clarinettes (trio) PDF SheetMusicPlus

Soprano Saxophone Duet Soprano Saxophone - Level 3 - Digital Download SKU: A0.589326 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score. 5 pages. David McKeown #6022269. Published by David McKeown (A0.589326). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for two Soprano Saxophones. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
Silver Wedding, Klezmer Tune for Soprano Saxophone Duet
2 Saxophones (duo)

$3.99 3.46 € 2 Saxophones (duo) PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'.  This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
Mendelssohn: Wedding March for Tenor Sax & Piano
Saxophone Tenor et Piano

$32.95 28.61 € Saxophone Tenor et Piano PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.723283 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Graduation,Sacred. Score and part. 11 pages. Lagom Music #6083317. Published by Lagom Music (A0.723283). This beautiful solo arrangement is one of composer Garrett Breeze’s most memorable works as it seamlessly weaves together two of England’s most beloved hymn tunes: Nettleton and Thaxted. Nettleton is most commonly heard today as the tune for the popular hymn Come, Thou Fount of Every Blessing. Thaxted has a prominent place in classical repertoire as the focal point of Gustav Holst’s Jupiter from The Planets. Suitable for church services, weddings, graduations, and recitals.Visit https://garrettbreeze.com to read my blog and discover new music!
Come, Thou Fount of Every Blessing (Jupiter) - Solo Bari Sax & Piano
Saxophone Baryton, Piano

$5.99 5.2 € Saxophone Baryton, Piano PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.515184 Composed by Joseph Lacalle. Arranged by Kenneth Abeling. Film/TV,Latin,Wedding. Score and parts. 18 pages. LINCOLN MUSIC PUBLICATIONS #5020393. Published by LINCOLN MUSIC PUBLICATIONS (A0.515184). Amapola, Music by Spanish American Composer Joseph Lacalle (formerly Jose Maria Lacalle Garcia) and arranged here for Brass Quintet. This lovely piece has been recorded by dozens of prominent vocal artists, Operatic to Pop, and instrumentally as well as being featured in several movies. This is moderate level “Tango-ish†arrangements and suitable for general performance and other special events such as Weddings. Playing time 3:20. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
Amapola (for Brass Quintet)
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$14.99 13.02 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0000831_TN1 1st Trombone. Composed by John O'Reilly. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000831_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000831_TN1). UPC: 038081270258.Syncopated brass and driving percussion open this sparkling concert selection. The rhythmic woodwind melody that enters after the brief introduction is set in the Dorian mode, a tonality that dominates the remainder of the piece. The very prominent percussion section gives way to a more delicate woodblock, triangle and tambourine ostinato that accompanies the light hearted second theme. Trumpets now take over the melody and the style hints at the early Hispanic roots of Chico Hills. A lyrical theme in the original Dorian mode highlights the slower middle section that builds to a dramatic climax before returning to the opening Allegro and a short exciting conclusion.
Chino Hills: 1st Trombone
Orchestre d'harmonie

$3.00 2.6 € Orchestre d'harmonie PDF SheetMusicPlus






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