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Clarinet Trio,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1303195 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber. 11 pages. Andrew Lamb #892794. Published by Andrew Lamb (A0.1303195). Introducing Derlin Din Din - Clarinet Trio Arrangement 🎶🌟 Discover this exquisite arrangement of Émile Pessard's charming composition, Derlin Din Din, expertly crafted for 3 Clarinets.🎼 Level of Difficulty: Intermediate 🎵 Perfect for budding clarinetists looking to enhance their skills and explore the delightful world of classical music.🎯 Potential Uses: 🔸 Concerts: Showcase your ensemble's talent with this enchanting piece that's sure to captivate your audience. 🔸 Recitals: Add a touch of sophistication to your recital program with this beautifully arranged classic. 🔸 Educational Purposes: Ideal for teaching and learning purposes, allowing students to delve into the works of a renowned French composer.â„¹ï¸ About the Composer: Émile Louis Fortuné Pessard (29 May 1843 – 10 February 1917) was a prominent French composer with an illustrious career. He earned accolades at the Conservatoire de Paris and went on to win the Grand Prix de Rome, solidifying his place in music history. Pessard's influence extended to notable students, including the likes of Maurice Ravel and Jacques Ibert.🎶 Embrace the legacy of Émile Pessard and elevate your clarinet trio's repertoire with this arrangement of Derlin Din Din.Don't miss out! This arrangement is your gateway to the world of classical music. 🎵👠Like and Subscribe to stay updated with more musical treasures and enrich your musical journey.Experience the magic of Derlin Din Din today! 🎶✨.
Derlin Din Din (for Clarinet Trio)
3 Clarinettes (trio)
Emile Pessard
$4.00 3.42 € 3 Clarinettes (trio) PDF SheetMusicPlus

Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. · Vl. 2) - tiefe Stimmen in Violin- und Bassschlüssel (Fg. · Vl. 3 · Vc.) - Sopran-, Alt- und Tenor-Blockflöten - S. (Trgl. oder Tamb. · Trommel) - Klav. children's choir (SMez), melody instruments and percussion - very easy - Digital Download SKU: S9.Q22789 Spiel für Kinder nach einem Text von Robert Seitz. Composed by Paul Hindemith. This edition: score. Downloadable, Score. Duration 30 minutes. Schott Music - Digital #Q22789. Published by Schott Music - Digital (S9.Q22789). German.CONTENT How does a town intended for children evolve, who lives in it, what forms of transport can be used to get around and how it is also possible that unpleasant moments occur in an urban community? These are all questions which Wir bauen eine Stadt answers in a playful and child-oriented mode. COMMENTARY Since 1926, Hindemith had been pursuing the objective of attracting children and amateur musicians to contemporary music through the composition of especially suitable musical works. In 1927, his musical-educational ambitions led among other projects to the involvement of the youth music movement in his plans for the Baden- Baden chamber music festival in which he was deeply involved in his capacity as member of the programme committee. Neue Musik Berlin 1930, a supplementary event following the Baden-Baden music festival, was to be devoted not only to radio plays, amateur choirs and electric music, but also to the field of ‘plays and songs for children’. The play for children Wir bauen eine Stadt was created in collaboration with the Berlin author Robert Seitz who provided the text and was premièred on 21 June 1930 by children aged between eight and twelve years old providing the final work in the concert Neue Musik Berlin 1930. The work swiftly achieved widespread dissemination and was available in a number of different languages within two years of its completion. Hindemith explained his pedagogical concept behind Wir bauen eine Stadt in a preface to the score as follows: ‘A play for children: this means that this work was more intended as a lesson and exercise for children themselves rather than for the entertainment of adult audiences. The form of the work can be altered according to the appropriate needs of the group of children involved: songs can be omitted and other musical pieces, dances or scenes inserted. An infinite number of children can participate in this work; apart from the minimum of three players for the “orchestraâ€, no specific instrumentation is specified. If numerous musicians are available (perhaps also those with instruments which are played in other registers than the pitches indicated in this work), these can be employed doubling at the octave of the two outer parts to achieve a more interesting texture. The music can additionally be livened up by tambourines, drums and other easily playable percussion. […]’ Alongside three instrumental movements, Hindemith’s play for children primarily consists of choral songs in verse form for one- and two-voice choir with a few simple individual solo parts. This classic children’s theatre composition has up to the present day retained its prominent place within the (school) theatre repertoire. Six pieces from this work were issued in a piano version for children in 1931 under the title: Wir bauen eine Stadt. Klavierstücke für Kinder. (S. Sch.-G.) EDITOR’S NOTE A documentation of national premieres is not possible with Wir bauen eine Stadt. The performance material is on sale at music dealers and performance right is included by purchasing the material, without further involvement of the publisher.
Wir bauen eine Stadt

$15.99 13.67 € PDF SheetMusicPlus

E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.765064 Composed by Mykola Leontovich. Arranged by Lori Archer Sutherland. Christmas,Folk,Holiday,Multicultural,World. Score and part. 6 pages. Lori Archer Sutherland #5853791. Published by Lori Archer Sutherland (A0.765064). For Eb clarinet and piano Originally derived from a Ukranian folk tune, Mykola Leontovich composed Shchedryk for choir in 1916. It depicts a swallow arriving to tell the household of the arrival of spring and good fortune for the next year. The original folk song was often sung as a well-wishing song at the new year (January 13th on the Julian calendar). The song is often referred to as the Ukranian Bell Carol.After the song was performed in the United States in 1921, a prominent choir director wrote new lyrics that reflected a Christmas scene, inspired by tones sounding like bells in the song. That version (Carol of the Bells) has remained popular in the U.S.
Shchedryk (Ukranian Bell Carol)
Clarinette et Piano

$4.99 4.27 € Clarinette et Piano PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0001473_WPTBBBC (wp) B-flat Tuba B.C.. Arranged by Michael Story and Robert W. Smith. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001473_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001473_WPTBBBC). UPC: 038081327907.The most prominent native Eskimo folk tunes are dance songs generally based on the pentatonic scale. The songs are traditionally sung by women all while the men beat drums. Eskimo Dance is based on the Alaskan Indian song The Three Brothers. Scored for your second year ensemble, this choice will meet multicultural objectives and also serve as gallant performance literature as well. (2:03) This title is available in SmartMusic.
Eskimo Dance: (wp) B-flat Tuba B.C.
Orchestre d'harmonie

$3.00 2.56 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.855032 Composed by Katherine Hankey(1834-1911) William G. Fischer(1835-1912. Arranged by Joseph Pugh. Sacred. Score and parts. 32 pages. Joseph Pugh #6072607. Published by Joseph Pugh (A0.855032).  (Annabelle) Catherine Hankey  was the daughter of a wealthy banker and was associated with the Clapham sect of William Wilberforce, a group of prominent evangelical Anglicans from the Clapham area. She wrote the lyrics.   In his youth, William G. Fischer developed an interest in music while attending singing schools. His career included working in the book bindery of J. B. Lippencott Publishing Company, teaching music at Girard College, and co-owning a piano business and music store–all in Philadelphia. and he wrote the music of this Hymn arranged for the Symphonic Orchestra by Joseph Pugh.
I Love To Tell The Story (Orchestra)
Orchestre d'harmonie

$29.99 25.63 € Orchestre d'harmonie PDF SheetMusicPlus

Oboe Duet Oboe - Level 3 - Digital Download SKU: A0.589321 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score. 5 pages. David McKeown #6022257. Published by David McKeown (A0.589321). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for two Oboes. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
Silver Wedding, Klezmer Tune for Oboe Duet
2 Hautbois (duo)

$3.99 3.41 € 2 Hautbois (duo) PDF SheetMusicPlus

Bassoon,Piano - Level 3 - Digital Download SKU: A0.723278 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Graduation,Sacred. Score and part. 11 pages. Lagom Music #6083025. Published by Lagom Music (A0.723278). This beautiful solo arrangement is one of composer Garrett Breeze’s most memorable works as it seamlessly weaves together two of England’s most beloved hymn tunes: Nettleton and Thaxted. Nettleton is most commonly heard today as the tune for the popular hymn Come, Thou Fount of Every Blessing. Thaxted has a prominent place in classical repertoire as the focal point of Gustav Holst’s Jupiter from The Planets. Suitable for church services, weddings, graduations, and recitals.Visit https://garrettbreeze.com to read my blog and discover new music!
Come, Thou Fount of Every Blessing (Jupiter) - Solo Bassoon & Piano
Basson, Piano (duo)

$5.99 5.12 € Basson, Piano (duo) PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.723283 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Graduation,Sacred. Score and part. 11 pages. Lagom Music #6083317. Published by Lagom Music (A0.723283). This beautiful solo arrangement is one of composer Garrett Breeze’s most memorable works as it seamlessly weaves together two of England’s most beloved hymn tunes: Nettleton and Thaxted. Nettleton is most commonly heard today as the tune for the popular hymn Come, Thou Fount of Every Blessing. Thaxted has a prominent place in classical repertoire as the focal point of Gustav Holst’s Jupiter from The Planets. Suitable for church services, weddings, graduations, and recitals.Visit https://garrettbreeze.com to read my blog and discover new music!
Come, Thou Fount of Every Blessing (Jupiter) - Solo Bari Sax & Piano
Saxophone Baryton, Piano

$5.99 5.12 € Saxophone Baryton, Piano PDF SheetMusicPlus

Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1486753 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Samuel Beddard. 20th Century,21st Century,Broadway,Jazz,Musical/Show,Pop. 55 pages. Samuel Beddard #1063820. Published by Samuel Beddard (A0.1486753). Feeling Good for SSAAATTTBBBs Saxophone OrchestraWritten for and dedicated to Phoenix Saxophone Orchestra, UKOriginally written by Bricusse and Newley for the 1964 musical The Roar of Greasepaint, Feeling Good was popularised by Nina Simone in the following year and was later covered by Michael Buble in its most recent release. This arrangement features a prominent solo part (including optional improvisation) for Tenor Saxophone 1, as well as written solos from Soprano Saxophone 1 and Baritone Saxophone 1 intermixed. This is the perfect show piece for any intermediate or advanced saxophone ensemble.Parts:Soprano Saxophone 1 & 2Alto Saxophone 1, 2 & 3Tenor Saxophone 1, 2 & 3Baritone Saxophone 1 & 2Bass Saxophone.
Feeling Good
Michael Buble
$19.99 17.09 € PDF SheetMusicPlus

Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
Hautbois, Piano (duo)

$20.00 17.1 € Hautbois, Piano (duo) PDF SheetMusicPlus

Instrumental Duet,Piano B-Flat instrument,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.712084 Composed by Franz Joseph Haydn. Arranged by Sandra Zylstra. Classical,Contest,Festival,Standards. Score and individual part. 8 pages. Sandra dee zylstra #1910021. Published by sandra dee zylstra (A0.712084). Haydn was a prominent composer of the Classical period and is known as the Father of the Symphony. Enjoy this arrangement of one of his Sonatinas. This piece is arranged as a late intermediate treble Bb instrument solo with piano accompaniment and a separate instrument part. (Approximately 2 minutes, 6 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/ .
Sonatina-Haydn (treble Bb instrument solo)

$4.25 3.63 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1279977 By Carole King. By Carole King and Gerry Goffin. Arranged by Jack Majdecki Music. Contemporary,Pop,Rock,Soul,Standards. Score. 5 pages. Jack Majdecki Music #871395. Published by Jack Majdecki Music (A0.1279977). HEY GIRL for piano/vocal.  This is a playable piano/vocal arrangement based on the original recording by Carole King of this legendary hit song.  This is the original key - a good alto voice key of Ab for this song.  The arrangement was done by Jack Majdecki and music preparation done by lamusicprep.com.  LA Music Preparation is a prominent music preparation company based in Los Angeles and does arrnagements and copywork for many artists and performers worldwide.  For other keys, contact lamusicprep.com after purchase.
Hey, Girl
Piano, Voix
Carole King
$5.99 5.12 € Piano, Voix PDF SheetMusicPlus

Clarinet Choir,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1500810 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by David Boyd. Pop. 30 pages. David Boyd #1076879. Published by David Boyd (A0.1500810). IntroductionNever Gonna Give You Up, a classic pop anthem by Rick Astley, has been reimagined for clarinet choir, bringing its infectious melody and driving rhythm into a new, sonorous setting. This arrangement captures the essence of the original while exploring the rich timbral possibilities of the clarinet family. It aims to provide a fun and engaging performance experience for players and an entertaining piece for audiences.Instrumentation:E-flat ClarinetB-flat Clarinet 1B-flat Clarinet 2B-flat Clarinet  3B-flat Clarinet  4B-flat Clarinet  5B-flat Clarinet  6 (Alternate E-flat Clarinet)B-flat Clarinet  7 (Alternate E-flat Alto Clarinet)Basset Horn in F (Alternate E-flat Alto Clarinet)E-flat Alto ClarinetB-flat Bass Clarinet 1B-flat Bass Clarinet 2B-flat Bass Clarinet 3E-flat Contra Alto ClarinetB-flatContrabass ClarinetDrum Kit (optional)I encourage you to adapt this instrumentation to your ensemble as needed. Alternate B-flat parts are provided. The alto clarinet solo is cued in both the Basset Horn and Clarinet 7 part. The Clarinet 1 solo is cued an octave lower in Clarinet 2.Structure and FormThe arrangement retains much of the original song's form in a condensed format, including the iconic intro, verse, and chorus. It omits the bridge entirely. Careful attention has been given to the balance and texture, ensuring each section of the clarinet choir contributes to the overall sound.Performance ConsiderationsDynamics and Articulation: Players should pay close attention to the dynamic contrasts throughout the arrangement. The verses should be lighter and more articulate, while the chorus demands a fuller, more resonant sound. Articulations are marked to mimic the vocal phrasing of the original song, so accents and staccatos should be crisp and well-defined.Balance and Blend: Given the diverse range of voices in the clarinet choir, balance is crucial. The melody must always be prominent, particularly in the chorus where it may be in unison across several voices. Ensure that the supporting lines do not overpower the melody, especially in the lower clarinets.Technical Challenges: While the arrangement is accessible to intermediate players, some sections, particularly in the Eb Clarinet and 1st Bb Clarinet parts, may require attention to finger dexterity and breath control. Encourage players to practise these passages slowly, focusing on evenness of tone and clarity.
Never Gonna Give You Up
Ensemble de Clarinettes
Rick Astley
$19.99 17.09 € Ensemble de Clarinettes PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.631991 Composed by Aaron Lee. 20th Century,Classical,Contemporary,Jewish,Sacred. Octavo. 11 pages. J. Aaron Lee #241069. Published by J. Aaron Lee (A0.631991). This choral work draws from the Yiddish folksong, Zayt Gezunterheyt, as well as Psalm 41 to create a work that seeks to emphasize the importance of empathy and caring for our fellow humans. Suitable for both religious and secular settings, this work features a prominent piano part and could even be viewed as a duet between the chorus and the piano. Some chromatic harmony makes this work slightly more challenging, and would be suitable for an intermediate to advanced-intermediate choir. Originally written for TTBB chorus, this arrangement for SATB choir was done by the composer. For more music from Aaron Lee, you can visit www.musicoflee.com.
Blessed Are They (Psalm 41, for SATB Choir)
Chorale SATB

$2.49 2.13 € Chorale SATB PDF SheetMusicPlus






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