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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792439 Composed by Erik Satie. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and parts. 27 pages. Gordon Cherry #4821673. Published by Gordon Cherry (A0.792439). Erik Saties Trois Sarabandes were composed in September 1887 and based on the poetry of J.P. Contamine de Latour (1867-1926). The second Sarabande is dedicated to Maurice Ravel. The Sarabande is a Renaissance dance in 3/4 time.  Originally for the Piano, these three works are very slow, rich in harmony and dreamy in mood, making them excellent vehicles to show off the rich texture of the five-part Trombone ensemble. The three movements are about 12 minutes in length and can be performed by moderate to advanced performers (the 1st part is in alto clef and reaches a high E-flat, but the other parts are more moderate in difficulty.
Trois Sarabandes for 5 Trombones

$20.00 17.37 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.976865 Composed by Monica Bergo. Children,Contemporary. Score. 13 pages. Monica Bergo #3239653. Published by Monica Bergo (A0.976865). 2017 Holiday Contest Entry                        Come Scrooge (Ghost's Christmas) Din-don din-don suonan le campane ad ogni rintocco ti ricordan che è Natale sono ombra,buio è il tempo che mi porta sono il tuo fantasma proprio come fu per Scrooge   Mi seguirai nel già vissuto ti immergerai dentro al passato come un pittore che ha sbagliato i suoi colori come un'attrice che il suo ruolo più non ha camminerai dentro la nebbia dei tuoi errori finchè quell'irrisolto sparirà   Che senso ha questo tuo folle viaggio non cambierà niente col tuo passaggio non amerò quei tuoi natali infreddoliti quella tua neve che li imbianca io odierò e quegli auguri non sinceri e comandati abbracci ipocriti rifiuterò   come vampiri nella notte ci muoviamo in  libertà e trasformati in pura luce noi voliamo via da qua   sfioro la luna, immensa e bianca solo lei non cambia mai la sua  immortalità spaventa è luce eterna su di noi   la mia casa è là un punto lontano e mi manca già la mia realtà   e ora siamo qua e l'angoscia mi attanaglia quanto grigio e che male fa ogni giorno una battaglia in silenzio urlo dentro di me la mia anima è già stanca e vorrei fuggir via   lì nascosta c'è una bimba vuol venire via con me e mi guarda impaurita mi ha riconosciuta sono io a una vita da qua   un istante che pare sia eterno ci guardiamo negli occhi io e lei la domanda inespressa è sempre la stessa mi chiede se ciò cambierà   vorrei solo abbracciarla e cullarla sai l'istinto materno com'è? ma il fantasma mi dice non si interferisce il passato rimanga com'è   E fa Din - Don Din-Don  la triste campana apro  gli occhi e ascolto la sua melodia lontana è già l'una in punto aspetto il mio fantasma sono un fiore e come al vento io gli ubbidirò   Vieni con me no, aspetta non parlare conosco già ciò che mi vuoi mostrare ma non c'è nulla che non so del mio presente portami allora nel futuro come Scrooge tu incappucciato sei un fantasma un po' inquietante ma io non temo ciò che mi accadrà   così attraverso quel confine che incatena tutti noi battito d'ali di farfalle così volan gli anni miei e come un film ormai datato che nessuno vede mai io spettatrice solitaria che fermarmi ora vorrei   come un libro che svela il suo finale il futuro è qua è scritto già   e ora siamo qua una  dimensione nuova non conosco questa realtà questi luoghi e le persone sono tristi e stan piangendo sembra che stian sussurando il nome mio   ed inciampo tra maschere bianche sembra che Carnevale sia qua ed è un tragico samba mi unisco alla danza che il mio funerale sarà   Sto bussando alla porta del cielo chiedo se ci sia un posto pe rme
Come Scrooge (Il fantasma del Natale)
Piano seul

$3.99 3.47 € Piano seul PDF SheetMusicPlus

Alto Saxophone Solo - Digital Download SKU: A0.1442740 Composed by Jailton de Oliveira. 21st Century,Chamber,Classical,Contemporary. Individual part. 3 pages. Jailton de Oliveira #1022717. Published by Jailton de Oliveira (A0.1442740). Beryllisations No. 1, for Alto SaxophoneThe work belongs to a series of ten works for solo Alto Saxophone, composed between 2017 and 2019. The title Beryllisations is derived from the word Beryl. Beryl is a type of mineral. It is a crystal that appears in nature in different colors, the best known being green and blue. The green Beryl is Emerald and the blue is Aquamarine. The composer chose this title as a tribute to his homeland (Medina, in Minas Gerais) where the Aquamarine gemstone is widely found. On the other hand, there is also a poetic intention to seek to musically transcribe, through sounds, rhythms and timbres, the different colors and shapes in which Beryl is found in nature.
Beryllisations No.1
Saxophone Alto

$2.95 2.56 € Saxophone Alto PDF SheetMusicPlus

Easy Piano - Level 2 - Digital Download SKU: A0.1416228 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by Ken Litton. Christian,Instructional,Praise and Worship,Religious,Sacred. Score. 2 pages. Artist of Note, Inc. #997260. Published by Artist of Note, Inc. (A0.1416228). How Great Thou Art MEDIUM EASY PIANOStuart K. Hine served as a British Methodist missionary for a time in Ukraine. In 1931 he heard the Russian translation of a German song inspired by Carl Boberg's poem O Store Gud (O Great God). Hine translated the song to English and added verses. The central theme appears in the third verse: And when I think that God, His Son not sparing, sent Him to die, I scarce can take it in. Mr. Hine and his family left Ukraine as famine and World War Two began, settling in Somerset, Britain, where he continued to serve in missionary efforts. And, although several competing translations appeared through the years, this version of the lyric was published in 1949 and quickly spread in popularity. It was first widely used, though after further introduction by the Billy Graham Evangelistic Team in its London Crusade of 1954, as well as in subsequent American meetings.Colossians 1:16Psalm 90:2Psalm 105:2Expressed simply and clearly for beginning pianists, with fingering suggestions for both teacher and player, itâ??s a perfect choice for prelude, brief offertory, recital or other occasions and itâ??s perfect for each of the stanzas from most hymnals.Soâ?¦check out other versions of How Great Thou Art, including EASY PIANO from Studio B ProductionsThanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard!
How Great Thou Art
Piano Facile
Martina McBride
$4.99 4.33 € Piano Facile PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1193450 Composed by Mahamed Amine Bouguenna. Arranged by Marek Czekala. Film/TV,Latin. Score and Parts. 33 pages. Marek Czekala #792913. Published by Marek Czekala (A0.1193450). Por una Cabeza is a tango song written in 1935 with music by Carlos Gardel and lyrics by Alfredo Le Pera. The name is a Spanish horse-racing phrase meaning by a head, which refers to a horse winning a race narrowly – by just the length of its head. The lyrics speak of a compulsive horse-track gambler who compares his addiction for horses with his attraction to women. Alfredo Le Pera was born in Brazil, son of Italian immigrants. Le Pera and Gardel died in an aeroplane crash in Medellín, on Monday, June 24, 1935. Por Una Cabeza is featured in a famous tango scene in Martin Brest's film Scent of a Woman (1992), in the opening scene of Steven Spielberg's Schindler's List (1993) and in James Cameron's True Lies (1994). Wikipedia.
Pour Una Cabeza
Orchestre

$50.00 43.43 € Orchestre PDF SheetMusicPlus

Alto Saxophone Solo - Digital Download SKU: A0.1442747 Composed by Jailton de Oliveira. 21st Century,Chamber,Classical,Contemporary. Individual part. 4 pages. Jailton de Oliveira #1022724. Published by Jailton de Oliveira (A0.1442747). Beryllisations No. 2, for Alto SaxophoneThe work belongs to a series of ten works for alto saxophone, composed between 2017 and 2019. The title Beryllisations is derived from the word Beryl. Beryl is a type of mineral. It is a crystal that appears in nature in different colors, the best known being green and blue. The green Beryl is Emerald and the blue is Aquamarine. The composer chose this title as a tribute to his homeland (Medina, in Minas Gerais) where the Aquamarine gemstone is widely found. On the other hand, there is also a poetic intention to seek to musically transcribe, through sounds, rhythms and timbres, the different colors and shapes in which Beryl is found in nature.
Beryllisations No. 2
Saxophone Alto

$2.95 2.56 € Saxophone Alto PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance.  An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy  (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping.  3. La Cathédrale de Rouen  (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air.  4. Les Parapluies  (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through.  5. Au Moulin Rouge  (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in,  as required.     
Five French Masters

$59.99 52.1 € PDF SheetMusicPlus






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